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MIRRORS

Marillion

Neo-Prog


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Marillion Mirrors album cover
3.75 | 33 ratings | 1 reviews | 47% 5 stars

Excellent addition to any
prog rock music collection


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Live, released in 2006

Songs / Tracks Listing

Disc 1 - 43:31
1. Born to Run (5:51)
2. A Collection (3:24)
3. Now She'll Never Know (4:32)
4. The Space (4:05)
5. Brave (8:00)
6. Faith (3:56)
7. One Fine Day (5:56)
8. House (7:47)

Total Time 43:31

Disc 2 - 43:03
1. Enlightened (4:41)
2. Estonia (8:28)
3. After Me (3:14)
4. When I Meet God (10:16)
5. A Few Words for the Dead (10:13)
6. Made Again (6:11)

Total Time: 86:34

Lyrics

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Music tabs (tablatures)

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Line-up / Musicians

- Steve Hogarth / vocals
- Mark Kelly / keyboards
- Ian Mosley / drums
- Steve Rothery / guitars
- Pete Trewavas / bass

Releases information

CD Racket Records (2006)

Thanks to fido73 for the addition
and to ProgLucky for the last updates
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Misplaced ChildhoodMisplaced Childhood
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Audio CD$5.49
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Live from LoreleyLive from Loreley
Import
101 DISTRIBUTION 2004
Audio CD$5.49
$7.38 (used)
Singles 82-88Singles 82-88
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Emd Int'l 2009
Audio CD$11.42
$8.38 (used)
FugaziFugazi
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Vinyl$17.10
$15.99 (used)
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MARILLION Mirrors ratings distribution


3.75
(33 ratings)
Essential: a masterpiece of progressive rock music(47%)
47%
Excellent addition to any prog rock music collection(28%)
28%
Good, but non-essential (22%)
22%
Collectors/fans only (0%)
0%
Poor. Only for completionists (3%)
3%

MARILLION Mirrors reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by Warthur
PROG REVIEWER
3 stars The third and final album from the Marillion Weekend 2005 is taken from the Sunday performance, and sees the band focusing on their more low-key and atmospheric material, much as the companion album Smoke focused on up-tempo and energetic stuff. This time around, the album feels a bit more constrained than Smoke did by the fact that the band couldn't include any material from Marbles. (They'd done a full performance of the album on the Friday night - as documented on Marbles By the Sea - so it would be a bit cheeky to repeat songs the same weekend.)

As I said with Smoke, I think the decision to present a gig this long with this little variation in the mood also hurts the set list; in particular, many of Marillion's best songs take the listener through a variety of moods in a single piece (think The Great Escape from Brave, or the This Town triptych), and the combination of a constrained setlist and the lack of variation in the mood makes it a slight chore to listen all the way through.

Still, it's an intriguing trip into Marillion's more mellow side, and includes an early live version of Faith - which wouldn't see the light of day in a studio version until Somewhere Else. of Faith - which wouldn't see the light of day in a studio version until Somewhere Else.

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