![]() |
CARICATURESAngeSymphonic Prog |
From Progarchives.com, the ultimate progressive rock music website


1. Biafra 80 (Intro) (3:50) : This first song is instrumental, it contains a slow rhtyhm and a bit ominous atmosphere featuring delicate organ and Mellotron waves and some fiery electric guitar, very compelling prog!
2. Tels Quels (6:55) : In this track we can enjoy the typical Ange sound: theatrical and expressive French, very distinctive vocals from Christian Decamps and frequently changing climates, from dreamy or catchy to fiery or bombastic with often a psychedelic undertone and some biting wah-wah drenched guitar soli.
3. Dignité (9:35) : This composition alternates between a slow rhythm with mellow organ waves and story telling-like vocals and a cheerful climate with propulsive drums and catchy organ runs (like on "Act one" from BEGGAR'S OPERA), halfway interrupted by an interlude with classical piano and flute.
4. Le soir du Diable (4:32) : This is a beautiful blend of twanging acoustic guitar, warm vocals, soft drum beats and slow organ waves, what an original prog!
5. Caricatures (12:46) : The epic titletrack starts with a theatrical spoken intro, then lots of shifting moods featuring a lush keyboard sound (lots of organ and some Mellotron and piano), fiery electric guitar and expressive French vocals. This compelling and alternating prog inspired so many French progrock bands!
6. Biafra 80 (Final) (2:22) : The final track features lots of strange sounds and experimental music on percussion, flute, organ and guitar, a bit weird way so say goodbey....
IF YOU DON'T HAVE A PROBLEM WITH THE THEATRICAL FRENCH VOCALS, ANGE THEIR UNIQUE PROG WILL BE A GREAT ADVENTURE FOR YOU!!

The tortured mood, at times grotesque, of their lead vocalist Chistian Décamps is another of their constancy. Their lyrics are very complex, rude, sexually oriented and extremely vulgar, hence funny. They will even dare to publish them. To mark their distances with this aspect of the band, the record company will mention of the back of the sleeve (I translate) : "Only the authors of these words are responsible for their lyrics".
Ange is enormous in ... France (and well-known in Belgium, maybe in French Canda or Switzerland but I do not know about the later ones). If they didn't do an international career as they would have deserved, it is definitely because they voluntarily have chosen French for their lyrics. And not those ones you can easily understand. No, very complex ones.
The opener "Biafra 80 Introduction" is a pure Krimson song. Dark, heavy but melodious at the same time. This short intro sets the pace for a great prog rock album. It goes on the same mood with "Tels Quels". Almost jazzy for most of the time, KC is again not far away. Very complex structure with rather bizarre lyrics.
The next number, filled me with a bit of anger when I first listened to it that very ancient day. I said : "Damned, they copied "The Battle Of Epping Forest" ! Then my cousin showed me the sleeve. This song had been written way before "Epping"... So, it was a bit of reverse engeneering ...
The lyrics of this song are very rude. This will be another trademark of Ange. Very funny text, but totally irrespectuous. In this case they discuss about chastety, homosexuals, virgins. There will be an incredebly nice flute and piano passage : we are brought instantly in the "Trespass" mood without doubt. But what a nice moment. It turns into a great guitar break for the finale. You know like in "Firth" more than a year later... The best track of this very good album.
"Le Soir Du Diable" opens on a gentle acoustic guitar piece like in "Horizons" for instance. Good percussion work from Gérald Jelsch. It is not the best number of the album, but it is a nice transition number. Other bands also produced some shorter and transitional numbers on their albums, right ? The lyrics are absolutely insane. I wonder who's the craziest lyricist : Gabriel or Décamps ?
Some attempt to translation (difficult excercise, I can tell you even if my mother tongue is French) : "And I'm sucking my blood, Believing I'm sucking time, I'm like a vulture stuffing with his entrails". But all of their lyrics are like that. Absolutely disjointed.
"Caricatures" has a medieval architecture. But this is also an integrant part of the world of Ange. After a short recitation, this long number is almost all-instrumental. Tranquil at times, during some moments it will get as weird as Crimson (or Yes maybe) could be. Superb contrast. The same text will be sung at the end of the track, on a very subtle keys background. Another highlight.
We"ll go back to the start of the album with the short closing number "Biafra 80 Finale". Again this is totally Crimson inspired.
This first album of Ange is IMO a great symphonic moment. Should it be in English I am sure lots of people would praise this work as much as I do. If you are fan of the early Genesis (and there are a few of those ones on this site I guess) and the early Crimson sound (might also be some around the corner), this album is a must listen, really.
I will be generous with this release and add a little star to the four ones it surely deserves, just to do justice to Ange. To have produced such a brilliant album in 1972 is extraordinary.
Five stars. Bravo.

