Header

CHARLESTOWN

Manning

Eclectic Prog


From Progarchives.com, the ultimate progressive rock music website

Manning Charlestown album cover
3.49 | 129 ratings | 20 reviews | 27% 5 stars

Good, but non-essential


Write a review
Buy MANNING Music
from Progarchives.com partners
Studio Album, released in 2010

Songs / Tracks Listing

1. Charlestown (35:10)
2. Caliban and Ariel (2:58)
3. The Man in the Mirror (6:26)
4. Clocks (4:28)
5. T.I.C. (5:15)
6. Finale (7:18)

Total time: 61:35

Lyrics

Search MANNING Charlestown lyrics

Music tabs (tablatures)

Search MANNING Charlestown tabs

Line-up / Musicians

- Guy Manning / acoustic 6,12 and classical guitars, electric guitars, keyboards, bass, Bouzouki, mandolin, FX, percussion and lead, backing vocals

The Regular Band Contributors
- Dave Albone / drums and percussion
- Chris Catling / electric guitars and backing vocals
- Kev Currie / electric guitars and backing vocals
- Steve Dundon / flute
- Kris Hudson-Lee / basses
- Julie King / backing vocals

Guest Musician Contributors:
- Ian 'Walter' Fairbairn / Fiddle
- Kathy Hampson / cello
- Alison Diamond / Soprano and Tenor saxophone

Releases information

Catalogue number : 201010
Label : Festival Music (F2)

Thanks to GuyM for the addition
and to ProgLucky for the last updates
Edit this entry

MANNING MP3, Free Download (music stream)


Open extended player in a new pop-up window | Random Playlist (50) | How to submit new MP3s

