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C Sides

Crossover Prog

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C Sides We Are Now album cover
3.31 | 13 ratings | 1 reviews | 23% 5 stars

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Studio Album, released in 2017

Songs / Tracks Listing

1. Out Of The Water (9:22)
2. Black Road River (8:51)
3. Deck Chair City (8:27)
4. Truth Through Clowns (3:15)
5. Rock And A Hard Place (10:16)
6. Before The Fall (3:26)
7. Living Without Wires (5:17)
8. Lies In The Open (9:11)
9. We Are Now (10:18)

Total Time 68:23

Line-up / Musicians

- Allen McCarthy / lead vocals
- Martin Rosser / electric & aoustic guitars, keyboards, backing vocals
- Jay MacDonald / bass, mixing
- Allan Mason-Jones / drums, percussion

Releases information

Artwork: Allan Mason-Jones

CD self-released (2017, UK)

Digital album

Thanks to Damoxt7942 for the addition
and to projeKct for the last updates
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C SIDES We Are Now ratings distribution

(13 ratings)
Essential: a masterpiece of progressive rock music(23%)
Excellent addition to any prog rock music collection(38%)
Good, but non-essential (31%)
Collectors/fans only (8%)
Poor. Only for completionists (0%)

C SIDES We Are Now reviews

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Collaborators/Experts Reviews

Review by Windhawk
SPECIAL COLLABORATOR Honorary Collaborator
3 stars UK band C SIDES, which are known as The C Sides Project these days, was formed back in 2007 by members with a past from many other bands, noted progressive rock band Magenta among them. They released their debut album "Devitrification" in 2011, and in 2017 their second studio album "We Are Now" was self-released by the band. Since then they have released a third album, "10 Days", under their revised moniker The C Sides Project.

This second album by UK band C Sides isn't among the more memorable of the albums I have listened to from 2017. Primarily melodic rock as I experience this album, and with some songs that for me comes across as somewhat odd in the manner in which they have been compiled. There are many fine moments and details to be found for those fond of the most accessible aspects of progressive rock, but as a whole I found the total album experience to be somewhat underwhelming. A possible key audience for me would be those who love and treasure late 80's and early 90's Wishbone Ash, and then especially those who do not mind the occasional bluesier and arguably more US sounding take on that specific sound.

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