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SEGUENDO LE TRACCE

Banco Del Mutuo Soccorso

Rock Progressivo Italiano


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Banco Del Mutuo Soccorso Seguendo Le Tracce album cover
4.10 | 47 ratings | 7 reviews | 41% 5 stars

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Live, released in 2005

Songs / Tracks Listing

1. R.I.P (English Version) (8:58)
2. L'albero del pane (5:01)
3. La danza dei grandi rettili (11:31)
4. Passaggio (0:50)
5. Non mi rompete (6:03)
6. Dopo... niente é più lo stesso (12:36)
7. Traccia II (3:27)
8. Metamorfosi (26:15)

Total Time: 74:47

Lyrics

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Music tabs (tablatures)

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Line-up / Musicians

- Francesco Di Giacomo / vocals
- Gianni Nocenzi / piano, electric piano, clarinet
- Vittorio Nocenzi / keyboards
- Rodolfo Maltese / guitars and trumpet
- Roberto D'Angelo / bass guitar
- Pierluigi Calderoni / drums and percussions

Releases information

Recorded live at Teatro Verdi in Salerno, Italy - 23 April 1975

CD MaRaCash Records MRC003 (2005)

Thanks to ProgLucky for the addition
and to NotAProghead for the last updates
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DarwinDarwin
Import
Sony/Bmg Italy 1999
Audio CD$5.52
$6.76 (used)
Banco Del Mutuo SoccorsoBanco Del Mutuo Soccorso
Import
Sony Import 2012
Audio CD$19.05
$25.32 (used)
Io Sono Nato LiberoIo Sono Nato Libero
Import
Sony/Bmg Italy 1998
Audio CD$7.92
$5.98 (used)
Di TerraDi Terra
Import
EMI Music Italy 1995
Audio CD$7.88
$10.49 (used)
Banco Del Mutuo SoccorsoBanco Del Mutuo Soccorso
Import · Limited Edition
Bmg Japan 2006
Audio CD$68.30
$29.74 (used)
Garofano RossoGarofano Rosso
Import
Emi Uk/Zoom 2007
Audio CD$7.88
$5.99 (used)
Come in Unultima CenaCome in Unultima Cena
Import
Emi 2007
Audio CD$5.27
$9.98 (used)
Canto Di PrimaveraCanto Di Primavera
Import
EMI Music Italy 1995
Audio CD$7.79
$15.63 (used)
EssentialEssential
Import
EMI International 2012
Audio CD$4.56
$11.41 (used)
Seguendo Le TracceSeguendo Le Tracce
Import
Imports 2005
Audio CD$16.15
$31.28 (used)
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BANCO DEL MUTUO SOCCORSO Seguendo Le Tracce ratings distribution


4.10
(47 ratings)
Essential: a masterpiece of progressive rock music(41%)
41%
Excellent addition to any prog rock music collection(43%)
43%
Good, but non-essential (5%)
5%
Collectors/fans only (5%)
5%
Poor. Only for completionists (7%)
7%

BANCO DEL MUTUO SOCCORSO Seguendo Le Tracce reviews


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Collaborators/Experts Reviews

Review by erik neuteboom
PROG REVIEWER
4 stars This live-CD from 1975 by the Italian progrock legend BANCO showcases the band at their artistic pinnacle. Their sound is based upon the magnificent, omnipresent duo- keyboardplay (organ, synthesizers, acoustic - and electric piano, strings) by the Nocenzi brothers and the powerful voice from Francesco Di Giacomo, loaded with pathos. The tracking-list is great featuring "R.I.P." (beautiful interlude delivering moving piano, vocals and acoustic guitar), "L'Alberto Del Pane" (splendid varied keyboards), "La danza dei gandi Rettilli" (a swinging blend of symphonic, blues and jazz), "Passagio", "Non mi rompete" (pleasant acoustic guitarplay), "Dopo . niente e piu lo stesso (wonderful sumptuous keyboards and great vocals), "Traccia II" (fine acoustic pianoplay along trumpet and synthesizer) and an extended version (at about 26 minutes) of "Metamorfosi" (including a long and virtuosic piano solo and lots of exciting keyboards and shifting moods). If you do not own records from BANCO, this one is a perfect start. I have a lot of records from BANCO in my collection but this will be my favorite!

