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Aisles - 4:45am CD (album) cover

4:45AM

Aisles

 

Neo-Prog

3.36 | 50 ratings

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aglasshouse
3 stars This is an album from a band that arises from the less complex side of the neo-prog genre, and features callbacks of vocal-fronted pop rock circa very late 70's progressive rock akin to material by Kayak or Styx. Atypical of most well- known prog bands Aisles (or I guess AISLES as they stylize it) has an aforementioned heavy emphasis on vocal work performed by Sebastian Vergara, which depending on who you are, could spoil most experimentation or improvisation present on 4:45. Guitar work and overall use of flashy, echoing effect-laden playing style is very similar to music you'd find on late-career material from Pink Floyd (Division Bell mainly). To me this is a bit disappointing because it has that sense of a band who used to play extremely well on their own but due to age they had to rely on background ambiance and soundscapes to make up for any emptiness they would have been able to kill in their heyday. This does not at all apply to Aisles, who has been around only since 2001, but is forgivable because, surprise, they aren't Pink Floyd. Variation is mostly present towards the end of the album, but retains mainly the same style, tempo. This causes a bland factor for most of the tracks on the album, making them forgettable for the most part- that is but for the finale epic Melancholia; a song where this style of Aisles actually works as well as has equal balance between the vocals and the instrumentation. This song demonstrates creativity that I do hope to see on upcoming albums from the band.

Unfortunately 4:45 as a whole is humble but also doesn't quite cross the threshold of skill that I expected. Compositions are not unique, lacks a unique style, and overall is not played quite to snuff as I think it could have. Like most of Aisles' releases up to this point, this is another step up the proverbial rung for the band's rising potential. An album doesn't quite satisfy but also makes me expectant for a followup.

aglasshouse | 3/5 |

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