Header

BURNT WEENY SANDWICH

Frank Zappa

RIO/Avant-Prog


From Progarchives.com, the ultimate progressive rock music website

Frank Zappa Burnt Weeny Sandwich album cover
3.91 | 280 ratings | 25 reviews | 25% 5 stars

Excellent addition to any
prog rock music collection


Write a review
Buy FRANK ZAPPA Music
from Progarchives.com partners
Studio Album, released in 1970

Songs / Tracks Listing

1. WPLJ (2:52)
2. Igor's Boogie, Phase One (0:36)
3. Overture to a Holiday in Berlin (1:27)
4. Theme from Burnt Weeny Sandwich (4:32)
5. Igor's Boogie, Phase Two (0:36)
6. Holiday in Berlin, Full Blown (6:24)
7. Aybe Sea (2:46)
8. Little House I Used to Live In (18:41)
9. Valarie (3:15)

Total Time: 41:09

Lyrics

Search FRANK ZAPPA Burnt Weeny Sandwich lyrics

Music tabs (tablatures)

Search FRANK ZAPPA Burnt Weeny Sandwich tabs

Line-up / Musicians

- Frank Zappa / organ, guitar, arranger, composer, keyboards, vocals, producer
- Don Preston / bass, piano, keyboards
- Jimmy Carl Black / percussion, drums
- Lowell George / guitar
- Roy Estrada / bass, vocals
- Gabby Furggy / vocals
- Bunk Gardner / horn, wind
- Don "Sugarcane" Harris / violin, vocals
- Jim Sherwood / guitar, vocals, wind
- Art Tripp / drums
- Ian Underwood / guitar, piano, keyboards, wind

Releases information

1969 LP Bizarre RS-6370 / Rykodisc #RCD 10509

Thanks to ProgLucky for the addition
Edit this entry

FRANK ZAPPA MP3, Free Download (music stream)


Open extended player in a new pop-up window | Random Playlist (50) | How to submit new MP3s

Buy FRANK ZAPPA Burnt Weeny Sandwich Music


Burnt Weeny SandwichBurnt Weeny Sandwich
Zappa Records 2012
Audio CD$7.92
$15.68 (used)
Burnt Weeny Sandwich/The Grand WazooBurnt Weeny Sandwich/The Grand Wazoo
Remastered · Import · Explicit Lyrics
Audio CD$29.99
$15.00 (used)
Burnt Weeny Sandwich - 1st - wocBurnt Weeny Sandwich - 1st - woc
Reprise
Vinyl$157.80 (used)
Right Now on Ebay (logo)
Mothers Of Invention,Burnt Weeny Sandwich,Matrix endings A1 & B1. Frank Zappa,LP USD $26.57 Buy It Now 3h 7m
Burnt Weeny Sandwich Frank Zappa/The Mothers of Invention CD USD $7.99 [0 bids]
USD $10.99 Buy It Now
8h 34m
Burnt Weeny Sandwich by Frank Zappa/The Mothers of Invention (CD, Jul-2012,... USD $2.25 [5 bids]
11h 52m
Burnt Weeny Sandwich by Frank Zappa (CD, May-1995, Ryko Distribution) USD $9.99 Buy It Now 1 day
FRANK ZAPPA / MOTHERS Burnt Weeny Sandwich CASSETTE Tape US 1991 BARKING PUMPKIN USD $15.00 [0 bids]
1 day
1st pressing W7 FRANK ZAPPA BURNT WEENY SANDWICH LP USD $19.99 [0 bids]
2 days
BURNT WEENY SANDWICH FRANK ZAPPA MOTHERS OF INVENTION RYKO 1995 USD $9.99 Buy It Now 2 days
Frank Zappa The Mothers Of Invention - Burnt Weeny Sandwich - 238422 USD $17.86 Buy It Now 2 days
(FRANK ZAPPA -Burnt Weeny Sandwich)-wicked sense of humor and absurdity-D4-XLP USD $34.83 Buy It Now 2 days
FRANK ZAPPA**BURNT WEENY SANDWICH (2012 REMASTER)**CD USD $11.95 Buy It Now 4 days
21 Burnt Weeny Sandwiches (Frank Zappa) CD USD $4.69 [0 bids]
5 days
FRANK ZAPPA - BURNT WEENY SANDWICH NEW CD USD $18.16 Buy It Now 5 days
Frank Zappa / Mothers of Invention - Burnt Weeny sandwich 1970 orig. Bizzare LP USD $18.99 Buy It Now 5 days
FRANK ZAPPA - "Burnt Weeny Sandwich"- (1971 UK Reprise Tan Riverboat A1/B1) -NM USD $23.45 [0 bids]
5 days
FRANK ZAPPA Burnt Weeny Sandwich w/Mini Poster Limited Edition Mini LP Japan New USD $24.51 [0 bids]
7 days
FRANK ZAPPA / MOTHERS OF INVENTION 'BURNT WEENY SANDWICH' UK LP USD $46.89 Buy It Now 8 days
FRANK ZAPPA Burnt Weeny Sandwich GERMANY 2 X 1-sided vinyl TEST PRESSING !! USD $2,500.00 Buy It Now 8 days
FRANK ZAPPA BURNT WEENY SANDWICH (CD, May-1995, Ryko Distribution) BRAND NEW USD $49.99 Buy It Now 8 days
Burnt Weeny Sandwich, Frank Zappa, New USD $14.60 Buy It Now 9 days
FRANK ZAPPA UK Simply Vinyl Still Sealed BURNT WEENY SANDWICH 180g Audiophile LP USD $69.99 Buy It Now 10 days
Frank Zappa - Burnt Weeny Sandwich [CD New] USD $12.90 Buy It Now 12 days
FRANK ZAPPA/MOTHERS OF INVENTION - Burnt Weeny Sandwich CD (1970/1995) Ryko FZ4 USD $14.99 Buy It Now 13 days
Burnt Weeny Sandwich by Frank Zappa/The Mothers of Invention (CD, Jul-2012,... USD $16.95 Buy It Now 14 days
Frank Zappa/The Mothers of Invention Burnt Weeny Sandwich CD USD $17.50 Buy It Now 14 days
Burnt Weeny Sandwich by Frank Zappa/The Mothers of Invention (CD, Jul-2012,... USD $10.37 Buy It Now 14 days
Frank Zappa - Burnt Weeny Sandwich CD USD $17.69 Buy It Now 14 days
FRANK ZAPPA Burnt Weeny Sandwich Mothers of Invention 1991 Barking Pumpkin USD $17.95 Buy It Now 14 days
The Mothers of Invention Frank Zappa Burnt Weeny Sandwich Bizarre RS 6370 VG++ USD $37.49 Buy It Now 16 days
Frank Zappa - Burnt Weeny Sandwich - CD - (Universal 2012) USD $17.18 Buy It Now 17 days
Frank Zappa Burnt Weeny Sandwich USA CD album (CDLP) D274239 USD $27.35 Buy It Now 18 days
Frank Zappa CD album (CDLP) Burnt Weeny Sandwich UK 0238422 ZAPPA 2012 USD $27.36 Buy It Now 19 days
Mothers of Invention Burnt Weeny Sandwich LP Bizarre Records EX [Frank Zappa] USD $35.00 Buy It Now 20 days
Frank Zappa: Burnt Weeny Sandwich Japan CD Mini-LP VACK-1210 Mint (mot USD $49.50 Buy It Now 24 days
FRANK ZAPPA/THE MOTH - BURNT WEENY SANDWICH - NEW CD USD $9.92 Buy It Now 24 days
Frank Zappa : Burnt Weeny Sandwich CD USD $9.71 Buy It Now 25 days
Frank Zappa / The Mothers - Burnt Weeny Sandwich Gatefold Bizarre Orig USA LP USD $24.98 Buy It Now 25 days
FRANK ZAPPA & THE MOTHERS OF INVENTION BURNT WEENY SANDWICH 1969 W/BOOK POSTER USD $34.00 Buy It Now 26 days
Frank Zappa & The Mothers (1995 Rycodisc CD Playtested) Burnt Weeny Sandwich USD $9.88 Buy It Now 26 days
Frank Zappa The Mothers Of Invention - Burnt Weeny Sandwich NEW CD USD $15.26 Buy It Now 27 days
Frank Zappa:Burnt Weeny Sandwich Empty Promo Box [Japan Mini-LP no cd mothers Q USD $76.50 Buy It Now 27 days
FRANK ZAPPA 'BURNT WEENY SANDWICH' CD (2012 Re-Issue) USD $18.37 Buy It Now 28 days
Burnt Weeny Sandwich - Frank Zappa New & Sealed Compact Disc Free Shipping USD $20.40 Buy It Now 29 days
Mothers Of Invention Burnt Weeny Sandwich Frank Zappa USD $28.00 Buy It Now 29 days


