Perfect Beings

Crossover Prog

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Perfect Beings Perfect Beings album cover
3.98 | 220 ratings | 15 reviews | 26% 5 stars

Excellent addition to any
prog rock music collection

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Studio Album, released in 2014

Songs / Tracks Listing

1. The Canyon Hill (2:29)
2. Helicopter (2:40)
3. Bees and Wasps (6:24)
4. Walkabout (9:22)
5. Removal of the Identity Chip (5:43)
6. Program Kid (4:39)
7. Remnants of Shields (3:50)
8. Fictions (4:57)
9. Primary Colors (3:30)
10. One of your Kind (8:18)

Total time 51:47


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Music tabs (tablatures)

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Line-up / Musicians

- Ryan Hurtgen / Vocals
- Johannes Luley / Guitars
- Dicki Fliszar / Drums
- Chris Tristram / Bass
- Jesse Nason / Keyboards

Releases information

Release date - 2nd February 2014
Label - My Sonic Temple
Catalog number - MST1401
UPC - 641444145928

Thanks to kev rowland for the addition
and to NotAProghead for the last updates
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PERFECT BEINGS Perfect Beings ratings distribution

(220 ratings)
Essential: a masterpiece of progressive rock music(26%)
Excellent addition to any prog rock music collection(34%)
Good, but non-essential (24%)
Collectors/fans only (11%)
Poor. Only for completionists (4%)

PERFECT BEINGS Perfect Beings reviews

Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by Slartibartfast
5 stars A perfect album to start out 2014 with. This is one of those albums that will mark the year for me.

From the first song, which I heard on free streaming - canyon_hill, I detected a heavy 80's post English Settlement XTC influence. helicopter did little to change that impression. bees_and_wasps.- more interesting lyrics with excellent instrumentation. They kind of part from being XTC like in that they do have one eight minute song that wraps up the album, one_of_your_kind, and are not a duo that takes turns with song writing/lead vocals.

As much as I hate to describe a new band in terms of other bands they also remind me a lot of The Tea Club and progressive Umphrey's McGee stuff.

And as much as I hate to write a review that mentions progarchives (joke), this will probably be in the top ten collaborators favorites for 2014. But don't take me for my word, go to their website and check them out.

Progressive rock is alive and well.

Excellent quote in the CD package - some people say tha the end of the world is nigh consider instead_for a moment_that the world already ended and today is what remains a new world_unfamiliar_emerging from the detritus of the old

suhail rafidi


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Posted Saturday, March 15, 2014

Review by rdtprog
5 stars From the first 2 songs, you think that you are listening to some pop rock songs, melodic with nice vocals. But things open up in the progressive territory were technique leave the space to the melody despite some more complex instrumental experimentation at times. Each song is very different and if the style and sound are reminiscent of bands like Beatles, Genesis and Yes, the band have their own style and all the songs works with a lot of cohesion. The music is a breath of fresh air that contains some nice surprises and always some beautiful vocals. The guitar of Johannes Luley will bring you back to Steve Howe and some keyboards parts are similar to Big Big Train. The band has succeeded with this almost perfect CD to seduce the listener with an original fusion of pop and progressive rock never too complex and never too simple.


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Send comments to rdtprog (BETA) | Report this review (#1153730) | Review Permalink
Posted Wednesday, March 26, 2014