"Tels Quels" is a jumpy, repetitious little number, full of uncosy timing and impatient singing - such a remarkable slice of musical and lyrical nonsense and greatly enjoyable. From that point onwards, the album gets much more lush and deep, treating us to songs with warm organ and acoustic guitar backbones. "Dignite" is a lengthy, melodic piece, sustained by positivity and is sung anthemically, reminding this reviewer of symphonic italian bands such as Banco del Mutuo Soccorso, although the song itself could be twinned with many by Genesis. "Le Soir du Diable" is all bardic twanging and the rumple of acoustic toms - perhaps overlong but with a sumptuous atmosphere.
As for the title track, well... it's pure theatre, opening with an impassioned monologue, smoothly introducing symphonic instrumentation which shortly combine to become an urgent force, uncannily as if recorded by evil, parallel-universe Yes. Once the pace settles, we're "treated" to rock'n'roll chords over which a rather silly and predictable organ solo surfs, but don't be disheartened - it appears to be part of the plan! Next comes a medieval military theme with pounding percussion, ushered on by the occasional electric motif, before a chaotic segment that hops between filmic urgency and swinging jazz-blues lead breaks... oh dear, I knew this would be impossible to describe. It's safe to say that this unique piece is telling a story by describing the backdrops in music; interpretation of the specifics still seems to be left up to the listener.
This is not an earth-shattering desert island disc by any means, and it sounds relatively dated now - but it's full of surprises and it's a great introduction to the world of Ange.

As noticed by many reviewers the theatrical singing by Christian Décamps is very distinctive (with lyrics in french of course) and made this band unique. But his bandmates have also developped a very special sound. Especially, his brother, Francis Décamps, a truly co-leader, produced a very original work on keyboards : floating, mysterious and very poetic....
Instrumental sections are really well crafted and developped. The compositions are well balanced between dynamic and soft parts.
The sound is dated? Yes for sure. But, in fact I have the feeling than a great part of the "Caricatures" seduction comes from this vintage sound.
Recommanded to people interested in french prog even if they can't understand the lyrics.

The music on this debut album from Ange is very inspired by Genesis circa Nyrsery cryme. The sound quality is just as bad as that one unfortunately. It doesn´t ruin the music though, as this is great prog rock, that even though it is inspired very much by Genesis doesn´t steal from them.
Singer Christian Decamps has a lot of different approaches to singing and it keeps the music interesting throughout. What I like the most though are the keyboards and the piano, what sweet melodies they create. The rythm section is very tight and produces some exciting rythms.
The reason for only giving this one 3 stars, when I am this happy about album, is that I don´t understand a word they sing, and I don´t find french to be a very nice language to sing in. So I guess my prejudises weren´t exactly wrong. But try this out yourself, it might not bother you as much as it bothers me. It is a very good prog rock album though, and I would recommend this to every prog head ( especially Genesis fans).

Ange's songcraft hadn't fuller developed on this debut... the ensemble playing is a bit weak at times as well. All the ingredients that made this band great are present, they just didn't come into their own until the second album.
The instrumental opener 'Biafra' is a good start: it's doomy and Crimson-heavy. I wish they would have developed this song further, it's too short.
'Tels Quels' is a sloppy disaster, and my least favorite Ange song ever. An ugly little organ riff repeats ad nauseum over a rickety slapdash beat. It sputters on and on... starting and stopping and never building momentum... and ultimately never goes anywhere. The only good part is the vocals; Christian Descamps' uncanny vocal talent is already in full effect... his bandmates just needed more time to catch up.
The dark but tranquil acoustic ballad, 'Le soir du Diable', is the best song on the album by far. Brooding and mystical; this track really pulls you in and puts your head in a daze.
After an interesting Jim Morrison-esque spoken-word intro, the title track goes downhill pretty fast. There are decent sections and themes, but the band never manage to pull them together into something cohesive... it's just plodding and dull. The second shot of 'Biafra' which closes the album is even worse.
If you're new to this band, i strongly recommend that you start with another album: 'Au-delŕ du Délire' or 'Le Cimetičre des Arlequins' are much better introductions.

