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T psychoanorexia album cover
3.93 | 223 ratings | 21 reviews | 25% 5 stars

Excellent addition to any
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Studio Album, released in 2013

Songs / Tracks Listing

1. The Aftermath of Silence (18:07)
2. Kryptonite Monologues (20:47)
3. The Irrelevant Lovesong (8:09)
4. Psychoanorexia (19:29)

Total Time 66:32


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Music tabs (tablatures)

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Line-up / Musicians

Thomas Thielen - all instruments

Releases information

Released by Progressive Promotion Records on 1st February 2013

Thanks to jerrycornelius for the addition
and to kev rowland for the last updates
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T psychoanorexia ratings distribution

(223 ratings)
Essential: a masterpiece of progressive rock music(25%)
Excellent addition to any prog rock music collection(35%)
Good, but non-essential (27%)
Collectors/fans only (10%)
Poor. Only for completionists (4%)

T psychoanorexia reviews

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Collaborators/Experts Reviews

Review by Windhawk
SPECIAL COLLABORATOR Honorary Collaborator
5 stars German project T is the creative vehicle of one Thomas Thielen, once a member of the German band Scythe, but now with a solo career that has been ongoing for more than a decade. "Psychoanorexia" is his fourth full length production, and was released at the start of 2013 by the German label Progressive Promotion Records.

"Psychoanorexia" is an album that arguably may be placed within a neo progressive context, albeit at the very borders of that style and even then stretching it quite a bit. Sporting a plethora of themes with great variety in pace, intensity and overall expression, liberal use of electronic effects and an overall modern sound, this is a production that should appeal to the progressive rock explorers of today: people with an interest in sophisticated rock created and delivered with a foundation in the world as it is right now.


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Review by Warthur
4 stars Opening with a synth-derived sample-laden spacey passage reminiscent of the more tripped- out moments of Porcupine Tree circa Up the Downstair, T's Psychoanorexia finds the the talented multi-instrumentalist playing an interesting mashup of neo-prog and space rock. Less theatrical and melodramatic than the Pendragon/Arena tradiition of neo and more placid and tranquil than the IQ tradition, the enigmatic T (AKA Thomas Thielen) shows an exceptional command of all the instruments he sets his hand to over the course of the album. I was honestly surprised to discover that T is a multi-instrumentalist, since here he shows a remarkable ability to evoke a full-band sound.


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Review by J-Man
4 stars Known simply as "t", German multi-instrumentalist Thomas Thielen has been recording music as a one-man act since his time with the short-lived progressive rock act Scythe ended, and 2013's Psychoanorexia marks the project's fourth full-length album since its 2002 debut. It's my experience that one-man bands often feature a weak link in the instrumentation, but Thomas Thielen is a deeply talented musician across the board; no instrument here outshines another, the arrangements are remarkably textured, and there is an attention to detail on Psychoanorexia that makes it easily stand out from the crowd. When the stunning vocal harmonies are also factored into the equation, it becomes clear that we are really dealing with something special here.

Thielen's music can best be described as neo-progressive rock, albeit a rather unconventional approach to the style. Imagine a more experimental version of Brave-era Marillion, and you're halfway there - Psychoanorexia is a very atmospheric and ambient listen, but it still is 'busy' enough to scratch that prog itch. Although it only contains four tracks, Psychoanorexia clocks in at over an hour, as three of the songs here are around the twenty minute mark. The shortest track is entitled "The Irrelevant Love Song", and is actually one of the album's highlights. This is an example of a prog ballad done right! Of all the more extended pieces, the title track is my favorite (if only by a small margin); its ending segment sends chills up my spine every time.

Psychoanorexia is a near-flawless effort in my eyes, and anyone that enjoys melancholic progressive rock music with a bit of an edge is bound to love it. The only real knock I can give the album is the sound of the drum machine, which (in spite of how well-programmed it is) sounds a bit artificial to these ears. I'll admit that it's nitpicky complaint, though, and it hardly detracts from the overall experience of Psychoanorexia. This is a strikingly beautiful observation that stands tall as one of 2013's finest recordings!


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Review by Guldbamsen
2 stars Grandiose dad-prog

The prog world is currently overflowing with one man acts, and with all the modern technologies available, it now is possible to achieve something akin to a full band sound without having to deal with superfluous banter and discrepancies between members. The search for full control seems to be right there on the horizon.

