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THE POSSIBILITY OF A NEW WORK FOR AQUASERGE

Aquaserge

Psychedelic/Space Rock


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Aquaserge The Possibility of a New Work for Aquaserge album cover
3.12 | 6 ratings | 1 reviews | 17% 5 stars

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Studio Album, released in 2021

Songs / Tracks Listing

1. Un grand sommeil noir (4:28)
2. 1768°C (à Edgar Varèse) (7:04)
3. Hommage à Giacinto Scelsi (6:29)
4. Only (1:16)
5. Comme des carrés de Feldman (5:11)
6. Only (version 2) (1:36)
7. Nuit terrestre (à Gyorgy Ligeti) (10:02)
8. Nuit altérée (à Gyorgy Ligeti) (2:38)

Total Time 38:44

Line-up / Musicians

- Audrey Ginestet / vocals, electric bass, synthesizer
- Benjamin Glibert / electric guitar, electric bass, organ, synthesizer, backing vocals
- Camille Émaille / percussion, vibraphone, tubular bells
- Julien Chamla / drums & percussion, organ, synthesizer, bass harp, backing vocals
- Julien Gasc / vocals, synthesizer, rattle
- Manon Glibert / clarinet, backing vocals
- Marina Tantanozi / flute, backing vocals
- Olivier Kelchtermans / baritone saxophone, backing vocals
- Robin Fincker / tenor saxophone, clarinet, backing vocals

Releases information

Made to Measure label

Thanks to jacobaeus for the addition
and to projeKct for the last updates
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AQUASERGE The Possibility of a New Work for Aquaserge ratings distribution


3.12
(6 ratings)
Essential: a masterpiece of progressive rock music (17%)
17%
Excellent addition to any prog rock music collection (33%)
33%
Good, but non-essential (33%)
33%
Collectors/fans only (17%)
17%
Poor. Only for completionists (0%)
0%

AQUASERGE The Possibility of a New Work for Aquaserge reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by BrufordFreak
COLLABORATOR Honorary Collaborator
3 stars More avant garde modern chamber music from these creative Frenchpersons, here inspired by modern avant garde classical composers.

1. "Un grand sommeil noir" (4:28) Pleasant but not brilliant. (8.75/10)

2. "1768°C" (À Edgar Varèse) (7:04) a little too dissonant for my tastes. (13/15)

3. "Hommage à Giacinto Scelsi" (6:29) obviously a study of the harmonics of dissonance. (8.25/10)

4. "Only" (1:16) a little discord and dissonance balanced by some very pleasant melodies, chords, and sounds. Male leader singer. (4.5/5)

5. "Comme des carrés de Feldman" (5:11) These crazy humans! Stretching the boundaries of what is music. Creative but, to what end? To make me smile? or run away? (7.75/10)

6. "Only" (version 2) (1:36) Female lead singer with choral version in second half. (4.5/5)

7. "Nuit terrestre" (À Gyorgy Ligeti) (10:02) long sustained single notes held by each instrument for over one minute before a change is made or new note added. Interesting. With each new note added or changed there is a definitive change in mood and memory/sensory trigger. VERY interesting! By the fifth minute we have painted quite a scene-- kind of like watching scenery fly by from a window.of a TGV train. At 6:27 we get the first low end, percussive notes. But then we return to the long wind instrument notes--though this time moving and shifting their chordal structures much more quickly (though NOT fast). Difficult to rate. Is this prog? (17/20)

8. "Nuit altérée" (À Gyorgy Ligeti) (2:38) with lazy jazz drums, the aurora borealis chordal curtain of sustained and shifting notes receives a more humane foundation/anchoring. Also, the addition of tubular bells and organ adds something. (4.5/5)

Total Time 38:44

A little too post-modern/avant garde classical for my tastes. It's more of interest as to how my bodymind reacts/responds to the music, rather than a question of enjoyment. The bigger question for me coming from listening to this album is: "If Aquaserge has been admitted into the coverage of "progressive rock music" then why shouldn't Five-Storey Ensemble also be included?"

B-/3.5 stars; interesting by not necessarily something I'd want to return to very often--and certainly not as a whole. I definitely prefer their previous albums.

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