Buy MANNING Charlestown Music


Right Now on Ebay (logo)
CHRISTMAS THROUGH THE YEARS 5 LP Readers Dig 1984 Fiedler~Simeone~Manning vg++ US $34.95 Buy It Now 3h 26m
Ziggy Elman & His Orchestra "1947" CIRCLE MONO JAZZ LP BOB MANNING & V. MAXEY US $22.99 Buy It Now 3h 46m
La Jazz Quartet/Manning/Koonse : Conversation Piece CD (1999) US $8.02 Buy It Now 4h 36m
BERNARD MANNING All Time 40 Singalong Party 1975 UK Vinyl LP EXCELLENT CONDITION US $7.23 Buy It Now 7h 31m
JELLYFISH (Roger Manning, Andy Strummer) Spilt Milk 1993 CD Ghost at Number One US $2.49 [0 bids]
7h 53m
BOB MANNING Lonely Spell CAPITOL T682 Jazz Vocal 1950s US $9.95 Buy It Now 8h 42m
Train PAT MONAHAN w/ Roger Manning JELLYFISH Buddy Holly TRK PROMO DJ CD single US $24.99 Buy It Now 9h 49m
Terry Manning - Home Sweet Home 180G LP REISSUE NEW Ardent Stax producer Memphis US $16.82 Buy It Now 12h 21m
JOAN MANNING: American Debut LP (some cw, sl corner bend) Vocalists US $18.00 Buy It Now 13h 46m
GRUNTZ / CHOTJEWITZ / MURPHY / MANNING / NEWTON - MAGIC OF A FLUTE NEW CD US $37.10 Buy It Now 16h 44m
Rare SST Acoustic CD 91 Roger Manning Brian Ritchie Screaming Trees Dinosaur JR. US $9.99 [0 bids]
17h 8m
Sampler:Cloud Nine Music (Matthew Manning 1980s Music Sampler) US $1.59 [0 bids]
19h 29m
Rare Country 45-Linda Manning-Completely Lose Control-Fraternity-#4890-M- US $9.99 Buy It Now 21h 39m
LUYTENS / MANNING / LANE'S MINSTRELS / MONTGOMERY - CHAMBER CONCERTO 2 / NEW CD US $24.53 Buy It Now 22h 43m
PHIL MANNING I Wish There Was A Way 1974 OZ 45 - CHAIN US $12.69 Buy It Now 1 day
MONTGOMERY/MANNING/JANES MINST - PAYNE:DAY IN LIFE OF A MAYFLY [CD NEW] US $14.38 Buy It Now 1 day
SCHOENBERG PIERROT LUNAIRE WEBERN CONC OP24 RATTLE NASH ENSEMBLE JANE MANNING US $3.20 [1 bids]
1 day
Charles Manning & His Granada Orch Schuberts Unfinished 10" 78 Rpm Gramophone US $19.30 Buy It Now 1 day
Marty Manning & The Cheetahs - Tarzan 1966 UK 45 CBS MOD INSTRUMENTAL US $6.42 [0 bids]
1 day
LINDA MANNING - YOU'RE LOVING ME TO DEATH // SHADE TREE MECHANIC - ROULETTE EX US $3.30 Buy It Now 1 day
PAYNE / MANNING / NASH ENSEMBLE / BRADSHAW - PHOENIX MASS NEW CD US $24.53 Buy It Now 1 day
SARAH MANNING - DANDELION CLOCK [DIGIPAK] - NEW CD US $17.38 Buy It Now 1 day
MANNING SMITH: Square Dancing (country vinyl LP) US $25.00 Buy It Now 1 day
BOB MANNING All I desire / The nearness of you 78 CAPITOL CL13958 US $20.91 Buy It Now 1 day
NETWORK - BISHOP KENT MANNING NEW CD US $15.92 Buy It Now 1 day
Marty Manning & The Cheetahs Sunny / Tarzan March Columbia 43749 VG 45 Promo US $9.99 Buy It Now 2 days
Chuck Manning - Notes From The Real [CD New] US $14.70 Buy It Now 2 days
Skip Manning Ham N Eggs/Devil Blues RnB Blues Vinyl 45 Listen US $11.25 Buy It Now 2 days
THE ABYSSINIANS W/TESFA GABRIEL MANNING - ORIGINAL ABYSSINIANS CD DUB REGGAE US $32.18 Buy It Now 2 days
Matthew Manning - Waltzin' an Angel (1996) US $7.23 Buy It Now 2 days
CAPITOL RECORDS Gypsy Girl/Nearness of You~ RCA 45 RPM~Bob Manning w/Monty Kelly US $1.99 [0 bids]
US $3.00 Buy It Now
2 days
MAW / MILNER / MANNING / PALMER / HOWELLS - MUSIC FOR VOICES & ORCHESTRA NEW CD US $20.94 Buy It Now 2 days
JOHN MANNING WHITE BEAR 1971 VINYL LP ALBUM RECORD COLUMBIA C 30741 FOLK COUNTRY US $19.99 Buy It Now 2 days
SAN FRANCISCO SEALS - No Where (1994) MATADOR Barbara Manning US $9.99 Buy It Now 2 days
Barbara Manning Go-Luckys You Should Know By Now LP Innerstate Indie US $10.29 Buy It Now 2 days
Barbara Manning Lately I Keep Scissors LP Heyday Indie World of Pooh Glands US $19.11 Buy It Now 2 days
Double Fiddle Time - CD Lisa Manning & Derek Deakins 2004 Bobby Osborne Reels US $4.44 Buy It Now 2 days
BOB MANNING - My Love Song To You / After My Laughter Came Tears CAPITOL 78rpm US $7.95 Buy It Now 2 days
28th Day - self titled S/T 1985 LP Barbara Manning, Cole Marquis EX+ 1st press US $17.50 Buy It Now 2 days
MANNING SMITH SQUARE DANCING COLUMBIA LP US $25.95 Buy It Now 2 days
Bernard Manning Everbody's Fool Sheet Music Ex 1974 US $16.10 Buy It Now 3 days
Volume 1 by Manning, Dayna US $5.79 Buy It Now 3 days
Roger Manning Alternative Folk SST LP 1988 with Insert US $12.00 Buy It Now 3 days
Barbara Manning Forced Exposure 7" Rare! US $10.00 Buy It Now 3 days
LINDA MANNING"IF THERE'S NOT A HEAVEN/MONO"1970 DJ HEAR US $4.00 Buy It Now 3 days
Roger Manning "Roger Manning" CD Shanachie Missing Foundation Folk Punk Rock US $1.50 [0 bids]
US $2.00 Buy It Now
3 days
THE RAY MANNING SINGERS-Look What You're Missing-GOSPEL US $12.99 Buy It Now 3 days
Barbara Manning W/ Flophouse B4 We Go Under US $17.00 Buy It Now 3 days
Dayna Manning : Volume 1 CD (1997) US $3.25 Buy It Now 3 days
MANNING SMITH/RHYTHM OUTLAWS of TEXAS--PICTURE SLEEVE + 45-SQUARE DANCE--PS-PIC US $11.99 Buy It Now 3 days
Converted Mind:early Recordings - Bishop and Manning New & Sealed Compact Disc F US $19.85 Buy It Now 3 days
Gelber & Manning - Gelber & Manning Goes Public [CD New] US $19.98 Buy It Now 3 days
PHIL MANNING ROCK THIS BOAT 1990 CANADA ROCK LP SEALED US $14.99 Buy It Now 3 days
Renee Manning Jazz CD " Uhm..Uhm..Uhmmm...! " 1991 NOS In Orig. Packaging US $7.95 Buy It Now 3 days
45 rpm-Bill Snyder/Dick Manning-Might As Well Be Spring/Fanny-ABC 10225 US $0.99 [0 bids]
3 days
MATT TAYLOR PHIL MANNING BAND OZ BLUES VINYL RECORD LP 12" w/INNER US $48.14 Buy It Now 3 days
TV EYES cd Jason Falkner Roger Manning Brian Reitzell JAPAN (Jellyfish) US $12.99 [0 bids]
US $19.99 Buy It Now
3 days
PHIL MANNING Train to Ride 7" AUSSIE BLUES Chain US $13.12 Buy It Now 3 days
JOHN MANNING WHITE BEAR VG++ US $4.00 Buy It Now 4 days
BOB MANNING Shine On You 12" US $7.65 Buy It Now 4 days
V/A- El Paso Rock: Vol. 7 - Terry Manning & The Wild... NEW SEALED LP ROCK VINYL US $18.99 Buy It Now 4 days
Dayna Manning, Vol. 1 Dayna Manning MUSIC CD US $4.99 Buy It Now 4 days
Roger Joseph Manning Jr JELLYFISH New Mistake RADIO PROMO DJ CD Single 1993 US $39.99 Buy It Now 4 days
Chicken on a Rocketship by Chad Manning (CD, Sep-2012) US $16.25 Buy It Now 4 days
Pop Promo 45 VIC DAMONE WITH MARTY MANNING Unafraid on Columbia (promo) US $5.00 Buy It Now 4 days
Pop Promo 45 BUNNY PAUL WITH MARTY MANNING'S MUSIC Who Am I Foolin'? on Capitol US $5.00 Buy It Now 4 days
CASS MCCOMBS**BRADLEY MANNING (7 INCH W/POSTCARD**VINYL US $7.38 Buy It Now 4 days
28th Day 1985 LP Barbara Manning US $17.00 Buy It Now 4 days
SAN FRANCISCO SEALS No Where '94 nowhere MATADOR Barbara Manning 28th day LP OOP US $35.00 Buy It Now 4 days
Roger Manning : Roger Manning CD (1994) US $6.98 Buy It Now 4 days
Linda Manning "Sweeter Than Sweet/Our World Of Rock & Roll" Orig 45 RPM Bulletin US $31.99 Buy It Now 4 days
CHAIN, Matt Taylor, Phil Manning, Western Flyer lps, TOWARD THE BLUES, NM - MINT US $217.99 [0 bids]
4 days
Dayna Manning : Volume 1 CD US $4.98 Buy It Now 4 days
Phil Manning--Rock This Boat 1990 Canadian XIAN Vinyl LP Record US $9.00 Buy It Now 4 days
JOHN MANNING / White Bear MINI LP CD NEW The American Dreamer , Nick Venet US $24.99 Buy It Now 4 days
Messiaen: Song Cycles - Manning Miller 2CD REGIS SEALED US $39.99 Buy It Now 4 days
PHIL MANNING "MANNING" WITH JIM KEAYS ON INDIGO RECORDS N MINT US $17.50 [0 bids]
4 days
Barbara Manning - One Perfect Green Blanket - CD - FASTPOST US $16.08 Buy It Now 5 days
A Winter's Solstice II Windham Hill Artists Michael Manning Nightnoise Cassette US $9.99 Buy It Now 5 days
JOHN MANNING White Bear Original PROMO Columbia LP Nice !!! US $13.19 Buy It Now 5 days
TOMMY ALEXANDER w/BOB MANNING - Golden Trombones - Stereo LP US $7.99 [1 bids]
5 days
Barbara Manning - 1212 DJ ADVANCE CD 1997 Matador Records US $11.49 Buy It Now 5 days
Roger Manning - Self-Titled LP with Insert US $9.49 Buy It Now 5 days
MANNING SMITH & TEXAS RHYTHM OUTLAWS LP - COLUMBIA CL564 Square Dancing US $24.95 Buy It Now 5 days
MANNING SMITH 78 RPM & SLEEVE - Southern Medley US $17.50 Buy It Now 5 days
Home Sweet Home - Manning,Terry New & Sealed LP Free Shipping US $25.23 Buy It Now 5 days
Bob Manning - This Is All Very New To Me / What A Wonderful... 45 rpm 1955 Promo US $2.50 Buy It Now 5 days
Lilith Fair: A Celebration of Women in Music, Dayna Manning, Victoria Williams, US $4.99 Buy It Now 5 days
JOHN MANNING / RHOADS / YI-YANG -YANG - FOUR CORNERS NEW CD US $20.94 Buy It Now 5 days
NEW YORK the band LP 1982 JM001 JAY MANNING VG+ US $10.00 Buy It Now 5 days
DAYNA MANNING "Volume 1" (CD 1997) 12-Tracks ***EXCELLENT*** US $3.50 Buy It Now 5 days
Glands Of External Secretion Barbara Manning Bananafish US $25.00 Buy It Now 5 days
(LP) TERRY MANNING - Home Sweet Home / 180 Gram Vinyl / SEALED US $30.00 Buy It Now 5 days
heyday acoustic sampler 7" barbara manning steven roback sonya hunter pat thomas US $12.74 Buy It Now 5 days
45rpm~SNYDER,Bill/Dick Manning~Fanny/It Might As Well Be Spring~Vinyl Record~VG US $2.00 Buy It Now 5 days
45 RECORD BOB MANNING MAJORCA, IT'S YOUR LIFE US $3.73 Buy It Now 5 days
BARBARA MANNING-SUPER SCISSORS-REMASTERED 2007 3xCD BOX-MINT US $19.30 Buy It Now 5 days
CHUCK MANNING - NOTES FROM THE REAL - NEW CD US $15.95 Buy It Now 5 days
1971 Ric Martinez Archie Fever Before/After the Game New Orleans Saints Manning US $8.47 [0 bids]
5 days
BOB MANNING: Very Thought Of You (oldies vinyl 45) US $30.00 Buy It Now 5 days

