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SYMPHONY FOR A GENOCIDE

Maurizio Bianchi

Progressive Electronic


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Maurizio Bianchi Symphony For A Genocide album cover
3.72 | 6 ratings | 3 reviews | 33% 5 stars

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Studio Album, released in 1981

Songs / Tracks Listing


1. Treblinka
2. Auschwitz
3. Maidanek
4. Auschwitz (Reprise)
5. Belzec
6. Chelmno
7. Sobibor



Lyrics

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Music tabs (tablatures)

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Line-up / Musicians


- Maurizio Bianchi / instruments, electronics

Releases information

LP Sterile Records SR 02 (1981)

Thanks to PROGMAN for the addition
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MAURIZIO BIANCHI Symphony For A Genocide ratings distribution


3.72
(6 ratings)
Essential: a masterpiece of progressive rock music(33%)
33%
Excellent addition to any prog rock music collection(17%)
17%
Good, but non-essential (33%)
33%
Collectors/fans only (17%)
17%
Poor. Only for completionists (0%)
0%

MAURIZIO BIANCHI Symphony For A Genocide reviews


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Collaborators/Experts Reviews

Review by philippe
SPECIAL COLLABORATOR Content Development & Krautrock Team
3 stars It's better to be advertised, Maurizio Bianchi's first essays define a musical world made of industrial experiments & artefacts, recycled noises and aggressive electronic variations. This is very far from his late and much more convincing efforts in meditative, introspective atmospheric (almost "ambient") electronic textures. "Symphony For A Genocide" is a concept album around the horror of Nazis "concentration" camps. No emotion here, just a musical universe full of terrific, auto-destroyed, extreme, atonal, pulverizing sounds. Contrary to most of critics I don't recognize this album as one among the best Bianchi's . "Symphony For A genocide" is very hard to approach, to digest and remains very cryptical. I prefer Bianchi in his extremely touching inspired "looped" melodies played with sensitivity ("AMB Iehn Tale", "M. I. Nheem Alysm"...). I personally think that an album as "The Testamentary Corridor" (Staalplat, 2006) would be a better evocation & testimony for a genocide.

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Send comments to philippe (BETA) | Report this review (#100383) | Review Permalink
Posted Saturday, November 25, 2006

Review by Sheavy
COLLABORATOR Progressive Electronic Team
5 stars REWRITE.

The sounds of the industry.

This album is what I always envision when I people talk about Industrial music. Not Ministry, KMFDM, NIN, or Front Line Assembly, but something like this. This is a harsh album, but not in the same way as a Merzbow album. It isn't that it's extremely loud, but that it's just abrasive and very off-putting, much in the same as you'd rather not be around heavy equipment at a construction site.

I'm really uncertain as to exactly what is going on that makes these sounds, and the best word I can come up with to describe the sounds, is machines. Theres all sorts of scratches and scrapes, and similar noise. These sounds also work very well with the concept behind this album, which is mainly about the atrocities committed on the Jews by the Nazis during WWII. This concept really changes how you listen to the "music" on this album, it really does reflect the horror of what happened in German concentration camps. This album truly captures what it set out to accomplish, a Symphony For A Genocide.

I see this as an indispenseble piece of Prog Electronic/Industrial music.

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Send comments to Sheavy (BETA) | Report this review (#473154) | Review Permalink
Posted Thursday, June 30, 2011

Latest members reviews

4 stars This version of 'Symphony for a Genocide' is the re-mastered one. Its sharper and more harsh in sound than the 'Dark Vinyl' CD I own from the early 90's which sounds far murkier and darker - almost as though your listening to it at the bottom of a mine-shaft. The clean up job has almost been t ... (read more)

Report this review (#607800) | Posted by Dobermensch | Thursday, January 12, 2012 | Review Permanlink

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