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Savatage

Progressive Metal


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2.91 | 41 ratings | 8 reviews | 5% 5 stars

Good, but non-essential


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Studio Album, released in 1983

Songs / Tracks Listing

1. Sirens (3:40)
2. Holocaust (4:36)
3. I Believe (5:28)
4. Rage (2:40)
5. On the Run (3:31)
6. Twisted Little Sister (3:38)
7. Living for the Night (3:20)
8. Scream Murder (3:50)
9. Out on the Streets (5:11)

Total Time: 35:57

Bonus tracks on the 1994 remaster:
10. Lady in Disguise (4:36)
11. The Message (3:38)
Bonus tracks on the 2002 Silver Anniversary Collection Edition:
10. Target (Demo)
11. Living on the Edge of Time (Demo)
99. hidden track

Lyrics

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Music tabs (tablatures)

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Line-up / Musicians

- Jon Oliva / vocals & piano
- Criss Oliva / all guitars, backing vocals
- Keith Collins / bass, backing vocals
- Steve Wacholz / drums, percussion

Releases information

LP Par Records PAR 1050 (1983 US)
Cass Combat MXT 8018 (1985 US)
LP Roadrunner Records RR 9783 (1985 Netherlands)
LP Music For Nations MFN 48 (1985 UK & US)
LP Combat MX 8018 (1985 US)
LP Banzai Records BRC 1968 (1985 Canada)
LP Par Records PAR 1050 (1985 France)
CD Metal Blade Records 3984-14076-2 (1994 Germany) (remaster)
CD Metal Blade Records PHCR-16151 (1995 Japan)
CD Metal Blade Records 3984-14419-2 (2002 Germany) (Silver Anniversary Collections Edition)

Thanks to ProgLucky for the addition
and to The Bearded Bard for the last updates
Edit this entry

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Streets: A Rock OperaStreets: A Rock Opera
Atlantic 1991
Audio CD$5.00
$2.49 (used)
Gutter BalletGutter Ballet
Atlantic 1990
Audio CD$5.00
$3.21 (used)
Edge of ThornsEdge of Thorns
Atlantic 1993
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Streets: A Rock Opera (Narrated Version / Video Collection)Streets: A Rock Opera (Narrated Version / Video Collection)
CD+DVD
Edel Records
Audio CD$11.81
$18.13 (used)
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Atlantic 1990
Audio CD$5.50
$4.47 (used)
Poets & MadmenPoets & Madmen
Import
Ais 2011
Audio CD$5.01
$5.41 (used)
Dead Winter DeadDead Winter Dead
Atlantic 1995
Audio CD$5.90
$2.31 (used)
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Import
101 DISTRIBUTION 2010
Audio CD$7.04
$12.20 (used)
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101 DISTRIBUTION 2010
Audio CD$8.04
$6.11 (used)
Ghost in the RuinsGhost in the Ruins
Import
101 DISTRIBUTION 2011
Audio CD$6.18
$23.03 (used)
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SAVATAGE Sirens ratings distribution


2.91
(41 ratings)
Essential: a masterpiece of progressive rock music(5%)
5%
Excellent addition to any prog rock music collection(24%)
24%
Good, but non-essential (46%)
46%
Collectors/fans only (22%)
22%
Poor. Only for completionists (2%)
2%

SAVATAGE Sirens reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by Marc Baum
PROG REVIEWER
5 stars "Sirens" is undoubtably one of the 80's most acclaimed underground metal classics ever. Jon Oliva and co unleash their powerhouse force of flashy guitar licks + solos, sturdy consistent bass playing, and slamming drumming. Jon's voice is a bit immature but i think that just adds to the whole atmosphere of the album, and is nowhere near as squieky as Hetfield era Kill Em All. Jon's contains one of the most unique voices ever, and i must give the man credit for being an innovator. His voice on this album can range from a banshee like yelper to a lower pitched singer, and at times very mellodic (see "Out on the Streets"). Brother Criss Oliva is simply put a mammoth on the 6th string guitar and I cannot disagree with anyone who would put such a label on him. The sheer brilliance and professionalism he puts into his playing puts others to shame. When this first came out it was beloved by alot of metal fans and i can totally see why, because there was nothing quite like it at the time of it's release (1983).