The question beckons though - do we, as simple fans of music, want our patterned sound to be as concise as that, or do we want that irreplaceable shading of something crooked and out of sync present? To each his own I guess, and while I was, and am, very impressed by the musicianship of Thomas Thielen, I still miss something audacious and raw from this album. Something that rips me by my hair and throws me on the bed and..........hold on a minute, I may be talking about something different here - and I'm not even a girl...

The previous gibberish may come across a little harsh, especially when you count in the fact, that there are heaps upon heaps of current prog bands doing the exact same thing. The Flower Kings spring to mind. For my tastes the music becomes far too safe and predictable. Inside of 5 minutes with this kind of music, I get restless and start looking around my apartment for mice, lice and thrice as much dice as I'll ever find on here. I played this album to one of my friends the other day who also happens to be very much into progressive rock, and he said it sounded like "dad-prog". I laughed a little first, but I completely understand where he's coming from.

Take a dash of Camel flavoured vocals tinged with an ability to reach highs that Latimer can only dream of. Mix this with lush piano driven melodies, synthesizer leads, sky soaring guitar solos, a metronomically tight rhythm section, all kinds of keyboards, and out on the other side comes this melody based prog that feels as docile and friendly as a fluffy hug from a care bear.

My favourite parts of this album are to be found in the ambiances. At times I swear I can hear hints of The Cure in the ambient keys oozing up from the back, and that is a big compliment coming from yours truly. More than once I found myself thinking of the opening cut on their 1989 album Disintegration, I'd just wish there was more of this, and that it wasn't diluted by what genuinely sounds like latter day Marillion.

If you're into the current line of prog acts such as Nine Stones Close, The Flower Kings, Karmakanic, Sylvan, Arena and Pendragon, then I guarantee you'll love this baby! Without a doubt! I have to be honest though, and I find very little that tickles my fancy on Psychoanorexia. To me this feels like prog by the numbers, no matter how talented and refined Thomas is behind the instruments. Sorry, but this just isn't my bag.


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Review by Guillermo
4 stars Some months ago I was chatting with a musician in Facebook, and we were chatting about musicians being in bands or being full time soloists. I said to him that, in my opinion, being in a band is very hard for some musicians because in bands there are a lot of 'politics' and 'egos' about who is going to be the 'leader' or the 'main star', and that in bands there are one or two musicians who like to dominate the others and that with the passing of time this situation makes the bands split (this has happened a lot of times in a lot of bands, as their histories say). So, in my opinion, sometimes the best solution for a musician to develop and enjoy the freedom to create his own music (or her own music, if it is the case) is to be a full time soloist, to have his own home recording studio (which now is easier with the use of computers) and to do what he wants with total freedom. It is also easier to have total control of the final product (and the potential monetary earnings of his own very hard work ) because now the so-called major record labels are really not very much needed thanks to the existence of the Internet and some websites on which the musicians can share or sell their albums or songs. So, this album is another example of a 'one man band'. I don`t have any objections about it.

This album by German multi-instrumentalist and singer T (Thomas Thielen) is not a very easy to listen to, and the lyrics and the concept of the album are not very easy to understand without visiting his personal website to read them. It has four songs, with three of them almost reaching the 20 minutes of duration and one of them the eight minutes of duration. So, for this reason it is a bit hard to listen as the listener becomes a bit tired by the end of the album. The kind of music in this album, in my opinion, is very Progressive Rock, with a lot of contrasts in the intensity of the music, sometimes being very heavy, sometimes being quiet, sometimes being very 'dark' and dramatic. I think that this music has a lot of influence by bands like Marillion (with both Fish and Steve Hogarth as lead singers, but maybe with more influence by Hogarth, a period of that band which is not very attractive for my taste), Arena, IQ, and Genesis with Peter Gabriel, more in the dramatic and sometimes 'dark' elements. As T explains in his personal website, the lyrics are very personal, very related to a period of his personal life, and the lyrics (as I understood them) have as central theme the loss and grief of significant personal relationships, and how to survive them, and the other theme is a political and sociological criticism towards the lack of psychological and intellectual ambition by some people in the 'modern' world (I think that this is the meaning he gives to the word 'Psychoanorexia', which also is the title of the album). So, as a whole this album requires some 'concentrated listening' by the listener, and to be listened to several times to appreciate it. It is a bit 'excessive' in some things, and hard to listen to sometimes. It really is not the kind of music that I like to listen to very much in the present, but for the fans of this kind of music it really could be a very interesting listening. It also has a lot of work. Maybe it took to T a lot of time how to plan, to compose, to record and to mix the album. The lyrics were written in a two year period. So, because this album really took him a lot of time to create it, in my opinion it deserves a four star ratting even if this is not the kind of music that I listen to very much often in the present. The recording and mixing is very good. The same is for the playing of the instruments, and he is also a good lead and backing singer. Some lead guitars are very good in playing and sound, and there are also some very good atmospheres created with the use of keyboards. The drums sound a bit programmed, but they sound good anyway. The cover art is also good, very much related to the content of the music and lyrics of the album.