More places to buy MANNING music online Buy MANNING & Prog Rock Digital Music online:
  • AmazonMP3: Search for MANNING DRM-Free MP3 Downloads @ AmazonMP3 (USA Only) | AmazonMP3 (UK Only)

MANNING Charlestown ratings distribution


3.49
(129 ratings)
Essential: a masterpiece of progressive rock music(27%)
27%
Excellent addition to any prog rock music collection(37%)
37%
Good, but non-essential (19%)
19%
Collectors/fans only (15%)
15%
Poor. Only for completionists (1%)
1%

MANNING Charlestown reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by Tarcisio Moura
PROG REVIEWER
5 stars When I heard that Guy Manning had released another album I was eager to get it. And a bit skeptical too, I should say. After all the man had released two masterpieces in a row (Songs From The Bilson House and Ten) and I was wondering if he could keep the pace in such a short time span. You know, Manning has released an album per year since his debut in 1999. Unlike many of his peers, he was able to grow with each release and after all these years, he is on the peak of his powers. And, fortunatly, Charlestown only confirms his excellent phase.

Guy manning is definitly a one of a kind songwriter: a craftsman who knows his job like few nowadays. In part he reminds me of the work of Al Stewart (specially his Modern Times and Year Of The Cat albums): like Stewart Manning has the rare hability of putting words and music together without losing neither the power of his clever lyrics nor the high quality of the songs melodies. More importantly, both men work the arrangements to perfection: every note, every instrument and voice is perfectly placed to enhance the message, both lyricly and musically. I wonder how Manning can write, produce and arrange an album of this caliber every year. There is not only no fillers, but also in no time you can say `this song could be better if he did this or that´. A rare breed indeed!

The album starts with one of his best compositions ever: a 35 minute suite telling the story of a sailor lost on sea. Although the theme is hardly original, the delivering is. Very few people could make such a long track sound not only marvelous, but also leaving the feeling it is very short. His long time sidekick Laura Fowles is missing for the first time since The Cure (2000), but she is replaced here by the very capable Alison Diamond, who does a great job not only with the tenor sax but also widening the musical pallette with some fine soprano solos. The extensive use of the flute (alongside with violin and cello) is another plus on his music. The usual mix of prog rock, celtic folk and symphonic prog now has some jazzy overtones added. Nice!

