![]() |
SITTING TARGETSPeter HammillEclectic Prog |
From Progarchives.com, the ultimate progressive rock music website



Opener "Breakthrough" offers a tense, paranoid set of upbeat rhythms, Hammill sounding believable as the tortured artist with a lot on his mind. This song is the only one within the album's first half that manages to do anything exciting, the next 5 hovering in that apathetic nether-zone that so much of Hammill's solo material resides in. "My Experience" was released as a single, and it indeed sounds aimed at early '80s radio: robotic, new wave-ish, awful.
It's the second half of this album that provides some challenging listening, songs with depth and fascinating twists and turns. All kinds of noises fly at you on "What I Did", with that oddball VDGG element making an appearance on "Sitting Targets". The entire back half of the album offers only high-quality moments of Hammill's peculiar schizophrenia, maintaining the focus that fans appreciate about his unique musical persona. Even brooding, proto-punk noise creeps in with closer "Central Hotel", harkening back to the 'Nadir's Big Chance' album, but more effective because it's the only song remotely like this on the whole album.
A lopsided and only half-satisfying album. Hammill's voice is getting grittier, less melodic, and that's a trait that makes his albums a little hard to listen to at times (especially if you love to hear the smoother tones that graced most of his solo and band material of the '70s). Nice to hear all the supporting musicians around this album, which helps maintain the human factor that would be lost and drowned in much of the man's '80s material.


First of all, this is not easy music to listen to, not particularly melodic nor accessible. Hammill can be harsh, and doesn't so much sing as shout. Yet there is an underlying musicality unfettered by the 1980s sound, quite an achievement given the time of release. Apart from "Breakdown", tracks like "Ophelia", "My Experience", the title cut, and "Sign" all show an uncompromising verve that is propelled by Hamill's guitars and Morris Pert's punchy percussion.
Only being familiar with a small proportion of this man's catalog, I cannot say how this stacks up, except that it has a good number of potent moments and a denseness of sound that stands repeated listening. Not a masterpiece, but certainly no sitting target for critics either.

To suggest as some have, that Hammill merely shouts his way through albums is plainly ridiculous and shows a complete lack of musical nous, the man has passion about his music and the words he sings, and he plainly does have the best voice in prog.
The album kicks on in final style with Breakthrough, a piano intro suggests a nice easy start, but not so, this is edgy and a slight spooky feeling towards the song emanates from the echoing opening passage. This feel is compounded with the next track My Experience which starts off with a clapping sound which may sound very dated in the wrong hands but it still sounds and and urgent and the guitar work in this track is phenomenal, especially as he is not known for a heavy guitar sound.
Ophelia follows which is a much gentler track backed by strumming acoustic guitar and a great vocal performance (again) by Hammill showing a gentler side to his voice, there isn't that much respite from Hammill's passionate style vocalisings in this album, perhaps only this track, along with the beautiful Stranger Still and spooky Fogwalking soundalike Glue having a laidback feel to it.
Empresses Clothes and Hesitation are again, sung with passion by Hammill especially the end of Hesitation where he seems to be taking out frustrations about something or other in impressive style
Title track Sitting Targets is the highlight of the album for me at once both beautiful and passionate, only too aware of the dangers of modern life on the road and equates it to suicide ("To Stay Sitting Targets is Surely no Better Than Running Away...").
Signs, What I did and Central Hotel end the album in fine style, as I said previously, there is no letup or easy endings to this album, Hammill gives it full-on all the way out.
Certainly a great album, and if like me you hadn't heard it in a while I would invest in the remastered edition, it is certainly worth it.


Peter entered awkwardly in the eighties with "A Black Box" and I was not expecting too much out of this one. I have to say that the album starts on a good note. More on the rocking side for a while ("Breakthrough", "My Experience"), Peter gets back to a more "normal" mood with the acoustic and dark "Ophelia".
With such a line-up, it was inevitable (and very much welcome) to get some full Van Der Graaf songs. Hectic and hermetic. Here is "Empress's Clothes". Great off-beat and fine percussion work to sustain the wonderful saxing. "Hesitation" is also a track which digs into the band's repertoire.
This album also has its depressive moments, but I guess that they are impossible to avoid ("Glue"). Still, some bits of optimism would not be seen as too much of a compromise.
One of the best song is undeniably the title track. Fine backing vocals add another dimension. Peter could have developed it and make it a bit longer. Excellent instrumental part.
Actually, this album is a pleasant one. I prefer it to his late seventies production. Almost no weak songs (but not too many highlights either). It is only a shame that the charm of "Stranger Still" is ruined by the chaotic final part. but "Sign" puts things back on the good rails.
The first very average songs is "What I Did" (good question Peter!). It seems to come out the first side of "A Black Box" and all those experimentations. Not my cup of tea.
"Sitting Targets" closes as it started. Central Hotel is a rock song again. But Peter is not always at ease with such performance. The riff sounds as a Richard's one. But Peter ain't no Jagger...
I like this album. A good one.

This album is the first in another strong string of 3 albums that are mostly performed with classic rock band instrumentation. On the ensuing albums this band would be called 'the K Group'. On Sitting Targets, half of that band is in place with (surprise surprise) Guy Evans on drums and David Jackson on sax. The album sits somewhere between the experimental side of the preceding years and a more accessible kind of emotive art rock, similar to what Talking Heads, John Cale and David Bowie were doing around that time.
A few tracks could have been better, My Experience and especially Hesitation could have been a lot better. Also What I Did shouldn't have made it unto the album. The remainder is simply excellent. 3.5 stars for mr H.