Ange is often compared to Genesis but when I hear the first bars of Biafra, I would go a bit further back in time to Van Der Graaf's atmospheres of their sophomore effort: dark, brooding and theatrical. The tempo steps up a notch when the guitars kick in. Powerful instrumental.
If there's one complaint about this album it would be the production. Like all tracks, also Tel Quels suffers from the muddy mix. It's an excellent song but its start-stop structure just screams for a more dynamic sound. They make it up by giving their ultimate best though.
As you've guessed from the titles, Ange sings in French, which may take you some effort if you're not used to it and which will make you miss out on the lyrics if that is an important element for you. But they do it so beautifully and expressively (and in the most beautiful language of the world :) that it is an asset and certainly not a weakness.
Not only their lyrics are French, also their musical roots are. You will surely hear echoes of King Crimson and Genesis in this music because those are the influences you're likely to know well. But at the heart they sing French chanson, be it extended to proggy lengths. La Dignité is an excellent example of that, with a Christian Dechamps that sounds very confident on the vocals and proves he's a worthy French incarnation of the Hammill / Gabriel type of theatrical vocals.
Le Soir du Diable is a wonderful little dreamy-dark ballad which sure must have inspired the Swedish prog scene of the 90-ties. Caricatures is the next extended piece here, over the top theatrical, disjointed and slightly directionless but oh my do I love this one. Very big early VDGG feel again with those heavy organs and mellotrons.
It's sure indebted to Genesis and King Crimson but it is not just blind adoration. I have always found this band to sound very original and entirely at ease with themselves. Often overlooked, this debut is my preferred Ange album and one of my favourites of the symphonic prog sub-genre.

Maybe the strongest name of French progressive rock,ANGE were found in late 1969 by brothers Christian (vocals,keys) and Francis Decamps (keys) in Belfrot,exactly at a time, when progressive rock was at its dawn in France, with bands like ''Dynastie Crisis'',''Ame Son'' or ''Alice'' releasing their first Proto-Prog albums.However, ANGE wanted to give much of a theatrical and satirical content in their music, obviously influenced by the emerging GENESIS sound.Original line-up included also Daniel Haas on,bass,Gerald Jelsch on drums and Jean- Michel Brezovar on guitars.First album comes out in 1972 with the title ''Caricatures'',having two puppets and the band members between them on the front cover.
The album should have been be really a shock for French listeners: a dramatic,theatrical and dark-sounding rock form filled with haunting keyboards and intense vocals.Decamps not only sings in a dramatic,theatrical way,but he also speaks,laughs,cries out and generally behaves more than an actor than a rock frontman,something trully original for a French rock band.The music is supported by a muddy production,which followed ANGE throughout their career as a characteristic of their sound.In ''Caricatures'' symphonic arrangements meet with Classical keyboards,obscure singing and special effects to create a unique atmosphere.The organ solos and passages,often with Baroque influences,are all over the place,sometimes recalling GENESIS,at moments their sound is close to E.L.P. or TRIUMVIRAT.Pianos aren't used often,but when they enter,the album obtains a delicate romantic flavor.Brezovar's both electric and acoustic guitars accompany Decamps' keyboards all the way,having a definite dated,almost psychedelic sound,which surprisingly works excellent with the whole concept.
France's answer to GENESIS were ANGE,and ANGE were here to stay!''Caricatures'' is an album which balances dangerously between drama and romance,tragedy and comedy,the good and the bad...For that reason you should give this band a chance,already from their early years...Very good Symphonic Prog indeed!

After the bizarre Crimsonian Biafra 80 (Biafra was the first televised/broadcasted African famine), the album plunges in deep with the schizophrenic Tels Quels, a repetititve slow-fast track that plays on words, but also overstays its welcome. The almost 10-mins Dignité is a very much symphonic with the two brothers on organs/piano and Brezo on flute and Brezo's guitar all working together on a medieval tone.
Opening the flipside opens with the superb le Soir Du Diable, where Jelsch's unrelenting drumming, is underlining a guitar melody and a superb organ answers the different verses. It is followed by the album's cornerstone, the almost 14 mins title track, starting on an a capella recitation of four very weird verses, before the music starts super-slow, building up gradually sometimes sounding like Yes or Genesis or even ELP in its huge central instrumental part before returning to the opening monologue but sung this time. The closing Biafra section (thus book-ending the album) is filled with electronic effects, courtesy of Francis and this has an almost Krautrock feel. Wild ending for an excellent debut album.
Certainly one of Ange's best album, Caricatures sounded fresh and groundbreaking, and I darte say that it is more enjoyable thann some of the group'slater classics, which might be a little too wordy. Recommended.

