TR3S LUNAS

At first it seemed pointless to me... but in time it grew onto me somehow. I didn't mean to like it and still don't like it, but it's there and sometimes it finds itself in the stereo, somehow. Pieces are mostly slow or at least non-aggresive and they don't make you imagine or sing anything. This is the album that simply is, and you can focus on something else while listening to it, save for the one vocal song (2b free) that you can easily skip. Now, a year after I bought it, I can even say that I enjoy some passages. To conclude: slow, chillout music, which noone would miss if it weren't there, but its there and it might help you relax while you're doing something else.

This collection of short instrumentals is OLDFIELD's leanest album in years. It's the least complex or flashy output from him I've heard in a while. There are no lightning-fast guitar runs or brain-jarring time changes. Think of it as "Mike Oldfield, Simplified." There are some great melodies floating around, and it's great in headphones. While it has the unfortunate task of being compared Mike's own work, the album is quite good - just different from any Oldfield album I've heard before. This is a good addition to you collection, but if you haven't acquired discs like "Amarok," "Hergest Ridge" or "Islands," start there.

Three stars only beacuse my 10 year old son thinks this deserves a five. I am getting him into Songs from Distant Earth instead. Generally this album is nothing short of bland and is more a soundtrack to his computer game of the same name. It is a chill out album deluxe with very little risk taking, nice for hotel foyers in the Algarve.Best tracks are ' Tr3s Lunas' and ' Return to the Origin'

Tres Lunas is a good album because the way he plays the instruments . For example Misty playing guitar which sounds like a saxaphone. But it does get quite boring after awhile.I prefer Songs Of The Distant Earth and Platinum.Tres Lunas is a good album but it is more for his computer game of the same name.

Music for the computer game with the same name, but I don't mind that, for most of us this is an album. This contains laid-back tunes which makes really good relaxing or ambient music. In contrast to some other late M.O-albums this one doesn't go into Ibiza-90's-disco- rhythms. It's mature and in line with it's time. If I should point out the nearest reference in the Oldfield catalogue it has to be "Songs of Distant Earth" (1994), but without the "Enigma sound-alike-singing". "Tr3s Lunas" has similar big/airy sound, although less "new-age". This one is the better of the two, and I try to figure out why it's so underrated. I don't know. To me "Tr3s Lunas" was a big and positive experience, despite it's soft and unpretentious style. 4,5 stars!

"Hello? Can I talk about MIKE OLDFIELD'S new album? Yes, Tr3s Lunas. Is there no one who will talk to me?"

Dammit, they've put me on hold. Urgh, and with the worst kind of elevator music. Come on, come on, I can feel my brain leaking out of my ears ... wait a moment. That sounded suspiciously like a trademark OLDFIELD guitar note. No, surely not.

But it is. 'Tr3s Lunas'. (The '3' affectation in the name probably derivative of the Wip3out PS game, laden with the techno music OLDFIELD had become so enamoured of.) MIKE OLDFIELD managed to surgically remove all remaining passion and flair from his composition and in 2002 created an album that is the very essence of blandness.

Now I've been the subject of some fairly sharp reviews in my time. My novels have been called rubbish (check out Amazon.co.uk for some particularly cruel reviews). So I know how it feels to be lambasted, which is why I don't do it lightly to others.

I'm careful to indicate in a review who might like a work, if I don't like it myself. I have to admit I'm hard pressed to think of who this album might appeal to: certainly not to anyone who wants to listen to music for its own sake. Perhaps if someone needs inoffensive background noise, this might do the trick.

This is the soundtrack to a computer game. I certainly hope the game is more exciting than the music. Meanwhile I'm still on hold ...

I am certainly closer to Russelk than to Ricochet for this review.

New age stuff, boring stuff should I say. For about an hour! Not a great experience, I'm afraid. At times, some melodic and nice moments are even encountered : "No Mans Land" is by far my favourite song (the only one should I say). But the global feeling is not really strong. Even if "Return To The Origin" is pleasant as well. Ambient of course, but with a great and passionate melody. But these background beats are just a pity.

The experience turns sour with the next few tracks. I can't really endorse such useless sounds. Indeed elevator music. Or supermarket one. your choice. I guess that you have the idea. There are many "press next" T type of songs included in here. The trio "Viper", "Turtle Island" and "To Be Free" is particularly hard to digest. Get your "pastille Rennie" to survive.

Mike is trying to match a new era (the computer game one). Unfortunately, I'm an old freak who is not at all in the matter (but my eighteen years old son is, but he is not writing reviews on PA). And this type of music is just irritating.

Can't help Mike. You have produced so many great albums (OK, it was quite a while ago). This one won't serve you well, I'm afraid.

I really don't like it. One star.

Moon blandness

Released in 2002, "Tres lunas" (Three moons) was Mike Oldfield's first album for the 21st century. In an apparent effort to move with the times, the music here was written to accompany a "Fully interactive three dimensional musical PC adventure game". A demo version of the game appears on the disc, the full version being available via Mike's website. It would appear the complete version of the game is now free of charge too. I shall not get embroiled in the game aspects, mainly because I have not played it(!), but will focus on the music on the disc.

The music is described by Oldfield as "chill out", to complement the relaxing nature of the game. The style here is much closer to New Age than to the early efforts of the angry young man who recorded "Tubular bells". The fade out in mid-recital on tracks such as "No man's land" belie the fact that there is no real beginning, middle and end to the tracks, just simple repetitive melodies and soothing sounds.

Mike's sister Sally provides the vocals on "To be free", two versions of which are included on the disc. This pleasant piece of light pop rock offers a refreshing alternative to the rest of the album.

Mike's lead guitar work is of course pleasingly familiar to the ear, and in relative terms there is a bit more meat to pieces such as "Return to the origin". From that point of view, fans of Oldfield's work may find enough here to make the acquisition worthwhile. Those with just a passing interest in his output though would be best advised to delve further back in the catalogue.

I liked few Mike Oldfield albums many years ago, and even have ONE in my collection till now (Ommadawn). Starting from mid-80-s I missed any interest to his pop/new age works, almost forgot about him.

Now I by chance got the possibility to listen Oldfield first album in XXI century ( or in new age, if you want), "Tr3s Lunas". So, I wasn't surprised too much ( for good or bad).

First of all, this album is heavily commercial by it's origin. Originally it is a computer game soundtrack, game is included , but to unlock software you must to pay some extra!

The music is very safe, mid-tempo well balanced and polished guitar/keyboards mix. World new age, as I expected. Separate compositions are melodic, but totally faceless, and main reaction when listening is sleepy feeling. In some moments the repetitive structures sound as a joke!

Not everything is so bad. First pleasant surprise is there are few guitar driven rock pieces, with quite nice if very cliché-sounding guitar line. And the second - album sound ( possibly because it is first of all game soundtrack) isn't overproduced, so in total all music is quite acoustic ( but boring at the same time).

All in all, just another usual Mike Oldfield album, hardly attractive for listener, but still possibly pleasant for Oldfield heavy fan.