More places to buy FRANK ZAPPA music online Buy FRANK ZAPPA & Prog Rock Digital Music online:
  • AmazonMP3: Search for FRANK ZAPPA DRM-Free MP3 Downloads @ AmazonMP3 (USA Only) | AmazonMP3 (UK Only)

FRANK ZAPPA Burnt Weeny Sandwich ratings distribution


3.91
(280 ratings)
Essential: a masterpiece of progressive rock music(25%)
25%
Excellent addition to any prog rock music collection(45%)
45%
Good, but non-essential (26%)
26%
Collectors/fans only (3%)
3%
Poor. Only for completionists (0%)
0%

FRANK ZAPPA Burnt Weeny Sandwich reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by daveconn
PROG REVIEWER
4 stars A mishmash of musical grotesqueries, or yet another example of ZAPPA's calculated dementia as art? I'm not asking you to decide, since "Burnt Weeny Sandwich" is probably both. It starts off innocently enough with the Cruising-compatible "WPLJ" and closes with another disarming doo-wop send-up in "Valarie", but it's what's in the middle of "Burnt Weeny Sandwich" that merits attention. Quasi-orchestral lounge music, searing guitar solos, classical jazz, dissonance, deliberate destruction of music's smooth facade. This is "serious" music filtered through ZAPPA's unique sense of humor, iconoclasm on a surprisingly intimate scale. Selections like "Holiday In Berlin, Full Blown" and "Little House I Used To Live In" belong with most of "Hot Rats" in the hall of great instrumental moments. But where Rats was focused more on jazz/rock fusion, Weeny fuses together the wildly divergent aspects of Frank's muse into a complex stew (Weasels would repeat this experiment). Underneath the chaotic haze, great ideas are afoot. "Theme From "Burnt Weeny Sandwich"" and the brief "Ivor's Boogie, Phase One" are carefully contrived to combine ugliness and art, the band sounding on the verge of careening off the printed score into noisy "Oblivion", riveting the listener like a high- speed car chase where we wait breathlessly for the inevitable crash. Not being familiar with Lumpy Gravy or Uncle Meat, the Mothers' most avant-garde outings to date, I can't tell you where Burnt Weeny begins and they end. However, according to ZAPPA's project/object theory, this clearly belongs to the same object as Weasels Ripped My Flesh and perhaps to "Hot Rats" as well, forming at least a contiguous trio of orchestral/jazz/rock efforts that put ZAPPA's compositional genius to the test. The Flo & Eddie follies effectively ended this chapter, only to have it resurrected by (in part) 200 Motels, Waka/Jawaka and The Grand Wazoo.

