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HOW TO LET GO

Shell From Oceanic

Progressive Metal


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Shell From Oceanic How To Let Go album cover
4.05 | 3 ratings | 1 reviews | 33% 5 stars

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Studio Album, released in 2018

Songs / Tracks Listing

1 Inner Fiction (5:10)
2. Vode Mo Gamrun (4:09)
3. Dancing In Circles (4:02)
4. Intermission (2:36)
5. 8AM (4:10)
6. How to Let Go (6:34)
7. Intermittent (4:38)

Total Time 30:39

Line-up / Musicians

- César Ramos / guitars
- Cláudio Frank / guitars
- Luís Correia / bass
- Luís Neto / drums, producer

With:
- Filipe Azevedo / guitar (4)

Releases information

Artwork: Daniel Martins

CD self-released (2018, Portugal)

FLAC download - bandcamp.com

Thanks to rdtprog for the addition
and to Quinino for the last updates
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SHELL FROM OCEANIC How To Let Go ratings distribution


4.05
(3 ratings)
Essential: a masterpiece of progressive rock music(33%)
33%
Excellent addition to any prog rock music collection(67%)
67%
Good, but non-essential (0%)
0%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

SHELL FROM OCEANIC How To Let Go reviews


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Collaborators/Experts Reviews

Review by Rivertree
SPECIAL COLLABORATOR PSIKE Team & Band Submissions
4 stars Short, but very good! With solely roundabout 30 minutes running time 'How To Let Go' comes as a condensed non-conceptual album provided by the band SHELL FROM OCEANIC. The crew is consisting of four musicians hailing from Portugal. And they are cultivating their own unique instrumental prog style. While either being a band with heavy rock approach, but also incorporating a somewhat ambient/symphonic feel again and again, this due to the proper use of electronics. Will be served by both guitarists César Ramos and Cláudio Frank, it does look like, as I couldn't find any credits for key instruments. A synthaxe or similar stuff may be in use particularly.

But at least when listening to Dancing In Circles there's a jazzy organ resp. rhodes piano to state definitely. Anyhow, they know how to let it go most certainly. The result sounds sophisticated and rather unconventional. Crimsonesque leanings all over, post rock guitar walls, ambient patterns, versatile drum and bass playing. Described by the quartet as a loose song collection 'using various approaches and different genres to convey moods' the album sounds completely rounded so much the more. Fabulous starter I'd say! Half an hour preferably in one go, can't get enough of this currently ...

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