Review by lucas
SPECIAL COLLABORATOR Honorary Collaborator
5 stars Perfect Beings is a musical project involving five talented musicians from various musical horizons but sharing the same passion for progressive rock. Somehow, the 5 "fantastics" avoid falling in the trap of playing complex music just for the sake of skills' showcase, by putting a strong emphasis on melodies and by building fascinating atmospheres. The opening track, "The Canyon Hill" is in an Beatlesque mood, with its cheerful beat like a marching band and its veiled voice like recorded in the 1930's (the whole bringing to mind "I am the walrus"). It segues into a festival of Yes-like sounds with majestic Hammond, frenetic drums and canon vocals. "Helicopter" is a split song where the first half with splashy swirling keyboards, blaring organ supported by aggressive imperial drumming and eccentric voice, contrast with the second half where smooth pleading voice, light guitar and piano touches give a meditative and dubious vibe to the music. "Bees and wasps" is a multi-layered track with a first section featuring a buzzing piano, a second section with Squire-like bass, throbbing voices, relaxed drums and mesmerizing guitars, a third section in a jamming mood with disoriented drums, distorted guitars and robotic voice, transitioned via a Prefab Sprout-like passage to a floydian fourth section with soothing voice, segueing in turn, after a mellotron interlude, into a fifth section with passionate vocals and anthemic organ/guitar interplay. "Walkabout" is another multi-layered track, that starts off in a pastoral mood with acoustic folk guitar and birds singing in the background. It goes on in a pop vibe with repetitive piano, shy drums and a catchy chorus. Bells-like keyboard sounds are backed by bells shaken like in a Christmas carol, before syncopated drums bring the band back on the prog rock railways. A minimalist repetitive piano with acrobatic drums rolling like a solid Joey Baron solo in a John Zorn project mark the transition to an intriguing world where drums move carefully forward and vocals are delivered in a dreamy way. "Removal of the identity chip" starts with tribal drums and light sharp guitar licks ' la Steve Lukather, accompanied by aquatic rhodes. Guitar licks are morphing into mischievous Steve Howe- like solos when drums turn punchier with their jazz-rock pattern. The music is then reminiscent of Genesis' "back in NYC" but the Yes influence, already present in the guitar, is reinforced when organs join. "Program kid" opens in a soft melancholic way where the voice is first alone with a discreet rhodes, then joined by relaxed drums and ghostly keyboards. The song turns suddenly more aggressive, bringing back to mind the italian prog rock bands of early seventies with daring guitars, overpresent Hammond B3 and a sense of urgency in drumming. "Remnants of shields" is a laidback song retaining an exotic flavour in the use of ukulele. The voice is like floating in the air and adds to the relaxed mood. "Fictions" is a song where insisting repeated words "far away", "changes", "fictions" are like a call to join a better world. This invitation is supported by cheerful and smiling guitars. "Primary colors" is a balad with a slowly building "colourful" melody and vocal work akin to the likes of elizabethan era composers like Dowland. "One of your kind" opens with meditative guitars evoking the grand canyons, followed by ritual native American percussions, then Steve Howe-like mischievous guitar accompanies the melancholy of a shoegazing band. An acoustic guitar passage that could have been sampled from a Sergio Arturo Calonego album is soon followed by prog madness with explosive drums, cheerful keyboards, and disoriented guitars - that become more controlled when the grandiloquence of Steve Howe meets the modesty of Jerry Garcia, together ending in laughing accents. With its blend of syrupy melodies, a dash of melancholy that Radiohead wouldn't deny, and the floating spirit of early Yes in its dynamics, Perfect Beings' self-titled album is a compelling journey across ever-changing seas.


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Send comments to lucas (BETA) | Report this review (#1154772) | Review Permalink
Posted Friday, March 28, 2014

Review by J-Man
4 stars The entrance statement from American progressive rock act Perfect Beings strikes an impressive balance between catchy, pop-infused melodies and intricate prog compositions, all while taking the listener on a dreamlike journey through time and space. Especially considering that this self-titled 2014 release is only the band's debut, Perfect Beings has an unbelievably commanding sense of style and sophistication in their music. Their songs have a somewhat surreal atmosphere, and even though the compositions can get quite busy at times, the moody vocals of Ryan Hurtgen, powerful soundscapes from Jesse Nason, and Gilmouresque guitar work from Johannes Luley keep the music on the dreamlike side of things.

I also appreciate the band's wide range of influences; although bands like Yes and Genesis surely figure into Perfect Beings' inspiration, their music does not sound even mildly derivative of the seventies' symphonic prog giants. Perfect Beings almost sounds like a cross between The Beatles (you can especially hear this on "The Canyon Hill"), Hogarth-era Marillion, and Lunatic Soul. That really doesn't do Perfect Beings any justice, however, as their music is too multifaceted to be pigeonholed by a few comparisons. On the whole, this is a debut album that stands tall when examined from any perspective, and even though some listeners may be turned off by the inevitable "pop-prog" label, Perfect Beings is an example of that genre delivered impeccably.


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Send comments to J-Man (BETA) | Report this review (#1159638) | Review Permalink
Posted Wednesday, April 09, 2014

Review by kev rowland
5 stars When Johannes Lulley (Moth Vellum) told me that he was working on a new project I was instantly intrigued, as not only did I enjoy the music he had undertaken with his previous outfit, I was also a fan of his excellent solo album. When the recording was completed he sent me a digital copy and asked me what I thought, and to be honest I wasn't quite sure what to say. From the very beginning it is obvious that here is an album that is daring to be different in so many ways, and yet is also familiar and reassuring. I have seen elements of this album likened to XTC, The Beatles, Genesis and Pink Floyd and I would agree with all of these, but somehow that misses what this album is about for me.

