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LE RADICI DEL MALE

L' Albero del Veleno

Rock Progressivo Italiano


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L' Albero del Veleno Le Radici Del Male album cover
4.04 | 16 ratings | 4 reviews | 31% 5 stars

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Studio Album, released in 2013

Songs / Tracks Listing

1. Dove Danzamo Le Streghe (5:41)
2. ...E Resta Il Respiro (5:58)
3. Presenze Dal Pasato (3:47)
4. Un Altro Giorno Di Terrore (5:02)
5. Due Anime Nella Notte (5:50)
6. Al Di La Del Sogno...L'Incubo Riaffiora (12:08)

Total time: 37:06

Lyrics

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Music tabs (tablatures)

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Line-up / Musicians

- Nadin Petricelli / Keyboards, synths, piano
- Lorenzo Picchi / Guitars
- Michele Andreuccetti / Bass
- Francesco Catoni / Viola
- Marco Brenzini / Flute
- Claudio Miniati / Drums

Releases information

Label: Lizard Records

Country: Italy

Digipack CD: includes bonus video of `Un Altro Giorno Di Terrore'

Release date: 31st July 2013

Thanks to Aussie-Byrd-Brother for the addition
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L' ALBERO DEL VELENO Le Radici Del Male ratings distribution


4.04
(16 ratings)
Essential: a masterpiece of progressive rock music(31%)
31%
Excellent addition to any prog rock music collection(62%)
62%
Good, but non-essential (6%)
6%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

L' ALBERO DEL VELENO Le Radici Del Male reviews


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Collaborators/Experts Reviews

Review by Aussie-Byrd-Brother
SPECIAL COLLABORATOR Rock Progressivo Italiano Team
4 stars The debut album by the horror soundtrack influenced band L'Albero del Veleno (The Poison Tree) sure was a long time coming! After the project was initially announced, members of the Prog Archives RPI team were checking the band's website every few months, with little in the way of updates save for a single piece accompanied by a stylish and dark video `Un Altro Giorno Di Terrore'. But with the finally completed first album `Le Radici Del Male' (`The Roots of Evil'), the band has crafted some moody Goblin-styled pieces with a grand sophistication that avoids heavy metal/gothic cliches, and most surprising of all, Nadin Petricelli's classical piano, Francesco Catoni's viola and Marco Brenzini's flute bring that defining proper 70's Italian prog to their sound. Whether this was on purpose or not is unclear (discussions with drummer Claudio Miniati suggest that not all the band members were directly influenced by progressive rock), but it's definitely given the band an individual sound that makes them stand out from similar artists. The band also creates original screenplays that they use as the basis for how they write their music, with the intention of creating videos for the same, so this is clearly an ambitious group of talented artists with more than just music on their minds.

Focusing on the album itself, opener `Dove Danzamo Le Streghe' starts with somber low piano notes and creeping pulsing electronic whirring, a driving plodding beat soon kicks in with slightly-off violin and gently heavy guitar riffing from Lorenzo Picchi that made me briefly think of UK doom band My Dying Bride. But the ghostly piano and flute outro is the first hint that this band may offer something a little deeper than typical horror soundtrack cliches, confirmed by the circus-like disorientating intro to the next piece `...E Resta Il Respiro'. Child-like and innocent with a creeping unease, before wailing guitar staccato stabs and thick imposing synths assault the listener. Some brief lovely flute is our only respite from the approaching sense of doom and maddening tension here, especially when the track picks up in tempo with bashing drums in the second half. Both of these pieces recall classic Goblin, so fans of that band will really go for these two.

`Presenze Dal Pasato' is very special and my personal favourite here, a lovely and darkly romantic piano/violin/synth piece that calls to mind the sadder moments of classically minded Italian prog. After the occasional bombast of the opening two numbers, this is a nice way to slow things down, though there's still enough to put you on edge. I really hope the band gets to make a video for this one.

Coming back to proper 70's Italian prog, both `Un Altro Giorno Di Terrore' and `Due Anime Nella Notte' have the wild and ferocious unhinged energy of Biglietto Per L'Inferno, with darting flute, smashing drums and dirty guitar stomp! Flute player Marco Brenzini also plays in RPI band Le Porte Non Aperte, and their album definitely had it's Biglietto-like influences too. There's some truly beautiful gothic drama throughout the first piece, Nadin's piano sparkling with spectral beauty over Francesco's stirring viola. Michele Andreuccetti's chunky bass playing punches through the latter, with weeping viola, jazzy drumming and very loopy synth effects to create a rather sinister and deranged sound.

