Header

ARS LONGA VITA BREVIS

The Nice

Symphonic Prog


From Progarchives.com, the ultimate progressive rock music website

The Nice Ars Longa Vita Brevis album cover
3.25 | 76 ratings | 21 reviews | 20% 5 stars

Good, but non-essential


Write a review
Buy THE NICE Music
from Progarchives.com partners
Studio Album, released in 1968

Songs / Tracks Listing

1. Daddy Where Did I Come From? (3:43)
2. Little Arabella (4:17)
3. Happy Freuds (3:27)
4. Intermezzo from the Karelia Suite (8:57)
5. Don Edito El Gruva (0:13)
6. Ars Vita Longa Brevis (18:20)
- a. Prelude
- b: 1st Movement: Awakenings
- c: 2nd Movement: Realisation
- d: 3rd Movement: Acceptance "Brandenburger"
- e: 4th Movement: Denial
- f: Coda-Extension To The Big Note

Total Time: 39:27

Lyrics

Search THE NICE Ars Longa Vita Brevis lyrics

Music tabs (tablatures)

Search THE NICE Ars Longa Vita Brevis tabs

Line-up / Musicians

- Brian Davidson / drums, percussion
- Keith Emerson / keyboards
- Lee Jackson / vocals, guitar, bass


Releases information

Immediate records

Thanks to ProgLucky for the addition
and to Snow Dog for the last updates
Edit this entry

THE NICE MP3, Free Download (music stream)


Open extended player in a new pop-up window | Random Playlist (50) | How to submit new MP3s