To my ears the guys have decided that they are going to perform in a pop/prog format, which at times is much more the former than the latter, yet never loses the complexity within all the apparent simplicity. Musically there is a great deal going on, with some significant performances from everyone involved, yet at times they come across almost as if they were Coldplay, or The Byrds, or a band founded in the psychedelic era. The music is timeless, and the production is quite superb, allowing the listener to fall into the sonic landscape they have created knowing full well that the multi-layered notes will catch them and transport them away. There is a small drum fill during 'Walkabout' which only lasts a few seconds, yet the way it has been treated in the mix really allows it to shine through and create a very different feel.

The harmonies are superb, the hooks constant, yet there are sections where they allow themselves to remember that they are a prog band at heart and throw in different styles and complex musical motifs. One could argue that this is a prog album for those who would never say that they were progheads, as there is plenty on here that could well get radio play, but they do forget themselves a couple of times and allow themselves to have a stretch out to more than eight minutes on a couple of numbers, But, there are also a couple that are under three including opener 'Canyon Hill' which is pure English classic pop. More than happy to change time signatures during songs if the mood takes them, let no-one con you by saying that this is a pop album with prog pretensions, but rather is something that is carefully crafted and has feet firmly in both camps and the result is something that will be enjoyed by many. My first 5* album of 2014, www.perfectbeingsband.com


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Send comments to kev rowland (BETA) | Report this review (#1168386) | Review Permalink
Posted Thursday, May 01, 2014

Review by Evolver
SPECIAL COLLABORATOR Crossover & JazzRock/Fusion Teams
5 stars Perfect Beings? I'm not sure.

Perfect crossover prog album? You can't get much closer to perfection.

The album starts off with two songs, The Canyon Hill and Helicopter that set the listener up for an XTC-like quirky pop experience. Now I enjoy XTC quite a bit, and these tracks drew me in, but for a masterpiece of prog, staying on this course would not have led there.

Bees And Wasps introduces a 10CC-ish reggae sound, with 10CC-ish inventive sounds. Nice. Another art-rock band that I love.

But the album takes off with Walkabout, which starts out somewhat spacy, but transitions with a Johannes Luley guitar lick that sounds exactly like Steve Howe, in both tone and form. The compositions build into a more definitive prog as well, with Chris Tristam's Squire-like bass lines and Jesse Nason's mix of Tony Banks' simplistic but tasteful keyboard lines and Rick Wakeman's soaring synths. And did I hear a Mellotron?

At it's heights' the album is reminiscent of Yes circa "Going For The One", but there are also pieces that bring to mink Pink Floyd and even Mike Keneally.

This album has been on my continuous playlist for a couple of months now, and should be my primary "driving with the windows open and the stereo turned way up" disk for the summer.

Easily the best new album I've heard this year.


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Send comments to Evolver (BETA) | Report this review (#1172658) | Review Permalink
Posted Thursday, May 08, 2014

Review by Warthur
5 stars This impressive debut from the Perfect Beings finds the band display an impressive knowledge of progressive rock precedent whilst at the same time sounding distinctly modern. Rather than jumping back in time to the 1970s or 1980s to directly transplant and update the sound of classic bands like Yes or King Crimson (or neo-prog revivalists like Marillion or IQ), it really feels like they take into account the entire sweep of musical development in the prog scene here to produce something which displays not a hint of nostalgia but instead builds on innovations in prog spanning the last 45 years. These beings may or may not be perfect, but they've got an unblemished batting average so far.


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Posted Friday, May 09, 2014

Review by tszirmay
3 stars Funny how our tastes are so dissimilar, not really surprising as no other form of music has as much diversity in genres as progressive rock. Literally a cornucopia of styles and influences that span the gamut of sonic expression, we all have our likes and dislikes as our own personal (perhaps even semi-clandestine) hobby has its own selfish merits that we adhere to in silence. But sometimes, the highest rated 'gaga' albums just leave me puzzled as why so much adulation, nothing really that mind-blowing, so is there something wrong with me? Do I need to cotton-swab my ears and release some wax padding? Do I need some new drugs? What then? Comes down to personal taste I guess.

