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THE SECOND STAGE TURBINE BLADE

Coheed And Cambria

Crossover Prog


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Coheed And Cambria The Second Stage Turbine Blade album cover
3.26 | 83 ratings | 13 reviews | 21% 5 stars

Good, but non-essential


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Studio Album, released in 2002

Songs / Tracks Listing


1. The Second Stage Turbine Blade (0:52)
2. Time Consumer (5:41)
3. Devil in Jersey City (4:47)
4. Everything Evil (5:50)
5. Delirium Trigger (4:47)
6. Hearshot Kid Disaster (5:40)
7. 33 (3:29)
8. Junesong Provision (5:20)
9. Neverender (5:52)
10. God Send Conspirator (13:45)
11. Elf Tower New Mexico (6:03)*
12. Junesong Provision" (Acoustic Demo) (5:33)*
13. Everything Evil (Demo) (13:37) (includes the hidden track "IRO-Bot")*

Total Time: 55:33



Lyrics

Search COHEED AND CAMBRIA The Second Stage Turbine Blade lyrics

Music tabs (tablatures)

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Line-up / Musicians

-Claudio Sanchez/vocals, guitar
-Josh Eppard/drums
-Michael Todd/bass, vocals
-Travis Stever/guitar
-Nate Kelley/drums (on Delirium Trigger and 33)
-Dr. Know/guitar (on Time Consumer)
-Montana Masback - additional vocals (on Hearshot Kid Disaster)


Releases information

Re-Released by Equal Vision Records on September 20th, 2005, with three bonus tracks.

Thanks to Shwang_Shwinga for the addition
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COHEED AND CAMBRIA MP3, Free Download (music stream)


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  • The Crowing In Keeping Secrets of Silent Earth: 3, 2003
  • Welcome Home Good Apollo, I'm Burning Star IV, Volume One: From Fear Through the Eyes of Madness, 2005

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COHEED AND CAMBRIA The Second Stage Turbine Blade ratings distribution


3.26
(83 ratings)
Essential: a masterpiece of progressive rock music(21%)
21%
Excellent addition to any prog rock music collection(23%)
23%
Good, but non-essential (32%)
32%
Collectors/fans only (18%)
18%
Poor. Only for completionists (6%)
6%

COHEED AND CAMBRIA The Second Stage Turbine Blade reviews


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Collaborators/Experts Reviews

Review by Moatilliatta
PROG REVIEWER
5 stars Coheed and Cambria plays a blend of progressive and alternative rock, 80s metal and pop. Fronting the band is Claudio Sanchez, who has awesome hair and an unmistakable voice. He has been compared to Geddy Lee, even that he is trying to be Geddy Lee as a vocalist, but that is far from the truth. Each of the two has different quirks in their voices that set them apart, and I can't hear any Coheed and Cambria vocal lines that sound like an imitation of Rush. Further criticism of the band includes that there is too much of an emo element in their music. I personally avoid the term emo as much as I can - it carries different meanings to everybody musically and I don't even want to get into the fashion side of it - because it doesn't do anything to really describe the music, not to mention that an automatic negative conotation is brought upon the described band when the term is thrown around (specifically in prog rock circles). This band should not be treated as one of those bands because they are quite beyond that. Even if they carry a sound that has traces of what some may refer to as emo, it is not one of their defining characteristics. The "emo" sound they carry is more of the Fugazi brand than anything, which isn't at all detestable mind you, and it was mostly shed by their second album anyway. I thought I might tag this onto my first Coheed review and get that over with. Moving on...

The band's debut album, The Second Stage Turbine Blade is actually the second chapter in their multi-album Sci-Fi concept, which also has a corresponding comic book series. Coheed and Cambria are main characters in this story (I wonder what they plan on doing when they're done with this concept series). This multi-album concept idea, as many of us know at this point, has been done before (immediately Magma comes to mind), but of course the MTV crowd is not used to this, so the band has been lauded for such a feat. However, the band was still pretty much an underground band when this thing came out, and didn't really see fame until after this album's successor.