From these two trios come some of ZAPPA's most brilliant and ambitious music, with Burnt Weeny in the top half of that group, and thus one of ZAPPA's essential recordings.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to daveconn (BETA) | Report this review (#29643) | Review Permalink
Posted Tuesday, May 04, 2004

Review by Philo
PROG REVIEWER
3 stars Like Focus eased my fear of yodelling with their "Hocus Pocus track, Frank Zappa's Mothers have lessened my hate for doo wop with the songs that book end this album. Not that I'll be running out to purchase the Cruising With Rubin And the Jets album just yet, or probably ever for that matter. No. I am certainly no Zappa freak, that's for sure. I don't think I have the patience or money to get engrossd in the murky world of becoming a complete Zappaholic. It was the interest in jazz/rock fusion which led me to the path of Frank Zappa's Hot Rats album, which was probably inevitable really as it is probably the pioneering jazz/rock fusion album and therefore a must for many collectors, even if only from a historical standpoint. After having and heard and lived with Hot Rats I was eager at that point to see what had floated around the album, as I knew that it hardly just came out of the air, but there had to have been progression. Hot Rats, to me, was a complete and very well executed album. Zappa merged and weaved the music to a fine fix. So after obtaining Uncle Meat, a real eclectic and at time both frustrating and engrossing affair I went the whole hog by completing my own personal Zappa trilogy by getting my grubby hands on a Burnt Weeny Sandwich. So the doo wop numbers "WPLJ" and "Valerie" were interesting, typically Zappa like humorous, but between the posts of those tracks was the real core of the album, the music which I was drawn to as if by magic. The music is wild and haphazard, witty, fun. Some of the pieces come across like moments from Hot Rats, but underdeveloped, poorly played perhaps by this incarnation of the Mothers Of Invention, whom I'm unsure of the actual personnel as I'm really too lazy to check the liner notes. I'm also unaware of most of the titles of the tracks, but when it comes to instrumental music that is just the way it is with me. But lets just say it was enjoyable, a little quirky and wild but very easy to play over and over. But I really bought it for the album cover.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to Philo (BETA) | Report this review (#71566) | Review Permalink
Posted Friday, March 10, 2006

Review by belz
PROG REVIEWER
3 stars 3.4/5.0 Another mixbag of great stuff and... let's say less great stuff. Beside " Little House I Used to Live In" which is a great - and long - prog song, the two best songs are the first and the last one, yet do-wop songs again from Frank Zappa! So, I think it says a lot when the do-wop songs are some of the highlights of the album.

On the plus side, however, there are a lot of great instruments used on the album, particularly Underwood piano on Aybe sea, which is gorgeous (but still, the song is short ). Another great song: "Theme from Burnt Weenie Sandwich", which creates an interesting prog atmosphere which is pretty different to the usual Zappa chaos...

It is a good album to listen to, but not an essential one. 3.4/5.0

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to belz (BETA) | Report this review (#77984) | Review Permalink
Posted Friday, May 12, 2006

Review by oliverstoned
SPECIAL COLLABORATOR Honorary Collaborator
4 stars Burnt weeny sandwich seems to be an underrated Zappa album.

Released in 70', Zappa was at the end of the "collage" period and just before its great jazz-rock era which culminates with the two masterpieces: "Waka / Jawaka" and "The gran wazzo" in 1972.

"Burnt weeny sandwich" offers an original blend of 50's pop song's parody (the humorous side), contemporary music and beautiful Zappa's guitar at its most inspired.

Kind of collage, the music alternates from ridiculous parody moments to experimental inventive contemporary interludes to reach the top with progressive flights leaded by Zappa's sublime guitar work: Never Zappa's solos has been so moving and subtle, especially on the beautiful "Theme from Burnt Weeny Sandwich" and "Holiday in Berlin, Full Blown", the two highlights.

The long piece "Little House I Used to Live In" offers something different: a furious jazz-rock tune leaded by Don "Sugarcane" Harris violin.

Overall, an essential album from the best period.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to oliverstoned (BETA) | Report this review (#86137) | Review Permalink
Posted Tuesday, August 08, 2006

Review by Alucard
SPECIAL COLLABORATOR Honorary Collaborator
4 stars In 1969 Zappa decided to disolve the 'Mothers Of Invention' ,mainly due to financial problems and from july to september Zappa recorded his first solo record with Ex-Mother and multinstrumentalist Ian Underwood, Don Sugarcane Harris and guests. Zappa had always recorded a lot for his personal archives and for the rest of the year he compiled 'Mothers' material from 1968 and 1969 for the release of two records : 'Burnt Weeny Sandwich' (released in dec.1969) and 'Weasels Ripped My Flesh' (released in Feb 1970). Despite the fact that both records contain older material, the tracks are no leftovers but carefully assembled masterpices, edited often from several source tracks( live and studio) , spiced with the typical Zappa humour. 'BWS' represents more the neo- classical Zappa side, 'WRMF' the Free-Jazz inspired side.

The record starts and ends with two Doo-wop tracks, ' a genre that Zappa loved :'WPLJ' (White, Porto, Lemon-Juice) and 'Valeri'. Both tracks are covers, the first from the '4 Deuces' and the second from 'Jacqui &The Starlites', featuring Roy Estrada on falsetto vocals.

Next section : two small neo-classical compositions in Stravinsky style : 'Igor's Boogie, Phase One & two' featuring Ian Underwood on clarinette.

The theme for 'Overture to a Holiday in Berlin' and 'Holiday in Berlin, Full Blown' is one of the oldest Zappa compositions and was written around 1960 for the film 'The World Greatest Sinner'. The theme appeared also later on '200 Motels' as 'Would You Like A Snack ? 'The 'Berlin' title comes from the 1968 tour and refers to a concert in Berlin, when the students asked Zappa to support their ideas and actions and on a refusal by Zappa, they throw tomatoes and assorted stuff on stage. BTW on the official boot 'Freaks and Motherf...'is a version with lyrics telling the story. The music itself another brillant neo- classical piece , integrating in the fullblown version a march for speeded up marimba and a Zappa solo in the second half.

'Theme from Burnt Weeny Sandwich' a live track integrating a great Zappa solo and featured percussion.