Perfect Beings landed into immediate adulation from the PA readership and was anointed with the highest 5 star ratings and slobbering comments, even from my fellow collab colleagues who I admire so much (Hey, Kev!). It certainly has many brilliant salient points, Johannes Luley is a magnificent guitarist (Moth Vellum, solo and a boatload of sessions), the musicianship is quite stellar as bassist Chris Tristam and drummer Dicki Fliszar really sparkle, while we have a sublime vocalist in Ryan Hurtgen. Gorgeous packaging and artwork make this a worthwhile release, so what is my problem? I know even our great Dane Guldbamsen voiced a similar query about this debut album, stating that it is good but great?, er?no!

The problem for me is that the disc does not grab you by the jugular as a debut should, two poppy ditties guide me sideways as a somewhat ho-hum introduction "The Canyon Hill" rekindles the Beatles in their Magical Mystery Tour-styled harmonies and then does absolutely nothing for me at all. The brief but quirky "Helicopter" was initially a letdown, a choppy (pun) and turbulent affair that hovered a while over indifferent indecision and eventually, after numerous listens, now comes across as a rather pleasant moment, in a humming, whistling, driving-my-car-down-the-highway style that I now really enjoy.

Things get finally serious and progressive with the buzzing "Bees & Wasps", a pesky 6 minute affair that is very inspired, almost experimental in its natural dissonance, ornate piano and glittering Steve Howe meets Bacamarte's Mario Neto-like clanging guitar phrasings unite in introducing once again Hurtgen's fluid pipes, and going slightly bananas with the arrangement. Idiosyncratic, slightly dysfunctional and pushing a few buttons in originality. This one does take time to seep into the nodes, cool slippery axe notes and lovely mellotron tones, bombastic organ swells and a huge central melody. Okay!

The pastoral flapping of clothes-lined laundry in the brisk country air comes to mind with "Walkabout" , a highly Americana-styled folky breeze, that stretches on for 9 + minutes, while developing a wide palette of tones and moods, most quite successfully when prompting the entire band into the arrangement. Harmony vocals and backing vocals give this piece immense credibility and pristine memorability, Luley's raunchy guitar flexing with finesse and delicacy, a sheer delight to any prog aficionado. When drummer Fliszar (ex-Bruce Dickinson's band) needlessly experiments with drum fills that go nowhere, amid a terrific pool of atmosphere, I get negatively irritated. Technical prowess is unnecessary in this dreamy context but what do I know? Otherwise, a great epic tune with sensational vocal depth.

The neo-modern "Removal of the Identity Chip" offers a strange intro that does little for me, a rap-a-tap seems a little corny for me, even though the high pitched vocal does appeal on first listen, wondering though where is this song going? Luley does a little George Benson imitation (cool breezin') that stings nicely, proof of his unique talents, then blowing mightily in a slide solo that will turn Howe green with envy! Grueling organ, massive mellotron and powerful bass and drums, now we are talking!

"Program Kid" does have an 80's tinge, very XTC, very intoxicating in its initial simplicity that has a spectral organ fill straight out of the synth-pop factory of sounds, as well as supporting a really cool chorus "I can build you a haunted doll" but the pedantic finale is all schizoid for no apparent purpose as if they ran out of ideas for a finale.

A pop-prog ballad? I was hoping for a huge symphonic statement about now but wait, my man, how about another commercial tune to perhaps really become 'perfect beings', eh? But I actually love this dreamy song, perhaps my favorite here as Hurtgen intones 'in Appalachia' amid spooky mellotron swells, much to my inner happiness. Sweet, delicate, crystalline and fragile, a very cool and suave melody?.It's called "Remnants of Shields", a song about geography, I guess.

The average and mundane "Fictions" is another short Beatles-like tune and somehow has no visible or audible effect on me. Pretty much low key (piano and voice) until Luley powers in some silky frazzle, elevating this into a swirling affair, before falling limp again, albeit temporarily. Nothing special here, prog elitists!

"Primary Colours" is another interesting tune that has that rifling guitar to kick off the festivities and as such, creates quite a buzz. But it's not sustained through the three and a half minutes of playing. Barely pleasant but utterly disposable, just like US politics.

