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Lunatic Soul

Crossover Prog

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Lunatic Soul Under The Fragmented Sky album cover
3.64 | 136 ratings | 4 reviews | 18% 5 stars

Excellent addition to any
prog rock music collection

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Studio Album, released in 2018

Songs / Tracks Listing

1. He av En (4:05)
2. Trials (5:44)
3. Sorrow (1:30)
4. Under the Fragmented Sky (5:03)
5. Shadows (4:31)
6. Rinsing the Night (3:56)
7. The Art of Repairing (7:54)
8. Untamed (3:24)

Total Time 36:07

Line-up / Musicians

- Mariusz Duda / vocals, acoustic guitar, bass & piccolo bass, keyboards, synth programming, percussion

- Wawrzyniec Dramowicz (aka Vaaver) / drums (8)

NOTE: The actual instrumentation could not be fully confirmed at this moment

Releases information

Artwork: Jarek Kubicki

CD Mystic Production ‎- MYSTCD332 (Poland, 2018)

LP Kscope ‎- KSCOPE987 (UK, 2018)

Thanks to mbzr48 for the addition
and to Quinino for the last updates
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Buy LUNATIC SOUL Under The Fragmented Sky Music

LUNATIC SOUL Under The Fragmented Sky ratings distribution

(136 ratings)
Essential: a masterpiece of progressive rock music(18%)
Excellent addition to any prog rock music collection(42%)
Good, but non-essential (29%)
Collectors/fans only (6%)
Poor. Only for completionists (5%)

LUNATIC SOUL Under The Fragmented Sky reviews

Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by BrufordFreak
COLLABORATOR Heavy Prog & JR/F/Canterbury Teams
3 stars LUNATIC SOUL Under the Fragmented Sky

Mariuz is experimenting with looping and sampling--especially with his voice.

1. "He av En" (4:05) looped vocal tracks with percussives, bass, and guitar. (8/10)

2. "Trials" (5:44) several vocal loops and keyboard and bass riffs over a simple metronomic computer snare track. I like the bass and synth line of the final two minutes--that's when the song finally comes to life. (8.5/10)

3. "Sorrow" (1:30) acoustic nylon string guitar with spacey synth noises and wordless, breathy, upper register vocal. (4/5)

4. "Under the Fragmented Sky" (5:03) Mariuz singing from the beginning with cadence support of the strumming of two (and later three) guitars. Second verse has a second, separate vocal woven within the melody and words of the first. At the end of the second chorus bass, piano, and synths thicken the soundscape while fuzzed guitar plays a slow, melodic solo. Then we return to the opening movement before a break lets in some odd vocalizations and bass line and piano. This plays out till the song's end as voices fade into the background and piano stays up front, alone. (9/10)

5. "Shadows" (4:31) heavy, spacey, atmospheric, synths and tuned percussives play at both ends of the audio spectrum before more of the same and bass join in to add some more filler to the middle ranges. Guitar joins in at the beginning of the second minute. There is an industrial, minimalist feel to this instrumental music. The sections cycle around in an A-B-A-C sequence with horn-like synth in the second "verse" section and twangy guitars filling the spacious final section. (7.5/10)

6. "Rinsing the Night" (3:56) acoustic guitars feel indie-folk, even southern folk-bluegrass. Household and synthesized percussives and bass join in in the second minute. Vocalise and other lines are one-by-one mixed into the weave. Picked acoustic guitar takes the lead in the final minute before returning to within the weave for the end. (8/10)

7. "The Art of Repairing" (7:54) keyboard activated vocal and industrial noise samples open this song, forming a bit of a Laurie Anderson-like weave. In the second minute, keys, cymbols, and multiple synths join in, changing the dynamics and feel. Once things settle down, a KRAFTWERK-like rhythm base has been established over which multiple vocal samples are activated, alternated, interwoven, and rotated. All of the sounds rotated into this piece (except the vocal samples) seem as if updated versions of old electronica sounds. I wonder if Mariuz has ever heard the albums by Jean-Michel Jarre and Claire Hammill, Zoolook from 1984 and Voices from 1986, respectively. They far accomplish more than what he's trying to do on this album. (8/10)

8. "Untamed" (3:24) opening like SEAL's "Crazy," this one evolves into a more straightforward prog pop song. A good song. More like this, please. (8.5/10)

3.5 stars; a fair addition to a prog rock lover's music collection--depending on whether or not you wish to put in for some conservative exploration of old technologies.