'Aybe Sea' is a beautiful composition featuring harpsichord in the first half and later acoustic guitar and piano...

... seguing into the long masterpiece 'Little House I Used to Live In', a track that alternates live and studio material . The piano introduction by Ian Underwood( reminding strongly Debussy's 'Etudes') gives place to the main theme (live) featuring organ, guitar and sax. A rhythm change introduces a jerky dance tune, followed by a Zappa solo, then a long Sugarcane Harris solo on electric violin, a piano solo and the second part of the Harris solo, before a reprise of the main theme (studio) on harpsichord, marimba, clarinette and sax. The track ends with an organ solo by Zappa himself. During the following applause an audience member criticizes some soldiers in uniform among the audience and gets a typical Zappa answer in return : "Don't fool yourself, everybody in this room is wearing a uniform!"

A great compilation of the '1968 Mothers' !

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to Alucard (BETA) | Report this review (#88382) | Review Permalink
Posted Tuesday, August 29, 2006

Review by Bj-1
SPECIAL COLLABORATOR Honorary Collaborator
4 stars Purchase this if you want to get into Zappa's RIO/Avant-Rock works without getting smacked in the wall by his other albums released at that time's blistering inaccessibility. Here we get a delicious slice of RIO, only in a slightly more "normal" way, at least for Zappa's standards. The songs varies between jazz, rock and avant-garde, and mixes it into something that sounds like a mix of Henry Cow and "The Grand Wazoo". The two doo-wop tracks that starts and concludes the album might not be appealing for everyone though, but I think they're both OK, but the album definitely would have been better without them. The instrumentation is, as always, excellent and all arrangements works well, without sounding tiresome.

That being said, the best track here have to be the 18-minute epic, "The Little House That I Used To Live In", one of Zappa's very best tracks from his work with The Mothers. The rest of the album is also very good with the two Igor Stravinsky tributes "Igor's Boogie Pahse 1" and "Phase Two" being two humouristic stand-outs here. This album is very much recommended, both for older and newer Zappa fans. 4.25/5

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to Bj-1 (BETA) | Report this review (#99552) | Review Permalink
Posted Sunday, November 19, 2006

Review by Mellotron Storm
PROG REVIEWER
4 stars ZAPPA truly made this record like a sandwich with the bread being the first and last songs, both silly but well done doo-wop tunes. But it's the amazing instrumental music that is in between that makes this a must have ZAPPA record. If you like "Hot Rats" then I think you will love the over 35 minutes of accessible instrumental music that is offered here.

"Igor's Boogie Phase One" is a tribute to one of ZAPPA's heroes Igor Stravinsky, and the percussion is pretty cool. "Igor's Boogie Phase Two" is much like the first one. "Overture To A Holiday In Berlin" has some nice orchestration and a brief but well done sax solo. "Theme From Burnt Weeny Sandwich" is such a good instrumental that is guitar driven with some orchestration.

"Holiday In Berlin Full Blown" is a beautiful display of sax, xylophone, piano and guitar solos. Great tune. "Aybe Sea" I suppose d, e, f should follow. Anyway Ian Underwood gives us some excellent piano melodies on this one but not before we are treated to some harpichord. "Little House I Used To Live In" is almost 19 minutes long and opens with a long piano melody that has been continued from the previous song. The song becomes uptempo with drums, horns, piano and most of all electric violin melodies. Just a brilliant tune.

This one surprised me, I wasn't expecting so much serious and amazing instrumental music. If you can put up with the two doo-wop songs you'll find a treasure of instrumental music.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to Mellotron Storm (BETA) | Report this review (#113781) | Review Permalink
Posted Tuesday, February 27, 2007

Review by Seyo
SPECIAL COLLABORATOR Honorary Collaborator
3 stars Mixing 1950s Doo Wop R'n'R with lengthy jazz improvisations, this album is an interesting insight into the late 1960s Zappas transformation period, still looking for a right direction, but the ending result appears not so strong as some later albums. Of course, there are several stunning guitar solos, orchestral imaginative arrangements and quite awsome percussion/vibraphone moments, but overall I don't find this album really essential.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to Seyo (BETA) | Report this review (#126036) | Review Permalink
Posted Saturday, June 16, 2007

Review by Man With Hat
COLLABORATOR Jazz-Rock/Fusion Team
4 stars Mmmm...sandwich.

With Burnt Weeny Sandwich Zappa put the hold on his jazz/rock fusion to create a sound that isn't as clearily identifiable. In a way, I like to think of it as mix of Uncle Meat, We're Only In It..., and Hot Rats (but a more subtle jazziness instead of the hot fusion that dominates Hot Rats). Or if you care to look at it from later works, this is a more subdubed and controled Weasels Ripped My Flesh. These of course are just generalizations, and the sound is really hard to pinpoint. The main culprits at play are classical, avant, jazz, and rock, which IMO makes this a great introduction to Franks classical works.

The bread of this sandwich are two doo-wop tracks. They are somewhat enjoyable, but don't really add anything to the mix (but don't take away either), except for making this album a literal sandwich. The real fun begins with the weenies. From Igor's Boogie to Aybe Sea this album stakes its claim as a classical rock record. This is done to near perfection. The Igor's Boogies along with Aybe Sea, show more of the classical side of this record, with Aybe Sea being a classic Zappa song in every respect featuring excellent guitar and piano. Theme From Bunrt Weeny Sandwich emphasizes the rock in this equation with Frank giving a great solo over some demented percussive sounds. Then we have The Holiday In Berlin songs. These two make a nice blend of classical and rock influences (with jazz, waltz, big band, avanty influences, as well) and create some special moments throughout. Holiday In Berlin (Full Blown) is again, a classic Zappa track. However, the show is stole by the monster of Little House I Used To Live In. This jazz- rock critter (still with classical influences) never fails to dissapoint. Great percussion work, violin solo, guitar solo, and one of my favorite melodies that Zappa created all make this track another Zappa classic (especally with the ending).

