Dashiell Hedayatt

Psychedelic/Space Rock

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Dashiell Hedayatt Obsolete album cover
4.20 | 46 ratings | 4 reviews | 26% 5 stars

Excellent addition to any
prog rock music collection

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Studio Album, released in 1971

Songs / Tracks Listing

1. Eh, Mushroom, Will You Mush My Room? (16:42)
a. Chrysler - 6:40
b. Fille de L'Ombre - 2:18
c. Long Song for Zelda - 7:44
2. Cielo Drive/17 (21:09)

Total Time 37:51


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Music tabs (tablatures)

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Line-up / Musicians

- Dashiell Hedayat / vocal, guitar, keyboards
- Daevid Allen / lead guitar
- Didier Malherbe / saxophone, flute
- Christian Tritsch / bass, acoustic guitar
- Pip Pyle / drums, guitar
- Gilli Smythe / vocal

- Sam Wyatt / voice
- William S. Burroughs / voice

Releases information

LP Shandar (1977)
LP Mantra (Mantra 075)
CD Mantra 075 (1992)

Thanks to Sean Trane for the addition
and to mellotron storm for the last updates
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DASHIELL HEDAYATT Obsolete ratings distribution

(46 ratings)
Essential: a masterpiece of progressive rock music(26%)
Excellent addition to any prog rock music collection(29%)
Good, but non-essential (29%)
Collectors/fans only (8%)
Poor. Only for completionists (8%)

DASHIELL HEDAYATT Obsolete reviews

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Collaborators/Experts Reviews

Review by Sean Trane

Actually some Pot Head Pixies consider this album to be the best to ever come out out of Planet GonG. Without going that far , this is an exceptional album where GonG shines like the sun. Please note that Gong had yet to record Cammembert Electrique and The Radio Gnome Invisible Trilogy, but by the time this album came out , GonG had become very capable musicians, and the "Hippy commune in Normady" was gradually phased out.

OK, now!! On with the music and Dashiell Hedayatt: After having won some litteracy prizes for his first album , Dashiell , a poet and counter-culture activist started this project that quickly involved all of Gong but also Beat Poet extraordinaire William Bourroughs - also known for his very influential books, one of which (The Naked Feast) spawned at least two group names: Soft Machine and Steely Dan . With this kind of line- up , one can only expect a total freak-out of an album , and the least we can say is that you shall not be disappointed: in the psych genre this is one of the summit. But also a strikening feature is thaty this is also a surprisingly and superbly melodic album , all this extreme zaniness is embellished by the Allen glissando guitars (at its debut only ) and Malherbe wind breaks.

The musical delire start with Dashiell singing out his hippy lifestyle living out of a pink 50's broken-down Chrysler asa his home in a back court and his troubles for tranquil love-making (this is where La Fille De L'Ombre comes in but we cannot be sure because Dashiell is not so sure himself.....) then comes in the pièce de résistance Long Song For Zelda complete with sireal travelling and ouyt of this world text from W Burroughs.

Side 2 will not give you a single momentsof rest as Gong his only getting warmed up and the side-long track Cielo Drive (Sky driving or space flying if yoiu wish) is the main theme. One comes to realize that this album is essential in the GonG metamorphosis from a clumsy hippy chysalis group (that had recoded the Brother album and signed an energetic Continental Circus movie soundtrack) to a superb and graceful space/prog butterfly that will take off through the RDI trilogy.

Obsolete is truely one of the most important album to ever having come out of France, especially true for rock fans. More than a forgotten token of a lost era , this album belong in a museum dedicated to psychadelia. I , unlike many , use rarely the word "masterpiece" , but in this case , I do!!!!!!!!!!


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Send comments to Sean Trane (BETA) | Report this review (#42582) | Review Permalink
Posted Friday, August 12, 2005

Review by Tom Ozric
5 stars Five-Star CLASSIC !!

Dashiell Hedayat's 'Obsolete' LP is a spectacular Space-Rock trip. French poet Dashiell H. latched onto the GONG commune of the time to bring to reality his artistic vision, presented through the medium of music, of his life and times during the beat/hippy era (not that I'd really know or fully understand), but on the back cover of the LP it states "Warning : This record must be played as loud as possible, must be heard as stoned as impossible and thank-you everybody" - I am no longer like this but the album is still part of my essential listening roster.