"Biafra 80" is fairly dark with synths.This sounds very cool. It then brightens as these contrasts continue.The guitar sounds great before 2 minutes, organ follows. The tempo keeps switching from slow to fast early on on the next track "Tels Quels".Vocals are passionate here. It kicks in before 2 minutes with some nice guitar. Back to the earlier contrasts as themes are repeated. Great tune. "Dignite" is led by drums and organ early on. It settles with vocals after 2 minutes. A calm with flute after 5 1/2 minutes then it picks back up 8 minutes in with some excellent guitar. Organ follows.
"Le Soir Du Diable" features beautiful acoustic guitar as bass, drums and reserved vocals join in. Keyboards too. Just a gorgeous track. "Caricatures" opens with spoken words only then the music comes in after 2 minutes.This is fairly laid back. It picks up 4 1/2 minutes in then settles a minute later to a solemn mood. It kicks back in before 7 1/2 minutes then settles with keys before 9 minutes. Vocals a minute later. "Biafra 80" ends the album with an experimental and inventive instrumental.
I didn't expect going in to this one that it would end up being my favourite ANGE album.

4(+), but despite this minor nuisance (as I said, some won't even notice), it's still great.

From what I heard this a very good CD. It dated quite a bit, since it has many traits of the bands at the time, including a rather poor production. It is also has some of the early 70´s approach philosophy of ´anything goes´ (but - thank god - not too much). It has a strong influence of King Crimson and Genesis, but the vocal department is utterly french: not only Christian Decamps sings the album entirely in his native language and style, but also adds lots of theatrics and spoken sections. this might be a problem for some, since a lot of the meanings are lost for the ones who does not understand french (alas, like me). However, the music is strong enough to hold the listener´s atention most of the time.
Some tracks like the opener and the closer are a tad too experimental and abstract for my taste, but in general songs like Dignité and Le Soir Du Diable show they are also very talented and capable of writing some memorable tunes as well. A bit like KC, they knew how to balance the avant guard with beautiful melodies. The musician´s perfomances are excellent, marred only by the aforementioned weak recordings. Still this is a very strong record, and I can imagine the impact it had at the french (and international) music scene at the time.
I´m looking forward to hear Caricaturés follow ups and watch how this group developed with time and experience. For this was a very good starter. Recommended to all symphonic prog fans, specially the ones intersted in those important releases in the beginning of the 70´s.


Although very influenced by Genesis and King Crimson, Ange mixes in the Paris cafe and theatre culture singers like Jacques Brel into the mix too. But it is no doubts Ange is a French band and their music is very much French music. Something I really admire them for. I do not deny I really likes the bands who has copied the sound and style created by this album and Ange themselves.
The music here is as stated above. A mix of King Crimson, Jacques Brel, Genesis and theatrical music from Paris. The French vocals really enhances the experience and improves this album by some wineyards.
What is missing is some truly great songs. But as a debut album, this is very good and it has really made me interested in listening to a lot more Ange albums. Not to mention; other similar sounding French bands.
3.5 stars

