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Transatlantic - SMPT:e (The Roine Stolt Mixes) CD (album) cover




Symphonic Prog

4.45 | 87 ratings

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King of Loss
Prog Reviewer
5 stars I am still surprised this album has not been reviewed or rated. Even though, this is not another studio album from TransAtlantic, this Roine Stolt version of SMPTe is loved by many. Many consider to be a lot better than the original, with the phrases sounding a bit like Bridge Across Forever mix, rather than the original mix, which actually made SMPTe sound like just another Spock's Beard. Tell you no wrong, this mix is no Spock's Beard album, it is beyond the limits of Neal Morse's journey with his old California mates.

The album kicks off with All of the Above. This song is phenomenal, featuring a 7 part, 31 minutes in length (really, its more or less 27-28 minutes because of Morse and Portnoy's conversation on the Beatles. Interesting, but not really part of the song.

The song kicks off with the instrumental beginnings of Full Moon rising. A real treat, perhaps one of the most memorable, epic beginnings in all of Prog. Amazing, just breathless.

Then comes the Morse edition to everything with October Winds, the Prog is mixed with Morse's great vocal stylings and the gentle vocal barrage comes in. Then it transitions to the awesome Camflouged in Blue, perhaps one of the most catchiest parts of this epic.

Half alive and undying love transitions very light parts along with catchy, Spock's Beard like parts mixed in with some The Flower Kings phrases. The mix really makes this part more melodic and a lot more atmospheric.

Then the song concludes with the reprise of the epic Full Moon Rising. Amazing chorus by Morse and co., the old theme is really much back together and the song of course ends with Portnoy and Morse talking about the Beatles.

One of my all-time favorite songs, if not my favorite song of all time.

We All Need some Light is perhaps my favorite ballad with Neal morse, the recording on here is memorable with the catchy phrase, We All need some Light, is sang over and over again. With great emotion and the beautiful little solo played in the middle can be pretty much bone-chilling at worst. The live version on TransAtlantic- Live in Europe is even better, really emotional and even better than this nevertheless amazing studio version.

Mystery Train is a very much Beatles-esque tune with very unique lyrics and its a good song, perfect to sing along to, however, it is not as good as the other short ballad on this album.

My New World is an amzing Beatles-esque song, that begins and ends with perhaps one of the most catchiest phrases in Prog. I could not help singing along about every single time they play it.

My new world was spinning me around And this is all that i've found My new world was spinning me around And time can be my enemy My new world was spinning me ...

In the middle of the song, very beautiful instrumental parts are played, perfectly matching the mood and the lyrics of the tune. Very relaxed and laid back. This Roine Stolt version is more atmospheric and some of the parts are very reminiscent of the catchiness on Space Revolver.

The album really ends here for me, even though there is another track, which is in fact a Procul Harum cover. (One of my favorite 70s Prog songs). It is of course, produced very well and Morse adds his beautiful voice to it. Very good rendition of the classic song.

Overall, this album is one of the best albums of the new millenium and two songs, My New World and All of the Above, in my opinion, has surpassed some of the wonderful epics of the 70s.

Overall rating: 98%

King of Loss | 5/5 |


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