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Crooked Mouth

Symphonic Prog

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Crooked Mouth One Bright Midnight album cover
3.00 | 14 ratings | 1 reviews | 0% 5 stars

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Studio Album, released in 2015

Songs / Tracks Listing

1. Rage (6:02)
2. Breathe In The Water (8:00)
3. Vice Versa (6:54)
4. Places To Hide (5:08)
5. Plague 47 (4:42)
6. Welcome To The Vampire State (6:05)
7. Tall Ships (6:10)
8. Come What May (4:12)
9. Hold Me (7:53)
10. (After) One Bright Midnight (2:39)

Total time 57:45

Line-up / Musicians

- Kenny Haig / lead vocals
- Ken Campbell / electric & acoustic guitars, backing vocals, keyboards
- Alison Mitchell / keyboards
- Mike McCann / bass, Chapman stick
- Leen / fretted & fretless basses
- Tony Hodge / drums, programming

- Rob Townsend / sax
- Eilidh Maclean / backing vocals
- Lynne Campbell / backing vocals, percussion, keyboards

Note : The actual instrumentation could not be fully confirmed at this moment

Releases information

CD Moon Brothers Music ‎- MBMCDA0315 (2015, UK)

Thanks to mbzr48 for the addition
and to Quinino for the last updates
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CROOKED MOUTH One Bright Midnight ratings distribution

(14 ratings)
Essential: a masterpiece of progressive rock music(0%)
Excellent addition to any prog rock music collection(29%)
Good, but non-essential (50%)
Collectors/fans only (14%)
Poor. Only for completionists (7%)

CROOKED MOUTH One Bright Midnight reviews

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Collaborators/Experts Reviews

Review by Windhawk
SPECIAL COLLABORATOR Honorary Collaborator
3 stars UK band CROOKED MOUTH is led by composer and musician Ken Campbell, and is a venture that has been in existence in multiple forms ever since 2001 and with three full length albums to their name so far. "One Bright Midnight" is the most recent of these, and was released through the presumed private label Moon Brother Music at the start of 2015.

A fairly light and elegant variety of progressive rock that is paired off with harder edged sequences and occasionally full songs taking on this firmer sound as well are the key aspects of this album as I experience it. Those fond of neo-progressive rock taking on an occasional harder edged sound appears as something of a key audience for this production, and then especially those who also favor occasional servings of quirkier progressive rock with more of an art rock spirit as an ongoing feature. A production with something of a niche appeal, as I regard it, and one that will most likely be cherished by those in this specific niche.

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