Sirens has alot of ballsy, brute powerful songs that have a lot of diversity and catch your attention quite easily. Savatage really started accomplishing a cult status right away with their debut and can you wonder why? Take a listen and just dare to tell me this isn't some inventive stuff for the early 80's. This took Heavy Metal to the next level in my opinion, and adds that more extreme touch of aggression to it. The thing I like most about the album is the attitude of the tracks. They all display a life like meaning that all of us can relate to in some way or another. Read the lyrics, and you should get something out of each track. "Twisted Little Sister", is almost sadistic, "Holocaust" is horrifing, my fave "Scream Murder" is hauntingly powerful with it's incredible drive and "Out on the Streets" is the first real Savatage ballad, with depressing lyrics. Check that awesome guitar solo out on this track - that is touching, pure brilliance. This is definatly a darker album than most would expect. The themes are about murder, war, lust, and sorrow etc. Basically everyone is bound to get something out of Sirens weather it be for the better or worse. But in the end I am sure no one can say this album is all bad.

If you were wondering the line for this album was Jon Oliva : Shrieks of Terror, Criss Oliva - Metalaxe, Steve "Dr Killdrums" Wacholz, Keith Collins - The Bottom End. For a debut album this is mighty good and who knew that Savatage would grow to be even more godly (progressive) in the future? For a band to last this long surely is a feat in and of itself. In conclution if you are a fan of classic metal albums and are lacking in a early Savatage record this is the one for you. There is nothing lacking about this album, and I suggest to get the Silver Anniversary Edition, for the Remasters are much cleaner. Cheers Savatage He's gonna take it out on YOU!!!!

album rating: 9/10 points = 89 % on MPV scale = 5/5 stars

point-system: 0 - 3 points = 1 star / 3.5 - 5.5 points = 2 stars / 6 - 7 points = 3 stars / 7.5 - 8.5 points = 4 stars / 9 - 10 points = 5 stars

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Posted Saturday, May 01, 2004

Review by diddy
PROG REVIEWER
2 stars First of all, I have to say that I really like this album. Savatage is one of the best METAL bands out there and I really like some of their stuff. But by saying this I'm talking about a metal band and not about prog. I have some of their albums because I also listen to some metal but not very much...I never thought about prog when I listened to their albums. If you want to hear really good and well played metal this is definitely a band to check out but if you're searching for prog metal, don't touch this one. Personally I would give more stars but rating the progressive content of this album I have to say that it is only something for fans or collectors. Savatage is a good band with good metal albums and their debut "Sirens" is one of their best ones...but remember, no real prog on this one.

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Posted Tuesday, July 13, 2004

Review by slipperman
PROG REVIEWER
4 stars Excellent addition to any METAL music collection.

It's too bad Savatage's earlier albums are included on this site, as they don't stand a fair chance from most prog-metal or prog-rock reviewers. For a very long while, Savatage was purely and simply a heavy metal band. And when they were good, they were amazing. Albums like 'Hall Of The Mountain King' and 'Power Of The Night', as well as EP 'The Dungeons Are Calling', are all masterpieces of dark, energetic, expertly played metal.

I don't consider Savatage much of a prog-metal band, though. There are a couple hundred more adventurous prog-metal bands worthy of the classification, I'm just not sure Savatage is one of them. And I thought they started to lose it after 'Hall Of The Mountain King' anyway. I look to other bands for great progressive metal. But I can't sit here and see this album given low ratings, because 'Sirens', their very first album, is a high point in early '80s metal, with only a couple rough spots that make it less than perfect. This side of Metallica's 'Ride The Lightning' and Metal Church's self-titled debut, there isn't a metal album that offers such a strong first half as 'Sirens'. The pounding title-track opens things up, taking listeners on a journey of danger, the eerieness heightened by Criss Oliva's formidable guitar tones, brother Jon's manic tale-telling, and the heavy-handed rhythms of Steve Wacholz (drums) and Keith Collins (bass). The mid-section break is an example of the band's songwriting expertise, comparable to the more epic facets of Iron Maiden, Accept and Judas Priest. "Holocaust" grinds its warning with a fierce and deathly riff leading the way (make that "RIFF!!!"), and then into "I Believe" and its more textured, melancholy tones. "Rage" simply kills, a real bastard grinder, proto-speed metal at its rawest. From here, things maintain a high level of excitement, but some of the songs don't stand as strongly as those first several. "On The Run" is a mid-paced plodder, pedestrian but still maintaining darkness and heaviness. "Twisted Little Sister" is a little tacky. "Out On The Streets" is a good ballad, but it was improved upon later in their career. "Scream Murder" rears its head as a deep-album highlight, full of Criss Oliva acrobatics and subtleties. Paired with the eventful "Living For The Night", it helps beef up the album's second half.

