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PASSIO SECUNDUM MATTHEUM: THE COMPLETE WORK

Latte e Miele

Rock Progressivo Italiano


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Latte e Miele Passio Secundum Mattheum: The Complete Work album cover
4.23 | 75 ratings | 4 reviews | 28% 5 stars

Excellent addition to any
prog rock music collection


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Studio Album, released in 2014

Songs / Tracks Listing

1. Introduzione (3:11)
2. Il Giorno degli Azzimi (1:03)
3. Ultima Cena (2:56)
4. Il Pane e il Sangue dell'Alleanza (3:54)
5. Getzemani (5:26)
6. I Falsi Testimoni (2:41)
7. Il Pianto (1:51)
8. Il Rinnegamento di Pietro (2:46)
9. Il Prezzo del Sangue (3:41)
10. Giuda (1:05)
11. Il Re del Giudei (1:54)
12. Barabba (1:00)
13. Toccata per Organo (2:29)
14. Il Calvario (3:40)
15. Aria della Croce (2:37)
16. La Spartizione della Tunica (2:48)
17. Dall'Ora Sesta all'Ora Nona (1:03)
18. Il Velo del Tempio (2:17)
19. Come un Ruscello Che... (3:53)

Total Time 59:16



Lyrics

Search LATTE E MIELE Passio Secundum Mattheum: The Complete Work lyrics

Music tabs (tablatures)

Search LATTE E MIELE Passio Secundum Mattheum: The Complete Work tabs

Line-up / Musicians

- Marcello Giancarlo Dellacasa / electric and classical guitar
- Oliviero Lacagnina / piano, keyboards
- Alfio Vitanza / drums, vocals
- Massimo Gori / bass, vocals

Guest evangelists:
- Alvaro Fella (Jumbo)
- Lino Vairetti (Osanna)
- Silvana Aliotta (Circus 2000)
- Paolo Carelli (Pholas Dactylus)
- Aldo de Scalzi (Picchio dal Pozzo)
- Sophya Baccini
- Elisa Montaldo (Il Tempio delle Clessidre)
- Giorgio D'Adamo (New Trolls)
- Max Manfredi
- Simonluca
- Paolo Griguolo (Picchio dal Pazzo)

Guest musicians
- GnuQuartet
- Choir Classe Mista

Releases information

CD Black Widow, BWRCD 165-2

Thanks to Todd for the addition
and to Cesar Inca for the last updates
Edit this entry

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Passio Secundum Mattheum - The Complete WorkPassio Secundum Mattheum - The Complete Work
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$34.96 (used)
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LP aquile e scoiattoli ~ USD $23.45
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LATTE E MIELE Passio Secundum Mattheum: The Complete Work ratings distribution


4.23
(75 ratings)
Essential: a masterpiece of progressive rock music(28%)
28%
Excellent addition to any prog rock music collection(24%)
24%
Good, but non-essential (25%)
25%
Collectors/fans only (19%)
19%
Poor. Only for completionists (3%)
3%

LATTE E MIELE Passio Secundum Mattheum: The Complete Work reviews


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Collaborators/Experts Reviews

Review by Todd
SPECIAL COLLABORATOR Rock Progressivo Italiano!
5 stars A new version of Passio! (Posted Easter week 2014)

A new interpretation of a classic RPI title! This is quite an undertaking, but it comes off in an outstanding way, giving new life to old friends. In contrast to so many reworkings of old pieces that I've heard in recent years, this one does not leave me only wishing to listen to the original. Rather, the new work stands well on its own, not only helping me listen to the original with new ears, but also bringing new insights and experience.

In 1972, Latte e Miele released their debut, an incredibly ambitious work based on the Passion of St. Matthew, "Passio Secundum Mattheum." This is one of the seminal titles of 1970s RPI and has rightfully stood the test of time. The band would never equal this album, although the subsequent title, "Papillon", came close. After that the band broke up for a time, until drummer Alfio Vitanza reformed the band, with new members including bassist Massimo Gori. Their only album, "Aquile e Scoiattoli", has its moments but is inferior to the first two, and the band disbanded a few years later after moving toward more commercial music.