Needless to say, if you are a fan of Camembert/Continental Circus period Gong, then this album is totally ESSENTIAL. If you're not, then it's STILL totally essential !! Full-on tripped-out spacey jams full of cascading guitar glissando's and sharp soloing from DAEVID ALLEN, relentless Bass-riffs courtesy of Christian Tritsch and PIP PYLE's distinctively forceful and busy drum-work - add to that the creative sax and flute playing of one Didier (Bloomdido) Malherbe, makes for one monster of an album. Dash himself is credited with some solo guitar, keyboards, cosmic-Hedayat-rumble and cut-ups. Gilli Smyth's 'space-whisper' is noticeable at various points (credited as 'wet pleasure shout and intergalactic whisper'). All the material, 2 side-long pieces, is composed by Dashiell himself in Autumn '69, way ahead of schedule for this sort of thing, and hasn't been matched, unless one considers Radio-Gnome Gong as superlative. To this listener, 'Obsolete' is a truly must-have album, and worth its weight in gold.


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Send comments to Tom Ozric (BETA) | Report this review (#152353) | Review Permalink
Posted Friday, November 23, 2007

Review by Guldbamsen
FORUM & SITE ADMIN GROUP Site and Forum Admin
5 stars Lost cheese in time

You gotta wonder how on earth a cult classic like Obsolete, an album generally believed by many Gong fans and French psych music fans alike to be the best Gong album out there - why in the name of Zorro and all that's holy this gem hasn't been reviewed since my dear friend Tom Ozric rightfully so awarded it 5 stars in late November 2007?!?!??! What the blue feck is going on?!?!?

Released as a solo album by French beat figure Dashiell Hedayatt in 1971, Obsolete offers up a musical polaroid picture of Gong metamorphosing from whimsical slightly clumsy psych rock act to the floating space creature that went on to make Camembert Electrique and the Radio Gnome Invincible Trilogy.

Without the loud and fretting fireball weaponry of Steve Hillage, we additionally get to hear what Daevid Allen is really made of - and surprise surprise if he doesn't wield that wah wah guitar like a genuine prince of marmalade. Fantastic rhythmic intonation as well as a frail melodic sense about him when soloing that really connects with me on a personal level. This album is full of understated solos and beautifully wandering riffing that Daevid does so incredible well, and you just gotta love how the band responds to his playing too. There's indeed a symbioses going down, beautiful as bees.

Together with Gilli Smythe, Pip Pyle, Didier Malherbe and Daevid Allen, Dashiel Hedayat succeeds in making one of the most sought out psychedelia remnants of the early seventies(especially if you're looking for the vinyl version), and jolly well if the reputation isn't fully deserved. This record is as charming as a pooch poo in a creme shop. The laid back almost talkative French vocals makes it feel as a refined hippie chill out album, and the foggy bass and slow swoop of the guitars certainly doesn't change this album's obvious dreamy character, yet with a fickle yet abnormally acute sense of dynamics Obsolete seems forever loveable in it's expression. It genuinely feels like the Gong boys, and girl, found their mojo on the path to making an album without their name on it. It literally oozes out of your speakers.

Adding to the counter culture imagery and the whole beatnik reverence, the dark Frankenstein and always astonishingly humorous Bill Burroughs comes in to lend a helping hand on Long Song For Zelda. Joyous irreverent as his usual self - Burroughs' small cameo somehow makes the album shift into overdrive, taking the remaining part of the album from breathtaking pulsing musical scenery to terrific jam parts that foresaw the coming supersonic 5th gear of the later Radio Gnome Invincible days. Especially the side long Cielo Drive 17 pips the atmospheres from backyard dreamings to full solar voyages peeping awkwardly out the periscope - with Daevid Allen at his most relentless and Malherbe on a most inspired flute stint waaaay above the music like a distant satellite.

I rate this among the most important French rock releases - up there with Gainsbourg and Vannier's Histoire de Melody Nelson, Igor Wakhevitch's Logos and Magma's MDK. If you're sitting out there beyond the screen thinking that you've never really heard about this Hedayatt fella, though still a major fan of the bright n orangy serpentlike Gong with all their mad gorgeous playfulness - then BROTHER you've been missing out on one of the most benign addictions known to mankind!


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Send comments to Guldbamsen (BETA) | Report this review (#996121) | Review Permalink
Posted Thursday, July 11, 2013

Review by Warthur
4 stars Dashiell Hedayat's Obsolete is in some respects a super-secret disguised Gong album, with Daevid Allen and cronies providing instrumental backing whilst Hedayat himself takes lead vocals. It's a slightly more rock-oriented brand of psychedelia than Gong's style of the era and has less jazz influence, but nonetheless is a hidden gem of the band's history. Canterbury historians will also be happy to note the presence of Robert Wyatt, Allen's old Soft Machine ally (as well as William Burroughs himself, who gave his blessing to Soft Machine naming themselves after one of his novels thanks to Allen getting his permission), making this something of a confluence of the radical countercultural end of Canterbury.


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Send comments to Warthur (BETA) | Report this review (#1122556) | Review Permalink
Posted Tuesday, January 28, 2014

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