Buy THE NICE Ars Longa Vita Brevis Music


ElegyElegy
Import
EMI Europe Generic 2002
Audio CD$6.98
$5.12 (used)
Right Now on Ebay (logo)
John Mayall - Moving On NM-/NM- LP Record 1972 Polydor / PD5036 / nice copy US $11.99 Buy It Now 31m 52s
Lot 2 CDs CHICO DEBARGE The Game & Long Time No See Excellent Condition Nice! US $17.99 Buy It Now 33m 56s
1958 JOHNNY CASH THE WAYS OF A WOMAN IN LOVE #2 NICE SUN W/SLEEVE 45 RPM RECORD US $3.99 [2 bids]
35m 28s
1978-STEVE MARTIN- A WILD AND CRAZY GUY - LP - NICE! - CLASSIC COMEDY RECORD! US $6.90 Buy It Now 36m 37s
"FAME" THE ORIGINAL SOUNDTRACK FROM THE MOTION PICTURE,1980 LP Record- NICE! US $6.90 Buy It Now 36m 44s
1959 JOHNNY CASH LUTHER PLAYED THE BOOGIE #8 NICE SUN W/SLEEVE 45 RPM RECORD US $3.99 [2 bids]
36m 47s
1965 THE BEATLES HELP/I'M DOWN #1 NICE CAPITOL 45 RPM RECORD US $4.93 [2 bids]
38m 4s
1965 THE BEATLES YESTERDAY / ACT NATURALLY #1 NICE CAPITOL 45 RPM RECORD US $3.99 [0 bids]
38m 52s
1967 MOBY GRAPE FALL ON YOU NICE RARE COLUMBIA 45 RPM RECORD US $3.99 [0 bids]
40m 29s
Little Peggy March German 45 PS Pic Sleeve Einmal Verliebt Immer Teen Girl NICE US $13.95 Buy It Now 40m 35s
The Rolling Stones Big Hits (High Tide and Green Grass) London/USA LP NPS-1 Nice US $9.99 [0 bids]
40m 40s
1967 MOBY GRAPE SITTING BY THE WINDOW NICE RARE COLUMBIA 45 RPM RECORD US $3.99 [0 bids]
41m 46s
Shakira Oral Fixation Vol. 2 by Shakira NICE! US $5.99 [0 bids]
US $9.09 Buy It Now
42m 33s
HUGO WOLF SOCIETY Volume Six - Very Nice 1936 12-inch HMV 6-record Set in Binder US $55.00 Buy It Now 43m 12s
Pink Floyd A Nice Pair 1973 Record LP Album Exc.Con! (211) Maybe a hair line!! US $37.99 Buy It Now 43m 19s
Steve Goodman Words we can dance to Nice vinyl US $4.24 Buy It Now 48m 7s
Fleetwood Mac - Mirage - Stevie Nicks Rock A Little. Nice. US $10.77 [0 bids]
US $27.77 Buy It Now
53m 2s
Go-Go's -Beauty And The Beat EX/EX- LP Record 1981 IRS SP70021 Nice Copy US $6.99 Buy It Now 55m 57s
THE DOORS GREATEST HITS 12" LP 1980 ORIGINAL RECORD SLEEVE ELEKTRA NICE! US $3.50 [1 bids]
1h
Saint-Saens - Symphony No. 3, Zubin Mehta, London LP NICE US $7.95 Buy It Now 1h 3m
AX5 .2 X CD SET......ROSE TATTOO.NICE BOYS DON,T PLAY ROCK N ROLL.AUSTRALIAN US $18.60 Buy It Now 1h 3m
BLONDIE: Rapture - French 12" single -rarer orig beauty display or play Nice lp US $9.99 [0 bids]
1h 4m
David Bowie - Starting Point / 1977 London LP NICE US $9.95 Buy It Now 1h 6m
THE INMATES - First Offence NM+/ EX LP RECORD 1979 Polydor PD-1-6241 NICE COPY US $9.99 Buy It Now 1h 6m
POTLIQUOR-LEVEE BLUES-CLASSIC ROCK LP ON JANUS-NICE US $9.99 [0 bids]
US $20.00 Buy It Now
1h 8m
The Rolling Stones Get Yer YA-YA's Out 1969 London/Abkco LP NPS-5 NICE US $9.99 [0 bids]
1h 10m
GANG STARR No More Mr. Nice Guy Cassette Tape 1989 HIP-HOP Rap SEALED Classic US $7.99 [1 bids]
1h 11m
MIKE OLDFIELD Tubular Bells 8 track Nice !!! the exorcist US $5.95 Buy It Now 1h 12m
neil young after the gold rush original 1970 reprise usa lp record gatefold nice US $19.99 [0 bids]
1h 12m
ALTERED IMAGES - Bite NM / EX+ LP RECORD 1983 Portrait CBS BFR38585 NICE COPY US $10.99 Buy It Now 1h 13m
Lime - Take the Love Vinyl LP - TSR TLP 1223 - Unplayed NM- NICE!! US $6.95 Buy It Now 1h 17m
1967 ERIC BURDON & THE ANIMALS MONTEREY #15 NICE MGM 45 RPM RECORD US $2.99 [0 bids]
1h 17m
The Knack - Get the Knack Vinyl LP - Capitol SO-11948 - EX - NICE!! US $4.95 Buy It Now 1h 18m
ROD STEWART -A NIGHT ON THE TOWN- LP -Nice US $4.24 Buy It Now 1h 20m
1967 FRANKIE VALLI TO GIVE #29 NICE PHILIPS 45 RPM RECORD US $2.99 [0 bids]
1h 21m
Michael Jackson beat it uk nice US $3.99 [0 bids]
1h 22m
Roger Miller King Of The Road Playgraded EX- Hilltop Records Very Nice Copy LP US $5.09 Buy It Now 1h 23m
Buddy Greco There She Goes DJ 45 VG++/NM Nice Pop Male Vocal Your Name CLEAN! US $5.95 Buy It Now 1h 25m
Charles Aznavour Apres L'Amour DJ 45 After Loving You French Male Vocal NICE! US $5.95 Buy It Now 1h 26m
Clebanoff Strings Antony and Cleopatra Theme Caesar DJ 45 NM Mood Music NICE! US $7.95 Buy It Now 1h 26m
Paul Simon Greatest Hits Etc. DJ Promo LP Nice Vinyl and cover US $11.04 Buy It Now 1h 28m
Don Ho Tomorrow DJ 45 VG++ to NM This Sacred Hour Pop Male Vocal Clean NICE! US $5.95 Buy It Now 1h 28m
The Nice - Nice - Vinyl LP - VG+++ US $18.00 Buy It Now 1h 29m
1967 THE ASSOCIATION WINDY #1 NICE WARNER 45 RPM RECORD US $2.99 [0 bids]
1h 35m
Vic Damone Two of a Kind DJ 45 VG+ Pop Rock Mod Popcorn Male Vocal Wonder NICE! US $11.95 Buy It Now 1h 37m
1967 THE MUSIC EXPLOSION LITTLE BIT O' SOUL #2 NICE LAURIE 45 RPM RECORD US $3.24 [2 bids]
1h 38m
1967 THE TEMPTATIONS ALL I NEED #8 NICE GORDY 45 RPM RECORD US $2.99 [0 bids]
1h 40m
Cheech & Chong- Big Bambu- used 8 Track tape- nice shape US $3.50 Buy It Now 1h 44m
Super Hits of the '70s: Have a Nice Day, Vol. 15 by Various Artists (CD,... US $8.99 Buy It Now 1h 46m
JIMMY DEAN Big Bad John LP SEALED! Columbia P 13583 NICE! LOOK! US $20.00 Buy It Now 1h 46m
NANCY WILSON Hurt So Bad LP SEALED! Capitol EMI ST 353 NICE! US $20.00 Buy It Now 1h 49m
Heavy Hits- various- Adam VIII label- used 8 Track tape- great Top 40 mix- nice US $3.50 Buy It Now 1h 52m
The Sound of NANCY WILSON LP SEALED! Capitol EMI ST 2970 NICE! US $40.00 Buy It Now 1h 53m
1966 THE MAMAS & THE PAPAS WORDS OF LOVE #5 NICE DUNHILL 45 RPM RECORD US $2.99 [1 bids]
1h 53m
MADNESS House Of Fun NICE PICTURE Record 45 1982 US $9.66 Buy It Now 1h 58m
ADAM AND THE ANTS 1982 NICE PICTURE Record 45 US $7.88 Buy It Now 1h 58m
Heart Dreamboat Annie 33 12" LP Record! Very Nice!! US $1.25 [0 bids]
2h 2m
MICHIGAN & SMILEY - NICE UP THE DANCE -- STUDIO ONE -- COXSONE - 7" - DANCEHALL US $11.99 Buy It Now 2h 4m
Elvis "Welcome To My World" APL1-2274 Nice LP 1977 LP US $11.04 Buy It Now 2h 4m
Mick Jagger & James Fox - Performance Soundtrack NICE US $24.95 Buy It Now 2h 8m
Van Halen 2 II 12" 33 LP Record! Nice! Warner Bros US $0.99 [0 bids]
2h 12m
NILS LOFGREN I Came To Dance LP SEALED! A&M SP 4628 NICE! US $12.00 Buy It Now 2h 15m
Fooled By April : Nice to See You CD (2003) US $10.00 Buy It Now 2h 15m
DEAN PARRISH-TELL HER-NORTHERN SOUL 45 ON BOOM-NICE-60'S US $22.50 [10 bids]
2h 17m
TEARS FOR FEARS Elemental CD - nice condition US $2.98 [0 bids]
2h 18m
Vintage Y&T BLACK TIGER Record Original Album Used Nice! Y+T US $6.99 Buy It Now 2h 26m
ORIGINAL LP~STEPPENWOLF~~AT Your BIRTHDAY PARTY Record Vinyl Nice!! DSX-50053 US $20.00 Buy It Now 2h 26m
Jay Boy Adams - Fork In The Road / 1978 Promo NICE US $7.95 Buy It Now 2h 27m
VANILLA ICE TO THE EXTREME MUSIC CD COMPACT DISC PLAYS NICE AND CLEAN MUSIC NR US $1.99 [0 bids]
US $5.00 Buy It Now
2h 31m
Dianne Reeves 'Dianne Reeves' CD BMG D 160040 NICE US $8.00 Buy It Now 2h 40m
IDLE CURE TOUGH LOVE CD Christian Rock 1988 FRONTLINE RECORDS NICE!! RARE!! US $17.50 Buy It Now 2h 41m
CARLOS MONTOYA "ADVENTURES IN FLAMENCO" 33rpm 12" vinyl LP album (NICE) US $4.99 Buy It Now 2h 44m
THE DON BURROWS QUINTET WITH ADELAIDE CONNECTION - NICE 'N' EASY OZ JAZZ US $18.64 Buy It Now 2h 44m
The Nice - Nice Z12 52022 Immediate Records SEALED!! OOP Rare Bob Dylan US $46.99 Buy It Now 2h 48m
POP (NICE VOCAL) ~ KAREN CHANDLER ~ CORAL 61386 "HAVE YOU EVER BEEN LONELY" 1954 US $5.50 [0 bids]
US $7.25 Buy It Now
2h 50m
CD. Grand POPO Football Club / Men Are Not Nice Guys / 5 tracks CD US $4.20 Buy It Now 2h 52m
Nice Torch/ Jazz Orig LP FRANKIE LAINE Torchin Comstock US $15.00 Buy It Now 2h 54m
PETER PAUL and MARY The Best Of 10 Years Together nice US $3.39 Buy It Now 2h 57m
Melanie- Stoneground Words- 1972- used 8 Track tape- nice condition US $4.00 Buy It Now 3h
The Mirettes on Revue 11004 To Love Somebody & In the Midnight Hr Very Nice L@@K US $1.25 [0 bids]
US $1.75 Buy It Now
3h 7m
Rickie Lee Jones debut LP Nice US $4.24 Buy It Now 3h 7m
The Nice - Ars Longa Vita Brevis Z12 52020 SEALED!!! OOP Rare Immediate Records US $94.99 Buy It Now 3h 12m
THE WHO LP-FACE DANCES/WARNER BROS. RECORDS, 1981 HS-3516 VG++ NICE 'N' GLOSSY US $7.98 Buy It Now 3h 19m
45 CHAMPS ~ LIMBO ROCK / MAMA NICE ~ MINT -- '62 US $4.95 Buy It Now 3h 22m
Very Nice SEALED Starday COUNTRY Music 2 LP HALL o FAME US $29.00 Buy It Now 3h 22m
Holly and the Nice Lions Nom de Plume - No Future 7" sleater kinney beach patrol US $0.99 [0 bids]
3h 27m
Deep Purple - Sarah Vaughan 45 RPM Extended Play record 1951 Nice Cover! SEE! US $7.99 Buy It Now 3h 28m
My Fair Lady - Lawrence Welk 45 RPM Extended Play record 1956 Nice Cover! SEE! US $7.99 Buy It Now 3h 28m
It's A Small World - Walt Disney 4 Language 45 RPM record & Nice Picture Sleeve! US $9.99 Buy It Now 3h 28m
Bob Scobey's Frisco Band - 45 RPM Extended Play record 1953 Nice Cover! SEE! US $9.99 Buy It Now 3h 28m
The Great Benny Goodman - 45 RPM Extended Play record 1957 Nice Cover! SEE! US $9.99 Buy It Now 3h 28m
Cover Me & Jersey Girl - Bruce Springsteen 45 RPM record & Nice Picture Sleeve! US $9.99 Buy It Now 3h 28m
Larry Gatlin - Oh! Brother / 1978 Monument NICE! US $7.95 Buy It Now 3h 46m
D NICE-call me d-nice-RARE ORIG 1990 JAPAN PROMO/OBI-CD US $39.88 Buy It Now 3h 48m
Donna Summer : Nice to See You CD (1995) US $4.73 Buy It Now 3h 54m
UK Harvest SHDW 403: Pink Floyd: A Nice Pair (Piper, Saucerful) NM-/NEAR MINT US $13.99 [1 bids]
3h 56m
FRANK SINATRA NICE AND EASY Cd US $15.57 Buy It Now 3h 59m
Stepladder Nice Guys Finish CD US $6.24 Buy It Now 4h 2m
SIMON AND GARFUNKEL'S GREATEST HITS ' COLUMBIA STEREO CASSETTE ' NICE US $5.00 Buy It Now 4h 4m
Have a Nice Day by Bon Jovi (CD, Sep-2005, Island (Label)) US $6.99 [0 bids]
4h 19m