While the title track opus is the main feature here the remaining tracks are excellent too. The delicate Caliban and Ariel shows some great multi tracked vocals that work very well on the storyline. The Man In The Mirror is another highlight with exquisite soprano sax lines and uptempo rhythms that conceal the rather sad lyrics. Clocks is among his best ballads in the vein of Ten´s Valentine´s Night (nice mandolin and flutes. The comparisons with Jethro Tull will be inevitable!). The more ordinary blues rock of T.I.C. may not be on par with the remaining of the tunes, but it is good anyway. Charlestown finishes with the first instrumental track I heard so far on a Manning album: called Finale (a bit redundant but fitting) it is quite interesting too and again the soprano sax solo makes it sounds different from anything GM has done before.

Conclusion: He did it again! Another masterpiece of progressive music, no less. My rating is something between 4,5 and 5 stars. Guy Manning is definitly one of the most important songwriters to appear on the new millenium and Charlestown is definitly a must have for anyone who thinks they don´t make great albums like they used to do in the 70´s. Highly recommended to all music lovers.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to Tarcisio Moura (BETA) | Report this review (#307051) | Review Permalink
Posted Thursday, October 28, 2010

Review by Marty McFly
SPECIAL COLLABORATOR Errors and Omissions Team
4 stars Guy Manning is as precise as Switz Watch, so his expected album was sure bet. Rumours of long epic track were being spoken of in Prog circles, but this result shocked/surprised a lot of people. Including me.

I'm holding my breath and here it comes, epic track by Guy Manning. I'm not that much prepared to face it, but here I am, after few listens, this track still sounds "tasty" (which basically means that I'm willing, no no, I want to listen to it again right now). As every long track (except techno "sets", their very easy to describe), talking about this monster, mentioning certain passages is very difficult. As well as grasping it.

It's good.

Very vague description, but I warned you.

OK, you won't be disappointed.

Still not satisfied ? Well then, let's continue in squeezing some more words (it's not that hard, I'm just fooling around) - Title track Charlestown sounds unlike his previous work (or at least stuff I'm familiar with - about 4-5 albums) and certainly not like "Number Ten" from last year (full of not short, but average Prog-long songs). Song flows easily, calm passages switches with these that revolves around storms, wild chases et cetera (ad finitum, de facto, you know Latin). At least I hope, I'm not good at understanding lyrics (in English) and because this is actually 20th time I'm stating this in a review, it's probably true. It slowly becomes cliché though. Anyway, I'll eventually understand it, because I want to (do it myself).

Happier ? I hope so.

There's a lot of orchestra sound hidden inside to narrate (yes, it's possible) this song and I'm quite keen about this song. Guy Manning's voice is something I slowly (my first reaction was shock) learned how to appreciate and now, I like it. Much.

The rest ? Well, it's bunch of nice songs, there is even blues & country part amongst them. They're solid, even not that memorable.

5(-), maybe four minus in future, but so far, it stands.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to Marty McFly (BETA) | Report this review (#308855) | Review Permalink
Posted Monday, November 08, 2010

Review by snobb
SPECIAL COLLABORATOR Honorary Collaborator
2 stars It's a shame, but I never heard Guy Manning's music before. I even never heard his name during my 3+ decades in music. His release attracted me after he became quite popular on PA,and received some high ratings(some low to be honest as well).

So - this artist was totally new for me. From very first sounds I expected this is multi- instrumentalist album. Usually you can easily hear it because of very static ("non-live") musical structure. Later I found that even he is generally multi-instrumentalist, there are many collaborators on this album. OK, I can really hear added vocals, some strings,sax,etc., but all the music sounds as result of multi-layered production in studio, not real band's recording.

Only 6 compositions, first is extra-ambitious 35 (!) minutes Charlestown. It's great, that compositionally music is quite rich and various, and even so long composition doesn't sound boring. Other shorter songs are quite melodic as well. Album starts with Mike Oldfield-like (from his more new age period) sounds, during long composition their genre will changes many times. You can hear Jethro Tull moments (especially in vocals timbres), some a bit heavier moments,folk rock elements and almost ambient synth/violin moments.Caliban+Ariel is very Jethro Tull influenced ballade, but with simple music and quite unpleasant electric piano sound. The Man In The Mirror starts as heavy rock song,but after few seconds changes to melodic pop-rock song. Clocks is sensible ballad again, but it sounds as pop-adaptation of Blackmore's Night song (and even Blackmore Night themselves are far not rockiest band ever).T.L.C. is vintage Americana. Finale starts with "plastic" synth's sounds and continues as hard rock parody on German TV show - with some heavy keys passages, funny melody and nice pop-folk flute (?) and strings soloing over killing drummer's beat. I understand that album has a concept,and music depends on it, but on musical releases music itself is always more important. We buy albums for listening, if we are interested in story, we can buy a book.

Main problem for me , besides of flat "non-live" sound is music itself. I would say the genre of this album is epic balladry with some multi-layered arrangements. By its compositions structure album balances somewhere on the edge between melodic pop-rock, folk and symphonic-rock,with some new age shadows under the scene. Vocals are quite controversial for me, drummer is below average (I believe in some moments drum machine could sound better), and being quite melodic, this album really lacks of memorable compositions.

In all, the release sounds as average semi-pro album, just not interesting enough for casual listener.I found out that Guy Manning is professional musician for years with many albums released, so evaluation standards really should be more strict in that case.

Mostly release for heavy artist's fans.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to snobb (BETA) | Report this review (#349054) | Review Permalink
Posted Friday, December 10, 2010

Review by Bonnek
SPECIAL COLLABORATOR Prog Metal Team
2 stars I will certainly remember 2010 as the year where PA was discovered as a potential promotion tool. This has probably been going on for a while longer but the amount of 2010 albums that get pushed up to star status is endless. It's a nuisance for people trying to find the real 2010 gems, certainly when the actual product is so much less then advertised.

