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LE GRAND BATON

Le Grand Baton

Neo-Prog


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Le Grand Baton Le Grand Baton album cover
3.00 | 1 ratings | 1 reviews | 0% 5 stars

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Studio Album, released in 2008

Songs / Tracks Listing

1. Don't Copy (0:07)
2. Ou La Ka Palé-intro (1:12)
3. Atoupannan (Ou La Ka Palé) (4:46)
4. Filé (3:41)
5. Pawòl: Avan Yo Jwenn (1:09)
6. Zafè A Koulè La (5:00)
7. Gran Rivyè (5:57)
8. An Mitan Pit (5:41)
9. Manzèl (4:05)
10. Dé Jou Avan-intro (3:05)
11. Toutlè Dépi Dé Jou (3:59)
12. Ki Zanma (0:38)
13. Pawòl: Jouné Ay (0:24)
14. Les Jours S'Allongent (8:40)
15. Epilog (1:25)

Total Time 49:59

Lyrics

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Music tabs (tablatures)

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Line-up / Musicians

- Pascal Rey / drums
- Philippe Makaïa / Ka drum, spoken voices
- Mbutu / vocals, Ka drum, guitars
- Etienne Mbappé / bass
- Cyrile Nobilet / bass

Thanks to windhawk for the addition
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LE GRAND BATON Le Grand Baton ratings distribution


3.00
(1 ratings)
Essential: a masterpiece of progressive rock music(0%)
0%
Excellent addition to any prog rock music collection(0%)
0%
Good, but non-essential (100%)
100%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

LE GRAND BATON Le Grand Baton reviews


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Collaborators/Experts Reviews

Review by Windhawk
SPECIAL COLLABORATOR Honorary Collaborator
3 stars A wild collection of tunes by this multinational ensemble.

The Caribbean gave birth to what seems to be the foundation for these 14 creations (the fifteenth a plead to not copy this release) - a a particular type of drum called Ka - referred to as a slave drum; with references to the dark period of mankind when slavery was common as the origin of that reference.

Quirky, wild and often tribal and ethnic sounding beats from regular drums and this instrument is the backbone on everything here, and the first half a dozen tracks or so are the wildest, with distorted guitars and bass combined with rhythms and eerie vocals to produce what sounds like a post-apocalyptic zombie feast.

The music gets more mellow and jazz-tinged as the album evolves, ending up in musical territories pretty close to what Norwegian sax player Bendik Hofseth produced on his debut 20 years ago. It's a fascinating ride in different musical territories, and as long as the Creole vocals aren't regarded as troublesome a ride many should enjoy.

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