All in all, this album is filled with goodies that should be heard. One of the Zappa's first more classical albums makes this somewhat interesting in a histroical regard. This one also provides more edvince of the great song writer/arranger Zappa was. Fans of any of the styles above (with the excpetion of doo-wop) will find plenty to love about Burnt Weeny Sandwich. And once again, this album seems to be a bit underrated by Zappa fans, or at least underappreciated. I believe this album's diversity and progressiveness earn this album a very strong 4 stars. Recommended.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to Man With Hat (BETA) | Report this review (#169185) | Review Permalink
Posted Wednesday, April 30, 2008

Review by UMUR
SPECIAL COLLABORATOR Honorary Collaborator
4 stars Burnt Weeny Sandwich were as well as Weasels Ripped my Flesh released after The Mothers of Invention was disbanded by Frank Zappa in 1969. This means that in both cases itīs archive recordings. Unlike most other artists who release archive recordings after the end of their career ( well Frank Zappa was still very active but The original Mothers of Invention had been disbanded) Burnt Weeny Sandwich is a very worthy purchase and almost fully on par with the regular studio albums from The Mothers of Invention. Many of the old Mothers on Invention albums were made this way anyway. The Mothers of Invention recorded a large bulk of songs at a time but they were not always released on the same album. Many of the songs on Weīre Only In it for the Money, Lumpy Gravy, Cruising with Ruben and the Jets and Uncle Meat were recorded almost at the same time and then only later put together again for full albums. This is also the case with Burnt Weeny Sandwich.

Burnt Weeny Sandwich is almost entirely instrumental but very different from the jazz/ rock of Hot Rats which was the previous album Frank Zappa released. That was of course a solo release and shouldnīt be counted when weīre talking about The Mothers of Invention and since the songs on Burnt Weeny Sandwhich is likely recorded a while before Hot Rats itīs understandable.

The album consists of nine songs. The first and the last track are fifties doo woop/ rīnīb songs with vocals while the rest of the songs are instrumental mostly theme based songs. WPLJ and Valarie are both very enjoyable little doo woop/ rīnīb songs and especially WPLJ takes the price as one of the best in this style Frank Zappa ever made. Most of the songs are pretty short typical Mothers Of Invention instrumental songs which reminds me a bit of some of the songs from Uncle Meat. Aybe Sea is a bit different as it is a piano song which serves as a showof of Ian Underwoodīs considerable piano talents. Little House I Used to Live In is a 18:41 minutes long and starts out with some great playing of an instrumental theme. Later thereīs a great violin solo from Don Sugarcane Harris and some great piano playing from Ian Underwood. Theme from Burnt Weeny Sandwich is a vehicle for a Frank Zappa guitar solo and it kind of reminds me of Nine Types of Industrial Pollution from Uncle Meat as Theme from Burnt Weeny Sandwich also has some strange percussion in the background of the mix. There are also some Conceptual Continuety here or rather some of the themes here are used later in some of Zappaīs songs. For example Would You like a Snack ? from 200 Motels uses the theme from Holiday in Berlin, Full Blown. The theme is instrumental on Holiday in Berlin, Full Blown while it is sung by Flo & Eddie on Would You like a Snack ? from 200 Motels. I like both versions very much.

The Mothers of Invention were exceptional musicians and prove it here once again. But as on Uncle Meat Ian underwood steals the picture more than anyone with his beautiful piano playing.

The sound quality is very good. Fully on par with the previous albums from The Mothers of Invention.

Burnt Weeny Sandwich is an excellent album from The Mothers of Invention, and even though itīs not a complete masterpiece in my ears, itīs definitely a must for fans of Frank Zappa. This is not just a fan thing though as other people might enjoy this one too. Iīll rate Burnt Weeny Sandwich 4 stars without hesitation for the great songs and the excellent musicianship.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to UMUR (BETA) | Report this review (#170052) | Review Permalink
Posted Tuesday, May 06, 2008

Review by tarkus1980
PROG REVIEWER
5 stars Do you know why I like Frank Zappa? It's not just because of his status as a musical revolutionary, and it's not just because of the large amount of brilliant work that attaches to his name. I like Frank Zappa because, for all of his many studio accomplishments within and without The Mothers, I can state that my favorite Zappa album is a collection of reworked live outtakes, and I can (seemingly) do so without an incredible amount of dissent from other Zappa fans. I love absurdity, don't you?

On paper, this is, definitely, a really bizarre choice for a favorite Zappa album. It consists of nine tracks, two of which are regular doo-wop (these bookend the album), two of which are :36 each of dissonant interlude and one of which is an "overture" to another piece. The remainder, as far as I'm aware, is a mix of live instrumental improvisations, modern- classical and jazz-fusion outtakes, some of which were first recorded live and then taken into the studio. Except for the doo-wop numbers, there are no vocals at all, barring a moment at the end of "Little House" during the audience applause when there's a mildly tense moment between Zappa and an irritated fan.

In short, then, one might wonder how such a hodge-podge collection could ascend to such a lofty place in terms of my regard for Frank and Co.; indeed, there was a good while after I realized how much I loved the album where I'd start to play it and try to remember what on earth it was that had made me so ga-ga over it in the first place. I mean, the doo-wop tracks ("WPLJ" and "Valerie;" both are covers, despite me being told initially that the latter was a Mothers original) are hardly spectacular, nor do I think they're meant to be; aside from a funny monologue at the end of the former, they would completely pass me by on another album. Same goes for "Igor's Boogie (Phase One)" and "Igor's Boogie (Phase Two);" it's very likely that on another album I might even be actively complaining about these two tracks.