The finale is the longest track here, clocking in over 8 minutes and a positive impression that saves the album from an even lower rating, "One of a Kind" suggest an acoustic guitar flamboyance, Johannes is truly awesome player that forges a contemplative mood. The vocals are quite interesting, the playing relatively decent but there is not any buzzing excitement that would otherwise make my hairs stand up.

Good but not a monumental release, sorry guys, I do beg to differ! I gave this a lot of spins, in house, in car, in context, day time and night time, in and out, without clearly altering my opinion. There are already a slew of 2014 albums that blow these 'ideal entities' out of the water. Hope the next one will have some sultry symphonics that will match the hype. I truly prefer Moth Vellum personally but I am the rebel here, and I may be wrong.

3.5 impeccable organisms


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Send comments to tszirmay (BETA) | Report this review (#1180218) | Review Permalink
Posted Wednesday, May 28, 2014

Review by Second Life Syndrome
COLLABORATOR Post/Math Rock and Crossover Teams
3 stars I've been stewing over this album for a few months now, as I honestly was having trouble deciding how I feel about it. Perfect Beings is made up of a group of experienced players that haven't always played in the progressive genre. Yet, they all came together to create something that they hoped would make a splash. Judging by the amount of fanfare I've seen thus far, people are liking it. I'm not so sure I can fully embrace it myself, though.

Perfect Beings tries to bring new sounds to the table. The band plays a mellow prog rock, full of atmosphere, space, and some occasion "out there" segments, usually having to do with vocalist Ryan Hurtgen's vocal exercises. The band plays competently enough, though fans looking for a technical album should look elsewhere. Mood, flow, and whimsy seem to be the driving factors here, as the band displays a hefty indie influence, as can be seen from the very first track, "Canyon Hill". I also hear quite a bit of Muse in the melodies, but not so much that it distracts.

The band features an excellent bass player in Chris Tristram. He is easily my favorite part of the album, as his bass lines are funky and subtle at the same time. Keyboardist Jesse Nason is also a standout with his strong keyboard tones. He literally steals the show every time he plays.

The band, overall, are excellent players, yet I feel that the composition could have been more powerful. There are several good songs, such as "Canyon Hill", the moody "Bees and Wasps", the fantastically spacey "Fictions", and others. However, I don't really think any of the songs approach a memorability that will have me returning to this self-titled album very often. Everything is all well and good, but there nothing that really wows me. The band certainly has their own sound, especially the vocal lines used. Yet, there's nothing that can be described as unique or all that different.

Perfect Beings, then, have crafted a good album that mixes prog rock and indie attitude rather well. It is, however, only the first step. Much of the music comes off as mellow in the composition department, almost unfinished or having too much space. Yet, for what it is, the album (especially the artwork) is beautiful and worth hearing for any serious prog fan. I imagine that many will love the subtlety of the album, and it may yet capture my heart.


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Send comments to Second Life Syndrome (BETA) | Report this review (#1181912) | Review Permalink
Posted Sunday, June 01, 2014

Review by b_olariu
3 stars Pefect Beings is a young prog band conducted by Moth Vellum guitarst Johannes Luley, who also has a solo career for some years now. I was really surprised to see such high ratings on this debut selftitled album issued this year in february, strange because to my ears is an absolutly fair and decent release with no stunning ideas overall, but good in terms of musicinship. Many considered close to masterpice or even a solid release, to me is not. The music is fueled with crossover elements, popy arrangements but all are constructed in progressive rock way, with some more complicated parts and aswell some more simple ones. As I said the interludes between musicians are fairly good, specially Johannes Luley guitar really shines on couple of pieces like Walkabout the longest one from the album, Some nice yet keyboards passages added saves this album to me to be a real flat release. I can't really say why I don't like this album so much as other do, but one thing is sure I do really like a far lot more Moth Vellum, is a diffrent beast that had much more to offer thin Perfect Beings do. In the end I can say is ok album, nothing more. Few spins and that is it. 3 stars.


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Send comments to b_olariu (BETA) | Report this review (#1184860) | Review Permalink
Posted Thursday, June 05, 2014

Review by UMUR
SPECIAL COLLABORATOR Honorary Collaborator
4 stars "perfect_beings" is the debut full-length studio album by US progressive rock act Perfect Beings. The album was released through My Sonic Temple in February 2014. My Sonic Temple is also the name of guitarist Johannes Luleyīs recording studio in Los Angeles, so I guess "perfect_beings" qualifies as an independent release. Perfect Beings was founded by Johannes Luley and lead vocalist Ryan Hurtgen. The two later recruited drummer Dicki Fliszar, bassist Chris Tristram, and keyboard player Jesse Nason to complete the lineup. Some of the guys in the band have played with some pretty prolific artists like Bruce Dickinson and Slash and itīs obvious from the get go, that these guys are professionals. Skilled songwriters and skilled musicians.