More places to buy THE NICE music online Buy THE NICE & Prog Rock Digital Music online:
  • AmazonMP3: Search for THE NICE DRM-Free MP3 Downloads @ AmazonMP3 (USA Only) | AmazonMP3 (UK Only)

THE NICE Ars Longa Vita Brevis ratings distribution


3.25
(76 ratings)
Essential: a masterpiece of progressive rock music(20%)
20%
Excellent addition to any prog rock music collection(32%)
32%
Good, but non-essential (34%)
34%
Collectors/fans only (13%)
13%
Poor. Only for completionists (1%)
1%

THE NICE Ars Longa Vita Brevis reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by Sean Trane
SPECIAL COLLABORATOR Prog Folk
2 stars 2,5 stars really!!! Unfortunately the departure of O'List drastically changed the sound , the power and the structure of this band and it was never the same after that. As Emerson had nobody else to dialogue with musically speaking to give answers to his lines, he became the true and unchallenged leader and soon let all of his excessive moods wander onto the vinyl. However a big improvement is the recording quality. gone is the muddy sound of their debut and every instrument is clearly heard - well there is only three left ;-)

Arabella , Daddy and Happy Friends are still the same kind of psychic tunes found on their debut and reminding of Floyd's debut. However , the Karelia Suite reworks as well as the whole of side 2 are the typical example of classical reworks I hold few interest in and are a bit pointless nowadays although at the time of release , they were influential. IMHO, this is exactly one of the cliché of prog I dislike : the classical Oeuvre rework or in some other cases the rip-off. On top of it , there is a lenghty drum solo in the Prelude to the suite. I can accept drum solos on live albums but I always cringe a bit when there is one on a studio album.

I regard this one as "Works-the preludes" as a wink to mid-era ELP discography! The first disaster in trying to rock the classics

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Send comments to Sean Trane (BETA) | Report this review (#5130) | Review Permalink
Posted Tuesday, February 03, 2004

Review by richardh
PROG REVIEWER
2 stars I would like to give this 2 and half stars as it is a notch up from their first album.The side long suite 'Ars Longa Vita Brevis' is the reason for getting this.This is where prog rock started.Unfortunately the production quality of the whole album is just plain awfull as Emerson even admitted at the time.Keith Emerson fans will already have this.Others should avoid.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Send comments to richardh (BETA) | Report this review (#5133) | Review Permalink
Posted Sunday, May 09, 2004

Review by Trotsky
SPECIAL COLLABORATOR Honorary Collaborator
3 stars I've heard three albums by The Nice (Ars Longa Vita Brevis, Five Bridges and Elegy) and all three leave me with the same impression ... that The Nice was innovative for its time, but fatally flawed.

Flawed for two main reasons, the first being that budding genius keyboardist Keith Emerson was too talented and ambitious for his fellow band members, particular lead vocalist Lee Jackson. I've not usually fussy about vocals, but Jackson's singing is awful. While Jackson (as bassist) and drummer Brian Davison are a competent and occassionally creative rhythm section, there is a feeling of unfulfilled potential about The Nice's music.

Secondly The Nice was a band pulling in too many different directions and were not particularly outstanding in one style. A diverse combination of shorter psychedelic tunes, lengthy pomp-rock and whole classical suites (sometimes with an orchestra) coupled with a lack of true compositional skill (well, that was something that would eventually change) meant that The Nice are always going to be come a cropper when compared to the giants of prog that succeeded them.

Having said all that, The Nice are still worth listening to, even if most people coming to the band right now will probably be ELP fans who will need to readjust their expectations. Ars Longa Vita Brevis is probably my favourite of the three albums I've heard and if you bear in mind that this was released in 1968, it really is pretty damn progressive stuff.

The album commences with a trio of shorter, occasionally baudy tunes. Daddy Where Did I Come From? is a juvenile, slightly rude psychedelic tune, with some funky keyboard work that barely holds this piece together and a fair amount of narrative that really buries the piece. Little Arabella has some nice jazzy overtones with a great solo from Emerson, who does great organ work as well as some nice underlying piano stuff and Happy Freuds is probably my favourite tune of the first three opening ones. The verse sees Jackson singing at his best, and there's a nice psych interlude that complements the stately melody of the main tune.

Then we have Emerson's first stab at re-writing the classics. Sibelius' Intermezzo from the Karelia Suite is a song that The Nice would redo on Five Bridges Suite but I like it more in this version. You're not going to get prizes for guessing who the star of the show is ... despite the bombast I think this is one of Emerson's finest performances ever. A great mixture of clasical infections and rock vibes, it foreshadows in many ways the direction that Emerson would follow (to greater effect) in ELP.

