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AAVA TUULEN MAA

Kauan

Experimental/Post Metal


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Kauan Aava tuulen maa album cover
4.11 | 9 ratings | 1 reviews | 56% 5 stars

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Studio Album, released in 2009

Songs / Tracks Listing

1. Ommeltu polku (4:57)
2. Valveuni (10:36)
3. Föhn (10:12)
4. Sokea sisar (12:32)
5. Neulana hetkessä (10:36)

Total Time 48:53

Line-up / Musicians

- Anton Belov / vocals, guitars, keyboards, programming
- Lubov Mushnikova / violin

Releases information

Label: BadMoodMan Music
released November 18, 2009

Thanks to Cristi for the addition
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KAUAN Aava tuulen maa ratings distribution


4.11
(9 ratings)
Essential: a masterpiece of progressive rock music (56%)
56%
Excellent addition to any prog rock music collection (22%)
22%
Good, but non-essential (22%)
22%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

KAUAN Aava tuulen maa reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by kenethlevine
SPECIAL COLLABORATOR Prog-Folk Team
4 stars This 3rd release must have been a pivotal one for our isolated and consistently brooding Russian group that fetishizes a modicum of the Finnish language in its works. After all, 14 years later they "revised" it in an album appropriately called "ATM Revised", further boosting its cache by acronymizing its title. This review deals with the original, as that first cut is usually the most profound. Indeed, it's the most impressive outing by the group to that date, but still not the chef d'oeuvre for which I'm still hoping.

I never thought I would be begging for a bit of the metal forged in their debut, or for extra metal at my meal period, but by far the best track here is "Fohn" and it's the heaviest, at least for the first half before they get all frustratingly reflective yet again. The group is tighter here though, perhaps because it's just the 2 main characters with no invitees, and they do make a joyful noise, morose though it may be. The acoustic and electric guitars, piano and violin traded off with electronic keyboards (including moogy touches) tastefully, sometimes too much so, and the vocals are spare and comparable to TENHI with voice lessons. Yeah I had to mention TENHI again. Only the finale is weaker, and, while it's sometimes hard to distinguish one KAUAN piece from the next, I really can't see the point of the last one other than to meet time limits, not that it's awful or anything.

If this is your "typical" post rock, I'm not sure why I am so late to the party but I plan to stay a while and take in a few other acts along the way, just seeing where that northern wind takes me next.

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