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Mr. Bungle


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Mr. Bungle The Raging Wrath Of The Easter Bunny (demo) album cover
1.87 | 17 ratings | 2 reviews | 18% 5 stars

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Singles/EPs/Fan Club/Promo, released in 1986

Songs / Tracks Listing

1. Grizzly Adams (2:54)
2. Anarchy Up Your Anus (2:08)
3. Spreading The Thighs Of Death (5:44)
4. Hypocrites (3:02)
5. Bungle Grind (6:10)
6. Raping Your Mind (5:44)
7. Evil Satan (2:54)
8. Sudden Death (6:57)

Total Time: 35:33

Line-up / Musicians

- Mike Patton / vocals, bongos, wolfwhistle, trainwhistle, bass on 4
- Trevor Dunn / bass, kazoo, backing vocals, guitar on 4
- Trey Spruance / guitars, video games, trumpet, backing vocals, vocals on 4
- Jed Watts / drums, harmonica, backing vocals, party favors
- Theo Lengyel / saxophone and hawaiian nose humming
- Martin Fosnaugh / jew's harp

Releases information

Mixed by Trey Spruance during Easter 1986. Released in 1986 on Ladd-Frith Productions (cassette only).

Thanks to Joren for the addition
and to avestin for the last updates
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MR. BUNGLE The Raging Wrath Of The Easter Bunny (demo) ratings distribution

(17 ratings)
Essential: a masterpiece of progressive rock music(18%)
Excellent addition to any prog rock music collection(0%)
Good, but non-essential (35%)
Collectors/fans only (29%)
Poor. Only for completionists (18%)

MR. BUNGLE The Raging Wrath Of The Easter Bunny (demo) reviews

Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by 1800iareyay
1 stars Mr. Bungle's first demo shows the band at the very beginning, when they were a death metal outfit. One listen to this demo and you'll be amazed that this band morphed into the same avant-garde entity that unleashed Disco Volante. The Raging Wrath of the Easter Bunny sounds like early Death with saxophone and humor. Sadly, the saxophone isn't used nearly as effectively as it is on later releases. Here, it barely has a role. The production is awful, which is understandable, but even Trevor Dunn's usually prominent bass is barely heard in the mix. It sounds like the boys adhered to the belief system of extreme metalheads: production value = sellout.

Mr. Bungle sounds extremely raw with this release, but none of the craziness that makes them stand out is evident yet. Even the saxophone doesn't make this stand out from early death metal. This is only for big fans of Mr. Bungle, and even then you might consider saving your money. This is little more than a din, and not in the deliberate, genius way that much of Patton's work is a din. This is simply sloppy, to the the point that even inexperience isn't a valid excuse. Things will get much better from here, and a good thing too.

Grade: F

Review by siLLy puPPy
COLLABORATOR PSIKE, JR/F/Canterbury & Eclectic Teams
2 stars Something must have been in the air in 1980s Eureka, CA as several high school students got together to record a few demos that drew on all types of different styles and sounds and somehow despite all odds got discovered, got signed and unleashed three of the most eclectic and gracefully bizarre albums ever to hit the world. I speak of MR BUNGLE of course which in the beginning hadn't quite gelled all their scattered ideas into the frolicsome and adamant masterpieces that would dot the 90s in the form of three completely original and unrelated album styles. Before those full length albums would emerge on a major record label nonetheless, Mike Patton, Trey Spruance and Trevor Dunn teamed up with early members Jed Watts, Martin Fosnaugh and Theobald Lengyel to create their very first demo (out of four) THE RAGING WRATH OF THE EASTER BUNNY.

Don't expect the glissando genre juggling performances that caught the world's attention on the three official albums. This demo displays a bunch of punk ass kids out to make noise with some serious attitude and that noise lies predominantly in the arena of 80s thrash / death metal with a particular nod to Slayer and early Death. While beginning with a beautiful classically oriented clean guitar arpeggiated sequence that serves as an intro it quickly changes into brutal crushing riffs on "Anarchy Up Your Anus" with lo-fi chugging riffs, an indistinguishable bass and Patton's anarchic semi-rapped vocals screaming out in Red Hot Chili Peppers style death bellows. However even at this stage despite trying to be a "normal" type of extreme metal band with crushing riffage and sizzling guitar solos (on tracks like "Spreading The Thighs Of Death") even before Morbid Angel gained prominence, these guys were clearly dreaming of another musical world in which they could promulgate outside the confines of established developing orthodoxies of the quickly gestating death metal world.

The first glimpse of things to come is on "Hypocrites" while churning out hardcore crust punk riffs, toys with counterintuitive melodies that jump into funk rock and add all kinds of instruments that fell outside the extreme punk and metal arenas such as kazoos, bongos and a trainwhistle. However while the ideas were aplenty, the marriage of these impulses hadn't quite coagulated into digestible forms as the entire demo sounds slightly overambitious and highly unfocused even within the extreme metal aspects alone which more than obliterates any attempt to weave in the sax, harmonica, jew's harp and Hawaiian nose humming that is almost impossible to discern. And i would be remiss not to mention the most underlying flaw of the entire project and that is indeed the famous production or should i say lack thereof that makes this sound fairly crude and amateurish. It should be remembered that these were just kids cranking out their visions in all youthful exuberance blissfully unaware of all the details that go into making a professional sounding recording with that underground attitude of FTW.

When all is said and done i would hardly recommend to anyone tracking this down and paying tons of money to find a physical copy. Although these types of things are usually reserved for the hardcore fans, i have to admit that despite being one of those hardcore enthusiasts of the cult of MR BUNGLE, i find little need to own this. This is indeed one of those worth hearing on YouTube just for the sake of historical context to trace the evolution of one of the most original bands of the 90s and how they would miraculously transmogrify into the musical circus clowns that they would become. On this substellar demo, they really offer very few clues as to point to their progressive quantum leap into the realms of "Disco Volante." This one was only released on cassette and has never been re-released on any other format and i'm sure there's a good reason for this as it is nothing more than a smattering of inchoate ideas in their primordial ooze swirling about in a petri dish.

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