The title track is a symphonic suite in six parts and while it's rather uneven, I think it deserves attention if only for the ambition Emerson shows. It doesn't get the best of starts as Prelude is just a rather pedestrian classical segment featuring an orchestra while the 1st Movement: Awakening is basically a failed Brian Davison drum solo (I am a fan of drum solos by the way, but this one doesn't make the grade). From then on in, it's generally marvelous stuff though. The 2nd Movement: Realisation is classic 60s rock with a cool riff apparently co-written with guitarist Davy O'List who left before this album. While Lee Jackson's atrocious singing makes an unfortunate appearance I really enjoy the progressive psychedelic jam that sees Emerson on piano. The 3rd movement: Acceptance starts off with some prominent brass work and there's an orchestral segment before Keith comes in ... if it seems all too familiar it's because the band and orchestra are doing a version of Allegro from Bach's Brandenburg Concerto No. 3! I know classical purists will be in tears, but I think most proggers should enjoy it, I certainly did. Keith kicks butt on this one. The 4th Movement: Denial is for the most part typical 60s organ-led blues rock although Lee Jackson comes in with vocals towards the end. Like that other classical/rock fusion experiment of the time ... Deep Purple's Concerto For Group And Orchestra ... it can be pretty messy yet is intriguing.

I've heard complaints about the sound quality of the recordings and recommend the remastered versions from Castle which are awesome (I've got the Castle remastered version of Ars Long, but older versions of two other Nice albums, and the difference is amazing ... this disc also has two bonus tracks albeit in the form of single edits of tunes already on the album). ... 64% on the MPV scale.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Send comments to Trotsky (BETA) | Report this review (#5135) | Review Permalink
Posted Monday, April 11, 2005

Review by lor68
PROG REVIEWER
3 stars It's another "proto-prog" album, whose interest is connected to a few orchestral scores in the vein of Brubeck or Thelonius Monk, the real music background of Emerson...nevertheless the songs sometimes are ingenuous and raw as well, in spite of appreciating the second side, the suite in which the contamination between the classic music language and the profane a bit irritating one, is well balanced.

True score: "2 stars"

"2 stars and an half-3 stars", as for its importance once again!!

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Send comments to lor68 (BETA) | Report this review (#46339) | Review Permalink
Posted Sunday, September 11, 2005

Review by Easy Livin
SPECIAL COLLABORATOR Honorary Collaborator / Retired Admin
2 stars Nice try. but no cigar

The Nice's second album saw the band reduced to a trio with the departure of guitarist David O'List during recording. The band initially looked to recruit a replacement guitarist, with Steve Howe actually joining the band but for less than a day. Ultimately it was decided to carry on as a three-piece. This of course meant that the already heavy bias towards the keyboards of Keith Emerson was tilted even further in that direction.

The album opens with a trilogy of throwaway psychedelic songs which, while mildly amusing, do little to explain why the band is now held in such high esteem. It is only when we get to the band's interpretation of the classic piece Intermezzo from the Karelia Suite composed by Sibelius that we are reminded of Keith Emerson's true talent. It should be said that this is not the stunning live version which appears on the Five bridges album, the version here being devoid of the orchestral arrangement and Emerson's knife attack on his instrument being somewhat muted. This rendition is very much an organ recital, Emerson playing it pretty straight in terms of keeping to the original composition.

The feature track though is the suite in 4 movements which gives the album its title. This was the first time the band has worked with an orchestra, the piece being an ambitious undertaking which only works in parts. On the downside, we have a superfluous drum solo and some mediocre composing. On the plus side, the third movement is a fine interpretation of part of Bach's Brandenbuger concerto. In reality, this is rather a crude effort to combine band and orchestra, the two coming from completely different directions. As such, the piece of value as a historical item rather than a musical one.

In all, an album which demonstrates how the fusion of band and orchestra, and of rock and classical music was a more painful process than history might now indicate. While there is plenty of innovation and a genuine effort to break down barriers here, the results are patchy at best.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Send comments to Easy Livin (BETA) | Report this review (#158150) | Review Permalink
Posted Wednesday, January 09, 2008

Review by Atavachron
SPECIAL COLLABORATOR Honorary Collaborator
4 stars It is not possible to overestimate the Nice's importance to Progressive Rock. In their moment, they were prog and if the eye-opening debut Thoughts of Emerlist Davjack didn't show that, this dazzling follow-up did. Sure they're so old and dated you'd never put them on unless alone in the house. Yes Lee Jackson is an intolerable singer, Davey O'List was a dreadful guitarist and the band couldn't seem to mix a record to save their lives. And of course some of the songs are, let's say, immature. But things were looking up for the band in the summer of 1968; halfway through the recording sessions for Ars Longa Vita Brevis, Dave O'List left due to personal issues (his career at this point strangely mimicking Syd Barrett) and Keith Emerson, finally divorced from this banshee of a player, took the lead and never let go. And though the first album hadn't done as well as hoped, Emerson, Jackson and Davison had become a well-respected underground pop/psych band looking forward to a fruitful new period of music and triumphs. Take a good listen; this is the prototype for what became the most well-known Prog supergroup the world has ever seen, and this second offering is a noticeable improvement from the first. The six-part, 20 minute, fully orchestrated title cut closed the deal. If this was psychedelic rock then it had spontaneously mutated into something quite a bit more, led by a gifted pianist/composer with a firmer grasp of music than anyone had seen in rock to that point.

A bit of boogie from Keith's piano go-go dances the inquisitive 'Daddy Where Did I Come From?', a twisted little creep tune with the organ on deep background and some troubled dialog. Fun if equally creepy 'Little Arabella' is completely mad, supported by a bridge of horns and Emerson's tea party strangeness, and pixied poke at psychobabble 'Happy Freuds' may bring a grin. But it's the moans of 'Intermezzo's cello that signal the start of something special. The band lumbers in, Jackson's less than light touch on bass and Brian Davison doing a typically good job, somehow holding this ambitious new venture together. Careful improvisation follows showing how jazz, classical and rock can meet and maybe, someday, even get along. Emerson was in an ideal position to do this-- no one could touch him and the title is extraordinary symphonic rock, the real stuff, covered in muck maybe, but there. Davison takes a four-minute drum set, Keith reveals his penchant for both American and Latin jazz - soloing beautifully through here and having a blast - and royal horns break to allow Johann Sebastian his due, woven quite nicely into the band's pumping jam with the orchestra's accents growing more frequent, culminating in a huge theatrical finish.

Posthumously imitated far more often than they're credited for and yet seen widely as a novelty, in reality the Nice were incomparable. Unrewarded trailblazers and rugged pioneers of those lean and treacherous early days of 'progressive rock' that they started but others would finish with much more flair and skill. But their memory deserves every bit of credit it can get its grimy hands on and their ancient, ridiculous, paisley-patched music seems to somehow get better with age. Go figure.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Send comments to Atavachron (BETA) | Report this review (#166506) | Review Permalink
Posted Sunday, April 13, 2008

