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De Lorians biography
A Tokyo-oriented combo De LORIANS were founded in 2016 by the frontman Takefumi ISHIDA (saxophones), Soya NOGAMI (guitars), Hyozo SHIRATORI (keyboards), and Genki GOTO (bass) for playing 'pataphysical music' according to their words. Their roots lay in a project named "Enkyaku" by Soya, Hyozo, and Yuya OSABE (voices) who joined after releasing their debut shot. Shizuru "Syzeuhl" YAMAGUCHI joined De LORIANS in 2017 and their lineup has been confirmed. After gigging many times with Japanese psychedelic / avantgarde pioneers like Hikashu, Acid Mothers Temple, or Kikagaku Moyo, They signed a contract with a New York-based label bbib and released the debut eponymous album in July 2019 finally.

De LORIANS have gigged upon a European tour (Italy, Germany, Belgium, Netherlands, UK, or France) in November 2019, that was highly appreciated.

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3.88 | 55 ratings
De Lorians

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 De Lorians by LORIANS, DE album cover Studio Album, 2019
3.88 | 55 ratings

De Lorians
De Lorians Canterbury Scene

Review by siLLy puPPy
Collaborator PSIKE, JR/F/Canterbury & Eclectic Teams

4 stars While Japan has easily been the most adventurous nation to adopt European progressive rock and take it to unexpected places, the myriad bands that have emerged from this island nation have preferred to dabble in the excesses of avant-prog, zeuhl and psychedelic rock over other styles of prog and the most English subset of prog of all, the Canterbury Scene has been virtually ignored however there have been a scant few acts to venture into what may seem like forbidden territory. Despite referring to a specific city in England, the sounds created by early Soft Machine and Caravan have been popular across the European mainland with many bands adapting them into their own sound pools. Just think of bands like Supersister, Moving Gelatine Plates and Picchio dal Pozzo.

Japan has been loathe to jump onto this bandwagon but the bands Mr Sirius and Stubbs dabbled in Canterbury flavors all the way back in the 80s but it's been crickets ever since really. In 2019 two Japanese bands made their debut and both are from Tokyo. The mellow sounds of Moleslope perfectly captured the more serene nature of Canterbury sounds augmented with pop crossover appeal in a purely instrumental delivery retro sounds of another time and place and this other band DE LORIANS took the more adventurous route and crafted its debut on a darker roller coaster ride that offers many of those fantastic hairpin turns and prog excesses that the classic Canterbury stalwarts were well known for.

DE LORIANS' self-titled debut is a virtual tribute to the excesses of the wild free-for-all 70s when no limits were perceived and the only goal was to achieve a sense of musical bliss unparalleled in the history of humankind. This Japanese quintet that consists of Genki Goto (electric bass, cello), Hyozo Shiratori (electric piano, organ, vocals, theremin, saw), Soya Nogami (electric guitar, vocals), Syzeuhl "Meme" Joyer (drums, percussion) and Takefumi Ishida (alto saxophone, saxello, synthesizer) is the real deal as it faithfully delivers the retro sounds of England's most revered form of prog in splendid jazz-rock fusion bliss. And as with its fellow countrymen Moleslope, offers nary a glimpse that this is a band from the island nation of sushi and Toyota factories but rather crafts an almost imperceptible impression of lush verdant hills of England's musical city of the southeast.

Like any really good Canterbury style of music, DE LORIANS excels in teasing the jazz-rock chops into deliberately unpredictable time signature deviations, an expansive pastiche of tones, textures and timbres along with a creative display of instrumental dynamics, brilliant tight-knit interplay and the proper mix of authentic 70s organ zeitgeist augmented with sizzling saxophone skronk and intoxicating Zappa-esque infusions of avant-prog paradise that keeps the music from even approaching snoozeville. Barely squeaking past the 32 minute mark, DE LORIANS runs the gamut of Canterbury expectations from lush pastoral to reckless angular abandon with guitar fueled excesses accompanied by psychedelic fusion wizardry and off-the-beaten-path journeys into perilous explorations that offer one of the most interesting examples of contemporary prog in the field of the Canterbury sounds. Zappa-esque adventurism is evident with skydiving adrenaline rushes to be found.

While the band sounds somewhat like a strange hybrid of classic Hatfield & the North's softer moods along with the more daring workouts of National Health, in many ways the band offers new Canterbury visions unrealized. While musically sounding like a flawless fusion of English jazz-rock, there are brief moments of spoken word snippets in the band's native Japanese but for the most part this is an all instrumental affair and what a truly brilliant one it is! These five guys have displayed the ultimate love a genre by mastering all of those wily antics that made the subset of prog so war and inviting while bedazzling the listener with some of the most technically proficient chops to be experienced. Personally out of the two Japanese bands that delivered Canterbury retro albums in 2019, DE LORIANS is the one that does the most for me. While Moleslope provided a nice dreamy crossover approach, DE LORIANS cranks things up to 11 and goes for the gusto with a ridiculously satisfying first offering. THIS is a band to watch out for!

 De Lorians by LORIANS, DE album cover Studio Album, 2019
3.88 | 55 ratings

De Lorians
De Lorians Canterbury Scene

Review by DamoXt7942
Forum & Site Admin Group Avant/Cross/Neo/Post Teams

5 stars What a novel impression. De LORIANS were born in Tokyo as a Japanese experimental rock combo in late 2010s, but with incredible technique and soundscape grandeur in their early days. This eponymous album has been released in July 2019, after gigging many many times around Tokyo and Europe, and you can find their energetic intention for launching their individuality strongly inspired by jazz rock, psychedelic, avantgarde, and especially Canterbury vanguards. This 32 minute theatrical framework is filled with explosive power of quirky melodic lines, complicated rhythmic basis, sensitive movements, and respect for rock pioneers.

Apparently sounds like their primary axis of "rock" should be in the Canterbury Scene like Matching Mole, Moving Gelatine Plates, especially Soft Machine. Guess they should've run toward worldwide music scene and this fact is told by their debut creation indeed, but some oriental, Japanese essence (aka "wa no seishin") can be found here and there, that can be accepted without any hesitation, amazingly. Based upon excessive tense atmosphere all around, there are momentary loose vibrations, phrases full of humour, or heartwarming intervals. And interesting is positive phase like a rolling stone or roller coaster jog reminding me of a Japanese jazz rock combo Djamra. Their soundscape can be thought not monistic nor centralized but pluralistic and diverse.

In conclusion, such a dramatic 32 minutes creation of theirs cannot be separated in 8 pieces. This is a magnificent suite to give you enthusiasm. Cannot believe half an hour under their parallel world will go away in a minute, mystically. Trust me, where will they go after releasing such a fascinating debut shot?

Thanks to dAmOxT7942 for the artist addition.

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