The lyrics and imagery to "perfect_beings" are loosely based on the 2013 sci-fi novel "Tj and Tosc" by Suhail Rafidi. The band felt that the books post-apocalyptic sci-fi theme suited their music perfectly.

The music on "perfect_beings" is a contemporary version of progressive rock. It features both complex progressive sections, melodic atmospheric sections, some psychadelic tinged sections, a slight jazz touch in some sections, and more mainstream oriented catchy sections too. Itīs a pretty eclectic take on the style, and while Perfect Beings are not allergic to inspiration from the 70īs greats of the progressive rock genre, this album generally sounds very little like a retro progressive rock release. Instead weīre met with a fresh take on how to play progressive rock, thatīs easy to listen to and quite memorable too, but not devoid of progressive rock complexity. If I had to make a reference it would be to the Brits in Frost*. More in approach than in sound and overall style though. Perfect Beings are for example far more organic sounding. A band like Porcupine Tree is also a valid reference.

The material are varied, quite intriguing, and "perfect_beings" overall features a natural dynamic flow. While the songwriting is definitely one of the albumīs greatest assets, the musicianship and the organic sound production are also assets that make "perfect_beings" a great listening experience. Itīs an album that reeks high class in all departments.

Ryan Hurtgen doesnīt have the most distinct sounding voice, but he is a skilled singer with a pleasant delivery. His melody lines are memorable and his harmonies spot on. Thereīs a Beatlesque sound to some of those harmonies and melodies (especially in the opening track "The Canyon Hill"), thatīs soothing to the ears, but as with the rest of the music the vocal department is pretty varied (check out the robotic vocoder vocal part on "Bees and Wasps" for an example of that).

Some eclectic progressive rock releases are all over the place and lack the incredibly important stylistic consistency thatīs the glue which binds an album together and presents it as a release with flow. Thankfully thatīs not the case with "perfect_beings" which, while it is eclectic and challenging for the listener, doesnīt stick out in every direction. You are never in doubt that itīs the same band playing, and as mentioned above the concept lyrics and the way the tracklist is constructed provide the album with a nice organic flow. Itīs an album designed to give the listener a pleasant listening experience. Itīs a debut album thatīs too professional and of too high quality to just be called promising, so Iīll go as far as to call it excellent. A 4 star (80%) rating is deserved.


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Send comments to UMUR (BETA) | Report this review (#1189398) | Review Permalink
Posted Monday, June 09, 2014

Latest members reviews

3 stars The self-titled album by "Perfect Beings" is a great album, so close to a 4-star rating but not adventurous or consistent enough and doesn't quite connect with me. It lacks direction and power, but does show great talents within the band. "The Canyon Hill" is a bit too poppy for my liking, and th ... (read more)

Report this review (#1153097) | Posted by Xonty | Monday, March 24, 2014 | Review Permanlink

5 stars I am not a progressive rock fan. However, I honestly can't find a negative criticism about this record. The reason? These guys have a few fundamental key aspects of musical maturity present: Taste and an undeniable sense of song. As a result, the incredible level of musicianship exercised on t ... (read more)

Report this review (#1148654) | Posted by jlomheim | Saturday, March 15, 2014 | Review Permanlink

5 stars PERFECT BEINGS! YESSSSSS!!!! For man, the term 'prog band' conjurs a flurry of thoughts that aren't always good ones. Prog can be amazing (Mahavishnu Orchestra, Beck's 'Blow by Blow') or it can be REALLY bad - the genre has branched into a broad and diverse landscape, however, and this albu ... (read more)

Report this review (#1148031) | Posted by wildhairstudio | Friday, March 14, 2014 | Review Permanlink

5 stars This beautiful album took me completely by surprise. It's not often you're confronted with such an odd amalgam of familiar elements, that, together, transcend every attempt at classification. Well, put this one down for "unclassifiable". Never heard anything like it, and, again, heard it many times ... (read more)

Report this review (#1146099) | Posted by ExLibrisPetri | Tuesday, March 11, 2014 | Review Permanlink

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