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Babal Who Will I Be When I Leave album cover
4.00 | 3 ratings | 1 reviews | 33% 5 stars

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Studio Album, released in 2022

Songs / Tracks Listing

1. 3 Minutes (7:12)
2. Sitting Pretty (6:54)
3. Corkscrew Rider (8:22)
4. Dead End Friends (4:35)
5. The Wolf Slips Up Quickly (6:17)
6. Made Without Instructions (5:00)
7. Baby Wants Freedom (7:59)
8. Doors (12:10)
9. Who Will I Be When I Leave? (3:52)

Total Time 62:21

Line-up / Musicians

- Karen Langley / vocals
- Rob Williams / guitars, synth, bass, programming
- Jon Sharp / drums

- Paul Smith / bass (3,8)

Releases information

Released on September 16, 2022

Thanks to kev rowland for the addition
and to projeKct for the last updates
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BABAL Who Will I Be When I Leave ratings distribution

(3 ratings)
Essential: a masterpiece of progressive rock music(33%)
Excellent addition to any prog rock music collection(33%)
Good, but non-essential (33%)
Collectors/fans only (0%)
Poor. Only for completionists (0%)

BABAL Who Will I Be When I Leave reviews

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Collaborators/Experts Reviews

Review by kev rowland
4 stars Babal are back with another album which refuses to conform to what anyone thinks progressive rock should be like, with a world view which puts them in opposition to the majority and they are just fine with that. Although they have a guest who provides additional bass on a couple of tracks, Babal are a close-knit trio who have been following their own musical path and destiny for some years now, staying away from anything which could be deemed to be trendy and instead walking a path less followed. In Jon Sharpe they have a drummer who is never content to sit at the back and just keep time, but rather he needs to be heard and injects himself into the music to be a key part of the arrangements. Rob Williams is a multi-instrumentalist who appears to be at home with whatever he touches, and then there is Karen?... Karen is the ultimate performer living her roles, which are very much part of her, destined to be the centre of attention.

With both Rob and Karen suffering cancer in recent years, there was a very high risk that Babal would have to fold, and as it is they have unable to play gigs for quite some time, but there is nothing which will stop the guys channelling the music which is in their blood, and here they have come up with one of their most uncompromising albums yet. Think Talking Heads mixed with Beefheart, experimental Zappa and some punk ethics (as opposed to musical) such as Crass and one may just get close. There are elements of free jazz alongside prog, an edginess which refuses definition and a solid desire never to be pleasant and restful but rather be angular and sharp. This is music which will divide opinions among progheads as there will be plenty who will feel there is too much angst and general weirdness going on while there will also be others who feel this is cutting edge which takes us back 50 years to a time when anything was possible and being progressive meant being different as opposed to rehashing what had come before.

I have become used to Babal by now, and knew I would not necessarily enjoy this the first time I played this, even before I put it on, and possibly not even the second, but by the third there was a smile on my face as Karen, Rob and Jon have yet again delivered something out of the norm and very special indeed.

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