Anyway, in order to put this album in perspective we must place it next to its main influences: Mike Oldfield and Jethro Tull, both responsible for a couple of excellent releases in their heyday. The mix of both influences works quite well on the 35 minute title track but it sure doesn't reach the complexity and epic mastership of TaaB and Passion Play, nor does it offer the emotional tension that Oldfield built up on his 70's epics. But it works quite well as a string of folk songs with instrumental interludes bridging it all together. The shorter songs that follow are mostly forgettable folk-rock, with the exception of the nice campfire moment Caliban and Ariel

There are a couple of problems though that bring this potentially good album down to fan-territory. The first is the lifeless drumming. The static mid-paced backbeat that dominates the entire album drains the songs from all their energy and makes the album a dull listen. Also the synth arrangements are far from exciting and never go beyond the known 70s tweeting teapot and humming bee sounds. Probably it's an attempt to add Prog sauce to the stew but to make a good Prog album, more is needed then old synths. Finally the mix and production are weak, the balance between instruments is far from perfect and the overall sound is rather cold and thin. It leaves an amateur impression.

Charlestown is my first taste of Manning and probably my last. Not that I can't hear the potential of the album, but if an album with so much room for improvement comes advertised as a masterpiece, then there's little reason to believe the acclaimed excellence of any future or past releases. Still, Charlestown is a good album for fans of light folk-rock music. 2.5 stars for me.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to Bonnek (BETA) | Report this review (#351588) | Review Permalink
Posted Monday, December 13, 2010

Review by AtomicCrimsonRush
SPECIAL COLLABORATOR Symphonic Team
4 stars Coming home after an uplifting journey

Prog albums have a tendency to connect with the listener and when this occurs it is always a rewarding experience. Guy Manning's Charlestown is an enjoyable ride in some melodic prog territory utilising some well executed instrumentation and strong vocals. The band are well accomplished musicians who work as a tight unit to produce a crystalline sound that will appeal to a wide audience. The non threatening style is not going to deter the non prog music listener but there are a variety of progressive nuances on offer that will act as a drawcard for the prog aficionado, in particular a majestic magnum opus.

The album begins with Manning repeating "Coming Home" and in a sense the feel of the album is like coming home after a long journey. The album cover is an iridescent blue that emulates the bright music. The boat on the vast ocean signifies the theme of the album as the boat struggles to get from shore to shore as it traverses treacherous oceanscapes, perhaps in the sense that humanity struggles to find their place in the world as they are forced to ride the stormy waves of life to get to the place where they belong; safe at home. Guy Manning is the driving force on the album naturally and plays a myriad of instruments including acoustic 6,12 and classical guitars, keyboards, and bass. He also enhances the music with slices of bouzouki, and mandolin chopped up with some percussion. His vocals permeate each track and are easy to listen to. He is well backed by some excellent musicians including Chris Catling who plays electric guitars along with Manning and Kev Currie. Dave Albone keeps time on drums, though there is nothing flash on this album. Steve Dundon is a revelation on flute giving the tracks a mystical feel, in the same way as Gabriel on vintage Genesis albums or Ian Anderson. Kris Hudson-Lee enhances the tracks with some inspired basslines and Julie King assists well on backing vocals. The album has a full on orchestral feel thanks to the virtuoso performances of Ian 'Walter' Fairbairn on violin and Kathy Hampson on cello, along with the wonderful Soprano and tenor saxophone by Alison Diamond. With this musicianship, it is little wonder the album has captured the attention of prog related magazines and forums.

The journey begins in masterful style with a massive multi movement suite Charlestown in the progressive tradition of the 70s era when bands indulged in the segmented epic. The title track is the most progressive track with a monstrous running time clocking over 35 minutes. This begins stagnantly with some fluid vocals and minimalist instrumentation. It builds gradually and changes mood until it breaks into a sweeping instrumental break with powerful layered keyboards and a soaring lead guitar. About halfway through, the piece plunges into rock guitar mode and then the flute enhances the mood of travelling aboard a boat in the traditional style. There is a whimsical full sensory vibe helped by conceptual storytelling vocals. I am reminded of Ian Anderson's style here as there are definitely Tull influences that abound in the vocal delivery and lyrical style; "The captain grabs a spinning wheel, and waiting for the strain, oh he pulls against the tide, turns the boat within the water, ... The men aboard feel braced and steady grimly working, we are ready and locked inside this race, safe ashore in their mother's arms, our children lie asleep".

The time sig is choppy like waves on the ocean. The atmosphere is generated by the lyrics of course but the flute and shimmering Hammond make it even sound somewhat like ELP's Pirates, Genesis' Home By The Sea or even VDGG's A Plague of Lighthouse Keepers. Especially this is the case when the pace settles to allow for an interlude of dreamy violin and electric piano. The peace and tranquillity is beautiful with effects of lapping water to create the feel of a boat adrift on an endless ocean. Fairbairn's fiddle flows organically with the keys that lull you into a false sense of security. Then the atmosphere changes and a storm of hurricane Hammonds and crashing percussion breaks out. The electric guitar becomes a lightning rod on the wall of sound. It settles into an upbeat chord progression. The bassline drives it along and the synth takes over. At this point I am really hooked by the power of these musicians. This would be a magnificent live experience. The thunder crashes and there is rain as a haunting backdrop for the new section which is dominated by lush keyboards and meandering mellotron. Soon the vocals return in another segment but the hope has dried out and the mood is darker with the desperate pleading vocals; "we wait for the wind it but it has slipped away, at last my dry lips move and I start to pray, Oh Lord how can this be, so close to shore and final rest, body and mind take the final hopeless test". The story moves from the storm wrecked ship to the final hope of finding shore and survival. It may be a metaphor of life or taken literally. The boat is finally guided in by the spirits of the ocean, we hear seagulls as the boat nears the shore, and, maybe like Coleridge's "The Rime of The Ancient Mariner", the sea faring adventures are "purged of all their sin". The piece builds to a crescendo with splashes of keys and a searing lead guitar. To bookend the adventure Manning sings "Coming home" again and confirms that it has been a cycle, as the tale has turned full circle, returning to the endlessness of the sea, and perhaps the circle of life, it is unclear as this seems open to interpretation. The piece ends with the violins playing 'Auld Lang Syne' to augment the coming home feel. The ray of hope is evident, the sea farers have made it to shore and have survived their ordeal. What lessons have we learnt from their story? It is up to the listener to glean meaning according to their circumstances.

