HOLDING PATTERN

Holding Pattern was and remains (let's hope not for too long) an unsung prog hero band from the USA. Back in the second half of the 70s, they created an amazing symphonic prog offering, displaying a strong melodic vibe in their compositions and lots of energy in their performances. Guitarist Tony Spada was obviously the band's musical leader (in fact,, he wrote most of the material), but despite the fact that his instrument is featured in the mix, the band's sound is predominantly focused in the interaction between guitar and keyboard, with the rhythm section providing a solid scheme for that interaction. Their clean melodic approach to prog rock is definitely influenced by Camel, Genesis 76-77/Hackett and Happy the Man's symphonic side, with a touch of Dixie Dregs sans the country factor and an ounce of jazz-prog occasional ornaments in the rhythm section. Their eponymous 1981 EP was their only oficial release before their recent return: the only other HP CD available was "Majestic", released in the early 90s with the EP plus abundant extra material. The performative finesse in this "Holding Pattern" EP is excellent, sharp and polished: that being said, it is regrettable that the sound production is so primitive, but again, we must remember that this was a low-budget band struggling to get noticed in a rock era that was becoming increasingly unfriendly toward anything related to art-rock. The punchy hook of 'Another Point of View' is really irresistible, bearing an attractive feel through its moderately complex structure: imagine classic Camel with a rockier edge and you may have an idea of what I'm referring to. The band's charm remains intact with the next number, 'Honor Before Glory', which pretty much can be described as an exercise in eerie melancholy Hackett-style: I suspect that Steve Hackett's signature piece 'Spectral Mornings' has been a powerful influence in Spada's writing for this one. The agility returns in full swing with 'Jigsaw Dream', which comprises some funky cadences among the symphonic jam that takes place in a most dynamic way: Camel with a touch of Return to Forever's jolliest side. The band's energy is clear and vital in both their explicit and introverted moments, and that's very clever, since it avoids the band to get too mellow for the evocative essence of 'Honor Before Glory'. This EP ends 'Out of the tunnels', a piece that finds the band exploring some subtle Crimsonian nuances (a-al 'Larks' Tongues II') in certain passages, while exploring their rockier side. This is a very recommendable prog item, indeed, and definitely those who come across the "Majesty" CD should purchase it too.

Underground US Prog band from Connecticut,formed around 1978 by guitarist Tony Spada.The other main force of the band was drummer Robert Hutchinson with Jerry Lalancette contributing on bass and Mark Tannenbaum performing on grand piano and analog keyboards.Holding Pattern released a self-titled 4-track EP in 1981,which succeeded some airplay and built a cult base of fans around the band.The same album was released in 1998 in CD format by Cleefo Records.

This short instrumental EP kicks off with the Symphonic/Fusion ''Another point of view'',based on Spada's shifting melodic and dramatic guitar playing and the dominant moog synths of Tannenbaum,featuring a fine number of breaks and ending up to be a mix of Canterbury Fusion with CAMEL-esque Melodic Rock.The following ''Honor before glory'' is a whole other story.Low-tempo composition with again some haunting guitar performance by the talented Spada and a great symphonic-styled middle section with keyboards on the forefront,somewhate like a cross between CAMEL, SEBASTIAN HARDIE and GENESIS.From this point on starts the more Fusion side of the band. ''Jigsaw Dream'' is a great Canterbury/Symph/Fusion piece in the vein of HAPPY THE MAN with fantastic synths and organ next to some LATIMER-like guitar work, featuring also some very complex breaks already from the start.However Spada's still sounds very personal than being a simple copy of ANDY LATIMER.''Out of the tunnels'' will close the album in the opening style: dramatic guitar playing over technical Fusion-esque keyboard solos with nice shifting changes and alternating tempos, making this track more of Tannenbaum than a Spada's highlight.

A very good underground US release of virtuosic Progressive Rock in the vein of HAPPY THE MAN, MR. SIRIUS or KURT RONGEY.Strongly recommended to all fans of the Symphonic Rock/Fusion affair...3.5 stars.