The recording is a bit clunky, but the rawness is more a product of its time than any real flaw. 'Sirens' is a consistently good and often great album...I don't like that it's included on this site, but here it is, so I'll stand proud defending it for what it is. But for prog-metal, go for a much proggier band: Voivod, Opeth, Arcturus, In The Woods, Watchtower. Take your pick.

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Send comments to slipperman (BETA) | Report this review (#44934) | Review Permalink
Posted Tuesday, August 30, 2005

Review by UMUR
SPECIAL COLLABORATOR Honorary Collaborator
2 stars Sirens is the debut album from US Power metal band Savatage. My introduction to Savatage was the Gutter Ballet video which I saw on Headbangerīs Ball sometime in the late eighties/ early nineties and then In the Hall of the Mountain King video which I also watched on Headbangerīs Ball. Up through the nineties I purchased and listened to four or five other albums from Savatage but I must admit that I never really became a devoted fan. Savatage has always been a bit too classic heavy metal for my taste even though they are a bit more sophisticated than your average heavy meal band.

Savatage was formed by the two Olivia brothers. Jon Olivia on on keyboards and vocals and Criss Olivia on guitars and backing vocals. Criss Olivia was by many regarded as one of the great heavy metal guitarists of the eighties. Sadly he was killed by a drunken driver in 1993. In Addition to the two brothers Savatage at this time consisted of Keith Collins on bass and backing vocals and Steve Wacholz on drums and percussion. The star of this album is without a doubt Criss Olivia. His hard rocking guitar style reminds me of guitarists like Randy Rhodes and Eddie Van Halen.

The music on Sirens is unmistakably eighties heavy metal and itīs actually a pretty hard version of that style Savatage play on Sirens. Jon Oliviaīs rusty voice cuts through bones while little brother Criss plays some really nice and fast licks to keep the music interesting most of the time. The rythm section is tight and relentless. Most of the songs are mid paced heavy metal tunes build on a vers chorus solo formula while the last song on the original LP Out On The Streets is a power ballad type song. Itīs good for the variation but I prefer the hard rocking heavy metal tracks over this one. The CD release from 1994 has two extra tracks. Lady in Disguise which is another power ballad and The Message which is a hard rocking heavy metal tune. Both songs seem like natural additions to the album. The music sometimes remind me of the first couple of albums from Ozzy Osbourne even though Savatage is a bit harder edged on Sirens. Even though all songs are enjoyable the album does become a bit trivial at times. The Early eighties heavy metal style simply had itīs limits.

The production is very good for the time even though there are obvious flaws here and there.

I actually ended up enjoying myself more than I had expected and I think Sirens is a very good example of early eighties heavy metal. There are absolutely no prog tendencies on the album but it rocks enough to make even an old stiff necked headbanger like myself rock his head. If I could give 2.5 stars I would but as I seldom round up this will be a 2 star album. Not because itīs not worth listening to but because this one is probably only for the fans of the band and fans of early eighties heavy metal.