Well, after that incredible track what else is on offer? Caliban and Ariel is next and did not resonate with me, but it is only a short interlude between two great tracks. The melancholia created here is startling after the lengthy multi movement suite of the title track. It is almost like a calm after the storm.

Man in the Mirror is a faster more lively track with some pleasant melodies and a resounding clang of a keyboard chord. The sax is a welcome enhancement to the sound in the extended intro. The vocals are higher and tell a story of famine and struggling to survive in a greedy town full of callous cruel folk, "we live in a sheltered humble home where the hillside meets the sky, far from the gaze of prying folk." The story continues about one good soul who stands out among the crowd who refuse to be greedy and callous; the man in the mirror. The melody is upbeat with memorable lyrics; "the man in the mirror with the smiling face watches their world go by, watches their world go by, the man in the mirror with the tragic face never said goodbye, never said goodbye." There is an unreserved jaunty flavour in the instrumental break with swinging violins sounding like a prog hoedown, along with jumping keyboards and jangly guitar crashes. This is a really great song with an infectious melody that grows on you with every listen, and it is totally accessible for those who do not like their music too way out and complex.

Clocks is a slow dreamy piece with scintillating flute motifs that wash over the music like waves of ambience upon a sea of tranquillity. The haunting lyrics promote a state of searching for hope in the form of being with the loved one of your dreams; "time to turn against the tide and let me live again, feel you close beside," the romantic lyrics are reflective and bring the listener into a relaxed mood. There are some interesting flute and mellotron trade offs that create a strong ambience. The lyrics may be interpreted to concern life's struggles and the hope within each person when they find the one who fills that void, in this case a ghost pleads with his living lover to help bring him back though she fails to do so and watches him fade away "the vision fades the hope is gone, but I watch you go and I just slip away, stay with me". The chorus builds with the help of multi layered keyboards and subtle flute; "when I'm feeling up when I'm feeling down, when I'm with you I'm right here on the ground." A very nice track that has the power to grow on a listener over time.

T.I.C. is a more raucous song with strong vocals; "I know what your'e thinking, I see where you go, I know what I'm feeling, You're never alone". The instrumental break is a powerful melodic synthesizer, in a retro style and there are many eclectic nuances as styles are blended to create some inspirational music. The sax is terrific but the Jethro Tull style flute passages are the real key feature on this track.

Finale of course ends this and for me it ends on a high note with a lengthy instrumental in the same flavour as Genesis' Los Endos, focussing on crystalline synth passages and there are blasts of Hammond to revel in. It reminds me in some ways of early King Crimson, especially when the flute chimes in. The lead guitars are well executed as another layer. The pace locks into a quirky time signature towards the end and the return of the acoustic guitar ends the piece.

In conclusion, "Charlestown" is a pleasant surprise, as I have heard nothing else from this talented group of musicians who have quite a prolific discography. The opening epic is masterful, and I felt the rest of the album did not measure up, but this was still overall a well-produced album, with every musician rising to the occasion. Manning has executed a memorable journey, and, with the aid of subtle nuances such as seagulls, rain and storm effects, this resonated well with me. It was a delight to be able to soak in the atmospherics, to plunge deep into the concept that spoke to my heart when I needed it, and it was uplifting to my spirit. In light of this I can award this 4 stars for innovation, musicianship and, on a personal level, the wonderful enriching experience.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to AtomicCrimsonRush (BETA) | Report this review (#362487) | Review Permalink
Posted Friday, December 24, 2010

Review by Negoba
PROG REVIEWER
2 stars Graduating to Semi-Pro from Advanced Amateur

At Progwarts school of Symphonic Wizardry, Guy Manning is a solid 4th year pupil. He's got a firm command of basic prog key sounds, including Canterbury maestro Dave Stewart's signature distorted organ. He's learned Ian Anderson's vocal mannerisms. He strums a mean bazouki. Various friends provide the requisite flute, drums, and lead guitars with decreasing levels of skill respectively. But overall, our student is meeting all expectations and is ready for his jump up to semi-pro musician.

For his 4th year project, we get CHARLESTOWN. As part of the assignment, an epic was required, and Manning surely ran with that idea! At 35 minutes he more than doubled the required length. One can forgive some of the lack of focus given the zeal of the developing artist. We also get several shorter pop-tinged songs which fits perfectally into the model of modern prog. Manning's voice is clearly the most developed and emotive of his many instruments, but he obviously hasn't completed his study of Peter Hammill yet. I should also add that Manning's compositional skills are also pretty good. Sections flow together nicely, and he blends a nice variety of sounds to keep up some variety and interest. This would reward our pupil with graduation to the next level with a solid B.

Joking aside, this album sounds like a hobbyist's project from the beginning. As other's have said, the production is very raw. But it's not raw in a noisy garage band kind of way, it's raw in the ProTools 101 way. The playing is almost too perfect, too deliberate. The drumming is especially mechanical. It often sounds as if the percussion is programmed or played though a digital set, but it is so perfectally on the beat that the music has very little groove at all. In fact, all of the parts are just too safe. There just isn't feeling of risk anywhere on this disk. The instrumental solos have little fire. A few of the guest musicians add a little life, but I never get the feeling that they are allowed to really cut loose.

