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Richard Wahnfried

Progressive Electronic

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Richard Wahnfried Megatone album cover
2.09 | 4 ratings | 1 reviews | 0% 5 stars

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Studio Album, released in 1984

Songs / Tracks Listing

1. Angry Young Boys (14:15)
2. Agamemory (8:45)
3. Rich Meets Max (20:22)

Total Time: 43:22


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Music tabs (tablatures)

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Line-up / Musicians

- Klaus Schulze / keyboards
- Michael Garvens / voice
- Axel-Glenn Müller / saxophone
- Ulli Schober / drums
- Michael Shrieve / percussion
- Harald Katzsch / guitar

Releases information

Inteam / Magnum Thunderbolt CDTB 031

Thanks to Philippe Blache for the addition
and to ProgLucky for the last updates
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Synergie OMP 2011
Audio CD$15.99
Megatone by Richard WahnfriedMegatone by Richard Wahnfried
Synergie OMP
Audio CD$54.98
Richard Wahnfried - Megatone - Inteam GmbH - ID 20.006Richard Wahnfried - Megatone - Inteam GmbH - ID 20.006
Inteam GmbH
$35.71 (used)

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RICHARD WAHNFRIED Megatone ratings distribution

(4 ratings)
Essential: a masterpiece of progressive rock music(0%)
Excellent addition to any prog rock music collection(25%)
Good, but non-essential (0%)
Collectors/fans only (75%)
Poor. Only for completionists (0%)

RICHARD WAHNFRIED Megatone reviews

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Collaborators/Experts Reviews

Review by philippe
SPECIAL COLLABORATOR Honorary Collaborator
2 stars During the eighties, the German synth legend Klaus Schulze pursued his solo adventure, working at the same time for his Wahnfried project...but for what? This "Megatone" brings nothing new (or almost nothing) to his usual "kosmische musik". A new element appears once again after the classic "Time Actor"; the presence of a singer (Michael Garvens). The voice appears in the modern and "mechanical" electronic piece called ĞAngry Young Boys". Schulze synth explorations are also sustained by guitar parts & sequencers, drum- machines. This vast & epic cosmic "trip" mixes pure atmospheric realms (the synth strings) with perpetual, repetitive drum rhythms. I'm perplex, Schulze really tries to get involved on "new agey" territories. "Megatone" is a deep ambient album but not as abstract or as meditative as before. The electronic pulsations and the pop arrangements put Schulze's music into a more "mainstream" level. Not a big surprise. Only for Schulze maniacs.

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