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La Rossa

Eclectic Prog

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La Rossa A Fury Of Glass album cover
3.07 | 14 ratings | 3 reviews | 7% 5 stars

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Studio Album, released in 1983

Songs / Tracks Listing

1. Synopsis (2:56)
2. Cosy chutte (4:10)
3. Water (1:18)
4. Glassleaves (5:27)
5. Faces we move (7:12)
6. To the life (2:01)
7. Wooden monologue (4:32)
8. This is to end it all (1:22)
9. Chimera chill (5:59)

Bonus unreleases track on Musea CD
10. Fade away (1:03)
11. This unbreakable (8:06)
12. Thoughts (4:24)

Total Time: 48:30

Line-up / Musicians

- Benki / vocals, acoustic guitar (8)
- Jean-Pierre Baile / guitars
- Dino De Rossi / bass
- Wolfgang Höller / keyboards
- Marc Neves / drums and percussions
- Robert Licciardi /additional acoustic guitars (2,4,7,9)

Releases information

LP AG Records(FRA)(1983)
CD Musea FGBG4097.AR (FRA) (1992)

Thanks to ProgLucky for the addition
and to clarke2001 for the last updates
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LA ROSSA A Fury Of Glass ratings distribution

(14 ratings)
Essential: a masterpiece of progressive rock music(7%)
Excellent addition to any prog rock music collection(29%)
Good, but non-essential (57%)
Collectors/fans only (7%)
Poor. Only for completionists (0%)

LA ROSSA A Fury Of Glass reviews

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Collaborators/Experts Reviews

Review by erik neuteboom
3 stars This is a German band that made only one album entitled "A fury of glass", released in 1983. In 1992 keyboardplayer Wolfgang Haller was asked by French progrock label Musea to give permission for a CD release, fortunately he reacted positive. The music from La Rossa is 24-carat symphonic rock featuring a splendid harmony of great vocals, (on "Cosy chute" and the ELP inspired "This unbreakable"), swirling play on the keyboards (Grand piano and organ) in "Chimera chill" and the solo piece "Thoughts", moving work on the guitar in "Wooden monologue" and the acoustic "This is to end it all" and a powerful and dynamic rhythm-section. The most beautiful composition is the long "Faces to move": an intro with classical piano and then wonderful soli on organ and electric guitar along many strong shifting moods. This is a CD to discover!
Review by b_olariu
3 stars 3.5 stars really

La Rossa a forgotten and little known progressive act from early '80 from France with one album released in 1983 named A fury of glass, re issued on CD by Musea a decade after. This band is a curiousity for me, the line up was made by french and german musicians, the title of the album was in english and they were known in Tunisia for example, as much as in France, but in the rest of the Europe they were pretty much unknown. Anyway the music is quite great and eclectic, with influences from french prog school , from british school like Gentle Giant or Van Der Graaf Generator and from classical music aswell the result is a myriad of great moments with innspired songwriting. All pieces are short, I mean all are under 6 min, but each one brings the best in french scene around that time, pieces like Cosy chutte with ELP influence brings what La Rossa had best. Also their is a strong and energic rhythmic section and a good voice. All in all definetly a good towards great release in a period when prog was big time in the shadow of other genre. 3.5 stars for sure.

Review by apps79
SPECIAL COLLABORATOR Honorary Collaborator
3 stars This French-German group came to life in Toulouse in 1980 by German bassist/keyboardist Wolfgang Holler and drummer Marc Neves, who intoduced Benki to Holler and the later soon became the lead singer and acoustic guitarist of the band.Benki was a huge Peter Hammill fan and suggested the name ''La rossa'' after the eponymous track from Van Der Graaf Generator's ''Still life'' album.The trio recorded an 8-track album and passed it to various companies, but no interest surfaced for La Rossa.Then, at the end of 1981 they became a sextet with Dino De Rossi on bass, Jean-Pierre Baile and Robert Liccardi on guitars.They visited the Studio 621 at the fall of 1982 to record the album ''A fury of glass'' with the rehearsals lasting about three weeks.Liccardi left during the sessions, but the album was eventually released in early 83' on AG Records, a small label linked to the Studio 621 owners.

To say that this album sounds a lot like classic VAN DER GRAAF GENERATOR would be an excess.But it is pretty surprising that this group played such an out-of-trend style with a strong lyrical content and emphasis on Classical interludes and complex themes.Because that is what's going on in ''A fury of glass''.Guided by the VDGG/PETER HAMMILL fundamentals and adding a touch of GENESIS and GENTLE GIANT, La Rossa proposed an uncommercial and refined Progressive Rock with plenty of acoustic guitars, smooth electric runs and constant use of piano themes, eventually creating lyrical soundscapes with Benki's theatrical vocals in the forefront but also series of adventurous instrumental moments.Some organ washes are also present, but you will actually admire the talent of Holler behind the piano equipment and the strong PETER HAMMILL vibes coming out of his performance next to Benki.As a result the band seems often to enter a more Singer/Songwriter style with all these acoustic sections and vocals popping up, but ''A fury of glass'' is a lot more than these.The tracks are not very long, but they contain lots of twists and breaks with electroacoustic manipulations and the piano as the constant regulator, while the longest ones burst some really intricate, instrumental parts.

AG Records promised the band a fair distribution, but the only way La Rossa could actually promote the album was climbing on stage.After a few lives inner frustration started to grow between the members, on a last attempt they travelled to Paris to find a distributor, but with no success they decided to call it quit after only five gigs, when De Rossi and Baille left the band.The original trio continued auditions, but when realizing that all efforts were hopeless La Rossa became part of history.The album was reissued a decade later on Musea with three bonus tracks, propably originating from the band's pre-''A fury of glass'' recordings.The folky ''Fade away'' will leave his place to the 8-min. ''This unbreakable'', definitely one of most challenging pieces the band ever recorded, a tour-de-force of symphonic and Avant-Garde music, filled with dark and complex themes, fantastic instrumental material and quite a bit of interplays, tremendously inspired by VAN DER GRAAF GENERATOR.''Thoughts'' is another story, this is a haunting piano solo by Holler with a beautiful Classical atmosphere and a charm of its own.

Nice dark, symphonic-oriented Prog with a lyrical mystification.These guys deserve some praise for putting up a competitive prog album in 1983.Highly recommended to all VAN DER GRAAF GENERATOR and PETER HAMMILL fans...3.5 stars.

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