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Marillion - This Strange Engine CD (album) cover

THIS STRANGE ENGINE

Marillion

 

Neo-Prog

3.46 | 663 ratings

From Progarchives.com, the ultimate progressive rock music website

Dapper~Blueberries
Prog Reviewer
4 stars Out of all the releases Marillion had made over their 40+ years of music, I am quite surprised that This Strange Engine is so underrated and ill-appreciated within the sheer volume the band has crafted, especially in their current H-era. I want to hopefully get more people to see how good this album really is. I cannot say it is a perfect album the band has made, but I think the hate it gets is undeserving.

I think the biggest complaint I have seen within this album is that it is too poppy, or a bit more mainstream, and I can definitely see why people might have quite the stinge for that type of stuff within prog rock, but I feel like Marillion has always been a little more poppy and accessible. Look at songs like Kayleigh or The Great Escape, which are rather big pop hits for a prog rock band, and while you could argue The Great Escape is a lot more prog than pop, Kayleigh cannot be denied from it being it's very pop status, so I feel like This Strange Engine more or less just continues the more pop nature Marillion naturally already have, and I personally think it sells this more prog pop aspect really well. Songs like 80 Days, Estonia, and Hope For The Future are all excellent songs that feel very vibrant and lively, but contain Hogarth's signature moody poetry that creates a divergent boundary in mood and feelings that pay off really well.

I also feel like the critique of this being a lot more acoustic and not filled with enough complexities never quite made sense to me. I feel like even more acoustic albums can be quite complex, I mean look at some folk bands out there like Current 93 and Harmonium, which are groups that create very endearing and rather long songs that contain quite the bit more spice needed to keep things interesting. The complexities, to me, are pretty front and center, and even if they are not the main focus, I think the music as a whole makes up for it, especially on the 15 minute long title track, which I think in of itself is a very strong prog rock epic. I actually feel like the focus on Hogarth's singing and lyrics work in favor to this album, and while I do think not every lyric hits hard, I think at the end of the day this is some of the best Hogarth vocals on an album; definitely comparable to some legendary scores on Brave and Marbles.

Now, personally, really truly justly personal, I think this is a very great album. I never feel dissatisfied with these songs, and what is on here is really stellar in the grand scheme of things. However, I think it is a very front loaded album, with the exception of This Strange Engine. Unlike most Marillion releases which have a very good handful and mixture of songs that are spread out meticulously, the first half kinda has the better songs in my mind compared to the second half. While I do enjoy moments from An Accidental Man and Memory of Water, I do not think they compare to stuff like A Man Of A Thousand Faces or 80 Days that have some brilliant elements that truly make H-era Marillion my favorite era the band is held in. The exception is This Strange Engine, which I think holds some stellar, almost Ocean Cloud rivaling scores that keep me wanting more. Truly one of Marillion's best songs.

If you might be a new or old Marillion fan, I think you should really check this album out, or revisit it. I think a lot of people need to relisten to this one, as it is where we get some of the best Hogarth moments, some of the best? more moody songs the band has made, and one of the band's best prog epics. Do not turn down this album, it really is a special gemstone, and an underrated one at that.

Dapper~Blueberries | 4/5 |

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