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17 Pygmies

Crossover Prog

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17 Pygmies CIII: Even Celestina Gets The Blues album cover
3.88 | 5 ratings | 1 reviews | 0% 5 stars

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Studio Album, released in 2012

Songs / Tracks Listing

1. Celestina XXIII (2:25)
2. Celestina XXIV (5:46)
3. Celestina XXV (3:56)
4. Celestina XXVI (3:13)
5. Celestina XXVII (9:46)
6. Celestina XXVIII (5:09)
7. Celestina XXIX (3:53)
8. Celestina XXX (4:43)
9. Celestina XXXI (3:03)
10. Celestina XXXII (4:59)
11. Celestina XXXIII (3:17)
12. Celestina XXXIII.III (1:20)

Total time 51:30

Line-up / Musicians

- Jeff Brennerman / guitars, synths
- Dirk Doucette / drums, synths, guitars
- Meg Maryatt / vocals, piano, guitars, synths
- Philip Drucker / synths, guitars, bass, vocals
- Robert Mora / bass
- Lea Reis / backing vocals
- Claire Chenette / oboe
- Heather Lockie / viola
- Larissa Fedoryka / cello
- Erik Stein / vocals
- Cult With No Name / piano, synths, guitars

Thanks to windhawk for the addition
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17 PYGMIES CIII: Even Celestina Gets The Blues ratings distribution

(5 ratings)
Essential: a masterpiece of progressive rock music(0%)
Excellent addition to any prog rock music collection(40%)
Good, but non-essential (60%)
Collectors/fans only (0%)
Poor. Only for completionists (0%)

17 PYGMIES CIII: Even Celestina Gets The Blues reviews

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Collaborators/Experts Reviews

Review by Windhawk
SPECIAL COLLABORATOR Honorary Collaborator
4 stars US outfit 17 PYGMIES was formed back in 1982, and in their first spout, lasting until the early 90's, they established themselves as a post punk band. Since they reformed with a new line-up in 2007 they have deliberately sought out progressive rock however, first and foremost through the theme album series Celestina. "CIII: Even Celestina Gets the Blues" is the third instalment in the series, and was released in January 2012.

Beauty is a key word for 17 Pygmies most recent production "CIII: Even Celestina Gets the Blues": from the exquisite packaging to the gentle, cosmic flavored and richly layered symphonic oriented compositions themselves, as well as mix, production and performance. An album that merits a check by those who find such a description tantalizing, and one that deserves a far wider audience than what a limited edition, numbered CD apparently has prepared for.

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