The album opens with the title track, which is a 50-second intro that introduces a musical motif that the band would incorporate into their future albums. This flows into Time Consumer, which opens with a nice drum & bass groove accompanied by a very cool, clean dual guitar riff and then moves into an interesting poppy alternative rock song. I would have liked to hear more development of that awesome intro (underdevelopment would prove to be one of their problems in later albums), but the song is still very good nevertheless, and they do end up bringing the intro riff back along with a guitar solo by Dr. Know of Bad Brains (interesting choice). I suppose if any track on here sounds emo, it would be the bulk of this song. One thing you will notice about this band that further sets them aside from the bands they get compared to is their tight rhythm section; bassist Michael Todd plays funky lines and even plays slap bass occasionally, even in the pop songs, and drummer Joshua Eppard play simple but tasty beats that meld with the bass. Next we have "Devil in Jersey City," which makes a great single. It has great hooks, but also a very gritty edge. This moves into "Everything Evil," which is arguably the most proggy track on the album. Going from a dark and evil, if you will, first half to a powerful melodic second half, this is an excellent song. As the song fades out, we hear the next and most prominent musical motif they will use in the years to come, this time played on a piano with a very haunting atmosphere enveloping it. "Delirium Trigger" is the heaviest song on this album. "Hearshot Kid Disaster" starts out with a pretty funky riff and then moves into a good alternative rock song. "33" is a poppy track with some great hooks. Closing out the album is a series of dynamic, emotionally charged songs: "Junesong Provision," "Neverender" and "God Send Conspirator." Each track is fantastic. The bonus track "IRO-Bot" is an acoustic/piano based song. It's not entirely on par with the rest of the album, which is probably why they made it a bonus track, but the piece will reappear on the next album's bonus track as well.

All in all, this is a very good album. If you like well-written music, and don't mind a little alternative rock/pop sound, you should enjoy this. The production is a little rough, but it doesn't harm the music too much. They are not grandiloquent, despite the whole concept thing, and they won't blow you away when you first listen to them. You might even be inclined to write them off as pretentious yet run-of-the-mill (especially on the albums to come), but you would be mistaken. The hooks will catch up to you, and the emotion conveyed will impact you. Watching this band progress is quite interesting too. If this album was given the same production treatment as the higher budget albums they put out, then this thing would probably be perfect for me. I'll rate this at 4 ½ stars, but it is on a sliding scale. Not everyone is going to need this in their collection, but it has had quite a significant influence on me. I have always thought that the band had more in them than they gave, but what they gave is still delightful.

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Send comments to Moatilliatta (BETA) | Report this review (#165500) | Review Permalink
Posted Tuesday, April 01, 2008

Review by Conor Fynes
PROG REVIEWER
4 stars 'The Second Stage Turbine' - Coheed & Cambria (7/10)

There's been great controversy over whether or not this band should even be on the site. While the answer should be a resounding 'yes' (listen to the song 'The Willing Well I: Fuel For The Feeding End' from the first 'Good Apollo' album, and you should see what I mean) this album is not very progressive. That doesn't mean however, that it's not good, or doesn't incorperate some progressive elements into the music.

Songs like 'Time Consumer' and 'Godsend Conspirator' are fantastic songs in their own right, and are Coheed classics. I really, really like this album, although it wasn't always like that. Unlike the other Coheed albums, which I enjoyed from first spin on, this release took quite a while to get into. At first, I thought it was mediocre, and very one-tracked indie music. But after taking it for what it is, and after hearing a friend's argument saying it was an amazing album for it's 'flow,' I gave it another chance, and I found myself really liking the music.

Even though this is the band's first record, the guitar work feels like it's the best out of any of the Coheed & Cambria albums. Songs like 'Everything Evil' really show the guitarist's skill.

While I may like this album, as can be said for 'In Keeping Secrets Of Silent Earth,' it can't be promised that prog fans will be first to enjoy this. But if you know what to expect, and are open to many styles of music, this should be worth checking out, for sure.

