Progarchives, the progressive rock ultimate discography
Fates Warning - Night On Bröcken CD (album) cover


Fates Warning


Progressive Metal

2.64 | 143 ratings

From, the ultimate progressive rock music website

siLLy puPPy
2 stars FATES WARNING was formed all the way back in 1982 in Hartford, CT in the midst of the NWOBHM really taking the world by storm. In the beginning the band consisted of the twin guitar assault of Jim Matheos (the only constant member since the beginning) and Victor Arduini, drums handled by Stever Zimmerman, bass by Joe DiBiase and the trenchant vocal duties of John Arch whose well developed tenor head voice earned him comparisons to Geoff Tate of Queensryche and Midnight of Crimson Glory, but as the majority of reviewers of this album have already pointed out, it's Iron Maiden who gets most of the credit for pretty much all of the influences on board on this debut release NIGHT ON BRÖCKEN. The title comes from a mountain in Germany associated with witches in Goethe's "Faust."

It's hard to believe this band would go on to become one of the most innovative progressive metal bands of the ages on this release. First of all there is nothing progressive here at all and it is debatable if there is really anything original at all to be heard. To me this sounds like an Iron Maiden demo in a parallel universe where Bruce Dickinson was in the band at the beginning and recorded a demo or two. I have a highly sensitive ear to plagiarism and it doesn't get any stronger than on this first album. Not only does Arch nail Dickinson's vocals in tone, register and intensity but the guitars and bass perfectly mirror Maiden's thundering galloping and chord progressions. The three albums "Number Of The Beast," "Piece Of Mind" and "Powerslave" are the fertile grounds of choice to copy here and it sounds to me like they simply rearranged riffs, leads, drum rolls etc to create newly assembled songs with new titles.

Just a few examples: "Kiss Of Death" uses a "2 Minutes 2 Midnight" riff and "Rhyme Of The Ancient Mariners" gallop. "Night On Bröcken" employs a "Quest For Fire" drum roll which is followed by the band almost exactly like the original. "Shadowfax" copies "Losfer Words (Big 'Orra)." I could go on and on about which track rips off which riffs, lead, drum roll etc but.... yawn! The acoustic "S.E.K." may be the most original piece on here sounding like something different but unfortunately it only lasts over a minute. This one is an extreme disappointment. Not progressive. Not original. Not even a decent copycat job. I can stand it from time to time when a band simply nails every aspect of the band they are ripping off but in the case of NIGHT ON BRÖCKEN i find it hard to even sit through it without cringing. If you want a really good Iron Maiden clone band then go straight to Russia's АРИЯ (Aria) who not only matches Maiden's intensity and skill sets but also adds some original touches to the mix. This, i'm sorry to say, does none of that. For completists only.

siLLy puPPy | 2/5 |


As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

Share this FATES WARNING review

Social review comments () BETA

Review related links

Copyright Prog Archives, All rights reserved. | Legal Notice | Privacy Policy | Advertise | RSS + syndications

Other sites in the MAC network: — jazz music reviews and archives | — metal music reviews and archives