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Fermáta Dunajská Legenda album cover
3.88 | 65 ratings | 4 reviews | 28% 5 stars

Excellent addition to any
prog rock music collection

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Studio Album, released in 1980

Songs / Tracks Listing

1. Wlkina (4:09)
2. Chotemir (6:13)
3. Witemir (3:17)
4. Unzat (5:48)
5. Trebiz (6:14)
6. Zilic (3:31)
7. Zuemin (4:52)
8. Koceľ (5:19)

Total Time: 39:23

Bonus tracks on 1999 reissue:
9. Perpetuum III (from Fermáta self-titled debut album) (11:47)
10. Program Začína (3:12)
11. Tvár (3:31)

Line-up / Musicians

- Frantisek Griglák / guitar, keyboards, synth, vocals
- Tomás Berka / keyboards, synth, vocals
- Fedor Freso / bass, double bass, vocals
- Karol Oláh / drums, percussion

- Pavol Baran, Pavol Selecký, Peter Baran, Ľubos Sasinka / string quartet
- Miroslav Zbirka / vocals (10,11)
- Anton Jaro / bass (9-11)
- Peter Szapu / drums (9)

Releases information

Artwork: Sylvia Andrasovanová-Hlozníková

LP Opus ‎- 9116 0726 (1980, Czechoslovakia)

CD Open Music ‎- OP 0048 2 311 (1997, Slovakia)
CDr Bonton - BON 494064 2 (1999, Slovakia) Remastered by Alexander Soldán with 3 bonus tracks
CD Belle Antique - BELLE 142254 (2014, Japan) Remastered by Kazunori Ohara

Thanks to ProgLucky for the addition
and to Quinino for the last updates
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Buy FERMÁTA Dunajská Legenda Music

FERMÁTA Dunajská Legenda ratings distribution

(65 ratings)
Essential: a masterpiece of progressive rock music(28%)
Excellent addition to any prog rock music collection(53%)
Good, but non-essential (17%)
Collectors/fans only (0%)
Poor. Only for completionists (2%)

FERMÁTA Dunajská Legenda reviews

Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by Sean Trane
3 stars After a break of two years, when Fermáta 's members played with Collegium Musicum and following that period, CM's bassist Fedor Freso would follow them here, the line-up would remain stable for three albums. Fermáta's fourth album is another thematic album and sets out to tell us about the legends surrounding the Danube River to which is related the abstract but suggestive artwork gracing the cover. One of the characteristics of this album is the

Oddly building on a re-work of Perpetuum III from their debut album, and its really smokes, even if there are added keyboards using sounds from the later 70's (never a good thing for this writer), but apart for this sonic remark, overall the general musical direction is generally more pop, keyboard-oriented than their previous full-out JR/F. The short acoustic guitar intro of Chotemir leads us in a quiet slow evolving piano-dominated crescendo until Griglak's superb Gilmour-esque solo and much more happening. One of the album's highlights. Witemir is a jazzy guitar track laced with some nice scat chants and Fender Rhodes. The same instrument starts the Unzat track, but in a more intriguing manner, but the track evolves symphonic.

The second-half tracks (most likely most of the vinyl's side B) of the album are sounding to clinically clean, without much inspiration or soul, this being most evident with Trebiz, completely over-dominated by Berka's keyboards, obviously getting a hand from Griglak's paws on other keys. Zilic is a cross of mid-70's Camel with Saga's pop with some mild funky jazz-rock, sounding like some Happy The Man; Zuemin not changing much and ending in slow wind noises. Ditto for the album closer in terms of little interest.

The bonus tracks are also rather ill-advised addition, with both Program Zacina and Tvar being a full-out "song" format with vocals, not only clashing with the first progressive jazz-rock part of the album, but even with the second synth-indulgent pop-jazz part. Not exactly their best work, this album is almost making first hour fans regrettingb that they ever came back from their break. Best avoided if you ask me, even if there are some good tracks early on.

Review by Mellotron Storm
4 stars If you can get your hands on any of FERMATA's first four albums don't even hesitate. This is probably the less favoured of the four but man is it ever good. As Sean Trane mentions, the theme running throughout the album is about the legends surrounding the Danube River.

"Wikina" is uptempo and jazzy with lots of keyboards.The guitar starts to light it up before 2 1/2 minutes then trades solos with the keyboards. "Chotemir" opens with intricate acoustic guitar then it stops as we get some atmosphere before a minute. Drums after 1 1/2 minutes then what sounds like violin a minute later. It then kicks in with some emotional guitar. So moving. I like the synths too. Orchestration 4 1/2 minutes in then it changes. A nice guitar / drum section ends it. "Witemir" opens with gentle guitar and we get some vocals too. Great sound here, I like the vocals too. It's so soothing and relaxing.

"Unzat" opens with keys as the sound builds. The guitar leads 2 minutes in. Nice bass too. "Trebiz" opens with piano before it settles down. Drums and bass come in as keyboards and synths continue. A change after 3 minutes. It's spacey after 4 1/2 minutes then it kicks back in. The drumming is great to end it. "Zilic" has this funky groove to it and vocals too. Cool tune. "Zuemin" starts off quietly but it's fuller a minute in with bass and drums out front.It ends in a spacey manner. "Kocel" sounds so good with those keyboards and guitar melodies to open. Drums come in softly as it builds. The guitar gets aggressive after 1 1/2 minutes and the bass becomes prominant. Synths after 4 minutes.

A very enjoyable album that has a few weak spots on the second half, but that's a minor complaint. A solid 4 stars.

Latest members reviews

4 stars With two frontmen in the band and Freso joining on the bass guitar, the band had all potential to keep producing a winning streak of fusion albums. In the meantime, fusion music in general absorbed funk/disco and pop influences, it became more polished. Fermata stayed immune to those trends exc ... (read more)

Report this review (#2973963) | Posted by sgtpepper | Wednesday, December 13, 2023 | Review Permanlink

4 stars After a short hiatus, Fermáta comes back with Fedor Fre?o on bass, a veteran of Collegium Musicum and Modrý Efekt, to bring us this wonderful album about historic Slavonic rulers with weird names like Wlkina and Unzat. And this album is once again different from the previous ones. Continuing the tre ... (read more)

Report this review (#152228) | Posted by Magor | Thursday, November 22, 2007 | Review Permanlink

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