The band wraps the album on an ambitious medley of interpretations from the soundtracks of one of their favourite film-makers', Italian horror/thriller director Lucio Fulci. The band weaves through a variety of deep synth melodies, Mellotron bursts, sparkling tip-toeing spectral piano, complex varied percussion from Claudio and imperial gothic classical majesty. Fans of dark Swedish project Morte Macabre will certainly recognize one of the musical themes covered here too! This grand and ambitious medley will surely be the favourite track for many listeners, and full credit to the musicians for making the pieces blend and weave together so seamlessly. I have no doubt that as the band perfect their craft and develop their own already strong material, they could achieve the same incredible quality arrangements as displayed on this cover piece.

L'Albero del Velono now joins the company of artists like Jacula/Antonius Rex, Devil Doll, Il Segno del Comando, and of course the mighty Goblin that inhabit the darker corners of the Italian progressive genre. Short but darkly sweet, their debut release gets them off to a fine start, and the sheer talent on display from the band, not only in their playing, but in the grand arrangements and their ambitions of creating films to complement and enhance their work suggests a band with many great ideas, that will see them further mature and develop their sound in the future. For now, `Le Radici del Male' is a perfect introduction, and surely just the beginning of a distinctive and promising new project.

Four stars.

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Send comments to Aussie-Byrd-Brother (BETA) | Report this review (#1022184) | Review Permalink
Posted Thursday, August 22, 2013

Review by andrea
PROG REVIEWER
4 stars L'Albero del Veleno began life in Florence in 2010 on the initiative of keyboardist and composer Nadin Petricelli and drummer Claudio Miniati with the aim to recreate the musical atmosphere of Italian horror and thriller soundtracks from the seventies. The name of the band means "The Poison Tree" and was inspired by an ancient Eastern myth, a kind of metaphor describing a beautiful entity hiding an evil nature. It tells about a tree which attracts people thanks to its fruits and to the peaceful shade of its branches but beware! The people who stop under the tree to take a rest will never wake up on account of the deathly power of its poison.

After some line up changes and a hard work, in 2013 the band released a début album, "Le radici del male" (The roots of evil), on the independent label Lizard Records. The renewed line up features Nadin Petricelli (keyboards, synth), Claudio Miniati (drums), Lorenzo Picchi (guitars), Michele Andreuccetti (bass), Francesco Catoni (viola) and Marco Brenzini (flute) and the result of their efforts is a surprisingly fresh blending of vintage sounds and new ideas. Of course, they could recall Goblin or the Swedish band Anima Morte but the band showcase a great musicianship and a touch of sparkling vitality.

The opener "Dove danzano le streghe" (Where the witches dance) begins softly, then the rhythm rises and the dance begins. The atmosphere is haunting and you can really breath tension and a strange kind of excitement where joy and fury are at war. The following "... e resta il respiro" (? and breathing remains) begins with an old, dark waltz coming from times out of mind, then the music lights like a fire casting uneasy, flickering shadows all around.

"Presenze dal passato" (Appearances from the past) has a strong classical flavour and features delicate piano patterns and melancholic violin lines. It leads to the more aggressive "Un altro giorno di terrore" (Another day of terror) where feelings like fear and pain are painted with strong musical colours. For this tack the band shot a video that is included as a bonus on the CD.

"Due anime nella notte" (Two souls in the night) is another dark, haunting piece where you can imagine two lost souls in the night dancing like moths around a fire, mesmerized. The last track, "Al di là del sogno... l'incubo riaffiora" (Beyond the dream... Nightmare comes back), is a tribute the films of Lucio Fulci and to the music of Fabio Frizzi and it's a medley taken from four different scores "Sette note in nero (The Psychic), "Zombi 2", "Paura Nella Città Dei Morti Viventi" e "?E Tu Vivrai nel Terrore! L'Aldilà". The different parts are perfectly matched together and this long piece sounds like a wonderful suite that begins with the sound of a carillon and ends with a powerful crescendo. A delightful gran finale for an excellent work!