Review by Aussie-Byrd-Brother
SPECIAL COLLABORATOR Honorary Collaborator
4 stars Released in May 2018, Riverside bassist/frontman Mariusz Duda marks the first decade of his solo project Lunatic Soul with his sixth album under that alias, `Under The Fragmented Sky', and it couldn't be more appropriately titled. It constantly diverts between darker moods with uplifting hopeful passages, and lyrically is wistfully romantic and optimistic to answer the gloomier soundtracks behind it, and despite sharing a lyric from a track off the previous album `Fractured' and mostly originating from the same 2016/17 sessions, `...Sky' stands perfectly well on its own and is hardly mere `leftovers'. With about three quarters of the disc being instrumental, this particular LS disc mixes dark electronica and ambient styles, percussion- heavy brooding, vocal drones and superior balladry, making for another intelligent and varied emotional work from the Polish artist.

`He-av-en' unhurriedly wraps wordless sighing vocal loops around ethereal synth washes, simple percussion taps and chiming guitar strains together for an intriguing opener. `Trials' mixes purring vocal twitching and electronic glitches to take on a hypnotic shimmer that eventually melts into stormy shadowy rumbles, then `Sorrow' is all delicate electric piano tiptoes and an introspective soothing vocal cry from Mariusz. His title-track is an acoustic/electric tune sung passionately with intimate reflection ("Isolation, all my anger, regret...they're gone. I feel stronger...and it stopped the feeling I'm crumbling apart..."), and pretty multi-tracked harmonies, haunting piano and weeping exquisite guitar reaches lift the piece even higher.

`Shadows' reverberates with menacing machine programming that takes on a light-industrial coolness locking in pensive acoustic guitar ringing and slithering bass, an aching eastern-flavoured dustiness infiltrating the piece and into the following `Rinsing the Night', with an eerie blend of clipping pulsing beats and exotic percussion. `The Art of Repairing' is the highlight of the disc, a chilled slink through mellow electronica and head-nodding beats. The closer is then a lovely farewell ballad, and although Duda and Riverside are (still) ignorantly dismissed as Porcupine Tree clones by some, in this instance `Untamed' sounds very much like a Steven Wilson outtake, even down to the alternating electric/acoustic passages and gorgeous piano! Thankfully it's still beautifully sung with genuine warmth conveying the words, and it makes for an embracing and reassuring wrap to the album.

Although a fairly short (but wonderfully vinyl-length!) work at about thirty-seven minutes, and the third and fourth discs `Impressions' and especially `Walking on a Flashlight Beam' are the superior artistic statements under the Lunatic Soul banner so far, `...Sky' is perhaps the most intimate and subdued. Considering the difficult personal circumstances Mariusz has been around the last few years, the solemn reflection with traces of hope and an appreciation for life permeating the disc lift it even higher, helping make `Under The Fragmented Sky' a renewing, evocative and tasteful release from a smart and thoughtful artist.

Three and a half stars, rounded up to four.

Latest members reviews

4 stars Mariusz Duda is without any doubt one of the most prolific and creative forces in progressive music right now. For several years, alongside his band mates in Riverside and through out Lunatic Soul, he has become a leader, about creativity, experimenting with sounds, melodies, soundscapes, and wh ... (read more)

Report this review (#2189277) | Posted by thesimilitudeofprog | Monday, April 29, 2019 | Review Permanlink

4 stars Yesterday I was lucky to familiarize myself with two 2018 releases of very different duration. Beloved Antichrist by Therion is 3 hours of total playing time, and when I listened to it I couldn't wait when it comes to an end, and regretted that its duration was not 35 minutes or so. On the contr ... (read more)

Report this review (#1952101) | Posted by proghaven | Wednesday, July 25, 2018 | Review Permanlink

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