MÖBIUS PROJECT

In 2014, after many years of work, the band self-released an interesting debut album entitled Ra Me Nivar with a line up featuring Massimiliano Amato (guitars, vocals), Lucio Filizola (guitars, vocals, keyboards, sitar), Tony Guerrieri (bass) and Francesco Magaldi (drums, percussion) plus the guests Brunella Gianni (vocals) and Gino d'Ignazio (flute). On the beautiful three folds art cover by Ennio Lanzo you can recognize M'bius and his strip in the character in the foreground and in the strange spectacles he wears, along with other elements that in some way try to describe the album content: a kind of magician's box filled with strangeness, irony and a pinch of madness, a mirror, an Oriental carpet, mathematical formulas on the wall...

The opener "Ra Me Nivar" starts softly, with spacey ambient sounds. Then the rhythm takes off and the music swings from hard rock and funky to a soft, jazzy finale while the lyrics conjure up images and colours from the outer space such as stardust falling upon silent altars, strange spectral synthesis based upon celestial mechanics, threatening black holes devouring everything around them, colliding worlds breaking through the doors of perception... By the way, the title is taken from the pages of Oceano Mare, a novel by Italian writer Alessandro Baricco, and is a word in an imaginary African dialect that means "man who can fly".

"Scorci di vita su nastro di Mobius" (Glimpses of life on Mobius strip) features Oriental influences and sitar passages. Here the music and lyrics describe with a funny sense of irony a journey to India where vanity and richness contrast with honesty and poverty and where the horizon ends up to swallow your identity between false perceptions and mirages.

The following "Entanglementallistically Speaking" recalls the Beatles and Pink Floyd. It's sung in English and here you can find particles riding through the time, masses colliding one against each other in the space, Maxwell's equations broken with a silver hammer and Tesla's war of currents in a huge and creepy world that's almost impossible to decipher.

The beautiful, introspective "In fuga dal destino" (Running away from destiny) features dark vintage sounds and evocative atmospheres. The poetical lyrics describe a man running away from war and fear, trying to savour life in its multiple aspects, writing intense pages in the book of his life. It leads to the conclusive "L'equilibrista" (Tightrope walker), a complex track divided into three parts that depicts a dreamer strolling in a city, blas'. He's metaphorically walking on a tightrope above the void of a cruel reality, actor of his soul, breathing freedom, his spirit flying into his inner space... A great track!

On the whole, a good album from a very promising band!

By the way, now you can listen to the complete album on bandcamp: have a try!

The opening title track unexpectedly begins with a chilly synth drone before biting electric guitars and Francesco Magaldi's driving drums enter around Lucio Filizola's raspy charismatic voice. The piece reveals itself to be a gutsy catchy vocal tune, but the band still finds time for grooving jazzy breaks, fiery little bass eruptions, trickles of delicate early A.M hours piano and plenty of twisting time-changes! With its dusty atmosphere and scorched droning sitar strains, `Scorci di Vita su Nastro di Mobius' reminds of the first track from RPI band Raccomandata son Ricevuta di Ritorno's ethnic/middle-eastern flavoured comeback album `Il Pittore Volante', and is initially a dreamy ballad with ravishing acoustic guitar, Gino d'Ignazio's drifting flute, murmuring bass and a sweetly passionate vocal with warm group harmonies. But the electric guitars kick in with a slow-burn smoulder, keyboards dazzle and the vocals snarl with force, revealing that unpredictable edge of danger that permeates all the best RPI albums!

`Entanglementalistically Speaking' somewhat controversially for an RPI album utilizes English vocals (which makes the track kind of sound like a different band altogether!), and despite a partly annoying repetitive chorus and a slightly grating seemingly comical element throughout, the constant eerie piano and ambitious Gentle Giant-inspired male/female group vocal arrangement is incredible! Massimiliano Amato takes over the lead vocals from this fourth track, (back to Italian too) and `In Fuga dal Destino' is short and sweet at just over three minutes, the verses a melancholic ballad with Hammond organ shimmering softly in the background before a tougher chorus, and again the group harmonies throughout are sublime. But most ambitious of all is the nine minute, three part suite `L' equilibrista', where Tony Guerrieri's bass, constantly thick and upfront in the mix, really breaks through and takes flight. It opens as a mellow psychedelic rocker with sweetly chiming guitars behind drifting group harmonies, the middle breaks into loopy synth outbursts behind noisy guitar twists, floats into a sighing reflective male/female mantra (Brunella Gianni's voice sounding especially lovely here) and then closes on a scorching electric guitar solo.

Despite probably performing the few English passages more convincingly that some other Italian groups have managed, the group would perhaps be wise to stick to their native language overall, as it's such an important element of proper RPI music, and the current musical environment won't really allow for groups like this to gain larger worldwide exposure. But on the strength of the material on this disc, 'Ra Me Nivar' holds strong tunes with colourful instrumental qualities yet ditches overly-polished and slick production for a sparse, simpler sound that warmly allows all the musicians and especially their wonderful voices to truly shine. It's a superb start for the group, and their debut is a most welcome and very surprising RPI highlight of the last year!

Four stars.