Review by Cesar Inca
SPECIAL COLLABORATOR Honorary Collaborator
4 stars After the dynamics and colorfulness shown on their debut album, The Nice had to face their second recording endeavor as a trio (most of it, since O'List left after the sessions had already started), the result being Ars Longa, Vita Brevis. This was a tremedously pioneering album in the development of what was to be the symphonic trend of progressive rock. This is actually the album in which The Nice seems almost ending the transition from being a psychedelic art-rock band to a symphonic power-trio. And I emphasize the power-trio factor since Emerson saw himself in the position of adding extra power to his performative antics (including all the live paraphernalia) in order to compensate for the loss of the guitar as the natural coordinator: in this way, the reduced band could already start to function as a small orchestra of rock. But the aforesaid transition wasn't over yet, so we can still find lots of humorous and naive psychedelic structures, as you can tell in tracks 1 and 3. The former is, as the title explicitly indicates, a satyre about the uncomfortable first children's quiestions about sexuality and reproduction, while the latter is a not too flattering tribute to the pretensions of psychiatry. The use of funny vocalizations and catchy R'n'B rhythms properly fit the standards of British psychedelic rock: as a comparison, the band shows more finesse than Syd-era Pink Floyd and less finesse than Procol Harum on the joyful tracks from their first two albums, and a similar rawness to the first Mothers of Invention releases. 'Little Arabella', while keeping some unhidden relation to the spirit of the aforesaid tracks, is on another level. It is jazzier in its overall mood and it also includes some classical undertones in the interactions between organ and piano underneath the boogie-jazz scheme: this piece was clearly composed from a power-trio perspective despite tha fact that it isn't really as loud or pompus as your regular power-trio stuff. The symphonic side that has actually emerged in the band's ideology is present in the album's predominant parts: the 'Karelia' track and the namesake suite that occupied the vinyl edition's B-side. 'Karelia' offers a playful rendition of the Sibelius original, very akin to its cheerful essence. Emerson's chops are not too over-the-top, so the organ sounds manage to stay quite clean in the mix (the album doesn't have a great sound production, let me add at this point); the rhythm duo brings a reliable foundation for the organ constant colorfulness. The album's sidelong suite is the apex, and here's where things get as loud as can be at this moment of The Nice's history. Movements 1, 2 and 4 state a very cohesive expansion of basic ideas, while Movement 3 brings a different stage in the shape of a Bach-reconstruction with a heavy presence of orchestra: it does break the connection but instead brings a healthy dose of chamber pretension that symphonic rock can't normally do without, especially due to the elements of exquisiteness and elegance that it provides. Movement 1 brings the main opening motif followed by a drum solo before the Movement 2 brings a sung section and a classical-meets-jazz piano solo (yet another occasion for Emerson's chops). The last Movement retakes the ethusiasm started (then aborted) at the piano solo but reconstrued under the guidelines of organ with more emphasis on the rock than on the jazz factor. It goes all the way into the Coda, closing down the suite and the album with a plethoric mood. Almost excellent in itself, Ars Longa, Vita Brevis reveals itself as an excellent step for progressive mankind despite being just a small step for a trio who still had a few more works in store for release before their eventual breakup.

(I dedicate this review to the memory of the recently deceased Brian Davison).

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Send comments to Cesar Inca (BETA) | Report this review (#168128) | Review Permalink
Posted Saturday, April 19, 2008

Review by ExittheLemming
PROG REVIEWER
3 stars The Life Expectancy of Fat Bottomed Girls

'Daddy Where Did I Come From?' - Rather an ordinary rock riff that stretches in protest at being the load bearing wall in this humorous construction sung by Emerson about the facts of life. The spoken voice of the uncomfortable 'parent' attempting to impart this knowledge to his inquisitive offspring is that of the band's manager Tony Stratton-Smith (and subsequent founder of Charisma records) The damning indictment hurled from the bridge section is really just a bit 'rich' from a band of hellraisers like the Nice could be:

Your back teeth rotting in a gallon of booze, you can't even work out how to fasten your shoes, you get yourself into such a state, it's no small wonder that you can't even answer questions

Similar musical materials were put to better use on Azrael Revisited on the next album. The vinyl pressing of the record I originally purchased had some guitar on this track which beefs things up considerably, but the CD reissue I own does not?

'Little Arabella' - Emerson dials up an authentically cheesy 'Errol Garner' organ sound for this knowingly louche swing pastiche that Lee Jackson delivers with insouciant charm throughout. I think all of us have met at some time or another exactly the sort of dippy hippy chick that they cruelly lampoon here.

Talks in riddles talks in rhymes, she is a problem of the times, I'm rather glad she isn't mine

The very impressive trumpet was contributed by a session player.

'Happy Freuds' - the obsession with the theories of Sigmund Freud was rampant during the late 60's and the Nice have clearly decided they've had quite enough of listening to the sort of psycho-babble that was endemic amongst the so called 'beat' intelligentsia. Even on this second album the band prove to be more than capable of crafting a memorable pop song. Keith's voice however, was never suited to the sort of material he composed and as spirited an effort as he makes here, it just don't cut it.

'Intermezzo from the Karelia Suite' - as a first hesitant step into the adaptation of a classical work this ain't bad, but my enthusiasm is always going to be tempered by the wonderful heights they reached on later attempts. Brilliantly played as always but suffers from a rather haphazard and sloppy arrangement which casts Sibelius in a rather insipid light. Nice use of occasional bowed bass from Jackson to authenticate and acknowledge the origins of the work. Roy Harper claims to have inspired the band to tackle this piece.

'Don Edito El Gruva' - The problem with all practical jokes is that they lose much if restricted to just the audio realm. Orchestra tunes up and someone blows a very loud whistle. Much giggling ensues. Guess you had to be there. (or had sampled the whistle beforehand) 'Don' being engineer Don Brewer.

'Ars Longa Vita Brevis' - (Art is long, Life is short- Lee Jackson's art school's motto)

This 20 minute 'suite' indicates a massive leap in ambition for the band and although it suffers from the lack of direction exhibited by all those swimming in uncharted waters, represents a pivotal moment in rock that ushered in a whole new climate of experimentation and adventurous risk taking. (Yippee!)

It was seeded by a riff that departing guitarist Davy O'List contributed and the rest seems to have snowballed from there. Much debate ensues about who actually plays the guitar parts on Ars Longa, but the prevailing view is that it is Malcolm Langstaff, a contemporary of Jackson and fellow Novocastrian who learned the parts by listening to a BBC session of an earlier version.

Brian Davison was well known to be reluctant to perform drum solos on stage, so it is something of a surprise to see one on this album during the Awakening section. 'Blinky's' speed, feel and touch are all well to the fore and it's refreshing to get to hear the subtle detail available on CD that was muddied on the original vinyl.

O'List's original riff appears in the Realisation Movement and it's 'eastern' tonality is exploited by the Nice in an incense filled song section sung with suitably oriental inflections by Jackson. His lyrics alas, remain as stubbornly cryptic as always:

Life's too short to paint a kiss, so sing a picture, paint a song, take it home and bang your gong (!?)

Keith then moves onto piano and embarks on a Latin percussion backed tour de force which runs the gamut of most of his avowed influences at the time i.e Charlie Parker, Bach and Jacques Loussier.

'Acceptance - Brandenburger' - Emerson's choice of vehicle here is Bach's 3rd Brandenburger Concerto (a series that has served the Nice well, see - Country Pie) with which to extemporize on and contains some of his greatest organ playing to date. The opening statement of the theme on Hammond never fails to raise the hairs on the back of your humble correspondent's neck. The Nice even manage to tease a performance out of the orchestra that borders on 'swinging' a rare feat from classical players.

