CRUEL SYMMETRY

Here we go ... German foursome ARGOS have presented the next surprise bag named 'Cruel Symmetry' at the end of the year 2012. Talented musicians they are without a doubt - simpatico and competent - still down-to-earth and always on the run while searching for new horizons. I'm following their paths with curiosity since the beginning in 2009, and never ever regretted having done this. Thomas Klarmann and Co. have recorded seven new songs where the epic title track is something extraordinary, you should know.

Made of many twists and turns this is THE wondrous cornucopia of impressions per se - folk, canterbury, jazz, symphonic, pop - all styles brewed to a compelling prog masterpiece which also comes damn grooving in between. Of course you won't miss the beloved mellotron and Robert Gozon's Hammill alike vocals are striking again. Then Paper Ship Dreams is presented with special ease - a charming Canterbury tune juggling with strong Caravan leanings. Featuring riffing guitars, powerful drums, the last two songs Caught Within The Light and Open Book show them back on a heavier edge then, leaning into the curve again so to say.

ARGOS celebrate and refine their own significant style with 'Cruel Symmetry' once again. Concerning the instrumental skills their best album probably, the song Possessions however might work better as a non vocal take in my humble opinion. This time the album's character mirrors more leanings to pop (Beatles) and folk than ever, I'm inclined to say. That means - if you are in agreement with some parts which are a bit light in weight, then nothing should withhold you. I recommend to concentrate on the compositional impact in general - and the multiple details so much the more - it's worth it. And this applies to every album they've produced so far - 3.5 stars.