Probably my favorite song on the album is "Clocks," with it's hummed harmony vocal and mellotron bridge. Rhythm is provided only by a pulsing jingle bell, and the acoustic guitars, and the song benefits. "Finale" is also a nice little prog instrumental, but the other short songs are pretty much throwaways. "Caliban and Ariel" and "T.I.C" are the weakest to my ear while "The Man in the Mirror" is typical pop-prog. The epic has a few nice melodic themes, long instrumental sections, and enough repetitions of "Coming Home" to almost annoy but not quite.

So as the title says, Manning strides the line between amateur and semi-pro musician. And all the criticisms that point to that fact would be moot if the music itself was more inspired or communicated better. But the songwriting is at about the same level as the rest of the work. If it was a fellow local musician, I'd say nicely done. But placed against the world of prog music, this is a 2-3 star effort. Hopefully he'll get some help on production, inject a little more fire into the performances and we can discuss the work of a bonafide prog wizard.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to Negoba (BETA) | Report this review (#365337) | Review Permalink
Posted Monday, December 27, 2010

Review by Starhammer
PROG REVIEWER
3 stars Coming home...

Guy Manning survives shipwreck and lynch mobs to bring us his most adventurous, and most accomplished release to date.

The Good: Those familiar with Manning albums will already know he can't sing for toffee, so it's probably inevitable that my favourite track on Charlestown is the one without vocals. Having said that, Finale is a superb composition by anyone's standards, and even won the coveted award for 'My favourite instrumental track from a non-instrumental album of 2010', in the British solo artist category. Another song which bring a nice change of pace to the proceedings is Caliban and Ariel, a dreamy ballad which references character's from Shakespeare's The Tempest.

However the main event is the epic title track which clocks in at just over 35 minute! Traditionally Manning's longer tracks had a habit of degrading into extended lulls or repetitive sequences, but Charlestown really is excellent throughout. The musical imagery it conjures up is so strong that last time I listened to it I was under the impression that it had actually started to rain. Considering I was on a coach driving through the Tabernas desert of southern Spain then this was no mean feat! Although I should probably mention that I was also suffering heavily from dehydration and sleep deprivation at the time, but I digress...

The Bad: This is the part of the review where I talk about how annoying Guy Manning's voice is, and it is, but to be fair the vocals on this release are actually more tolerable than recent outings. Next I am supposed to point out how mundane the rest of the tracks are and sure, Clocks and The Man in The Mirror don't have much going for them, but they aren't particularly bad either which is always a relief as Manning has a habit of dropping some absolute clangers. In contrast, I never used to care much for T.I.C. either, but once you strip away the textbook lyrics and wensleydale chorus there's a cracking little tune hidden below with some really nice guitar work.

The Verdict: 3.999999... stars.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to Starhammer (BETA) | Report this review (#439774) | Review Permalink
Posted Wednesday, April 27, 2011

Review by kev rowland
SPECIAL COLLABORATOR Crossover Team
3 stars Sticking to his normal routine, just a year after 'Number Ten' we get number eleven from Guy, 'Charlestown'. Interestingly, although this has been recorded in yet another short time period from the previous album, here only one person (Kev Currie) has been retained. But of course, with a multi-instrumentalist at the helm there isn't a major change in musical direction. This time Guy kicks off with an epic, a 35 minute piece about a sailor lost at sea. The guitar and flute interplay within this song is masterful, really breathing life and vitality into it, but the drumming seems somewhat flat and instead of driving the song along is instead dragging it down so that it isn't nearly as effective as one would expect it to be. The sax is used sparingly, so when it appears it has great impact, and there is a warmth coming from the bass, but there are times when it just feels that there is something missing and that is probably the impact (or lack thereof) of the percussion.

After the power of the opening number, we are treated to something far more delicate in "Caliban and Ariel" where Guy has just gentle piano and cello as the song develops. One of my personal favourites is "Man In The Mirror", which is more upbeat with some great sax, while there is no doubt that closer "Finale" is one of the most intricate and powerful instrumentals he has undertaken. Overall this is a very solid album, just not with the power of 'Number Ten'. www.guymanning.com

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to kev rowland (BETA) | Report this review (#825853) | Review Permalink
Posted Friday, September 21, 2012

Review by ProgShine
COLLABORATOR Errors & Omissions and Crossover Team
3 stars Guy Manning is a musician that has been active for almost 15 years and now in 2013 he and his band are about to release their 14th album. Charlestown (2010) was their 11th album and has one thing I have always loved, a really long track.

Prog Rock albums that incorporate long tracks have always been one of the most interesting things to me. But I'm not talking about 10 minutes tracks, I'm talking about 20+ tracks. In the Charlestown (2010) case, I'm talking about a 35 minutes long track.

You need to being aware of the fact that, in this new Prog days, to release an album with a half an hour song wrapped in 70's style, you need guts! From time to time we have albums with long tracks, but Manning did it perfectly with track one of the album 'Charlestown' and its 35'08 minutes. You have the complex yet structured suite that tells a story. In this case, a sailors story. One thing that wouldn't pass unnoticed is Guy Manning's voice. It's so similar to Jethro Tull's Ian Anderson that sometimes you actually think that Ian is once again recording some great Prog. 'Charlestown' is rich, deep and full of great melodies all over the song. And it's pretty much the thick body of the album.

'Caliban And Ariel' does the hard job of giving continuity to Charlestown (2010), especially after the opening giant track. It does well, but unfortunately I must say that it is a weak continuity. The track is a ballad that is quite pretty but doesn't really go anywhere. Then we have 'The Man In The Mirror' that tries to keep the Prog sound going, but I think the song has the chorus repeated too much. Much of the Manning's music is led by the acoustic guitars (Guy's main instrument), and this one is not an exception. Add cello, saxophone and a fiddle solo and you have 'The Man In The Mirror'.