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Send comments to andrea (BETA) | Report this review (#1097912) | Review Permalink
Posted Monday, December 23, 2013

Review by Windhawk
SPECIAL COLLABORATOR Honorary Collaborator
4 stars Italian band L' ALBERO DEL VELENO was formed back in 2010, with members that all share a passion for old Italian horror and thriller movies, as well as the soundtracks developed for and used in those productions. Following an initial phase where they tried their hand at material written by others they decided to start composing music in the same vein themselves, which lead the band to sign with Italian label Lizard Records in 2013 for the release of their debut album "Le Radici Del Male".

The result is an album filled with instrumental progressive rock of the darker kind, music that exist within an overall gloom-oriented context. Not depressive nor oppressive as such however, and generally shying away from the brooding atmospheres and similar moods that reflects back to a negative emotional state of mind. Instead I'd opt to use words like ominous and haunting for the general ambiance of this production, Gothic is also a word that can be used as a reference I guess - as long as we think about the cultural tradition that brought us Dracula and The Hound of the Baskervilles rather than the more contemporary understanding of the word that implies either a metal band with a female vocalist or people dressing up and partying at more or less shady nightclubs.

The band alternate between a small handful of different dominant main arrangements throughout these six compositions. Frail, atmospheric and fairly mournful piano and viola driven sequences is one of those, a not uncommon feature that is explored in full in a stunningly beautiful manner on Presenze Dal Passato. Other themes revolve around a darker and more dramatic sound, where guitars, keyboards and Mellotron effects combine in majestic, haunting atmospheres, presumably many of them inspired by vintage Italian horror movies of some kind or other. These themes may be fairly dramatic in nature as well, and if they aren't they have intense, more dramatic and theatrical sequences building up to them or following afterwards. Constellations combining keyboards, flute and viola in haunting, almost sorrowful escapades of a more or less gentle nature is another common feature throughout, with or without guitars in the supporting role, as well as plenty of variations of the constructions described oh so briefly here of course.

While this may sound like an album that does contain quite a lot of doom and gloom, this isn't a production totally focused on dark atmospheres however. As with many other Italian bands looking back in time for inspiration that include a flutist, occasional nods in the direction of Jethro Tull is a feature also in this case. Harder edged more often than not, and most times with a generally darker touch than Ian Anderson's somewhat merrier men as well, but still with a combination of flute and guitar riffs that does remind of Jethro Tull, which in this context results in a more joyful and uplifting atmosphere introduced into this otherwise endarkened landscape.

Instrumental progressive rock with a distinct, dark atmosphere and moods dominated by ominous tendencies is what we're served on this album, with plenty of theatrical flair of a subtle as well as dramatic nature, flavored by melancholic inserts and occasional details of a more uplifting nature. The band's stated influences by movies and movie soundtracks from yesteryear shines through as an obvious presence throughout too, and as such this is a band that most likely will be compared with other Italian bands of old inspired by or responsible for some of the aforementioned soundtracks. A company that should suit this band very well I presume, and fans of music of that kind will have another band at hand they should lend an ear to.

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Send comments to Windhawk (BETA) | Report this review (#1134763) | Review Permalink
Posted Friday, February 21, 2014

Review by Matti
COLLABORATOR Neo-Prog Team
4 stars Italy keeps producing strong new prog acts! This sextet, translated as Poison Tree, have recorded their debut in Florence. The instrumental music has almost a Gothic-like dark atmosphere, but in an elegant manner, having very little to do with heavy rock style. One may get associations towards many directions. First, quite expectedly (as the founding members have mentioned horror movies as their inspiration), Italian dark prog classics such as GOBLIN or JACULA / ANTONIUS REX, even though the playing is more modern and tighter. Furthermore, I think the Hungarian SOLARIS have made rather similar strong and melodic instrumental prog with art music flavour.

The group features viola and flute players - and the latter cannot avoid the comparisons to Ian Anderson on the fourth, rocking track 'Un Altro Giorno di Terrore'. The intensity of some compositions remind me of the Finnish group Magyar Posse. Surely there are also more delicate nuances, especially on 'Presenze dal Pasato'. It's worth noting how full-bred and democratic the band sound is (another feature shared with Goblin); no virtuotic competition at sight. Only the 12-minute closing track 'Al di La del Sogno...l'Incubo Riaffiora' with its choir-like synth layers gets a bit too pathetic. The relatively short album offers a spell-binding listening experience.

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Send comments to Matti (BETA) | Report this review (#1144437) | Review Permalink
Posted Sunday, March 09, 2014

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