In 2008 the band reformed, including all three original members (Vitanza and songwriter/keyboardist Oliviero Lacagnina, as well as guitarist Marcello Giancarlo Dellacasa) and Massimo Gori, bassist from the second generation of the band. The quartet released "Live Tasting", an excellent live album that portended of the good to come. Their time together also produced a wonderful new album, "Marco Polo: Sogni e Viaggi" in 2009.

Over the years, Lacagnina never stopped composing his masterpiece, his "Passio". Now the quartet has recorded anew their masterpiece, adding those "new" compositions into the narrative. For example, "Il Pane e il Sangue dell'Alleanza" has been inserted right after "Ultima Cena", and "Il Rinnegamento di Pietro" and "Il Prezzo del Sangue" between "Il Pianto" and "Giuda". Also, the ending has been fleshed out significantly, with four new songs, and the final song, "Come un Ruscello che..." includes the final themes previously entitled "Il Dono della Vita". Also of note, a solo organ piece entitled "Toccata per organo" is placed just before "Calvario"--this is special, as it is an original take from 1972!

The instrumentation is true to the spirit of the 1972 piece, although with an updated sound. Ditto the choir, which sometimes on the 1972 version is muted and thin--here the choir parts are strong, lush, and vibrant. The majority of the pieces that were rerecorded for this edition also maintain their compositional structure, although there are a few changes inserted (notably in "I Falsi Testimoni", the new version of "I Testimoni" parts 1 and 2). There is nothing that violates that spirit of the original work, though it is impossible to duplicate its wonderful innocence.

Another unique feature of this album is the presence of several prominent figures from RPI providing the spoken Evangelist parts. These include Alvaro Fella (Jumbo), Lino Vairetti (Osanna), Silvana Aliotta (Circus 2000), Paolo Carelli (Pholas Dactylus), Aldo de Scalzi (Picchio dal Pozzo), Sophya Baccini, Elisa Montaldo (Il Tempio delle Clessidre), Giorgio D'Adamo (New Trolls), Max Manfredi, Simonluca, and Paolo Griguolo (Picchio dal Pazzo). It's a nice touch that really rounds out the album.

The CD comes in a jewel case with a lyric booklet. I'm told that the pending Japanese version will contain a newly recorded composition as a bonus track. But don't wait for that one--go out and grab this one. You won't be disappointed. Four plus stars (Gnosis 13/15).

Edit: I can't stop listening to this! Though it's not quite as good as the original, it's very close. I'm bumping it up to Gnosis 14/15, which is five stars on PA.

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Send comments to Todd (BETA) | Report this review (#1161782) | Review Permalink
Posted Wednesday, April 16, 2014

Review by Windhawk
SPECIAL COLLABORATOR Honorary Collaborator
5 stars Italian band LATTE E MIELE is regarded as one of the classic progressive rock bands from the early 70's, and were one of the bands that were fairly heavily inspired by classical music, at least in their initial phase. By the time the band's activities ebbed out around 1980 they had transformed into more of a generic pop-rock band however, and one not all that popular at that. Latte E Miele reformed back in 2008, and in 2009 they released the critically acclaimed comeback album "Marco Polo Sogni E Viaggi". "Passio Secundum Matthaeum - The Complete Work" is their second full-length production following their comeback, and was released through the Italian label Black Widow Records in 2014.

Latte E Miele's remake of their debut album "Passio Secundum Matthaeum" is an impressive production through and through, a tasteful and sophisticated album that has been assembled with a lot of care and affection and what appears to be a minute attention to details. A certain taste for material inspired by liturgical classical music is probably needed to truly enjoy all the qualities of this CD, but if you have a general taste for symphonic progressive rock of the kind that has a fairly close relation to classical music then this is an album that is easily and highly recommended.