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Send comments to UMUR (BETA) | Report this review (#175803) | Review Permalink
Posted Monday, June 30, 2008

Review by Isa
PROG REVIEWER
2 stars |D|

Sirens is the debut album of Savatage, one of the bands that would come to be known as one of the early pioneers of more creative or "progressive" metal (though since Savatage avoided a lot of the prog stereotypes, there's some argument about their progressiveness). It is actually very much what you might expect from one of the better heavy metal bands from 1983, only unlike the other proto-prog metal bands, Savatage is only somewhat influenced by NWBHM. The influence of heavier, "darker" and more mid-tempo first wave metal, Black Sabbath, Ozzy Osbourne, and some Scorpions, is just as present. There's a lot of stuff online about them having been an early influence for death metal, given Jon Oliva's aggressive style, but that seems like quite a stretch, in my opinion (I guess I'd have to give early death metal another listen to be sure...). Regardless, the debut has some great, somewhat creative straight up metal tracks, some moments of "hey, that sounds like something you'd hear in prog" here and there, and some tracks that are just very forgettable, lame, and dated tracks that stereotype that period. A pretty mixed bag indeed. It's impressive how the band would stick with the general sound of their debut for so many albums though.

Track Commentary: The album opens with sounds of chorused guitar arpeggios leading into church bells combined with chimes (hm, I wonder if Rush's A Farewell to Kings had some influence there...). I really like the echo effects on Jon Oliva's voice, and he'll often stop on a word and let the word echo during the riff, very effective. Very good riffs, standard sort of heavy metal for the early eighties, but well done. Holocaust starts with fast drumming on the high hat, leading into a riff, leading into the songs main riffs, a really great riff with palm muting, alternating a low line and higher power chords. This is probably my favorite song on the album, along with Scream Murder. The siren going off in this track is an album pun, referring to the danger in WWII and the album title at the same time. I like the low keyboard pads. Some of the guitar chords are reminiscent of Iron Maiden's. The end of the song is sound effects, which crescendo into the next track. The intro to I Believe is chorused guitar arpeggios with Oliva giving try at soft-singing, with less than pleasing results of nasality. More of the usual early 80s metal sound, power chord riffs with occasional single lined passages. Less than convincing low-voice distortion is used before the band breaks into a double-time solo. I like the sound of the toms in the drum fills at the end of the track. Rage is a much more accessible head-banging sort of track. The ending holds the echo of the ending in suspention, very strange and creative enough to seem out of place at the end of a not-so-creative track. On the Run is a more mid-tempo, with a riff that sounds oddly similar to one in their later Gutter Ballet album... I guess they kind of reused it. It's a really awesome riff nonetheless. Twisted Little Sister is once again on the accessible side, with kind of unnecessary effects on the singer's voice. I'm pretty certain that the title of this track is where a certain (in)famous hair-metal band got their name. "Baby I need you" is the kind of lyric that gives you a less than positive indication regarding the band's sense of artistic flare with the track. Living for the Night is another typical metal track. Scream Murder, however, is actually quite the opposite, a track with synth pads, more diversity in the composition. Out On the Streets is very acoustically driven, and the catchy chorus actually does sound like something from their Streets album, interestingly enough.

Savatage's album is a pretty good one in the scheme of early metal, but pretty mediocre in the context of rock music over. A good start, with mere hints at prog, but this is one of those albums you listen to if you adore the band's somewhat unique and aggressive sound, or for head-banging kicks after you've wracked your brain with avant-garde music. More recommended for fans of Savatage and prog metal collectors.

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Send comments to Isa (BETA) | Report this review (#562338) | Review Permalink
Posted Friday, November 04, 2011

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3 stars Easily one of the most underrated metal albums of all time, Savatage have never really been fully embraced by the mainstream, which is why this album has pretty much been lost in time, but there are actually some amazing Metal tunes to be found here. This album is nowhere near as epic, progressi ... (read more)

Report this review (#273300) | Posted by Valarius | Sunday, March 21, 2010 | Review Permanlink

2 stars This first Savatage album is almost lost in the mist of times. I remember it on a tape I had in my collection. The music is quite good, but in the terms of heavy rock or heavy metal, not progressive rock. The album features enough riffs, enough speed and (Jon Oliva's) rough voice and ... (read more)

Report this review (#266835) | Posted by Sachis | Thursday, February 18, 2010 | Review Permanlink

2 stars Savatage is one of the best American heavy metal bands in the 80's, they gradually improved their songwriting and lyrics and became a fantastic progressive metal band in the 90's. Savatage were formed by brothers Jon (vocals) and Criss Oliva (guitar), they initially were a trio and called t ... (read more)

Report this review (#44889) | Posted by Prosciutto | Tuesday, August 30, 2005 | Review Permanlink

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