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Send comments to erik neuteboom (BETA) | Report this review (#34528) | Review Permalink
Posted Tuesday, April 05, 2005

Review by ExittheLemming
PROG REVIEWER
4 stars Any country shaped like a boot is capable of kicking some serious butt

It's a constant source of both delight and bewilderment to me that for a country where turmoil would represent some sort of stability, it's Italy that has produced some of the finest Progressive Rock on the planet. Perhaps some eminently qualified sociologist might eventually come up with a plausible explanation as to why other similarly volatile Mediterranean nations have to date bequeathed only Julio Iglesias, Nana Mouskouri and Demis Roussos by way of recompense. (The latter trio I'm sure we might agree, represent a crippling 1st world debt sufficient to have cultural attaches seeking the protection afforded by filing for bankruptcy)

With three highly lauded studio albums behind them Banco were at or very near their creative peak when this concert performance was captured in Salerno, Italy in 1975. First of all the recording quality is pristine and you could be forgiven for doing a double take at the sleeve just to check it wasn't recorded 10 years later. Every single nuance of the playing and dynamics is captured faithfully here right down to the drummer's individual hi-hat strokes and apart from Cook by PFM there are precious few other documents attesting to the potency of the RPI heavyweights in the live realm.(I swear you can hear Pierluigi Calderoni's bum squeaking on his drum stool between tracks)

Prog bands with two keyboard players are rarer than penniless lawyers and apart from Greenslade and Ange I can't think of any other instances that spring readily to mind. The Nocenzi brothers clearly state their specialities from the outset with Vittorio covering organ, synths and string pads while Gianni's contribution is that of acoustic and electric pianos. If that were not sufficient enticement for y'all, Banco also provide at various junctures some alternately jazzy and ambient clarinet, flute and trumpet to add yet more textural diversity to an already heady mix. These reed passages conjure up the aura of an intimate baroque chamber music which sits quite appropriately as effective contrast to the surrounding electronic mayhem this group are more than capable of delivering. The band also exploit the medieval flavour of the harpsichord to authentic and quaint effect. I cannot help but envisage a stately procession in some provincial outpost of the Mezzogiorno replete with grimed pageantry when I hear Traccia II (all that's missing to complete this indolent day-dream is flag waving peasants at the roadside cheering the assembly along)

Had Placido Domingo strayed out of youthful curiosity into a groovy Rome watering hole circa 1969 and had his neat orange cordial spiked by some unscrupulous roadies, the night might have ended either in a Carabinieri baton charge or a glimpse of the future Francesco Di Giacomo. This critter has the voice of an angel trapped in the unprepossessing physique of a derelict tubby leprechaun. These are tonsils that make even rivet eating welders, tax accountants and rugby players weep unashamedly. Our Francesco is tantamount to the living embodiment of the 'Italian melodic tradition' that Banco preserve jealously in their otherwise healthy disavowal of the yoke of the past. Although he is clearly a trained diaphragm singer, the oft quoted 'operatic' tag is rather wide of the mark hereabouts as the classical flavour is but textural only i.e. he phrases and enunciates like a Mediterranean folk singer at heart. If you listen to the slowly building climax to RIP circa 5 minutes in you are witness to nothing less than white European soul music every bit as emotive, heartfelt and legitimate as that emanating from Smokey Robinson, Marvin Gaye, Al Green et al. I seem to have spent a large part of my formative years reading the gutless passive racism of white music journalists who would sully such comparisons as part of a lazy agenda to demarcate soulfulness as a tourist attraction. Framed within Gianni Nocenzi's exquisitely beautiful piano accompaniment it's the sound of this voice that stirs the human heart, not the lyrics whether they be in halting English or the fluent nurturing mother tongue of the singer. That's what soul music is and it's here in spades.