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Send comments to Windhawk (BETA) | Report this review (#1201708) | Review Permalink
Posted Tuesday, July 01, 2014

Review by Aussie-Byrd-Brother
SPECIAL COLLABORATOR Rock Progressivo Italiano Team
5 stars `Reboot' or `remake' - two words that usually instil a sense of apprehension and dread in most people! Usually associated with the latest lousy Hollywood cash-in riding on the coat-tails of something considered a classic or more special, now even progressive rock is not immune to this fad...but thankfully the results are more consistently worthwhile than the film equivalent! Vintage RPI act Latte e Miele's `Passio Secundum Matthaeum - The Complete Work' sees the legendary Italian band return to their 1972 defining work in a thrilling new interpretation that not only respects the original, but more importantly stands on it's own strengths and merits while also adding and revealing new details never before realized. An adaption of the Passion of Saint Matthew set to music, to many Italian prog fans the original is considered one of the most important vintage RPI releases, as well as a constant personal favourite. Hopefully existing fans will be willing to give this new interpretation a chance, as they can rest easy in the knowledge that it doesn't damage the reputation of the 70's version at all, instead offering new and exciting additions to only enhance the original.

Three founding members, Marcello Giancarlo Dellacasa, Oliviero Lacagnina and Alfio Vitanza, with the addition of bass player Massimo Gori from a later line-up offer this new work. As a special treat this time around, several notable guests from RPI acts both new and old have been brought in to lend their voices to several narrated passages. From the vintage years, some of the guests include Lino Vairetti and Lino Vairetti of Osanna, Alvaro Fella of Jumbo, Silvana Aliotta of Circus 2000, Giorgio D'Adamo of the New Trolls, Paolo Carelli of Pholas Dactylus, as well as Aldo de Scalzi and Paolo Griguolo of Picchio dal Pazzo, Simonluca of L'Enorme Maria and singer/songwriter Max Manfredi. The younger artists are Sophya Baccini of her Aradia project and the dark keyboard queen Elisa Montaldo of Il Tempio delle Clessidre.

For those who don't know what the original or this new version sounds like, it's a bombastic, lush and grandiose classical orchestral based prog work that runs through an exhausting variety of instrumental passages, sombre and striking narration and stirring choral vocals. `The Complete Work' (as was the original) is a work that is initially very overwhelming and confusing, demanding constant replays to discover how carefully arranged the constantly evolving musical passages are, to gather a sense of the dramatic build and perfectly considered flow the overall piece brings. One thing that instantly stands out throughout this new version is a more rich, full and cleaner sound, definitely improving the occasionally flat mix, especially obvious in the choral passages, that sometimes plagued the original work. Classical and rock elements, light and dark moods all blend together in perfect unison, the music growing darker and heavier as it progresses. Electric guitars, organ and keyboards weave seamlessly around emotional strings and nimble piano, delicate acoustic guitar flavours offering thoughtful moments in between wilder rocking passages. So many luxurious and memorable melodies envelope the listener, and by the end, you are left deeply moved by what a victorious, uplifting and fully immersive musical experience this is. Personal highlights for me are the urgent and hypnotic group harmonies alongside duelling Moog spirals, searing electric guitar fire and prancing violin of `I Falsi Testimoni', the gothic symphonic darkness of `Il Rinnegamento...', and the surprisingly jazzy Delirium-like touches around heavy brooding guitars, scratchy Mellotron and uplifting Moog finale in `Il Re Dei Giudei'.

Some listeners may find the constant direction changes and multiple narrated guests initially intimidating and off-putting, but perseverance pays off perfectly for those willing to give this work the necessary amount of plays for it to start making sense. `Passio Secundum Matthaeum - The Complete Work' is a gift for fans who cherish the beloved original, as well as a sumptuous aural treat for newcomers to discover. It's possibly one of the finest modern releases from a vintage Italian act, and comes across as a hugely important and defining progressive rock work in general for 2014. Italian prog doesn't come any more grand, lavish and exquisite than this, and it's certainly one of the most sophisticated works to appear on the Black Widow label to date.

