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HAIL HORROR HAIL

Sigh

Experimental/Post Metal


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Sigh Hail Horror Hail album cover
3.97 | 27 ratings | 2 reviews | 33% 5 stars

Excellent addition to any
prog rock music collection


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Studio Album, released in 1997

Songs / Tracks Listing

1. Hail Horror Hail (05:07)
2. 42 49 (07:43)
3. 12 Souls (06:56)
4. Burial (01:30)
5. The Dead Sing (07:14)
6. Invitation to Die (05:17)
7. Pathetic (02:21)
8. Curse of Izanagi (06:01)
9. Seed of Eternity (09:19)

Lyrics

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Music tabs (tablatures)

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Line-up / Musicians

Mirai Kawashima/ bass guitar, vocals, synthesizer, piano, Hammond Organ, vocoder, sampling, programming, radio, effects
Satoshi Fujinami/ drums, triangle, tambourine, guiro, vibraslap, handclap
Shinichi Ishikawa/ electric guitar, acoustic guitar, bass guitar

Releases information

The band offered a message to their listeners that offered some explanation for their potentially alienating style of songwriting:
WARNING
This album is way beyond the conceived notion of how metal, or music, should be. In Essence it is a movie without pictures; a celluloid phantasmagoria. Accordingly, the film jumps, and another scene, seemingly unconnected with the previous context, is suddenly inserted in between frames. Every sound on this album is deliberate, and if you find that some parts of this album are strange, it isn't because the music is in itself strange, but because your conscious self is ill-equipped to comprehend the sounds produced on this recording.

The lineup as it appears on the album:
Mirai - Torture Ensemble
Satoshi - Ritual Rhythm
Shinichi - Warfare Noise

Thanks to morpheusdravenfuid=morpheusdraven for the addition
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Buy SIGH Hail Horror Hail Music


No release results - showing artist results instead
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Audio CD$9.98
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Hangman's HymnHangman's Hymn
The End Records 2007
Audio CD$5.90
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The End Records 2010
Audio CD$8.98
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Scenario 4 Dread DreamsScenario 4 Dread Dreams
Import
Indie Europe/Zoom 2008
Audio CD$66.72
$36.97 (used)


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SIGH Hail Horror Hail ratings distribution


3.97
(27 ratings)
Essential: a masterpiece of progressive rock music(33%)
33%
Excellent addition to any prog rock music collection(33%)
33%
Good, but non-essential (26%)
26%
Collectors/fans only (7%)
7%
Poor. Only for completionists (0%)
0%

SIGH Hail Horror Hail reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by UMUR
SPECIAL COLLABORATOR Honorary Collaborator
4 stars Hail Horror Hail is the third studio album from Japanese experimental extreme metal act Sigh. Their debut album Scorn Defeat (1993) was primitive blackened thrash metal and not to my taste while their second album Infidel Art (1995) showed great promise but still lacked the final touch to really impress me. Hail Horror Hail is almost everything I hoped it would be as the band has progressed in an even more experimental/ avant garde direction since the release of Infidel Art.

The basis in the music is still blackened thrash metal/ heavy metal but the orchestral classical elements in the music that was introduced on Infidel Art are now fully developed and a dominant part of Sighīs sound. The experimental side of Sigh is also present on Hail Horror Hail. Listen to the jazzy keyboard solo in 12 Souls or the song Invitation to Die which almost could have fit into the symhonic prog catagory had it not been for the raspy vocals. On earlier releases from Sigh Iīve complained about the generic guitar and drums and even though the riffs are still not outstanding they fit the music well and itīs the same with the drums. This is the kind of music were everything works in favour of the big picture. Or in other words the compositions and the atmosphere of the songs. And that approach works well for Sigh who donīt need virtuosic guitar solos or technical drumming to make excellent music. The overall sound is very aggressive which is very much due to Mirai Kawashima vocals. A really convinsing performance from him. I have to mention the title track too which opens the album in melodic metal style. Thereīs almost an Iron Maiden like melodic approach in the song and modern melodic Swedish death metal also comes to mind. A very interesting track and a great opener. Itīs not very representitive for the album though so remember to listen to a couple of songs more before you judge.

The musicianship is excellent. Drums, bass and guitar are good but not excellent as mentioned but the vocals and the synths are excellent and really lifts Hail Horror Hail to another dimension.

The production is not the usual clean modern metal production that most metal bands prefer. Sigh has a more organic sound on guitar, bass and drums while the synths create a good but not really convinsing orchestra sound. The synth and piano are also used for horror like movie score pieces which are great for the atmosphere of the album.

Hail Horror Hail took some time to sink in and Iīve raised my rating from 3 to 4 stars after repeated listening. Iīve really thought about it and I think Sigh has made a very original album with Hail Horror Hail and at the same time an album that I greatly enjoy. Therefore a 4 star rating is deserved.

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Send comments to UMUR (BETA) | Report this review (#199430) | Review Permalink
Posted Saturday, January 17, 2009

Review by Prog Sothoth
COLLABORATOR Prog Metal Team
4 stars Envision an oil on canvas painting of a pastoral landscape in which the sun is replaced by a Kardashian buttocks.

Within the musical landscapes of Hail Horror Hail, Sigh breaks with tradition in almost every song concerning the ultra-serious black metal genre by tossing in some unexpected elements that not only add variety and depth to the proceedings, but, in my case at least, lots of humour (intentional or not) as well. It's not like the band isn't trying to play good black metal of the first generational variety (Venom and early Celtic Frost as opposed to the Norwegian stuff of the early 90s) with added symphonic elements, it just seems like they can't help but throw in something really off the wall somewhere in many of their tracks...unique for sure, but not always fitting. That isn't to say this album is not an artistic accomplishment...it certainly is...but it's not for all tastes, including many fans of black metal who would scowl and curse the night sky at the xylophone melodies in "Curse of Izanagi" or the keyboard runs mimicking a saxophone in "12 Souls".

What helps make this album work is the seeming seriousness of the lyrics. They are the typical evil sadistic and devil worshipping variety of verse, shrieked out with abandon by Mirai to the point where he sometimes sounds like he's exhausted towards the end of certain tracks. This, along with the doom influenced black metal template they follow sets the landscape. The goofy things such as the slo-mo robotic vocals and bombastic cheesy and rather happy sounding symphonic passages are like a giant rump in the sky...something that shouldn't be there, but it is, and it's up to you to decide what to think.

Two songs deserve special mention. The opening track is a killer. It plays more like a doomy hard rock track with a powerful guitar sound and some serious kick-ass blues solos. Blues solos! The lyrics are dark, but the music is so much fun that it reminds me that Satan hasn't often been so groovy since Black Widow's Sacrifice. The other track is "Invitation To Die". It's a one-of-a-kind for sure as Mirai shrieks and rasps over beautiful, sweet and peaceful synthesizer melodies. It's ridiculous, yet ridiculously entertaining. Although the rest of the album isn't quite at that level of insanity, it's an interesting yet somewhat bizarre piece of artwork.

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Send comments to Prog Sothoth (BETA) | Report this review (#467874) | Review Permalink
Posted Thursday, June 23, 2011

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