But you know what? I don't (in general) review collections of individual tracks; I review albums, and this is a clear case (in my mind) of the distinction between the two. The collection and sequencing of the tracks on this album absolutely amazes me, because Frank accomplishes three significant tasks in doing so (which I will address one by one), all the while throwing in a bonus trait for good measure. The first regards the tension and release thereof throughout; the second regards the symmetry of the album (though actually this is very tied to the first, and could be called trait 1a); the third regards the way Frank creates a "proxy" for the band's overall work. The fourth is that there's actually a strong dose of un-ironic emotion on here, an accomplishment for sure from Frank, but I'll get into that.

First, the tension and release aspect. One of the aspects I enjoyed the most about Freak Out! was the way Frank played on the inherent expectation of a wild, crazy, mind-blowing experience by instead providing a bunch of pop and doo-wop parodies, thus making the later effect of "Help, I'm a Rock!" et al that much more pronounced. I realized after first reviewing it that that album was very much, in terms of building up to a storm, a sort of studio equivalent of Bob Dylan's Live '66 album, at least in terms of toying with the audience. Well, Frank does a similar thing here, though the actual purpose is slightly different (there isn't an explicit message here). The opening combination of "WPLJ" and "Igor's Boogie 1" works well along these lines, making the listener wonder why on earth Frank would put two tracks like that immediately together, and "Overture to a Holiday in Berlin" ups the ante by featuring a "romantic" theme that happens to have some of the instruments way, waaaaay flat. "Theme From Burnt Weeny Sandwich" (a very pleasant, hypnotic instrumental that mostly stars Zappa and his wah-wah pedal) acts as a pleasant "diversion" (one that just happens to really really rule), before "Holiday in Berlin, Full Blown" manages to "correct" the partial flatness of "Overture" in one of its parts (its many parts add up to one of the loveliest modern-classical/jazz instrumentals I can imagine; the last half of it features more of Zappa's guitar skills at their most hypnotic), thus releasing the tension that came specifically from that part earlier on.

But of course, that doesn't relieve all of the tension of the first side, and the very beginning of side two's "The Little House I Used to Live In" piles its own lump of tension into the pile as well. It's soooo intricate and so full of different moods and great melodies, even just within the first five minutes or so (which begins with a couple of minutes of piano improv), as it builds into a multi-instrumental extravaganza, then lets Frank's guitar take over for a bit ... and then we get it. I cannot stress enough how much I absolutely love the violin solo that then proceeds to own something like the next ten minutes of the track (it disappears for a little bit in favor of some piano, but let's not be picky). My preferred analogy to describe how I hear it is to say that it's as if the first half of the album has been placed upon on a sacrificial altar, and the violin solo is the soundtrack to the ritual act itself, but even then I'm not sure I'm accurately conveying my thoughts on it. It's just ... it's just unbelievable. It creates some tension as it goes along, yes, but it also (in my mind, anyway) manages to wipe away a huge chunk of its own tension and the remaining tension from the first side, which (along with being absolutely awesome on its own) is enough to make me adore it.

The piece goes on a bit more after the solo is done, dissolving a good 95% of the remaining tension, calling up some of the themes from side one for good measure (more later), and then ends to a thundering burst of applause. Then it's off to "Valerie," and we're done. Which brings me to point two, the symmetry of the album. Let's see, the album starts and ends with a doo-wop member. "Theme From Burnt Weeny Sandwich" is immediately preceded by "Igor's Boogie (One)" and "Overture to a Holiday in Berlin," and immediately followed by "Igor's Boogie (Two)" and "Holiday in Berlin, Full Blown." Side one ends with an extremely beautiful piano-and-harpsichord based instrumental in "Aybe Sea" (heh), then side two begins with a minute of piano improvisations. Ooh, and don't forget about the very end of "Little House" featuring not only a return to the same organ-driven instrumental texture as the start of the track, but which also quotes "Aybe Sea" in parts! Hell, there's probably more of these things that I'm forgetting about, and what's here is already impressive.

Part three regards the way Zappa manages to make the album so representative of The Mothers' career despite theoretically not doing so. He manages to bring in the doo- wop/sarcastic pop side, the occasional dissonance-for-its-own-sake side, the nods-to-jazz side, the genre-fusion side, the wow-that's-intricate-stuff side, and even the cultural-war side ("Take that uniform off!" "Everybody in this room is wearing a uniform, and don't kid yourself."). To a large degree, one could argue that the whole gist of the band's career is summed up by those characteristics; it misses out on a lot of the finer details, of course, but for an album with only nine tracks, hitting that much of the band's essence is pretty impressive.

And, finally, there's an aspect here that is not routinely found in other Zappa albums, and that is actual emotional resonance (as opposed to mockery of resonance, which is the closest thing to it that was usually achieved in the other albums). There is unironic beauty to be found in tracks like "Holiday in Berlin," "Aybe Sea" and "Little House," and from a man like Zappa, who seemingly devoted most of his life to mocking beauty, that is truly something to behold.

So that's a good start to summarizing why I like this album so much, more than any other Zappa I've heard, and enough to put it in my overall top 50. I enjoy it to pieces, and it works on so many intellectual levels at the same time that I can't help but also feel wonder at its overall construction. A Zappa collection without this (and it can exist, because it doesn't get publicized as much as many of his other albums do) is really missing the heart and soul of the man.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to tarkus1980 (BETA) | Report this review (#287673) | Review Permalink
Posted Monday, June 21, 2010

Review by Sean Trane
SPECIAL COLLABORATOR Prog Folk
4 stars One hot the last Mothers album before Frank decided to try it alone with Hot Rats and the very successful and more instrumental series of albums, although this one is already a fine change or departure from the previous senseless insanities of double Mothers albums like 200 Motels and Uncle Meat.

An album that's often been (wrongly, IMHO) linked with Uncle Meat (probably due to the carnal artworks and titles), BWS doesn't start very well with that dumb doo-wop-like WPLJ tune, but from the very next track the album veers into a fantastic instrumental Overture/Theme BWS book-ended by the short Igor's Boogie pieces where the music alternates between modern classical and klezmer to jazz-rock. Then we get the Holiday In Berlin track where we'd gotten a theme preview with the previous Overture, where the semi-grotesque Oktoberfest-like music dominates at first, then leading into another fine jazz-rock instrumental, soon segueing in Aybe Sea (ABC), which is another good instrumental filled with Underwood's piano.