I suspect that of the two Nocenzi brothers, it's Gianni that pushes Banco to their avant oriented limits the most as his playing betrays the influence of Bartok, Gulda, Ginastera, 'astringent' Emerson, Stravinsky, Loussier and even some of the ideas of John Cage. This dude is a phenomenon Prog lovers and whether it's bluesy jazz licks, tonal clusters, understated harmonic support or plain vanilla ivory GBH yer wanting, Gianni delivers every time. Check out his lengthy solo on Metamorfosi which undergoes a punning transitional mutation from eastern European folk modes via a splendid imitation of what the instrument would resemble if filled with ping pong balls via a delay effect until its terrifying violent climax where he strips the piano's percussion family tree with an Oedipal fury that must represent a landmark in 'sphincter tightening' moments in Prog. Prepared piano is one thing but woe betide the unprepared listener who is in for a very unnerving and bumpy ride full of spooks, shocks, spills and chills sufficient to require the healing and redemptive power available from so much of the stirring music on this album.

La Danza dei Grandi Retilli is probably my favourite Banco instrumental and encapsulates pretty much everything endearing about the whole RPI genre. From the Jaques Loussier jazz injected Bach intro to an indelible synth theme and ever onwards to pulsing hypnotic rock that somehow still leaves sufficient room to allow for some angular chromatic detours and swinging jazz improvisation that would put many 'full timers' in the fusion genre to shame.

On more than one occasion on this record Banco manage to coax a timbre out of the humble clarinet that comes to resemble an alien (but very musical) foghorn. Take heed of this seductive baritone siren during the intro to Dopo Niente a Piu Lo Stasso and marvel at such invention.

I also much prefer the subtle guitar work of the 'new boy' Rodolfo Maltese compared to his predecessor Marcello Todaro whose rather strident and fizzy tone wedded to a lack of dynamic nous spoiled parts of the excellent trio of studio albums he appears on. Rodolfo is much more in the 'team player' mould with his electric solos being well paced and economic while he reveals a particular flair for understated but telling acoustic contributions be they intricate finger picking during the quieter passages or deft chordal strumming behind massed vocals. Perhaps the only blot on Roberto D'Angelo's copybook is that he does occasionally betray himself as an inveterate rawker imitating a walking bass-line on the up-tempo jazzy excursions.

What flaws there are on this fine album are mercifully small and forgiveable e.g. Metamorfosi has now bulged to a stamina sapping 27 minutes from its original modest 11 minute span as heard on the début album. Gianni Nocenzi's aforementioned piano extravaganza and a short and brilliantly 'catchy' drum solo are clearly the main additions but there are also some rather flaky bald patches where the lads do appear to be a bit too fond of 'weird' arresting textures as if they were an end in themselves. Similarly the strum-along folksy bonhomie of Non Mi Rompete although pretty appears a tad incongruous when sandwiched between the other more challenging material on offer. Perhaps this traditional number is an example where Banco for once fail to assimilate their indigenous roots into their habitual prog vocabulary?

For those unsure where to start with RPI they could do a lot worse than begin here with quite possibly the best example we have to date of one of the Italian giants 'caught in the act' of creating, enhancing and disseminating an entire musical legacy.

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Send comments to ExittheLemming (BETA) | Report this review (#350196) | Review Permalink
Posted Saturday, December 11, 2010

Review by Mellotron Storm
PROG REVIEWER
4 stars 4.5 stars. Man talk about digging up a treasure with this 1975 concert in Italy from one of RPI's greats.This wasn't released until 2005 if you can believe that. I wish there were more live concerts available from Italy's golden age of Prog but they seem to be few and far between. I would rank this one right up there with AREA's "Are(A)zione". All of the songs here are from the first four studio albums and spread out fairly evenly. At almost 75 minutes this is a real treat.