'Denial' - It's a relief to be able to hear this finally resurfacing from the murk that cloaked it on the vinyl version. Alludes in places to phrases and motifs that would appear on Hoedown by ELP and reprises O'List's original riff in a very satisfying symmetrical conclusion to the whole suite.

This record probably captures the Nice 'halfway up the stairs to the observation bay' that they were able to look out from on it's successor, and although it could be described as very patchy, it is an incredibly far sighted work that blazed a trail where no others had dared to set a Beatle boot.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Send comments to ExittheLemming (BETA) | Report this review (#171130) | Review Permalink
Posted Thursday, May 15, 2008

Review by ZowieZiggy
PROG REVIEWER
3 stars This first ELP album mainly prevails thanks to the two reworked classical themes Karelia Suite and the title track Ars Vita Longa Brevis.

They hold everything one loves (or hate) from the later works of the and. Self indulgence from dear old Keith; but not only. After an obviously pompous "Prelude", the next "Awakenings" holds a drum solo which was probably not the best musical idea that the band has ever had.

There is nothing to say about the musicians of course, the drumming from Palmer is excellent. What! It is not Palmer, hum.Davidson? Are you sure? Oh, it is an album from "The Nice" and not an ELP one. I'm sorry about that! I guess that you got the idea.

Realisation holds all the pomposity of the later trio as well as weak vocals. The "Acceptance" part is way better, and offers a very pleasant interplay between each band members while "Denial" is my favourite section of this long suite. Great keyboards playing from the master and strong backing from the rhythmic as well.

In all, I consider the title track as the best part of this album.

From the first three songs of this "Ars Longa." only "Daddy..." is worth a mention. A fine psychedelic track well in line with those late mid-sixties and strongly early Floyd oriented. The jazzy Little "Arabella" and the childish "Happy Freuds" can be considered as pure fillers IMO.

This album is just a rehearsal of some pictures at an exhibition. But very pale in comparison. Still, it must be considered as highly innovative at the time of its release. Five out of ten but I upgrade it to three stars.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Send comments to ZowieZiggy (BETA) | Report this review (#187918) | Review Permalink
Posted Tuesday, November 04, 2008

Review by UMUR
SPECIAL COLLABORATOR Honorary Collaborator
3 stars Ars Longa Vita Brevis is the second full-length studio album by UK psychadelic/ progressive rock act The Nice. The Nice is often considered as one of the most important proto-prog acts of the sixties because of how they blended psychadelic rock with classical influenced piano, organ and harpsichord playing by Keith Emerson who would later become a member of prolific progressive rock act Emerson, Lake and Palmer. While the debut album by The Nice called The Thoughts of Emerlist Davjack (1967) is truly a groundbreaking album the classical influences are much more pronounced on Ars Longa Vita Brevis and fans of Emerson, Lake and Palmer are adviced to take a listen to this album. There´s been a lineup change since the debut album as guitarist David O'List left the band during the recordings leaving The Nice as a three-piece without a guitarist. A real shame as David O'List brought much to their sound IMO.

The first three songs on the album are in psychadelic rock style ( with vocals) and they remind me a bit of the sound Pink Floyd had on their debut album The Piper At The Gates Of Dawn (1967). The songs are pretty good without reaching excellent IMO. The last half of the album is much more classical influenced ( with full orchestra parts) and progressive though. Intermezzo from the Karelia Suite is an 8:57 minute long interpretation of a part of the Karelia Suite by classical finnish composer Sibelius. The last song is an 18:20 minute long again classical influenced and mostly instrumental ( there are vocals) piece of music and should be considered the centerpiece of the album. Keith Emerson shows the full arsenal on this one. Pretty impressive for the time.

The production and the musicianship are excellent. While Keith Emerson clearly outshines both drummer Brian Davidson and bassist/ vocalist Lee Jackson their performances are very good too. The production is much better than on the weakly produced debut and it means that Ars Longa Vita Brevis welcomes you in and doesn´t push you away like the debut´s sound quality seems to do at times.

Ars Longa Vita Brevis is another rather groundbreaking album by The Nice but personally my enthusiam is a bit lukewarm about the compositions. The album is more interesting than it´s good IMO but I will give a 3 star rating.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Send comments to UMUR (BETA) | Report this review (#224504) | Review Permalink
Posted Saturday, July 04, 2009

Review by Evolver
SPECIAL COLLABORATOR Crossover & JazzRock/Fusion Teams
4 stars With singer/guitarist David O'List leaving the band before this, only the second album by The Nice, was released, this record became the precursor to Emerson Lake & Palmer's music. And for 1968, it's quite good.

The album starts with the strange Daddy Where Did I Come From?, a throwaway piece, that starts out as a ditty about how a parent reacts to a child asking about sex, and bizarrely turns into an indictment against drinking. If you thought Benny The Bouncer was out of place... But Emerson saves this with a couple of nice keyboard interludes.

Little Arabella is a jazzy number, with Emerson providing cool Hammond licks. Then comes Happy Freuds, easily the worst song on the album. Lee Jackson's vocals make it almost painful to listen to.

The remainder of the album is worth the price of admission. Starting with Intermezzo from the Karelia Suite, and continuing through the six movement Ars Vita Longa Brevis, the band does an excellent job of playing classical music adapted for the power trio. If you didn't know better, you might think you were listening to very early ELP. This is highly recommended for the ELP enthusiast.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Send comments to Evolver (BETA) | Report this review (#295532) | Review Permalink
Posted Friday, August 20, 2010

Review by Ivan_Melgar_M
SPECIAL COLLABORATOR Symphonic Prog Specialist
4 stars It's always hard to review a 1968 album in the 21st Century without making an effort of imagination and situate yourselves in the era, and only then you can realize the importance of THE NICE. Lets remember that when Ars Longa Vita Brevis was released, Psychedelia was the most developed musical genre, most bands were experimenting with sitars and oriental sounds while others were adding artificial orchestral intros and codas to Pop songs like THE MOODY BLUES, but THE NICE were releasing pure keyboard oriented Prog (with some Psych remains) adding the classical / Orchestral components, as an integral part of their music, in other words, they were far ahead of the musical movement.

The album starts with "Daddy, Where Did I Come From?", a song criticized as some sort of 12 bar comedy relief, but hey, ELP made similar songs like "Benny the Bouncer" that everybody accepted. Honestly I like THE NICE track much more, mostly because the Baroque oriented organ blended with Psychedelic elements like shouts, moans and strange voices. Good experimental material.

"Little Arabella" stats wit a nice keyboard and percussion intro which leads to a jazzy section interrupted by pompous Hammond eruptions which most people consider a filler, but in my opinion makes an excellent intermezzo before the strongest material begin to appear with the extremely weird "Happy Feuds" which sounds as music from the 60's British Invasion blended with pompous Hammond.

But the real stuff begins with the excellent "Intermezzo from the Karelia Suite", a fantastic adaptation of the vibrant Sibelius work. This theme is a predecessor of what ELP would base their career, with the difference that Brian Davidson is better keeping the tempo than Palmer ever was (Not saying a better drummer), in other words THE NICE were doing music from the mid 70's in the late 60's with great success.

