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Procession

Rock Progressivo Italiano


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Procession Frontiera  album cover
4.09 | 39 ratings | 8 reviews | 30% 5 stars

Excellent addition to any
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Studio Album, released in 1972

Songs / Tracks Listing

1. Ancora una notte
2. Uomini e illusioni
3. Citta grande
4. Incontra
5. Anche io sono un uomo
6. Un mondo di liberta
7. Solo
8. Un'ombra chevaga
9. Solo 2

Lyrics

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Music tabs (tablatures)

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Line-up / Musicians

- Gianfranco Gaza / vocals, mouth harp
- Roby Munciguerra / guitar
- Marcello Capra / guitar
- Angelo Girardi / bass, mandolin
- Giancarlo Capello / drums, percussion

Releases information

LP Help DZSLH 55131 (1972)
CD Vinyl Magic VM 036 (1993)

Thanks to ProgLucky for the addition
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PROCESSION Frontiera ratings distribution


4.09
(39 ratings)
Essential: a masterpiece of progressive rock music(30%)
30%
Excellent addition to any prog rock music collection(43%)
43%
Good, but non-essential (19%)
19%
Collectors/fans only (8%)
8%
Poor. Only for completionists (0%)
0%

PROCESSION Frontiera reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by apps79
SPECIAL COLLABORATOR Neo Prog Team
3 stars A lesser known act among the Italian prog bands of the 70's and formed in early 1972 in Turin,PROCESSION were an idea of singer Gianfranco Gaza.In April 1972 the band started to perform in local base,but the next month, with the help of artistic director Tuccimei Pino,they found themselves unsigned but performing before 50000 people (!) at the biggest rock event of Italy,the Villa Pamphili Festival.In October PROCESSION move to Rome and record their debut ''Procession'' within a week,distributed by the smaller label of RCA,Help.

This is a great find for lovers of guitar-driven hard prog,as the band features two talented guitarists (Roby Munciguerra,Marcelo Capra),though it contains a few suprises as well.Plenty of hard guitar breaks,some nice soloing but also a few dual guitar attacks makes ''Frontiera'' a classic rock release presented under a progressive scope.When Munciguerra and Capra put the electric stuff down,then they handle their majestic acoustic instruments (among them some mandolin parts) to color the album with Mediterranean soundscapes and a more traditional/Italian musicianship.Surprisingly in ''Incontro'' there are also some nice and delicate flutes,while the following ''Anche io sono un uomo'' contains a fair amount of melodic mellotron,getting close to the more typical sound of Italian prog!I won't forget about Gaza,who has a sharp and rockin' voice,making overall an impressive performance,often doubled by Munciguerra in a few choir-like harmonies.

Despite the almost fuzzy guitars and its pure power,''Frontiera'' has a good balance between raw passages and melodic lines and the acoustic parts add a touch of originality on this album.Recommended mostly for fans of dynamic heavy prog with an undenieable Mediterranean approach.

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Send comments to apps79 (BETA) | Report this review (#214086) | Review Permalink
Posted Wednesday, May 06, 2009

Review by Mellotron Storm
PROG REVIEWER
5 stars This has become one of my all time favourite Italian releases. PROCESSION features dual lead guitars and a vocalist (Gianfranco Gaza) that takes a back seat to no one. Gianfranco would also guest on ARTI E MESTERI's second album.The guy can flat out sing. No keyboards here but there is mellotron on a couple of tracks. This isn't just a Hard Rock album either as we get a lot of acoustic guitar which sounds so good especially when the two of them are playing together.

"Ancora Una Notte" opens with acoustic guitar but then it turns dark and heavy quickly. A calm follows. Vocals after 1 1/2 minutes with acoustic guitar. It's building. How good does this sound when the electric guitar comes in. A guitar solo 3 1/2 minutes in. Love when the guitar mimics the vocals. "Uomini E Illusioni" opens with some nice raw guitar then drums and deep bass join in. Incredible sound ! Vocals a minute in as the guitar lights it up. "Citta Grande" is pastoral to start with acoustic guitar. Vocals join in quickly and we get a full sound after a minute. Contrasts continue. What a fantastic tune. The guitar solo before 3 minutes is tasteful then it turns heavy. It ends as it began. "Incontra" features strummed guitar throughout. Vocals join in quickly. Some flute and mellotron in this one.

