Tech/Extreme Prog Metal

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Dødheimsgard 666 International album cover
4.20 | 30 ratings | 5 reviews | 37% 5 stars

Excellent addition to any
prog rock music collection

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Studio Album, released in 1999

Songs / Tracks Listing

1. Shiva Interfere (9:10)
2. Ion Storm (4:20)
3. Carpet Bombing (2:25)
4. Regno Potiri (10:19)
5. Final Conquest (5:59)
6. Logic (0:59)
7. Sonar Bliss (7:39)
8. Magic (1:43)
9. Completion (6:28)

Total Time: 49:02


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Music tabs (tablatures)

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Line-up / Musicians

- Aldrahn / vocals, guitars
- Vicotnik / guitars
- Apollyon / bass
- Czral / drums, guitar
- Mr. Magic Logic (Svein Egil Hatlevik) / keyboards, piano

Releases information

CD Moonfog (1999)

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DØDHEIMSGARD 666 International ratings distribution

(30 ratings)
Essential: a masterpiece of progressive rock music(37%)
Excellent addition to any prog rock music collection(43%)
Good, but non-essential (13%)
Collectors/fans only (3%)
Poor. Only for completionists (3%)

DØDHEIMSGARD 666 International reviews

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Collaborators/Experts Reviews

Review by UMUR
SPECIAL COLLABORATOR Honorary Collaborator
5 stars 666 International is the third studio album from norwegian experimental extreme metal band Dødheimsgard. Their first two albums were pretty raw and simple black metal with eighties thrash tendencies but it was with their Satanic Art EP from 1998 that the experimentation began ( I can recommend that one). On 666 International the transformation from primitive black metal to intelligent experimental extreme metal is finished. This will probably be their crowning achivement as the standard they set with this album will be very hard to beat. I have listened a lot to their latest album Supervillain Outcast which is a masterpiece just like 666 International, but I think 666 International is just a notch better.

The music is very experimental. There are elements from black metal, industrial noises, eighties thrash metal ( the most evident influence is Voivod) and psychadelia. A really exciting mix. The songs generally have lots of sections and moods which means that this music is very challenging. It´s also very inaccessible and demands your full attention for the first many listens. It´s taken me 8 years to learn to appreciate, so be patient if you dislike it on the initial listen, you might like it after 50 listens. All I can say is that my patience was fully rewarded and 666 International is one of my favorite albums today.

Shiva Interfere starts the album with some horror movie piano that soon gives way to some intense blasting. This intro is over in about 20 seconds and then starts the real song. Aldrahn sings with his tortured vocals over some spacy acoustic guitar and electronic/ industrial sounds. The song changes multible times through the 9+ minutes of playing time.

Ion Storm is a really extreme song in every way possible. The drumming is extremely fast. Hyper blast beats played at the speed of light. It´s so intense I almost lose my breath. The song has a symphonic feel to it even though it´s so extreme. Again Aldrahn delivers some really diverse tortured vocals.

Carpet Bombing is a short horror movie piano piece which comes just at the right time to soothe my ears after the almost unbearably fast and brutal Ion Storm ( In my world this is a positive thing).

Regno Potiri is the longest song on 666 International with it´s 10:19 minutes. The song is very diverse and you have everything from industrial sounding parts to primitive punk like black metal parts to piano parts. Everything controlled by Aldrahn´s sublime vocal delivery.

Final Conquest is a very heavy song with some very distinct percussion drums. There are some very symphonic keyboards in some of the sections while there are also lots of shrieking industrial noises towards the end of the song. A classical inspired piano section is also present in the middle of the song. Allthough this is not my favorite here, it´s still a masterpiece of experimental extreme metal.

Logic is like Carpet Bombing a short classical horror movie piano piece that is a breather in between the mayhem that is Dødheimsgard´s music.

Sonar Bliss starts rather fast paced with blast beats but the song has many moods and sections including a pretty psychadelic guitar piece. There are some pretty exciting programmed sounds in Sonar Bliss that I enjoy very much. Sonar Bliss is a perfect examble of how diverse and powerful Dødheimsgard´s music is. But at the same time it´s also a reminder of how difficult, challenging and inaccessible their music can seem to outsiders.

Magic is another B-horror movie theme played by the piano and it is equally as pleasant or creepy ( whatever suits you) as Carpet Bombing and Logic.

Completion is the last real song on 666 International. It´s a very electronic song. It starts with extremely noisy blastbeating but soon seques into more industrial noisy parts. This might be the most experimental song on the album and the most noisy one too. It shows once again that Dødheimsgard is willing to experiment with genres and sounds.

666 International actually consists of 66 tracks and while the first nine is credited on the sleeve there are 56, 1 to 2 second silent tracks. Track number 66 is an 11 minute track which is actually pretty good. There is only music for the first minute and a half though. I must say that this part of the album is the only flaw on 666 International. I hate these endings where you have to wait for the last song. I guess I should take the last song as a kind of bonus.