On an interview PETE TOWNSHEND confessed he wanted to make a long suite around this era, but the producers convinced him that it was madness, because Rock songs had to be 2:30 to 3:00 minutes long at the most, so instead he worked the concept of Rock Opera with 2 - 3 minutes songs interconnected, but in 1968, THE NICE dared to release the 20 minutes multi-part suite "Ars Longa Vita Brevis", I can't assure is the first one of it's class, but I haven't heard an older one.

The track starts with the classical oriented instrumental "Prelude", a short section that announces what can we expect of the 19 following minutes, but as soon as it melts with the "First Movement Awakening" (Mostly a Brian Davidson drum solo), we know there's more than what can be expected, not the best one I ever heard, but surely unexpected.

For the second movement "Realisation", the band recruits the guitarist Malcolm Langstaff with whom they create a well elaborate and complex piece that mixes several different genres and styles, from Classical to Jazz and even pompous Symphonic in a style that would be rescued by ELP.

The third Movement "Acceptance "Brandenburger" where Keith Emerson explores Johan Sebastian Bach's music and gives us a preview of what he will be doing for the next ten years with the music of artists as Mussorgsky, Bartok, Ginastera, etc. Simply brilliant

The Fourth Movement "Denial" is more a Jazzy experiment of the whole band with a fantastic bass work by Lee Jackson supporting Emerson's wonderful excesses (somehow reminiscent of "Rondo"). Complex, elaborate, frantic..What else can we ask?

The Epic and the album end with the 49 seconds "Coda-Extension To The Big Note", an extremely pompous epilog that takes us 10 years into the future, because it reminds me of the spectacular sound of "Fanfare for the Common Man" (I heard Fanfare before so Coda reminds me of it, despite being released before).

Now, Ars Longa Vita Brevis is not only a versatile album, but also one of the first expressions of Symphonic Prog and probably the first Prog Rock Suite, in other words a pioneer in al senses, if THE NICE had released this album today or even in 1973, nobody would had cared, but in 1968 it was revolutionary, so I would be absolutely unfair if I rated it with less than 4 stars, that would be 4.5 if the system allowed us.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Send comments to Ivan_Melgar_M (BETA) | Report this review (#507435) | Review Permalink
Posted Monday, August 22, 2011

Review by Einsetumadur
PROG REVIEWER
3 stars 9.5/15P. This time the album doesn't drown in awful production, but rather in weird arrangements. Still, it's fairly essential due to the longer numbers and Keith Emerson's unexpectedly good and unexpectedly vast lead vocal presence!

On quite a lot of proto-prog albums the tiny pieces of magic rather unfold in the more unconspicuous moments than in the elements destined to make a magnum opus out of the respective album. Days Of Future Passed features some amazing short song parts (Evening, Time To Get Away, most importantly) along with some plainly awful orchestral arrangements which bother me a lot. Beggar's Opera started out in 1970 with an enormously ambitious debut album - a complete failure, in my opinion - but really grabbed me one year later with the brief Nimbus, still one of the most beautiful 'ambient' pieces I have ever listened to.

Ars Longa Vita Brevis is a completely different matter. It's beautiful in some of the more lightweight tracks, it's stunning in big portions of the longer tracks, but in total it's not really less of an inconsistent mess than the pretty unlistenable The Thoughts Of Emerlist Davjack debut record. And curiously it's really the pretentious experimentation which makes considerable parts of the album really captivating and rousing.

Let's start with the one piece in which everything is perfect: the Sibelius adaptation Karelia Suite Intermezzo. It already was a marching and rolling piece of music in its original orchestral version, and it also was framed by atmospheric fanfare parts in Sibelius' own score. This means that the modifications by The Nice do not mainly affect the form, but rather the plain substance. And this is the point which decides if a classical adaptation is bound to fail (e.g. classical melodies paired with a stupid rock beat) or if there's a chance that the adaptation might be a success. Since the Nice version consists of jazz-inflected 'fantasies'/variations on the Sibelius melodies to a large extent you may definitely expect the latter. The mixture of Emerson's inspired organ improvisation, Brian Davison's swinging drum groove, Lee Jackson's easy-going and rumbly bass lines as well as his atmospheric bowed bass guitar counterpoints makes up a lot of entertainment over the complete piece. Maybe this is also the track on the album which has dated least; it still sounds quite fresh today, even after a lot of listens.

The A-side of the album is a huge surprise for a very different cause: Keith Emerson handles all lead vocals on Happy Freuds, Daddy, Where Did I Come From?, on the bridge of Little Arabella and backing vocals on Ars Longa Vita Brevis. This means that Keith Emerson actually (temporarily) was chief lead vocalist of the band - and he doesn't do a bad job at all in the context of these lightweightish and psychedelic pop songs. Hardly anyone seems to notice this matter of fact as most reviews usually suspect the vocals to be yet another facet of Lee Jackson's unpredictable vocal capabilites.

Happy Freuds stands out as one of the rare songs which appeal to the same corners of my mind as some of the Pink Floyd songs from 1968-1970 (Richard Thompson's guitar solo in John Martyn's Go Easy and Kevin Ayers' Margaret, for instance, have the same effect). Think Summer '68 or See-Saw. This doesn't mean that Emerson tried to copy the atmosphere in any way. Actually, the atmosphere is very different, but the effect is similar. The opening riff of Happy Freuds is still rather quirky, but as soon as Emerson brings these dreamy organ carpets into this jaunty psych-pop tune I'm totally happy. Amazingly, he's composed a pretty complex baroque-style vocal arrangement here and sings all those high-pitched parts with full power in spite of his wobbly sense of pitch. In the end, the vocals turn out to be perfectly alright and even downright beautiful in places.

In spite of Emerson's good vocal job, the long album version of Daddy, Where Did I Come From? isn't a tremendously satisfying listen - especially if you know the alternative version which comes along as a bonus track on some reissues. The album version simply is too fast, too long and too overladen with pianos, acoustic guitars, orgasmic moaning and stoned babbling. The shorter alternative version still features Dave O'List on a fuzzy electric guitar, and played by this line-up you really understand how genuinely great the riff of this song is. This time, Lee Jackson handles the lead vocals, and if you listen to this version you know how well songs like these are suited to Jackson's hoarse voice. (Three years later, Dave O'List would perform Re-Make/Re-Model with Roxy Music in their first BBC session - both the guitar work and the overall sound of this session highlight in what way Dave O'List actually shaped the sound of both bands.)

Little Arabella - just like the more hectic Tantalising Maggie - wanders around dangerously on the ridge between messy lounge jazz and classicistic organ pomp. I don't like either of the two tracks mentioned too much, although later Little Arabella would become a fun live track due to Brian Davison's fabulous jazz drumming. In the studio he mainly sticks to a tambourine and some uninspired snare flams while Lee Jackson sings the stanzas. The bridge, however, makes up for the messy stanzas and reliably prevents me from skipping this track. Curiously, it again features Emerson on lead vocals and gives the song a sudden majestic note, including some mighty trumpet fanfares which might well be remnants of sideline-trumpeter Dave O'List's sparse contributions to the sessions. This brief part conveys a pretty strong wistfulness, but unfortunately it's really brief and soon leads back into the relaxed jazz shuffle. Emerson's organ improvisations in the second half are indeed pretty good, but the additional piano work distracts a bit from the nice organ tone. As I said: the sparse live version recorded at the Fillmore in 1969 is far superior to the studio recording. That's what I meant with my 'arrangement' remark in the review introduction.