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Send comments to Conor Fynes (BETA) | Report this review (#205612) | Review Permalink
Posted Friday, March 06, 2009

Review by Epignosis
SPECIAL COLLABORATOR Eclectic Prog Team
3 stars There is a strong bubblegum pop edge to this rock music, and as much as I would otherwise be ashamed to admit it, I really enjoy this music much in the way I like The Ataris (the two bands are quite similar in many ways). The trouble with this album is that while the compositions may be different from each other in many ways, the sound remains the same, and it does grow old about halfway through.

"Second Stage Turbine Blade" A short, atmospheric track opens the album.

"Time Consumer" The opening guitars are clean over a grooving bass and good drum line. It's a short while before the heavy guitars come in. The vocal melody is impressively strong and memorable (I was humming this after the first time I heard it). I also love the subtle synthesizer work. This is the best thing on the album.

"Devil in Jersey City" Further garage band music ensues, but this song has some solid guitar riffs and a lot of energy. The tight bass playing is also something to pay attention to. Again, the vocal melody is as catchy as one expects from good prog-punk. A soft, clean electric guitar solo brings the heavy growling end.

"Everything Evil" The rapid palm-muted guitar riff really makes this song stand out from the others. At the same time, it leaves the singer bare and exposes his weaknesses a bit.

"Delirium Trigger" The drumming stands out, even if it lacks inventiveness. The guitar work, as usual, moves from clean to distorted parts.

"Hearshot Kid Disaster" Heavy drumming, loud guitars, and screaming make up the introduction to this piece. Otherwise, it sounds like everything that came before. While the growling is irritating after only a short while, the chorus is yet another catchy aspect.

"33" This is a nice power pop track with some pleasing vocal harmonies, but nothing much else.

"Junesong Provision" Heavy guitar and impressive vocals and lyrics make up this noteworthy song.

"Neverender" Excellent bass work extends over the mix for a great hard rock series of riffs and a pretty good song.

"God Send Conspirator" Clean guitar music with solid drumming and outstanding bass tone carry the music for the first few seconds of this track. The acoustic section that follows (after some time of silence) is a pleasing change of pace, and what The Mars Volta sounds like on songs like "Televators" (if toned down even more).

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Send comments to Epignosis (BETA) | Report this review (#214142) | Review Permalink
Posted Wednesday, May 06, 2009

Review by Bonnek
SPECIAL COLLABORATOR Prog Metal Team
2 stars SST is a disappointing album. C&C had not fully come into their Rush on emo-punk sound yet and the song writing is generally weak and too unremarkable for me.

The opener Time Consumer is a good example. C&C try something that is supposed to be energetic and catchy but it fails at both. The melodies are bland and the playing is flat and uninspired. In fact, an endless stream of songs follows that is hard to survive without ruining the skip button of your remote control (or Winamp yes).

Everything Evil would be the only track to rise a bit above the average. But it sounds completely nicked from Caress of Steel, even though it doesn't use any actual Rush riff. No, the talent to pull that off isn't present yet: the guitar playing is substandard nu-metal and the vocals are incapable to do anything else but the one trick they keep doing on each track. It's hard to describe what that trick really is though, but it sure never leads to a memorable vocal line that sounds anything different from any other vocal melodies on the album.

Generic, uninspiring and immature. And yet I can understand some of their appeal. Hard to rate. If this was C&C's only album I might opt for 2.5 stars. But given their somewhat grown maturity on later albums I'm somewhere around 1.5 stars. I think thats 2 stars if I can count a bit.

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Send comments to Bonnek (BETA) | Report this review (#252179) | Review Permalink
Posted Sunday, November 22, 2009

Review by Sheavy
COLLABORATOR Progressive Electronic Team
1 stars I am not a big fan of these "emo" bands, and i nearly fell out off my chair when I saw CC was on PA. "What? a emo band like Jimmy Eat World here on ProgArchives? This has to be a utterly terrible joke." That is what went through my head when I saw them listed here. Well I must say I am somewhat eating my words, because there are SOME Prog moments. However this does not make a band bad or good ( even though it does help hehe ). First off, the singer is absolutely terrible. I'm sorry, but wow. This is really, really bad. I do not mind bands with vocals that are challenging, I love Psyopus, The Number Twelve Looks Like You, and in that vein. This does not fit the music at all, and the vocals just serve to make you want to drive a spike into your ear. I for tried as hard as possible to ignore the vocals, but it is impossible for some parts. Like what on earth is at the beginning of the song Devil In Jersey City. That voice at the beginning is hands down the most annoying thing I have ever heard in my life. It sounds like a two year old talking. I have a very hard time seeing how this album, or band for that matter, has such higher ratings then other in this genre. About the only thing I can find good about this album is the fairly interesting guitar solo on Time Consumer, which is very dissonant and scratchy, but that is it.