"R.I.P." is from the debut but is the English version. Gotta love the keyboards and bass early on this one. Guitar comes in just before 2 minutes and starts to solo. Piano follows.Vocals are back after 4 1/2 minutes. A calm follows as we get this gorgeous section. It kicks back in after 7 1/2 minutes with synths to end it. The guys speak to the audience between songs a few times and honestly they sound like they are half asleep. And they speak in Italian of course.

"L'albero Del Pane" is from "Banco(1975)" which I assume this was the tour for. This is uptempo with vocals. "La Danza Del Grandi Retii" is the only track from "Darwin !" and it's incredible. My first top three song. It's laid back with the piano, bass and drums standing out early. It turns fuller as we get some outstanding instrumental work here.The tempo picks up before 3 minutes and the trumpet joins in after 5 minutes. It's the keyboard's turn before 6 1/2 minutes then the synths solo. A percussion solo follows then drums and strummed guitar join in. It's experimental late.

"Passaggio" is from the debut and it's a short harpsichord piece. "Non Mi Rompete" is from the third album "Io Sono Nato Libero".This is a top three. How beautiful is this as vocals and guitar lead the way.Vocal melodies after 1 1/2 minutes as the tempo picks up. It settles back again as contrasts continue. Great track.

"Dopo...Niento E Piu Lo Stresso" is also from "Io Sono Nato Libero". A spacey intro then it kicks in with keys after a minute.Vocals 2 minutes in.Yeah he can sing. It settles back then we get these theatrical spoken words before 6 minutes. Intense section.Then it kicks back in. Great instrumental section before 20 1/2 minutes to the end.

"Traccia II" is from "Banco(1975)" and is led by piano to start then we get horns a minute in as it gets fuller. Harpsichord too. "Metamorfosi" ends it in fine fashion from the debut with an over 26 minute version. A top three for me. It kicks in right away then settles before 2 minutes. Some beautiful piano here. Drums then take over around 7 minutes then it turns spacey before 9 minutes.The piano is back after 15 minutes. Great sound.The synths sound amazing. Bass 19 minutes in then the guitar joins in. Nice. A calm 21 1/2 minutes in then the vocals arrive before 24 minutes. Gulp.

I'm not sure what's keeping me from pulling the trigger on a five star rating but give me time. A must for RPI fans.

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Send comments to Mellotron Storm (BETA) | Report this review (#517821) | Review Permalink
Posted Thursday, September 08, 2011

Latest members reviews

4 stars What an incredible live album. I bought this a Nearfest 2008, which a somewhat different Banco performed at. To tell the truth, I'm amazed at how much Banco haven't changed since this 1975 recording. Still filled with power, emotion, and great musical skill and dexterity. I'm not sure it will ... (read more)

Report this review (#177192) | Posted by infandous | Friday, July 18, 2008 | Review Permanlink

4 stars The RPI (and related) live reviews series vol.4 This album from 1975 (and unpublished for 30 years) is a document. A document of Banco Del Mutuo Soccorso at his summit of celebrity. The Classic Music in Rock (because this is the music of Banco) is this in great manner. Grat the English version ... (read more)

Report this review (#133348) | Posted by Ely78 | Thursday, August 16, 2007 | Review Permanlink

5 stars What can I say but "WOW"? After such a long expectation I thought the new Banco release would have disappointed me. But.... First, audio quality is almost perfect. Second, the tracklist shows some of my Banco's favourites (except RIP, the english version, and many italian proghead will agree, ... (read more)

Report this review (#75015) | Posted by basoalto | Saturday, April 15, 2006 | Review Permanlink

5 stars With this recording, Banco have made what I believe is the finest live progressive recording I have ever heard! This record is just stupendous! I truly lack superlatives in my enthuseasm for the majestic performance of this recording! The recording and production are excellent; the selection of m ... (read more)

Report this review (#60574) | Posted by wooty | Saturday, December 17, 2005 | Review Permanlink

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