The musicianship is outstanding and pretty unusual. Aldrahn, Vicotnik, Apollyon and Czral has this time around enlisted Mr. Magic Logic (Svein Egil Hatlevik) on keyboards and piano. It´s a great addition to Dødheimsgard and Mr. Magic Logic gives the music much of it´s eerie mood. The man has lots of unpleasant carts up his sleeve. He did appear for the first time on the Satanic Art EP from 1998 where his presence was also heavily felt.

The production is masterfully done. It has the thin black metal guitar sound but the layers of drums, industrial keyboard noises and tortured vocals in the music is extremely well emphasised in the mix and brings out the most dark and unpleasant atmosphere you´ll ever hear on any album.

666 International can best be described as the soundtrack to Hell or at least a journey into the twisted mind of obscurity, depression, despair and extreme anger. I understand that it is not all people who would want to expose themselves to this kind of torture ( but what beautiful torture it is) like it´s not everyone who turns on to sadomasocistic sex or other extreme things in life. But the ones who do like some extreme niche in life will know what I ´m talking about. Sometimes it´s just the most ugly beast that turns out beautiful. 666 International is one of the most revolutionizing experimental metal albums in the last 10 years and I love every twisted minute of it. This is a sure 5 star album. Highly recommended to people into experimental extreme metal ( not tech metal). This is THE essential album in that genre.


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Review by Conor Fynes
4 stars '666 International' - Dodheimsgard (7/10)

With their third album, the Norwegian black metal outfit Dodheimsgard vastly changed up their sound. Dabbling with experimentation on the 'Satanic Art' EP, the stage was set for the band to achieve a very distinct sound; one that would merge industrial music and orthodox black metal in a style that had never been heard before. In this case, '666 International' is certainly a historically relevant album in the development of black metal, but as a musical listening experience, it can be a bit of a bumpy ride. Now over a decade old, Dodheimsgard's work here still sounds as bizarre as it ever has, but as befalls most pioneers, their experimentation isn't a complete success all the way through. No matter though, because for what its worth, what does work for the band is absolutely incredible.

'Ion Storm' is a fine example of what '666 International' is about; entering with a shout, an industrial beat, and about as generic of a black metal riff as they come. Hearing black metal paired with other, seemingly alien sounds is a bit jarring at first, but by the end of the first track, there is a feeling that it is certainly more than a gimmick, although multiple listens are required for it to really sink in. This grand experiment between the harsh percussion of industrial music and black metal is broken up by a couple of jazzy piano pieces, which ironically turn out to be the best composed pieces of work on the whole album. While I am no stranger or detractor to metal or experimental metal, Dodheimsgard's piano pieces are so well done and beautifully arranged, that they are more enjoyable to listen to than the somewhat mixed impression that the avant-garde aspect gives. 'Carpet Bombing' is about as beautiful as jazz piano gets, and I would love to hear an entire album that sounds just like that.

Dodheimsgard's heavy aspects isn't as simple as merely pairing industrial and black metal; there are nuances here that really help the somewhat lacking flow. The band works some magic by throwing in Opeth-esque mellow breakdowns and sometimes even danceable electronica right next to crushing black metal riffs. The contrast is- once again- rather disconcerting for a first timer, but it is indeed excellent. The avant-garde parts sometimes use some electronic aspects that feel a little out of place (even taking to heart the experimental nature) but the only real weakness here are the vocals, which are often layered with strange phaser effects and mixed far too highly in the record. This can lead to the flimsy sprechzegang performance becoming irritating, especially due to the fact that it is almost working against the really interesting instrumental aspect of the album.

'666 International' must still be lauded for its great ambition, although it cannot be said that all of the aspects that Dodheimsgard works with here work entirely well. All the same, a very refreshing album, especially when put into its context.


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Review by Warthur
4 stars At first listen I wasn't too impressed with Dødheimsgard's 666 International. The opening seemed to me to combine not particularly compelling industrial metal with not particularly compelling black metal, with poor vocals over the top of it. But over the course of listening to the album, these disparate elements got drawn together closer and closer, until a proper fusion was achieved by the time the magnificent Sonar Bliss and Completion were reached. On the whole, I respect Dødheimsgard's achievement here and think overall this is a very good album, though I do still kind of feel that the opening track is a little weak and off-putting.


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Latest members reviews

4 stars DHG's greatest strength is their originality; '666 International' sounds like no other band in the world. The closest comparison i can come up with is the Industrial Black Metal band 'Aborym'... but DHG is truly one of a kind. Their musicianship is mechanically tight, but not particularly tech ... (read more)

Report this review (#207800) | Posted by AdamHearst | Thursday, March 19, 2009 | Review Permanlink

4 stars Astonishing effort from a former trully black metal band! ( Please excuse my poor english) I'm not an authentic metalhead and I'm not fond of black at all. But one more time a black metal band delivers a slendid dark ambient album, a blend of pure evil metal and insane atmospheric p ... (read more)

Report this review (#152833) | Posted by Urs Blank | Monday, November 26, 2007 | Review Permanlink

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