The flipside is mainly occupied by the lengthy Little House I Used To Live In, lasting almost 19-mins, which opens with a piano-dominated intro (Underwood again), before the piece- proper jumps into a wild instrumental passage that features a solid violin solo, care of Sugar Cane Harris (although I'd have preferred Ponty's intervention, but this is nitpicking), but not before Frank's outstanding guitar outing and Preston finishes the job on piano. The closing Valarie is a classically-inspired track that starts pastoral and acoustic but veers rockier and chaotic The ensuing live track starts doo-wop-ish on a parody of or pastiche of Barbara-Ann

Clearly one of the early line-up Mothers' best albums with Weasels, Burnt Weeny Sandwich is better compared to Rats, Chunga and the likes and if it didn't start so catastrophically, it could compare even more favourably.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to Sean Trane (BETA) | Report this review (#300048) | Review Permalink
Posted Wednesday, September 22, 2010

Review by Evolver
SPECIAL COLLABORATOR Crossover & JazzRock/Fusion Teams
4 stars By this time, with only a few of the original Mothers Of Invention left in the band, Frank Zappa had molded the band into a pretty good jazz/classical combo. And the music he wrote for them is some of what puts Uncle Frank in the ranks of the 20th century masters.

The album opens and closes with light doo-wop style songs, similar to the pieces on Ruben & The Jets. WPLJ and Valerie were probably meant to get som airplay. But it's what's inside this sandwich that makes the album special.

The two Holiday In Berlin pieces are some of the finests classical works in Zappa's repertoire. He must have known that, as well, as theme from this popped up in works throughout the rest of his career. And the original, and best recording of Little House I Used To Live In is an amazing jazz fusion piece, despite the obvious splices from different performances.

In my opinion, this is a must have album in your Zappa collection.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to Evolver (BETA) | Report this review (#313105) | Review Permalink
Posted Thursday, November 11, 2010

Review by Anthony H.
PROG REVIEWER
4 stars Frank Zappa: Burnt Weeny Sandwich [1970]

Rating: 7/10

Burnt Weeny Sandwich, along with its companion album Weasels Ripped My Flesh, is a collection of Mothers material recorded during 1967-69 and released after the band dissolved. Thus, this is a collection of (mostly) jazz-fusion tracks, representing Zappa's most prevalent style during that period. The album begins and ends with doo-wop covers, but the rest is stylistically similar to Uncle Meat: experimental jazz-rock with no dearth of complex piano/sax lines.

The opener "WPLJ" is probably my favorite doo-wop song from the Mothers. It's a cover of a 1950s song from a group called The Four Deuces, and the rather stupid lyrics are presented in a hilarious and catchy fashion. "Igor's Boogie, Phase One" is a very short complex piece with dissonant sax and percussion. "Overture to a Holiday in Berlin" is another short composition, with pleasant acoustic guitar transitioning into dissonant violin and xylophone. Zappa finally breaks out his guitar during "Theme from Burnt Weeny Sandwich." "Igor's Boogie, Phase Two" continues in the same vein as Phase One; disharmonious sax and kazoo dominate. "Holiday in Berlin, Full-Blown" begins with a complex piano rhythm that moves into big-band style sax. Excellent xylophone reprises the main hook and Zappa plays a wah-heavy solo for the rest of the track. "Aybe Sea" is a harpsichord/piano composition with a catchy main hook. The eighteen-minute "The Little House I Used to Live In" is the centerpiece of the album; its quality nearly puts it on the level of Hot Rats. It starts with quiet piano, and then moves into the main theme on distorted guitar and clarinet. The highlight of the album follows: a long violin solo from Don "Sugarcane" Harris that may just be as good as the one on "The Gumbo Variations." The track concludes with a sped-up reprise of "Aybe Sea." The album ends with "Valarie", a rather uninteresting doo-wop cover.

Although certainly not Zappa's best jazz-fusion album, Burnt Weeny Sandwich is an excellent album with all the creativity, musicianship, and compositional brilliance that one expects from Uncle Frank. The sublime "The Little House I Used to Live In" is enough to make this album worth checking out. Although Zappa's jazz composing had not yet reached its full potential when most of these tracks were recorded, Burnt Weeny Sandwich is highly recommended to any Zappa fan, or to anybody who appreciates complex and intricate music.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to Anthony H. (BETA) | Report this review (#435149) | Review Permalink
Posted Monday, April 18, 2011

Review by Warthur
PROG REVIEWER
5 stars One of two posthumous Mothers of Invention collections Zappa would release in the immediate aftermath of the band's breakup (more archival material would eventually trickle out over the years), Burnt Weeny Sandwich is structured like its title: the "bread" of the sandwich consists of WPLJ and Valarie, two of the Mothers' twisted doo-wop attempts - WPLJ is a straight out comedy song, whilst Valarie is a lament for lost love which actually sounds kind of sincere for once. As for the meat, we have a selection of Zappa compositions delivered in note- perfect form by the Mothers, which a tendency to showcase Zappa's classical influences - the "Igor" of Igor's Boogie being most likely Igor Stravinsky.