"Anche Io Sono Un Uomo" is melancholic early with vocals, guitar and drums standing out. Mellotron comes in as the guitar solos. Some ripping guitar and vocals 3 minutes in. Nice. "Un Monde Di Liberta" is the longest track at around 8 1/2 minutes. Acoustic guitar to open then it turns aggressive before a minute. Acoustic guitar only (like the intro) takes over before 4 minutes. Vocals a minute later. Vocal melodies after 6 minutes then it gets fuller. How good is this ! "Solo 1" is a rip roaring tune. Vocals before a minute as the guitars offers up some blistering solos. It settles 2 minutes in with some gorgeous acoustic guitar. There's even a psychedelic flavour late. The intro makes me laugh on "Un'ombra Chevaga". It's loud and not pleasing to the ears at all. In other words it's great. A calm 2 minutes in as acoustic guitar and reserved vocals take over. Some vocal melodies follow. "Solo 2" opens with the guitars and harmonica on fire. Vocals before a minute. A very cool ending to this song and album as we get this explosive sound then it turns haunting.

Thankyou Todd !! And thankyou Gianfranco ! This album pushes all the right buttons for me.

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Send comments to Mellotron Storm (BETA) | Report this review (#260725) | Review Permalink
Posted Wednesday, January 13, 2010

Review by andrea
PROG REVIEWER
4 stars Procession are an Italian prog band from Turin that was formed in 1972. On their debut album, "Frontiera" the line up featured Gianfranco Gaza (vocals, harmonica), Angelo Girardi (bass, electric mandolin), Marcello Capra (electric and acoustic guitar), Giancarlo Capello (drums, percussion) and Roby Munciguerra (electric and acoustic guitar). The album was recorded in a week in Rome for the Help label. The music alternates hard and raw passages with electric guitars in the forefront to delicate and reflexive atmospheres where acoustic passages prevail. It's a concept album that deals with the problem of immigration from Southern Italy to the North and its industrialized cities like Turin or Milan. Lyrics were signed by Marina Comin, the same lyricist as Raccomandata Ricevuta Ritorno's "Per... un mondo di cristallo".

The opener "Ancora una notte" (One more night) opens with an acoustic guitar arpeggio, then the electric guitar and the rhythm section bring in a dark sense of impending change. Lyrics describe the last night of an immigrant before leaving his native village for the big city and an uncertain destiny... "One more night and the train will set off / But in this last night I can't sleep / I've waited too long for this day / Now I'm scared / I fear that my life could end there...". The body is going to leave but the roots are not broken yet and this contrast is underlined by the music.

"Uomini e illusioni" (Men and illusions) starts with a fiery electric tarantella (that could remind of PFM's "E' festa"). Lyrics describe the train carrying its burden of men and illusions while running through Italy, from South to North, men who feel strangers in their own Homeland... "I will have to live my life / Like a clown compelled to smile / Even when his son is dying / I can't show any pain...".

"CittÓ grande" (Big city) opens with a delicate acoustic arpeggio, music and lyrics describe the arrival in the big city and the feeling of pain for family and home left behind, the struggle for a job, then the feeling of hope for a better world and society where people can survive without leaving home... "Big city I'm here... I left my mother, my girlfriend and perhaps my joy to live / But hope makes me go on / And I will live of hope...".

"Incontro" (Meeting) is a joyful ballad featuring strummed acoustic guitar and flute. Music and lyrics describe the meeting between the protagonist and a boy about twenty years old. The boy talks about friendship, love, freedom and equality... "We're all alike / You can find thousand friends / If you look for them with your heart / There are no limits / If you live into love...".

