ABSTRACT TRUTH

I remember seeing Abstract Truth at a concert in 1971 and the only song I recognized was a cover of "Feelin' Good", similar to Traffic's version on "Last Exit". I was impressed but somehow never laid my money down, maybe because there weren't any albums in the record racks. I finally came across this album in '78 in a record library. I didn't play it often as it was in poor condition. Now that I have the silver disc, still with those same distortions and crackling transferred, I've managed to catch up with the amount of plays that 'Traffic's "John Barleycorn" has received and that is a lot.

"Pollution" starts the album with a possible hit single but unlike Rare Bird's "Sympathy", not many heard it. Despite the depressing lyrics, the final part features a joyful South African Township Jazz section with requisite saxophone and ringing guitar.

"All the same" and "Original Man" have similar messages pertaining to the state of inequality in South Africa. Both songs have similar Rare Bird type tunes with organ and flute, only the ringing guitar sound preventing them from being completely European in origin.

"Silver Trees" is the Truth's highest spark of brilliance, a musical trek through an African wilderness with images of the shimmering trees in the unrelenting heat of the sun, then the peaceful sound of dragonflies and birds under a shaded stream. This scenario was to be explored by Jade Warrior in '71 and again in '74 with '"Floating World".

"In A Space" doesn't lose the momentum set by the previous song and is almost a part 2.

"Moving Away (at the speed of light)" with harpsichord and flute is as spaced as Traffic's "40,000 Headmen" while 'Two" is similar to Harry Nilsson's "One". Keeping up with the similarity theme is "Blue Wednesday Speaks", almost a carbon copy of the yet to be released "Light Up and Leave Me Alone" while the final track 'It's Alright with Me" is, you guessed it, similar to Dave Mason's "Feelin' Alright?" except they knew the truth of their feelings.