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Review by kev rowland
SPECIAL COLLABORATOR Honorary Collaborator
4 stars Both in the press release and on his website, Thomas Thielen has a mission statement about this album which is well worth reproducing here. 'This is the time when ringtone applicability equals musical quality. This is the place where the greed of being a popstar has replaced the sublime experience of creativity. This is the era in which democracy means mass phenomena, not choices. When we have become too lazy even for subterfuges. And too busy to feel the loss. This is the age when equality means mediocrity, fame defames excellence, education encourages despondency. We excel in conformity, we celebrate our empty hands. We may not burn books, but we skim them. We may not slaughter heretics', but we overshout them. We strive, long, hunger for nothing, thus nobody strive, long, hunger. Fascistic, yet aimless aposiopetic selves. Timetabled freedom. Death in Bologna. Psychoanorexia.'

Yes, this is an album that wants, in fact demands, that we think. Thomas wrote, performed, recorded, engineered and produced the album but it doesn't come across as a one-man band, as it is so carefully constructed and layered. The piano may well be the bedrock of all that he does, but this is more than just a pianist attempting to bring in some other instrumentation to pad it out, but instead this is all about the right instrument for the right emotional feel and approach. When he brings in electric guitar it fairly blasts out of the speakers, with 'Kryptonite Monologues' actually managing to have more than just a hint of Rammstein about it. There are times when this is crunching stadium-filling anthem rock with blistering guitar solos, while at others it is Muse on steroids, Floyd for the masses, Porcupine Tree for the many.

It is not an album that will make its' full presence felt on just one or two plays, this does need some work but rewards the listener for their patience. Apparently Thomas states that he is a 'strictly under-average musician on quite a few instruments, none of which he is capable of playing properly'. Somehow I think he is a master of understatement, as certainly that doesn't come across on the album. Complex, complicated, majestic and soaring, this is quite a piece of work. There are only four songs, but it is still well over an hour long, and well worth investigating.


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Latest members reviews

5 stars This is a classic piece of modern progressive rock and no questions asked. Well, alright, there be questions asked. Hopefully also answered. In this review. Thielen's latest work is something like an "all of the above" of what is, on the one hand, typical of *good* progrock: Versatility in compo ... (read more)

Report this review (#1073284) | Posted by vir_casae | Wednesday, November 06, 2013 | Review Permanlink

5 stars As there seem to be problems on the site, I write my lines on Psychoanorexia once more: Lyrically as well as musically, t sets new standards in the prog world. Yes, I am serious. This is a new horizon in melodic prog, namely that its melodies are less pathetic and sugary, but more sophisticated ... (read more)

Report this review (#1049778) | Posted by champone | Wednesday, October 02, 2013 | Review Permanlink

5 stars I am writing this review for the second time as my first one vanished with all the other reviews I did. Server crash? This is to me still the album of 2013 so far. The eclectic approach simply adds so much to our beloved genre that I have been missing before. There are guitars reminiscent of The ... (read more)

Report this review (#1048415) | Posted by onlineman | Monday, September 30, 2013 | Review Permanlink

5 stars I received a message of Thomas Thielen (T) asking me for a review of his album "PSYCHOANOREXIA". First, I was surprised because I didn't know this project and to receive a personal message grew my total interest. I looked for the album and finally could get it, and believe me, I could not beli ... (read more)