"Anche io sono un uomo" (I'm a man as well) is a delicate and melancholic track about equality and awareness. The protagonist thanks the boy for the new hope but then awareness that not everyone thinks in the same way rises... "How many people treat me like a man and don't judge me? / How many people did understand that I'm a man like you?".

The long and complex "Un mondo di libertÓ" (A world of freedom) is more aggressive. It starts softly but then fiery electric guitars start storming enraged notes. Then vocals come in and tension slackens... "You have lost your freedom / But I'm not speaking with you just because of pity / There's a whole world around you that loves you like me / It's true that everyone here minds just to his own business / But you are a man and you'll find your way...". Lyrics are a kind of preach against resignation, all in all every place is the same and life is not so bad...

"Solo 1" (Alone) begins as an electric rock and roll... "Alone again, alone again in the big city / You look around you / Trying to understand where to go...". Then rock and roll melts in something very different and moody...

"Un ombra che vaga" (A wondering shadow) begins with hard guitar riffs shaping a troubled and desperate mood... Then comes a sudden change of atmosphere and acoustic guitar and vocals describe what seems to be just a wondering shadow, a living ghost... "Your future life is like a dark shadow / You see your hopes into the eyes of the night / Houses seem big but they are colourless / You would like to be at home / But you can't come back....". Then, on "Solo 2" rock and roll and loneliness are back for another desperate ride in the big city... "Alone again, alone again in the big city / You look around you / Trying to understand where to go...".

Hopes and disappointments, rage and love, friendship and loneliness, hard rock and acoustic passages... On the whole a very good album with good ideas and some ingenuities.

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Send comments to andrea (BETA) | Report this review (#272189) | Review Permalink
Posted Monday, March 15, 2010

Review by Bonnek
SPECIAL COLLABORATOR Prog Metal Team
4 stars One of the main attractions of the RPI scene is the wide variety of styles and originality emanating from that scene. For the better known acts like PFM, Banco and Le Orme we can trace references to ELP and VDGG, but those references only capture part of the magic that lies contained within.

When it comes to Procession we have another RPI band for which I can't come up with any obvious references to UK acts. The band can be roughly placed on the wilder side of RPI acts such as Il Balletto Di Bronzo, Cervello, Semiramis or Osanna but actually we have something entirely unique here. This band plays a kind of hard rock, but with lots of atmospheric acoustic guitar sections balancing out the raw and jagged parts.

With each of the 9 pieces marvellous in their own right, the band really excel at writing memorable tunes. The singer's emotional wail is downright excellent. The music is not symphonic but sure progressive, as evidenced by its intricate arrangements and short but adventurous song structures.

There's a lot to discover on this album so it will need its time to fully reveal itself, but the nice part is that it is also very immediate and will rock its way right through your heart from the first listen. If you really want some UK references let's give one that is both absurd and at the same time not too far-fetched really. This is the 1972 RPI version of In Absentia! Good luck now.

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Send comments to Bonnek (BETA) | Report this review (#286845) | Review Permalink
Posted Thursday, June 17, 2010

Review by Nightfly
SPECIAL COLLABORATOR Rock Progressivo Italiano Team
4 stars Frontiera, the first on of only two albums from Procession is perhaps not quite as widely regarded amongst RPI fans as the mellower Fiaba, but to my ears is its equal and the more exciting of the two.

Released in 1972 Frontiera is a guitar driven album alternating between acoustic restraint and bombastic heavy rock. In Gianfranco Gaza they have a vocalist perfectly suited to the more histrionic approach of heavy rock singers and the band consisting to a large extent of guitars, bass and drums with a bit of mandolin, mellotron and the obligatory flute turn in a fine performance moving between the light and shade and heavier moments with conviction and ease. A strong record throughout includes some special moments like the mandolin driven Incontra, Anche Lo Sono Un Uomo coloured with some lovely mellotron work and they're at their most powerful on Un Mondo Di Liberta. It's a stunning heavy rock/proto-metal tour de force for the first three minutes with a riff Metallica would be proud of. The second half enters into acoustic mode and this contrasting piece is the highlight of the album. One of the riffs from this piece returns briefly for Un'ombra Chevaga before closing with a beautiful acoustic section. This is bookended by Solo and Solo 2 and there's a feel of continuity for the second half of the album even though they're individual tracks.