I wrote two of the played organ, you can hear that in the music where organs have a big involvement. These instruments make the music feel important and big. Yes Ange is pretentious enough for me. A glimpse of their splender and the more experimental side can you find in the closer "Biafra 80 -final". Here they show how they manage every instrument perfectly. There are no bad tracks on this disc. "Biafra 80" has a strong melodical command and a rough electric guitar. The heavy organs are exactly what is so special with Ange. "Tels Quels" welcomes the excellent singer Christian Decamps who sings, talks and screams as he was an actor on a sophisticated theatre. A very artistic composition. "Dignité" is among the best tracks here. Little happier and contains what I think feels like music from a medieval market place. It starts with a marsh and this dramaturgic piece also features very good flute work. "Le Soir du diable" is more modest with special drums. "Caricatures", the title track, starts with reciting and thereafter screaming. I don't understand the language, which is bad for me beacause it seams to be a great language and the whole song is a great composition with many phases. Aftor four minutes it becomes faster and the song starts finaly at ten minutes. I love his voice and how dramatic he was.
As you can see I have just good things to name about this album. To be honest I can't find anything bad with it. I can not even see (or hear) a lack or something later gained in their music. I can really recommend this album by Ange. It is original also, this sounds just like Ange!
ANGE Caricatures ratings only
chronological order | showing rating only
-
[email protected]
-
Yukorin
-
Pagasarri
-
Redy60 (Radoslav Glushkov)
-
ZBY147 (ZBYSZEK)
-
NOT (NOT)
-
pokes (albert)
-
Aussie Frazz (Francesco Antoniazzi)
-
amusia
-
MichelNeurophile
-
Quilombo1988 (Alberto)
-
sauromat (alexander)
-
MAIN (TAKA)
-
hristy (hristian marinov)
-
Petrul
-
zhiterplayer86 (mariano)
-
Anster (Anton Ermakov)
-
Kjarks (Frédéric)
-
Timicianu (Roman)
-
Pintos (Sasha)
-
topeka (Tony)
-
snowman1980
-
KURUKULLE
-
alamjo
-
tmay102436 (Thomas May)
-
The Rock (Alain Mallette)
-
jsBah (I)
-
sashsash
-
Shevrzl (Joe Huya)
-
Wanorak (Jeff Nichols)
-
vicborges (Victor Pereira Borges)
-
al b
-
DarkSebat (MrocznySebat)
-
mat1321 (matin)
-
Pieromcdo (Pierre McDonald)
-
Life Line Project
-
Psychomodo (Mike)
-
willed (WILLIAM)
-
Ru (Arnold)
-
Dr. Yes (Artem)
-
Discographia (Martin)
-
Titan (Martin)
-
Eridan99 (Gilbert Denée)
-
ProgPanda 2/71
-
Rsa2 (Sergey)
-
pars (Valeriy)
-
Caught (Artur)
-
mcmasterkev
-
Progechoes
-
Alexx (Alexandr)
-
highduke
-
Deewgoh (Pierre Simonot)
-
d.martins (danny martins)
-
amatala (Adrian Matala)
-
Mythical Mike
-
motoprog (Pascal Demarez)
-
Anonymous666
-
proghaven (Nicolas N. Sorokin)
-
Greger (Greger Rönnqvist) PROG REVIEWER
-
THX1138
-
The.Crimson.King (Dennis)
-
ZBDMiller
-
Guran7004 (Lars-Göran Rosén)
-
drwlf
-
fendon
-
Poppsy
-
floflo79 (Florian Decros)
-
yoghill (Thierry ANTOINE)
-
lord777lord7 (Kuehne, Axel)
-
danielfortin (Daniel Fortin)
-
RomoElBohemio (Romo)
-
Leprogcestbien
-
PROGNATURE BEAST (AGAMEMNON)
-
yipicai (true)
-
manga
-
Khattab (marc)
-
Blodwynpig1971 (Marek Sikorski)
-
Herbert
-
tonioquintero (Antonio)
-
vbprogplus (vincent boucher)
-
lampernaqui
-
savannah (René Debot)
-
prekidi stvarnosti (Nikola Rakic)
-
zravkapt (Darryl) SPECIAL COLLABORATOR Post/Math Rock Team
-
ProckROGue (Chris)
-
Ancak
-
gegece (gustavo garate de Nacional)
-
crimsogenes
-
Beabea07 (Beabea)
-
jacobaeus (Alberto Nucci)
-
Jihnik1958 (Evgeniy)
-
dion
-
Spitf1r3
-
Hazy7868
-
mitarai_panda (sunjunfei)
-
Rumspringa (Babkov Alex)
-
Harold Needle (Harold)
-
dannyb
-
brunniepoo
-
patkin (patrick)
-
AlainS (Alain SUCCA)
-
Betissimo1988 (Alberto)
-
Thanatos95
-
cunico (Wilson)
Post a review of ANGE Caricatures
You must be a forum member to post a review, please register here if you are not.
MEMBERS LOGIN ZONE
As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.
You are not logged, please complete authentication before continuing (use forum credentials).