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WARM DUST

Warm Dust

Jazz Rock/Fusion


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Warm Dust Warm Dust album cover
3.95 | 14 ratings | 2 reviews | 7% 5 stars

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Studio Album, released in 1972

Songs / Tracks Listing

1. Lead Me To The Light (5:22)
2. Long Road (4:50)
3. Mister Media (3:10)
4. Hole In The Future (8:39)
5. A Night On Bare Mountain (1:05)
6. The Blind Boy Parts I - V (18:19)

Total Time: 41:25

Lyrics

Search WARM DUST Warm Dust lyrics

Music tabs (tablatures)

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Line-up / Musicians

- Dransfield "Les" Walker / lead vocals, percussion
- Paul Carrack / organ, piano, percussion
- Alan Soloman / saxophones, flute, keyboards, synthesizer
- John Surgey / guitar, saxophones, flute
- Terry "Tex" Comer / bass, percussion
- John Bedson / drums, percussion

Guest musicians:
- John Knightsbridge / guitar (2)
- Eddy & Casper / percussion (3)

Releases information

BASF 1972

Thanks to ProgLucky for the addition
and to Snow Dog for the last updates
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Buy WARM DUST Warm Dust Music


Peace for Our Time / Warm DustPeace for Our Time / Warm Dust
Audio CD$24.19
$20.00 (used)
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Audio CD$49.07
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Audio CD$23.50
$24.99 (used)
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Vinyl$171.11 (used)
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WARM DUST Warm Dust ratings distribution


3.95
(14 ratings)
Essential: a masterpiece of progressive rock music(7%)
7%
Excellent addition to any prog rock music collection(79%)
79%
Good, but non-essential (7%)
7%
Collectors/fans only (7%)
7%
Poor. Only for completionists (0%)
0%

WARM DUST Warm Dust reviews


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Collaborators/Experts Reviews

Review by Sean Trane
SPECIAL COLLABORATOR Prog Folk
4 stars 3.85 stars really!!!

Third and last album from this sextet that can be included in the fairly closed category of brass rock. With only a change of drummer (Bedson coming in for Bailey), this album is the logical continuity of the two previous albums, entertaining us with a brass-heavy proto-prog rock that is often uneven, but can reach awesome height of brilliance. Coming with an rather amazing but naïve gatefold artwork depicting an orca whale having swallowed the band on their raft, along with a couple of sexy mermaids.

The first side is filled with short tracks (bar one) that have more to do with pure brass rock ala Blood Sweat & Tears than with prog, even if Long Road is one of those pleasers that even the harder-lined progheads would have a hard time resisting. The lengthier Hole In The Future has a long Indian-laced mid-section where Surguy's flute hold the centre stage before a fairly flawed Moog solo from Carrack destroys the previous effort and the track suddenly and abruptly (no warning) reverting to its original pattern. Gone are the superbly subtle chord changes of Rejection in their previous album, so much that this track has a "botch job" written all over it.

Obviously on the flipside, everyone is waiting for the 18-min+ Blind Boy suite to save the album, but one has to be patient and suffer a rather tedious (but thankfully short) rendition of Sibelius' Bare Mountain. However the Blind Boy suite does come in to save the album from sinking to depths of no-return, as it is easily the album's highlight and is often as inspired as the previous album was. The opening movement called trouble In The Mill sounds like a superb Oblivion Express track meeting Chicago Transit Authority for a full speed crash on rails. The following Clogs And Shawls is a quiet starter where Surguy's enchanted flute is leading through a slow crescendo with all the finesse you hoped they would developed on the first side of the album and finally climaxing with Walker's delicious gutsy vocals in the following self-titled movement. Superb stuff. But with such climax, the fall could only have been a shattering one, and the band takes a few minutes to collect the scattered parts and start reassembling them to rebuild an awesome groove called Slibe, where Soloman's sax might be reminiscent of Traffic's Chris Wood. Spine chills and goose bumps assured. The closing Dustbust is just a short recall of the original riff

With only the 5-part Blind Boy suite to save the album from drowning, that very same track being worth the ticket price alone, Warm Dust's last album is a very uneven affair, not matching the constancy and consistence of Peace For Our Time, but the album's centrepiece is definitely the group's best achievement without the slightest hint of a shadow of a beginning of a doubt. Hard not to give it at least equal rating than its predecessor.

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Send comments to Sean Trane (BETA) | Report this review (#126519) | Review Permalink
Posted Friday, June 22, 2007

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4 stars Little-known group whose sounds are only partly related to progressive rock. The progressive element in their sound is sometimes accidental and related only to the temporal location. Nevertheless they released three good albums of jazz-rock baroque and avant-garde. This, the third and, in my op ... (read more)

Report this review (#457215) | Posted by Hishmaliin | Sunday, June 05, 2011 | Review Permanlink

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