Frontiera is an album of contrasts that will most likely appeal not only to RPI fans but has a lot to offer heavy rock lovers too. Highly recommended.

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Send comments to Nightfly (BETA) | Report this review (#292505) | Review Permalink
Posted Thursday, July 29, 2010

Review by Guldbamsen
FORUM & SITE ADMIN GROUP Site and Forum Admin
5 stars Italy's best kept secret

I've loved this album from the very first day I heard it. Truly love at first listen, a bizarre addictive love no less, and the feeling hasn't diminished with the years - on the contrary, Procession's debut Frontiera is still very close to my heart. Ditching the whole synth race, these guys opted for a more earthy and basic instrumentation with a ravine of acoustic guitars, raw frenetic electrified guitar licks, walking bass lines, punchy acute, and at times heavy as hell, drumming, flute and a bitter-sweet vocalist, who means the world to me.

Like I've mentioned countless of times before, I have no real understanding of the beautiful Italian language, which in turn means that it can mean whatever the hell my mind makes it into. On here I've decided that the singing is just so damn gorgeous in itself, that I'm not even slightly interested in finding out what he's singing about. For all I care, it could be the world's creation, zebras, eternal youth or difficult sore love. It expresses nothing and everything at the same time for me.

Opposite the heavy hits of this baby, you find a sprawling folky and highly melodic side of the band. This is where the old rural traditional music begins to shine through, and you effectively get the most alluring wisps of the warm romantic Italian countryside. 4th cut called Incontra very elegantly puts my words to shame though. The mandolin playing is inspiring on this sucker, and together with the tweeting bird like flute, the music really takes off. A thousand sun ripened tomatoes couldn't dream of relegating the same kind of endemic feel, as this tune does.

Later on, in between brilliantly melodic almost symphonic and always highly imaginative pieces, one particular track stands out to me. Un Mondo Liberta(A free world) manages to take all that's powerful and vibrant in Frontiera and squeeze into a good 8 minutes of progressive folk, scratching raw guitar rock and what genuinely sounds like Italian Doo wop(A prominent and most delicious feature throughout the playing time of this gem actually).

Like a sudden brutal awakening from a stormy and huge dream, a wild rocking guitar shoots through the airwaves following the lengthy piece, and when you've finally gotten well into the groove of this granite creature, the mood changes for the more quiet and delicate, small dozy guitar figurines start swirling slowly about, and you get hit with a frail goosebumps inducing guitar feedback. It says it all really. There's so much life and soul in this recording, it'll have your blood vessels doing the jig.

If you're into the heavier side of the Italian scene - ie Cervello, Biglietto per L'Inferno, Semiramis and Metamorfosi, then you'll probably want to move together with this album, find a small apartment somewhere and just hang out till one of you needs food, electricity or sex.

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Send comments to Guldbamsen (BETA) | Report this review (#997480) | Review Permalink
Posted Saturday, July 13, 2013

Latest members reviews

4 stars Frontiera has it all - heavy guitars, shimmering folk passages, confident singing, powerful drumming and even some Mellotron - wrapped up in a convenient package you can carry with you (literally...the LP had a handle). Though it did take a while for me to warm to Procession, the group is uni ... (read more)

Report this review (#932581) | Posted by coasterzombie | Monday, March 18, 2013 | Review Permanlink

4 stars One of the nice things about this website is that the many reviews help you discover bands you hadn't heard before. For me, a real eye opener was the discovery of Italian prog. Since I've been reading reviews and been listening to the audio samples, I have become a big fan of the italian scene ... (read more)

Report this review (#74917) | Posted by Agemo | Friday, April 14, 2006 | Review Permanlink

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