'Clocks' comes in and one starts to wonder if all Manning's cards were played in 'Charlestown', because the rest of the tracks are quite weak, frankly speaking. This one looks like a leftover from a 90's Jethro Tull album. Unfortunatelly 'T.I.C.' doesn't make me change my mind about the whole Charlestown (2010). 'T.I.C.' is definitely the best track after the opening one and has good guitars, keyboards and a catchy chorus. But two songs (even if one is 35 minutes long) are not enough to make a whole album. But, we still have a final track called 'Finale'. This is a great instrumental track with an upbeat tempo, a Prog Extravaganza I would say. They have a great opening track and a very good ending, but what about the middle?

On Charlestown (2010) it seems that Guy Manning tried really hard with the title-track and forgot about the rest of the album. And this is a pity, cause this album could be a modern Prog classic if better worked on. As it is, not really. But anyway, it's really worth checking because of the mentioned tracks.

(Originally posted on progshine.net)

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to ProgShine (BETA) | Report this review (#1034630) | Review Permalink
Posted Saturday, September 14, 2013

Latest members reviews

4 stars If you love Iron Maiden or Magma, you should not listen to this work of Manning, let alone comment. Charlestown is a delightful 35-minute suite that runs lyrically and musically through various passages sung and instrumental, well accompanied by flutes, acoustic guitars and cello among others. ... (read more)

Report this review (#934422) | Posted by sinslice | Saturday, March 23, 2013 | Review Permanlink

2 stars I recently decided to Rate all the music I own, and in some specific cases, write a review. Well, i haven't really got the time to sit down and write reviews, besides a few. Got this album like 1.5 months ago because it was highly rated in PA, I'd already heard the 4 last manning albums, because ... (read more)

Report this review (#356907) | Posted by Jörgemeister | Saturday, December 18, 2010 | Review Permanlink

2 stars I'll prologue my lengthy review of this album by saying that recently two or three reviews have cropped up here that take a more balanced view of this rather below par effort. I'm pleased to see that there are some people like Bonnek actually listening to it and delivering a sane opinion rather t ... (read more)

Report this review (#352408) | Posted by grimtim | Tuesday, December 14, 2010 | Review Permanlink

5 stars Okay, cards on the table - I've enjoyed all of Guy's work since I first heard of him round about the time of "The Cure". As well as his own considerable body of material Guy added a lightness of touch with the acoustic flavourings in the first few Tangent albums, and is surely now one of the premi ... (read more)

Report this review (#349776) | Posted by amazingwilf | Saturday, December 11, 2010 | Review Permanlink

4 stars I don't really know how to start this off so I'm going to begin with saying that I enjoyed it. His voice is a bit too similar to Ian Anderson's and the songs are a bit too much like Jethro Tull's. But overall it's quite a decent release. It is definitely one of those albums that only prog-ent ... (read more)

Report this review (#339946) | Posted by tudorbuhatel | Wednesday, December 01, 2010 | Review Permanlink

5 stars This is the first time I hear Guy Manning and I confess that I love this album, Charlestown epic theme is amazing and the other songs are also pieces that make this album an exquisite masterpiece for any sophisticated ear, the cover reminds me the cover of "Yes" album called "fragile" The G ... (read more)

Report this review (#321182) | Posted by GermanZERO | Monday, November 15, 2010 | Review Permanlink

3 stars I guess this is just not my thing! I've given it a 3 because it is well played and flows very well. The vocals are a big problem for me. I find this with quite a few English bands. Mediocre singers out in the front of the sound. It grates on me. Some can get away with it. Camel almost did and Por ... (read more)

Report this review (#320880) | Posted by Bee Atles | Monday, November 15, 2010 | Review Permanlink

5 stars I confess to being an avid fan of Manning since their 'View From My Window' album back in 2003. Since then I have acquired the back catalogue & bought each successive album with enthusiasm. His albums never fail to entertain & vary from album to album, when you consider the frequency these are ... (read more)

Report this review (#319256) | Posted by Simon Jackson | Sunday, November 14, 2010 | Review Permanlink

5 stars The new album from Manning is an excellent blend of musical styles all with the 'Manning' signature. Not for this brave band a gradual build up to the epic track, no, here you're straight into the tale of 'Charlestown'. The track evokes the full gambit of musical emotion, drama, despair, ant ... (read more)

Report this review (#308764) | Posted by Prog Paul | Sunday, November 07, 2010 | Review Permanlink

4 stars Another year, another Manning album. Guy Manning has released one album each year for the last eleven years. Answer on a postcard if you know which year he debuted as a solo artist. All his releases has been very interesting indeed. In fact; all his albums deserve purchases. Don't only by this ... (read more)

Report this review (#308583) | Posted by toroddfuglesteg | Saturday, November 06, 2010 | Review Permanlink

3 stars As said in my review of "Songs from the Bilston House," Anyone who likes the 1970s music of VAN MORRISON, JETHRO TULL, MARSHALL TUCKER BAND, DAVE MASON or even the ALLMAN BROTHERS will like the music of Guy Manning. My question remains: Is this prog? Perhaps this album more than previous ones be ... (read more)

Report this review (#308373) | Posted by BrufordFreak | Friday, November 05, 2010 | Review Permanlink

Post a review of MANNING "Charlestown"

You must be a forum member to post a review, please register here if you are not.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Copyright Prog Archives, All rights reserved. | Legal Notice | Privacy Policy | Advertise | GeoIP Services by MaxMind | RSS + syndications

Other sites in the MAC network: JazzMusicArchives.com — the ultimate jazz music virtual community | MetalMusicArchives.com — the ultimate metal music virtual community


Server processing time: 1.04 seconds