These tracks are almost entirely instrumental, making this an album you'll absolutely love if, like me, you liked the instrumental tracks on Uncle Meat. What pushes it into the must-have category is The Little House I Used to Live In, an epic track that takes up most of the second side and takes us through the Mothers' entire sonic universe before depositing us at a live concert (where we get to see Zappa's good-natured handling of a heckler). Maybe it is a posthumous Frankenstein rising from the MOI's grave, but it's an expertly designed one.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to Warthur (BETA) | Report this review (#452996) | Review Permalink
Posted Saturday, May 28, 2011

Review by AtomicCrimsonRush
SPECIAL COLLABORATOR Symphonic Team
3 stars After having heard the satirical bizarre side of Zappa this album took me by surprise as it is rather restrained by Zappa's standards. It features lengthy flute sections and some mesmirising beauty on organ. Frank Zappa plays multi instruments such as organ, and guitar. He is joined by the accomplished Don Preston on bass and piano, as well as Jimmy Carl Black on drums. The excellent guitar embellishments are courteousy of Lowell George, and the basslines of Roy Estrada are rhythmic augmenting the sound. There are others involved in this polished craftsmanship such as Gabby Furggy on vocals and Zappa stalwart virtuoso Ian Underwood on keyboards and guitar. The brass section of Bunk Gardner's horns and woodwind lend a truly majestic ethereal quality, and these are backed by Don "Sugarcane" Harris's violins. Together this band is able to create a compelling sound and one that is unique in the extensive catalogue of Zappa related projects.

The album is mainly instrumental and at times the jam sessions hook into a hypnotic groove that entrance the listener. The trademark doo wop style is there as usual but it is not as laboured as other albums. The music ranges from neo-classical to straight out rock. Highlights include WPLJ, Holiday in Berlin, Full Blown and the epic Little House I Used to Live In. The opening track and epic finale are the best moments but overall the album is an enjoyable listen showcasing the virtuoso musicianship of the Mothers of Invention. The tracks blend together and come across as one seamless work of art. Zappa is notorious for chatting to the crowd and this is no exception as he backchats an audience member who complains about the soldiers in the arena; Zappa retorts "Don't fool yourself, everybody in this room is wearing a uniform." Another solid album for Zappa in a period where prog music was becoming defined and formulated.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Send comments to AtomicCrimsonRush (BETA) | Report this review (#603417) | Review Permalink
Posted Thursday, January 05, 2012

Latest members reviews

5 stars The humor in this one is in the music. But so is the genius. This release is mostly studio work with a little bit of live performance mixed in for good measure and to help make the entire album more concise. Even the long track "The House I Used to Live In" is mostly studio despite the audien ... (read more)

Report this review (#1301812) | Posted by TCat | Saturday, November 08, 2014 | Review Permanlink

4 stars Oh Zappa how I love thee, A hardy soul indeed you must be to understand this dude. Those without a sense of humor should run like hell, I always have felt Zappa's strongest trait was, his music sounds like he does not take himself to seriously, I detect no pretentiousness at all, What you see is ... (read more)

Report this review (#524991) | Posted by darkprinceofjazz | Friday, September 16, 2011 | Review Permanlink

4 stars 'Burnt Weeny Sandwich' is a fine example of the impatient variety of Frank Zappa's music. It has all the fast-moving attention deficit tendencies of a mind that is too full and quick to get stuck in a rut, and doesn't even know the meaning of the word 'boredom'. A common criticism of some of Za ... (read more)

Report this review (#176494) | Posted by song_of_copper | Friday, July 11, 2008 | Review Permanlink

3 stars WPLJ A catchy doo wop opener with nice vocals, although the spoken outro makes it a bit worse. 4.5 stars Igorīs boogie phase I A weird filler. Not even a minute in length, this is an uninspired horn instrumental. 0 stars Overture to a holiday in Berlin Out of tune, but on purpose. In fact, ... (read more)

Report this review (#133180) | Posted by Peto | Wednesday, August 15, 2007 | Review Permanlink

5 stars I can't believe no one gave 5 stars to this Zappa's Masterpiece. It is unbelievable, the perfect marriage between rock, jazz and classical music. You start with "WPLJ", a song ironic and maybe not as fantastic as you thought, but then you have "Igor's boogie phase 1", a 36 second's track that ... (read more)

Report this review (#113603) | Posted by | Monday, February 26, 2007 | Review Permanlink

4 stars This album contains one of my Frank Zappa favorite top 5 solos: Holiday in Berlin, Full Blown. I have been listening this song for years never getting tired of it. I read once an "expert" comment who said that this song has Zappaīs most subtle solo and I tend to agree. While I am a true fa ... (read more)

Report this review (#78264) | Posted by Akebono | Monday, May 15, 2006 | Review Permanlink

4 stars Burnt Weeny Sandwich is one of the 1970 posthumous releases of The Mothers by Frank Zappa. It sounds very similar to Uncle Meat besides WPLJ and Valarie, which of course sound like songs from Cruising With Ruben & the Jets. The songs in between would have snugly fit with the best of Uncle Meat. T ... (read more)

Report this review (#38709) | Posted by | Wednesday, July 06, 2005 | Review Permanlink

3 stars Burnt Weeny Sandwich featured more compositions by Zappa, and it serves as a piece that shows off a few sides of Frank. WPLJ starts off as something that sounds like it got left off of Cruising With Ruben & The Jets. There are a few instrumentl compositions on here, notably the Holday in Be ... (read more)

Report this review (#35694) | Posted by Retrovertigo | Wednesday, June 08, 2005 | Review Permanlink

4 stars One of FZ's most neglected albums! IMHO it is one of his very best, marred by the do-wop songs (first and last tracks), but if you can take them (and I am not crazy about them myself) then this is a gem. With a storming live version of Little House I Used To Live In, and the sensational, Holiday in ... (read more)

Report this review (#29641) | Posted by | Saturday, April 17, 2004 | Review Permanlink

Post a review of FRANK ZAPPA "Burnt Weeny Sandwich"

You must be a forum member to post a review, please register here if you are not.

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Copyright Prog Archives, All rights reserved. | Legal Notice | Privacy Policy | Advertise | RSS + syndications

Other sites in the MAC network: JazzMusicArchives.com — the ultimate jazz music virtual community | MetalMusicArchives.com — the ultimate metal music virtual community


Server processing time: 1.05 seconds