ROME REMAINS ROME

'Rome Remains Rome' is ex-Can bassist's 5th solo recording, and features very quirky compositions, not as eccentric as his previous releases, but his trademark editing, sudden interjections of sounds and various instruments are still distinct features of this album, albeit well and truly in 80's fashion. Starring some of his Can colleagues - Jaki Liebezeit on drums/perc, piano and trumpet, and Michael Karoli on guitar (though I can only discern his playing style on 'Perfect World'), along with Jah Wobble on Bass and vocals, Sheldon Ancel - vocals and Ollie Marland on guitar and piano. Holger himself handles vox, guitar, organ, ABS-Bass (?), French Horn, synths and radio. The LP has 3 tracks per side, and I find each side is arranged in similar style, i.e. - first song on both sides are short 'pop' songs done Czukay style (Hey Baba Reebop, Hit Hit Flop Flop) and contain odd samples and childish singing - both are amusing and entertaining, though not what you'd expect from a renowned Krautrocker. The second tracks on each side (Blessed Easter, Perfect World) are lengthy groove-based pieces, Blessed Easter has a laid-back bluesy feel with some lovely organ touches, and Perfect World has a real swing to it. All the while, a lot of peculiar edits abound, with many 'foreign' recordings and 'radio' receptions strategically incorporated into the mix. The last songs on each side are what I like best ; 'Sudetenland' is the most Can-like, with Jaki's superb drumming, and great bass riffs throughout (most likely Wobble's playing) - excellent track, and 'Music in the Air' is a dark and brooding ambient piece, and quite a surprise. A worthwhile purchase, though maybe half-way down your list. 3 stars.