PETER HAMMILL Sitting Targets ratings only
chronological order | showing rating only
-
[email protected]
-
Markus
-
artimid
-
Ricochet (Victor) SPECIAL COLLABORATOR Honorary Collaborator
-
Tichy (Kerem)
-
Rocktopus (Christer)
-
drain-o (Jacques Brenier)
-
Advermonat (Johan Ekberg)
-
britjes (AD WIJGERDE)
-
Rikki Nadir (Luis)
-
Canislupus
-
motoprog (Pascal Demarez)
-
frankbostick
-
DREAMFISH (Alexader Kratenko)
-
Rickhelme
-
Batfing (Mauricio)
-
manga
-
tango (robertas kundrotas)
-
Ars de Er
-
jonali
-
BlindGuard (Amir)
-
topeka (Tony)
-
meurglys0
-
Pagan (Steve)
-
Thommy Rock (Thomas)
-
Kontiki
-
Artprog (Arthur)
-
gelud
-
Pintos (Sasha)
-
Zargus (Tomas)
-
jsBah (I)
-
Caught (Artur)
-
Lynx33 (Balázs Markó)
-
red.freeskier (Dmitry)
-
alientool
-
melpavel (Pavel Melichar)
-
The Rock (Alain Mallette)
-
lysalv
-
Roderick
-
magoatem (Fabio Poggi)
-
Lemmings (Naji Chmayssani)
-
carlhjr02 (Carl Helmuth)
-
Castanarc (Carles Armengou)
-
hallogallo1975
-
milanoclaudio (Claudio Milano)
-
Adrian Marcatto
-
szmataarmata (Bartosz)
-
AtlantisAgony
-
palinurus
-
radonix
-
Wanorak (Jeff Nichols)
-
stefanbedna (STEFAN)
-
knorkator (Andrew)
-
progstreaming (Markwin Meeuws)
-
el_topo_1990 (Florian Jurzitza)
-
TrevRockOne (Trevor O'Mara)
-
let_there_be_rock (Kuba)
-
tangerine1974 (Marcin Seydel)
-
al b
-
vdgg9
-
Glore (Lorenzo Gentilini)
-
CJSrans (Jose)
-
Oprych (Łukasz)
-
Heyfordian
-
Greger (Greger Rönnqvist) PROG REVIEWER
-
sauromat (alexander)
-
mandelsam (samuel)
-
Withnail (Mark Pownall)
-
yes-fan (Boris)
-
mhaskins
-
jacquesduraques
-
Falcon
-
Jeth (Vadim)
-
Operation: Boron
-
Foovius (Foovius Foo)
-
The Green Progster
-
scarista (Alex)
-
javajeff
-
riva (rivadavia)
-
Jonny66
-
ole-the-first (Oleg)
-
ZBDMiller
-
Tain
-
Kinch (Cameren Lee)
-
tmay102436 (Thomas May)
-
pelham (roberto poggetti)
-
dsbenson (Doug Benson)
-
kaktus63 (pavel m)
-
mcmasterkev
-
toadeda (Daniel TOADER)
-
HannesHolmqvist (Hannes Holmqvist)
-
ShipwreckedSoldier
-
charles_ryder (Alexandr)
-
Nick Cooper
-
krotik111 (Bill)
-
Pastichoni (Marco Cayuso)
-
Jihnik1958 (Evgeniy)
-
Fido73 (Etienne Brousseau)
-
proslambanomenos (Keith)
-
Diego I (Diego)
-
gegece (gustavo garate de Nacional)
-
Yogaprogyoda (William Jagger)
-
thedunno (Joost)
-
simmo (Jonathan Simpson)
-
rrkk
-
Progrobman (Roby)
-
filofeev (filofeev)
-
danyboy (Dany Smith)
-
Imperial Zeppelin (Nasir)
-
habelard2 (Sergio Caleca)
-
JeanP (Jean)
-
pH7 (Egor)
-
ed14 (ILDAR)
-
Xanadu91
-
adkulpa (adriano)
-
Pantagruel59 (Peter Szasz)
-
Kozlotur The Twisted (A)
-
Xonty
-
josadaque (rivadavia)
-
Daledebil (JOSE LUIS)
-
asturias
-
Phrank (Frank)
-
vandergonza (Gonzalo)
-
lord777lord7 (Kuehne, Axel)
-
akeygon (akeygon)
-
Quizzus
-
qma
-
fliertje (Frank van Lier)
-
Goalie (Oleksiy)
-
cunico (Wilson)
-
Caran
-
Progresearcher (Dmitry Menshikov)
-
BunBun (Jamie)
-
marzach
-
Platendraaier (Hugo van den Bos)
-
APartOfTheUniverse (Matthew)
-
Belboz (André St-Aubin)
-
svek (Sven Kremer)
-
FRow (Fernando)
-
patkin (patrick)
-
Rasvamakkara
-
masked (Pablo Riofrio)
-
frbouch29 (François Bouchard)
-
cloudynow
-
dannyb
-
kostas0918
-
generatormachine
-
Phobophile (Dave)
-
kluck17 (mike)
Post a review of PETER HAMMILL Sitting Targets
You must be a forum member to post a review, please register here if you are not.
MEMBERS LOGIN ZONE
As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.
You are not logged, please complete authentication before continuing (use forum credentials).