Five stars for a classic Italian progressive rock event.

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Send comments to Aussie-Byrd-Brother (BETA) | Report this review (#1206114) | Review Permalink
Posted Saturday, July 05, 2014

Review by Progulator
PROG REVIEWER
5 stars As "Introduzione" began the album with that ever so familiar choir, a moving blend of warmth, sorrow, and triumph, I knew immediately that Passio Secundum Matthaeum: The Complete Work would be something special. The improved quality of voices, the deepness in tension to the introductory strings arrangement, and the joyful final major chord of the piece showed that Latte e Miele's remake of their classic 70′s album would surely not just be a feeble attempt at a more modern recording of a beloved record. Strange though it may be, I actually always thought the original was just decent, nothing special in comparison to the giants of Italian prog like Banco and Locanda, but hearing Passio Secundum Matthaeum presented on this newest recording, the way it was meant to be, reached a whole new level, and in my humble opinion truly lands a deserved place among the greats.

So, what makes this newest version different from its predecessor? First of all, the performance is absolutely brilliant, the recording quality is top notch, and everything essentially sounds rich and huge. Nevertheless, the thing that really bumps this album up to a superior level is the way that the band really completed this work and story with the inclusion of new songs and interludes to flesh it out, make it coherent, and add depth. These aren't just new songs, they are gorgeous pieces that are woven seamlessly into the music and narrative in ways that make them feel like they should have always been there. "Il pane e il sangue dell'alleanza" is the first of these, primarily a solo vocal piece that is full of passion and mystery, but also which contains many choir sections, some narration, and a bit of Mellotron to help tie it to the past. As the album gets rolling one realizes that there are many of these new pieces that add so much drama to the album. In the extended "I falsi testimoni" the band takes "I testimoni, pt 1″ and brings it to life with new sections that include solo singing parts which bring more intimacy than the original, letting you get up close to the characters of the story and their interactions. Drama is the salient factor in the new pieces "Il rinnegamento di Pietro" and "Il prezzo del sangue," two dark, theatrical pieces that knocked my socks off. Furthermore, the addition of "Barabba," where haunting orchestrations meld with the deafening chants to free Barabas was a powerful moment, while its follow up, "Toccata per organo," an organ solo originally recorded by the band in the 70′s, added a nice touch of intermission leading up to one of the greatest and most powerful moments on the album: "Il Calvario."

For those of you that have heard the original record, you already know this piece. "Il Calvario" is about as powerful of a funeral march as you can imagine, featuring melancholic guitar- work by Dellacasa, augmented on this newest version by the work of the Italian strings ensemble Gnu Quartet. It should be noted that their strings contribution to the entire record goes a long ways as far as bringing it to life. These guys are no newcomers to prog, having worked with bands such as New Trolls in the past, and their subtle playing here really does the trick. Rather than its traditional ending with a narration, this new version of "Calvario" segue ways into "Aria della croce," a new solo from the dying Christ's perspective that will surely invoke tears. From here the band wraps up the album with several new pieces and arrangements that incorporate several themes and variations from the original album and this new version, touching on a few new topics like the gambling over Jesus' tunic and the rending of the temple. In the end, after many phenomenal orchestrations, splendid melodic rock, and marvelously executed dramatic narrations (by singers from Italian bands Circus 2000, New Trolls, Picchio dal pozzo, Pholas Dactylus, Sophya Baccini's Aradia, Jumbo, Osanna, and Il Tempio delle Clessidre), the album comes to a close: a new masterpiece.

Passio Secundum Matthaeum: The Complete Work took me by complete surprise (and storm), earning a well deserved spot in my list of legendary Italian albums. At this point, I'm still deciding whether or not a re-recording of an album can be in the running for album of the year against completely new releases, but the fact that there is so much new material on this album certainly makes it worth considering and even likely. On that note, check it out, it might just be on its way to becoming my top pick of the year.

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Send comments to Progulator (BETA) | Report this review (#1287497) | Review Permalink
Posted Saturday, October 04, 2014

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