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THE INVISIBLE LINE

Sunchild

Crossover Prog


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Sunchild The Invisible Line album cover
3.77 | 67 ratings | 2 reviews | 35% 5 stars

Excellent addition to any
prog rock music collection


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Studio Album, released in 2009

Songs / Tracks Listing

1. Postcards from the past (pt1) (1:40)
2. The invisible line (pt1) (6:22)
3. Raindrops (6:29)
4. Amalgama (5:08)
5. A moment in time (5:13)
6. Time & the tide (11:20)
7. Fading light (3:31)
8. Recolections (1:33)
9. Line in the sand (14:36)
10. Postcards from the past (pt2) (5:20)
11. The invisible line (pt2) (8:21)

Total Time 69:33

Lyrics

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Music tabs (tablatures)

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Line-up / Musicians

Antony Kalugin - keys, vocs, tamb, shaker, rainstick, triangles
Sergey Balalaev - drums, percussion, tamb.
Kostya lonenko - el. bass, ac. fretless bass
Alexey Khorolskiy - el. guitar
Bogdan Gembik - el. guitars
Artem Vasylchenko - tenor sax
Dmitriy Bondarev - trumpet, flugel horn
Yulya Bilchuk - bandura (ukr. trad, instr.)
Helen Bour - oboe
Alexander Pastuchov - basson
Olya Kaganyuk - voc, back voc, choir voc.
Sergey Kovalev - bayan, voc.
Roman Gorelov - ac & el. guitar
Victoria Partincho - shakers, back voc.
Lesya Kofanova - penny flute

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SUNCHILD The Invisible Line ratings distribution


3.77
(67 ratings)
Essential: a masterpiece of progressive rock music(35%)
35%
Excellent addition to any prog rock music collection(40%)
40%
Good, but non-essential (17%)
17%
Collectors/fans only (6%)
6%
Poor. Only for completionists (2%)
2%

SUNCHILD The Invisible Line reviews


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Collaborators/Experts Reviews

Review by Nightfly
SPECIAL COLLABORATOR Rock Progressivo Italiano Team
4 stars Sunchild is the latest musical project from Antony Kalugin who has also released albums under the names Karfagen and Hoggwash. The Invisible Line is the second album under the Sunchild banner, the first being the rather ambitious double cd The Gnomon released in 2008. Kalugin comes from the Ukraine, his accent distinguishable in his vocals though he does sing in English.

Although Kalugin is the principle writer, he's aided by Will Mackie who has a hand in or writes most of the lyrics. Kalugin as well as being lead vocalist also plays keyboards and has brought in a host of talented Ukranian musicians and vocalists which gives the project a band feel. Wind instruments such as oboe, sax, flute and bassoon add an extra dimension to the sound.

The eleven varied compositions often venture into symphonic territory, often in a mellow vein though more powerful moments such as the title track, The Invisible Line part 1 are present. It appears again as part 2 to close the album but this time a much mellower ballad affair until picking up pace mid song, bearing no resemblance to part 1. There's a strong emphasis on melody and some fine instrumental sections. The best of these feature in Amalgama and Line In The Sand; at fourteen and a half minutes long having plenty of space for tastefully restrained rather than bombastic musical workouts but as already said, an emphasis on melody keeps the listener engaged.

Overall an excellent album and while there's little to set the pulse racing on a musical level, it's such a tastefully played and well crafted record with an emphasis on song writing I can strongly recommend it.

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Send comments to Nightfly (BETA) | Report this review (#236095) | Review Permalink
Posted Monday, August 31, 2009

Review by Windhawk
SPECIAL COLLABORATOR Honorary Collaborator
3 stars SUNCHILD is one of the three main musical ventures of Ukrainian composer and musician Antony Kalugin, the other two being Karfagen and Hoggwash, respectively. This project was set up by Kalugin and involves young, aspiring musicians from his homeland. The first album made by Sunchild, "The Gnomon", was issued in March 2008. Two more albums followed hot on the heels of that creation. "The Invisible Line" from 2009 is the first of those.

"The Invisible Line" is an album catering quite nicely to the tastes of those who have a passion for symphonic art rock with a distinct emphasis on mood and atmosphere. Organ, Mellotron and synthesizer nicely and easily combined with acoustic strings as well as those digitized from the sound of them, not too inclined towards quirky or challenging excursions but with pastoral and richly layered arrangements aplenty. Sporting vintage-inspired as well as slightly more modern neo sounding arrangements, it is a disc I surmise might have a key audience among those who enjoy the gentler part of 70's Genesis and Camel as well as neo-prog.

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Send comments to Windhawk (BETA) | Report this review (#426206) | Review Permalink
Posted Friday, April 01, 2011

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