This leads us to Ars Longa Vita Brevis. It's hard to explain how a combination of a muddy piece of beat-poetry-laden proto-jazz-rock, a lengthy drum solo and a swinging adaptation of one of Bach's Brandenburger Concertos can go together that well. But they do, in a way. And they do without one elaborate interlude and without any arc of suspense. So why does it work? Firstly, the drum solo (which usually is a safe means to ruin a longtrack) can be regarded as a percussive piece with closer touch points to Richard Strauss than to Ginger Baker. It still ain't 'ambient' to the extent of the percussive melodicism of Nick Mason's Grand Vizier's Garden Party, but it's a lot more than the typical showcase drum solo. Secondly, the pop song part is based around a catchy 3-3-3-3-2-2 jazz shuffle with lots of space to improvise around, and it features a rudimentary and gruff, but nicely jangling rhythm guitar part a bit along the lines of the first The Who albums. It's played by Malcolm Langstaff, a fellow Newcastle musician who played in some minor beat bands until his death in 2007; seemingly, Ars Longa Vita Brevis was his only session work, although he was part of the plethora of musicians who played with Screaming Lord Sutch & The Savages. (Did you know that this band served as a professional diving board for Jimmy Page, Ritchie Blackmore, Noel Redding, Mitch Mitchell, Nick Simper, Nicky Hopkins, Mick Abrahams and Danny McCulloch?)

Before I miss the point completely I'd like to point out that the Brandenburger part is really cool. Admittedly, Emerson's 1969 combination of Brandenburger and Bob Dylan's sketchy Country Pie is a lot more adventurous (I mean - who thinks up such a combination?), but both the idea and the slight discrepancy between the stiff playing of the orchestra and Davison's loose swing guarantees some amount of fun. Unfortunately (or rather 'unconsequently'), the orchestra is used neither in the song parts nor in most of the instrumental work-outs. This could have been a severe deficit, but fortunately there's a pretty gorgeous introduction part with Hammond organ, drums, bass and orchestra (also reprised as a 'Big Coda' in the very end) which placates me a lot. I would have loved to call it an 'exposition' or an 'overture', but it's neither; it's just a really decent classical work-out around some little motives which only share faint traits with the melodies of the vocal parts, augmented by a non-boring variation on the popular A-G-F-E passage which has been used quite often in progressive rock as a rewarding jam vehicle.

All in all I have to admit that The Nice stroll around on very thin ice on this record, but somehow they always bravely manage to keep away from overly pretentious pomp; instead there are some moments of great beauty here, though sadly they are a bit lost in the messy concept. The album would have profited a lot from the slower and less maniac version of Daddy, Where Do I Come From?, the addition of the gorgeous psychedelic pop song The Diamond Hard Blue Apples Of The Moon (including Keith Emerson's only recorded use of the much-detested Mellotron) and the mighty progressive rock classic America; the latter, by the way, seems to have appeared on the US version of the LP. I'm a bit helpless about the final rating, but I think that a good 3 star rating will do best - combined with an honest recommendation for those with a certain amount of interest in recent music history, in interesting psychedelia/proto-prog and - of course - in Keith Emerson's vocal talents.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Send comments to Einsetumadur (BETA) | Report this review (#1013653) | Review Permalink
Posted Thursday, August 08, 2013

Latest members reviews

4 stars I'll be honest: "Ars Longa Vita Brevis" is not a masterpiece but it is probably the first true Prog Rock album in history. The Rock arrangement of Sibelius' "intermezzo from Karelia Suite" caused a scandal at the time, but today it still sounds like a piece innovative, fresh and magic. Althoug ... (read more)

Report this review (#615992) | Posted by 1967/ 1976 | Monday, January 23, 2012 | Review Permanlink

3 stars When this was released in late 1968, this album was quite innovative as it was the first true collaboration between a symphonic orchestra and a rock group. That said, it certainly has not aged all that well, but is still a good listen. The US version tacked on a censored, stereo version of the ... (read more)

Report this review (#377548) | Posted by KMacNutt | Monday, January 10, 2011 | Review Permanlink

4 stars Life is short, art long - Hippocrates Although The Nice tinkered with the classics on their first album, The Thoughts Of Emerlist Davjack, this second work, released in late 1968 after guitarist Davy O` List was dismissed from the band without being replaced, acquired a more distinct underlying ... (read more)

Report this review (#212591) | Posted by Vibrationbaby | Monday, April 27, 2009 | Review Permanlink

4 stars lee jackson; greatest singer in the history of progressive rock. ...and i mean it. there were reasons, my droogies, why the man was chirping for what at the time was sharp new edge of new music. those tobacco-colored tones still stand out against anyone you care to put before him. raw and th ... (read more)

Report this review (#170391) | Posted by homelitegravely | Friday, May 09, 2008 | Review Permanlink

4 stars I'm astonished to see such low ratings for this candy straight from proto-prog years. Is it a question of bad production? Or again, is it Lee Jackson's "anarchic" voice? Let's try focusing on ideas, and here you can find many of them, making this album precious and intelligent. I've always pre ... (read more)

Report this review (#117660) | Posted by paolo.beenees | Sunday, April 08, 2007 | Review Permanlink

2 stars Actually a 2,5 stars. This album is weaker than the previous one and shows The Nice as a 3- piece band. As Hugues Chatraine pointed, David O'List's departure from The Nice left Emerson without a musical counterpart. Brian Davison and Lee Jackson are good musicians, although they're not as good ... (read more)

Report this review (#45019) | Posted by M. B. Zapelini | Wednesday, August 31, 2005 | Review Permanlink

2 stars I tried very hard to like the "Ars Longa Vita Brevis" suite, but never quite managed. The only things lifting this one up from "Bad" are the Intermezzo from the Karelia Suite and the two moderately catchy throwaways, "Happy Freuds" and "Little Arabella." ... (read more)

Report this review (#5131) | Posted by | Friday, February 06, 2004 | Review Permanlink

5 stars Hello all you prog freaks out there!!! This is where Keith Emerson started!!! This is Nice´s second album ...and you can hear all Emersons classical influences out there...and its the beginning of ELP..... Its a great album and if you´re into ELP...you´ll need this!!! Their first one is also gr ... (read more)

Report this review (#5129) | Posted by Tonny Larz | Monday, December 29, 2003 | Review Permanlink

Post a review of THE NICE "Ars Longa Vita Brevis"

You must be a forum member to post a review, please register here if you are not.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Copyright Prog Archives, All rights reserved. | Legal Notice | Privacy Policy | Advertise | GeoIP Services by MaxMind | RSS + syndications

Other sites in the MAC network: JazzMusicArchives.com — the ultimate jazz music virtual community | MetalMusicArchives.com — the ultimate metal music virtual community


Server processing time: 0.59 seconds