So okay, it does have some Prog in their, but it is cloaked in a terrible singer, boring song writing, and muscianship that does not sound much more inventive then Jimmy Eat World.

Terrible. I hear nothing to warrant them being on Pa at all. Just some occasional moments of prog, but without actually being Prog. This album might just be my least favorite album ever, and not just on ProgArchives. Actually it is tied with St. Anger. Maybe worse.

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Send comments to Sheavy (BETA) | Report this review (#473148) | Review Permalink
Posted Thursday, June 30, 2011

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1 stars Ugh. I can't say much that I like about this album. To me it simply sounds like a garage band version of the Mars Volta. I know this came before their debut album but I actually prefer their version of screamo emo. Every song on this album sounds the same. It's the same mono-drumming, the same ri ... (read more)

Report this review (#1125415) | Posted by siLLy puPPy | Friday, January 31, 2014 | Review Permanlink

5 stars This is album doesn't seem like much, but when you look at it...it's alot: it's a debut; the start of a concept saga; a massive risk; an experiment that can explode at any time...and it all works. And thats the beauty of Coheed...everything they do...works!] Being a big progression from their ... (read more)

Report this review (#477983) | Posted by arcane-beautiful | Thursday, July 07, 2011 | Review Permanlink

5 stars Well, I'll admit of the bat that I am a very biased because I'm a pretty hardcore Coheed and Cambria fan and I like the way they approach their music. I think the reason why I'm so attracted to this album specifically is because this album really best defines their sound as a band, which devel ... (read more)

Report this review (#435897) | Posted by kittylovesprog | Wednesday, April 20, 2011 | Review Permanlink

5 stars I dont think anyone needs to be reminded of how much i adore this band, so ill keep these reviews short and sweet. The Second Stage Turbine Blade is the debut (but the second part in the epic Amory Wars saga), and although it might be their weakest i still love every second..no wait..can that eve ... (read more)

Report this review (#282521) | Posted by FarBeyondProg | Tuesday, May 18, 2010 | Review Permanlink

2 stars Definitely not good album, at all honestly! I am a huge fan of Coheed but this early work is not up to snuff! I will admit that music is a process and it takes time to get to somewhere spectacular, so I can't diss too much. However, If your looking for Good Prog, or Good Coheed for that matter, this ... (read more)

Report this review (#280507) | Posted by garla1lh | Tuesday, May 04, 2010 | Review Permanlink

3 stars I have all 4 of the C and C albums so far, and I like them all but this is the one that I would put at the bottom of the list for how much I enjoy it. I think the problem is mostly that the tunes are not quite as "catchy" or "memorable" as on the other albums. Also, the songs just run together ... (read more)

Report this review (#273548) | Posted by mohaveman | Monday, March 22, 2010 | Review Permanlink

5 stars Yes, I am indeed sticking my neck out there and giving Coheed and Cambria's debut The Second Stage Turbine Blade a rating of essential.... the same rating I gave to prog classics like Close To The Edge and In The Court Of The Crimson King. It's sounds nothing like them, and is certainly not even ... (read more)

Report this review (#205786) | Posted by SilverEclipse | Sunday, March 08, 2009 | Review Permanlink

2 stars I'm going to dive right into the song by song analysis, and skip right over the debate of if Coheed belongs on this site (I think I'm for it by the way). Warning: This album is not too progressive, but I will be reviewing this album by the songs, not level of progressiveness. If you can't get ... (read more)

Report this review (#134967) | Posted by proghairfunk | Sunday, August 26, 2007 | Review Permanlink

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