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FOLKSONGS FOR A NUCLEAR VILLAGE

Shadowfax

Crossover Prog


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Shadowfax Folksongs for a Nuclear Village album cover
2.57 | 11 ratings | 1 reviews | 27% 5 stars

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Studio Album, released in 1988

Songs / Tracks Listing

1.The Firewalker- 4:54
2.We Used to Laugh - 4:07
3.Solar Wind - 5:08
4.Behind Green Eyes- 5:17
5.Lucky Mud - 4:40
6.Madagascar Cafe - 3:06
7.Against the Grain - 3:42
8.No Society - 4:16
9.Elephant Ego - 5:00
10. Folksong for a Nuclear Village- 5:13


Total Time 45.23

Line-up / Musicians

Chuck Greenberg - Lyricon, flute, soprano saxophone, tenor saxophone
Stuart Nevitt - cymbals, drums, programming
G. E. Stinson - guitar, accordion, electric guitar
Charles Bisharat - mandolin, violin
David Lewis - piano, Moog synthesizers
Phil Maggini - bass, percussion, piano


Releases information

Released at Capitol Records in march 1988

Thanks to b_olariu for the addition
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SHADOWFAX Folksongs for a Nuclear Village ratings distribution


2.57
(11 ratings)
Essential: a masterpiece of progressive rock music(27%)
27%
Excellent addition to any prog rock music collection(27%)
27%
Good, but non-essential (18%)
18%
Collectors/fans only (27%)
27%
Poor. Only for completionists (0%)
0%

SHADOWFAX Folksongs for a Nuclear Village reviews


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Collaborators/Experts Reviews

Review by Marty McFly
SPECIAL COLLABORATOR Honorary Collaborator
2 stars This album reminds me ethnic music my mother likes to listen a lot. You know, this world- music stuff, not so progressive, but interesting for those, seeking calm music for patient listener, who doesn't want to be challenged a lot.

Oh yeah, it's also not just reminding me their second latest album, but it's the same thing. Same material, same story, over and over again. I though that just their last works were bad, but as it seems, only their first album (holding 4.5 average rating here from 3 ratings I suppose) is good. The problem is, that this is not prog. Categorized as crossover prog, but showing just dull music for people interested in easy music. Or those, who wants to take a rest with dreamy saxophone and drum-machine like drumming style.

2(-), again. And I though that 4 years separating these album will make some difference. But no, nothing. Just nothing.

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