Report this review (#1040764) | Posted by Memo_anathemo | Saturday, September 21, 2013 | Review Permanlink

3 stars To those new to this artist page (like I was only recently), this is mostly slow-moving, atmospheric music, led by delicate synths and somber vocals, and only occasionally punctuated by some instrumental noise and Genesis-like theatricality. Somehow, it is immediately clear that this is a one-m ... (read more)

Report this review (#1033797) | Posted by Progrussia | Thursday, September 12, 2013 | Review Permanlink

3 stars I have to agree with David (Guldbamsen). The good side of this album is the ambiences. T is Thomas Thielen. Yeah. It's another one-man band. When you are alone to write, play and record all the instruments you are free, able to make what you really feel. Sometimes is good, but sometimes wha ... (read more)

Report this review (#1025664) | Posted by VOTOMS | Friday, August 30, 2013 | Review Permanlink

5 stars Psychoanorexia is a beautifully crafted album full of deep-mellow soundscapes that is sure to put the listener into a full state relaxation, enjoyment and make you think as well.' My first feeling is this, if you decide to create a mellow album it should be in the form of T's Psychoanorexia. I ... (read more)

Report this review (#1009362) | Posted by progbethyname | Thursday, August 01, 2013 | Review Permanlink

5 stars Having seen plenty of strong reviews for this album I thought I'd weigh in with my own opinion. "The Aftermath of Silence" - Starts off softly with psychadelic voices and sounds before the grand entrance of the instrumentation and a beautiful Peter Green like guitar tone. The vocals are ric ... (read more)

Report this review (#1000341) | Posted by sukmytoe | Wednesday, July 17, 2013 | Review Permanlink

4 stars Ambitious. Clever. Creative. Familiar. Mysteriously (dis-)organized and emotionally distant. This album reminds me quite strongly of 2009's The Underfall Yard by BIG BIG TRAIN, 2011's War and Peace and Other Short Stories by SEAN FILKINS as well as a large part of THE FLOWER KINGS discography ... (read more)

Report this review (#998575) | Posted by BrufordFreak | Sunday, July 14, 2013 | Review Permanlink

5 stars This is my first album review -EVER! Normally I just listen to an album and like it (or most often: not). I donīt preach and I donīt want to impose my taste on others on a highly subjective matter such as music. Well, I will make an exception here! This album is SO good, I JUST HAVE TO tell the wo ... (read more)

Report this review (#982671) | Posted by vircasae | Thursday, June 20, 2013 | Review Permanlink

5 stars I've been listening to t's music for quite some time now, and you could definitely call me a humble fanboy by now. The way he always manages to create new spheres in the musical cosmos is simply stunning. By that I mean the compositions as well as the arrangements, and not least his vocal work. I t ... (read more)

Report this review (#976647) | Posted by herne | Wednesday, June 12, 2013 | Review Permanlink

2 stars I recognise that I am swimming completely against the tide, here. Current average score would suggest that, in its entirety, this is a piece of musical wizardry that has few equals in the annals of prog history. I just don't see this at all, I'm afraid. The first and third tracks are undoubtedly ... (read more)

Report this review (#956718) | Posted by tbstars1 | Thursday, May 09, 2013 | Review Permanlink

5 stars I have noticed that their have been mixed reviews for this offering and I understand why. On first listening I found it difficult to sit and listen all the way through and finally gave up after the "Irrelevant love song". The next day I gave the title track a go and enjoyed this epic track. I a ... (read more)

Report this review (#937194) | Posted by staunch | Saturday, March 30, 2013 | Review Permanlink

5 stars ... isn't like anything else, but is simply t... If I had to describe (no, I am not going to do that!) the new album by t in one word, I would simply say: "It's t-approved!" They should have created a big wooden stamp with a big "T" on it when this album was released. The cd should then h ... (read more)

Report this review (#916413) | Posted by Xylvanya | Wednesday, February 20, 2013 | Review Permanlink

4 stars The fourth album of Thomas Thielen was written between 2010 and 2012. The songs sound like a mix of modern crossover-prog like Radiohead or Archive and modern neoprog like Marillion. The warm but sometimes also lonesome voice of Thielen leads the listener through the concept of a deep psychologi ... (read more)

Report this review (#901812) | Posted by jerrycornelius | Tuesday, January 29, 2013 | Review Permanlink

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