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EASY GAME

Adrian Weiss

Progressive Metal


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Adrian Weiss Easy Game album cover
3.96 | 4 ratings | 1 reviews | 0% 5 stars

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Studio Album, released in 2014

Songs / Tracks Listing

1. Awkward Silence (4:44)
2. Instant Relief (4:03)
3. Aim to Please (4:23)
4. Immediate Measures (3:45)
5. The Last Days (4:16)
6. Hacienda (4:11)
7. Camel's Dance (4:19)
8. Second Sunrise (3:35)
9. The Offering (4:21)
10. Easy Game (4:05)
11. Night Owl (5:51)
12. Offbeat Frankenstine (5:15)

Total Time 52:48

Line-up / Musicians

- Lars Zehner / drums
- Marcel Willnat / bass
- Adrian Weiss / guitar

With:
- Demian Heuke (These Are the Days, Solo)
- Manuel Franken (Korsakow)
- Christian Muenzner (Obscura, Spawn of Possession, Necrophagist)
- Thorsten Praest (GUT)
- Jens Basten (Gloryful, Night in Gales, Deadsoil)
- Vito Papotto (Exotoxis, Gloryful)
- Jens Schaefer (Thought Sphere, Moment of Detonation)
- Mischa Lenz (Kinski's Eyes, Forces at Work)
- Mf-C (Kinski's Eyes)
- Tim Schulte (Stigma, Wölli Und Die Band Des Jahres)

Releases information

July 6, 2014

Thanks to mbzr48 for the addition
and to projeKct for the last updates
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ADRIAN WEISS Easy Game ratings distribution


3.96
(4 ratings)
Essential: a masterpiece of progressive rock music(0%)
0%
Excellent addition to any prog rock music collection(75%)
75%
Good, but non-essential (25%)
25%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

ADRIAN WEISS Easy Game reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by Windhawk
SPECIAL COLLABORATOR Honorary Collaborator
4 stars German composer and guitarist Adrian WEISS has been involved in various bands and projects since the '90s and is a seasoned performer and instrumentalist. In 2011 he decided to launch a solo career when he released the album "Big Time", a production that appears to have been met with a fair share of acclaim. "Easy Game" is Weiss' second solo album, self-released in 2014.

All in all, I find "Easy Game" to be an interesting album. Not a production with the same mass appeal as, for instance, Joe Satriani's earliest excursions, but a fine and good-quality affair that showcases a versatile instrumentalist, and one who is able to create songs that will have some appeal also outside of the typical instrumental metal guitar interested crowd. When that is said, I regard this album as one that first and foremost will intrigue that specific market, and then in particular those who tend to enjoy instrumental guitar albums featuring material of a more sophisticated manner in general and somewhat dominated by a progressive metal in particular.

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