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Vangelis

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Vangelis Earth album cover
3.64 | 69 ratings | 14 reviews | 26% 5 stars

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Studio Album, released in 1973

Songs / Tracks Listing

1. Come on (2:09)
2. We were all uprooted (6:48)
3. Sunny earth (6:38)
4. He-o (4:09)
5. Ritual (2:45)
6. Let it happen (4:20)
7. The city (1:17)
8. My face in the rain (4:19)
9. Watch out (2:50)
10. A song (3:32)

Total Time: 39:14

Lyrics

Search VANGELIS Earth lyrics

Music tabs (tablatures)

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Line-up / Musicians

- Vangelis / keyboards
- Robert Fitoussi / bass, vocals
- Argiris Koulouris / guitars

Releases information

LP Vertigo 6499 693 (1973 Greece)
LP Vertigo 6499 693 (1973 Canada) (different cover: earth as seen from space)
LP Vertigo 6499 693 (1973 France) (with red-white letters)
LP Vertigo VEL 1019 (1974 USA) (as Vangelis O.)
LP Vertigo BT-8109 (1979 Japan) (with red-white letters)
LP Mercury VAN 01 (1982 Canada) (different cover)
CD Vertigo 532 783-2 (1996 Greece)

Thanks to ProgLucky for the addition
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  • Titles Chariots Of Fire, 1981
  • Hispanola 1492 - Conquest Of Paradise: Music From The Original Soundtrack, 1992

Buy VANGELIS Earth Music


Blade Runner Original Soundtrack (180g Translucent Red Vinyl)Blade Runner Original Soundtrack (180g Translucent Red Vinyl)
Audio Fidelity 2013
Vinyl$24.16
$27.79 (used)
CollectionCollection
Import
Warner Bros UK 2012
Audio CD$5.08
$3.84 (used)
ThemesThemes
Polydor / Umgd 1989
Audio CD$3.28
$0.01 (used)
Albedo 0.39Albedo 0.39
R.C.A. Records
Audio CD$2.71
$1.71 (used)
Light & Shadow the best of VangelisLight & Shadow the best of Vangelis
Import
Warner Bros UK 2013
Audio CD$3.63
$5.58 (used)
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VANGELIS Earth ratings distribution


3.64
(69 ratings)
Essential: a masterpiece of rock music(26%)
26%
Excellent addition to any rock music collection(35%)
35%
Good, but non-essential (29%)
29%
Collectors/fans only (9%)
9%
Poor. Only for completionists (1%)
1%

VANGELIS Earth reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by soundsweird
PROG REVIEWER
4 stars One of the last Vangelis albums to be released on CD, this is one of my favorites. Kind of a bridge between Aphrodite's Child's "666" and his solo work, this album has elements of rock, jazz, folk, and especially world music. Of course, there's also a spacy element, thanks to Vangelis' keyboards. Several tracks have vocals, either sung or spoken, and the melodies are catchy and original. A couple of tracks do nothing for me, notably "Come On". However, it's a short throwaway that can be skipped easily. Strongly recommended to fans of "666", especially if you like the songs from that album that have a distinctly Greek sound.

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Send comments to soundsweird (BETA) | Report this review (#34835) | Review Permalink
Posted Tuesday, May 03, 2005

Review by greenback
SPECIAL COLLABORATOR Honorary Collaborator
4 stars I like this album! It often has a smooth acoustic rhythmic guitar. There are good singers, lots of percussions, the keyboards are modest and sometimes consist in floating background streams full of mystery and hope moods ("My face in the rain", "A song"). "Let it happen" is very catchy and addictive, full of good vocals and bottom bass notes. There is one word that describes well the style of this record: TRIBAL! This is not New Age full of emotional & modern keyboards like on "Chariots of fire" or "1492": do not forget it is 1973 here!

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Send comments to greenback (BETA) | Report this review (#39436) | Review Permalink
Posted Thursday, July 14, 2005

Review by Seyo
SPECIAL COLLABORATOR Honorary Collaborator
5 stars Wonderful album from the classic prog era!

"Earth" is one of early Vangelis' albums that is often neglected and is not easily obtainable in the shops. It is however far better work than many of his later popular new age soundtracks, at least for my taste. It is very atmospheric, ethno-tribal music with lots of percussions, keyboards and above all acoustic string instruments (something like Greek bouzouki etc.). There are several vocal tracks with lyrics, which sort of resemble the pseudo-religious pantheistic love for nature and planet Earth, so there is a loose concept throughout the album. Highlights are "We Were All Uprooted"/"Sunny Earth"/"He-O" , "Let It Happen", while the guest vocalist in "My Face In The Rain", Robert Fitoussi, reminds of the old APHRODITE'S CHILD collaborator Demis Roussos. If you are not fan of popular electronic synthesized Vangelis of post-"Spiral" era, maybe you find "Earth" more appealing, especially if you are into ethno-folk-world music thing. This is a distant precursor of Peter Gabriel's "Passion", cause it bears the similar Middle-Eastern feeling. I can't really call it a masterpiece, but it's very close to one. 4,5 shining stars!!!

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Send comments to Seyo (BETA) | Report this review (#54536) | Review Permalink
Posted Thursday, November 03, 2005

Review by Heptade
PROG REVIEWER
4 stars An excellent album from Vangelis's pre synthy era, much more of a soft prog album like the Moody Blues or BJH, but with an intoxicating Mediterranean feel- lots of acoustic guitars and some thumpy ethnic-sounding drums. Vocals are surprisingly prominent, with good English lyrics. The keyboard textures from mellotrons, organs and Moogs are beautiful, especially on the ballad "My Face in the Rain". Though this album sounds more like Aphrodite's Child than it does his work from the late 70s, this is actually one of Vangelis's stronger albums, with a wealth of great psych rock ideas mixed with a distinct Greek feel that wouldn't be hinted at again until some of the pieces on the Blade Runner soundtrack.

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Send comments to Heptade (BETA) | Report this review (#64354) | Review Permalink
Posted Thursday, January 12, 2006

Review by ZowieZiggy
PROG REVIEWER
2 stars After the release of a pure atmospheric album ("L'Apocalypse des Animaux"), Vangelis recorded a more varied work with "Earth".

Several musical styles are proposed and contributed to an eclectic album. The short opener "Come On" is totally rock oriented: hard beat, hypnotic and hard "vocals". This is not very common in his discography so far.

The second and also longest song is quite different. "We Were all Uprooted" shares a lot with world music and offers some fine "Mediterranean" acoustic guitar parts. I am not so convinced about "Sunny Earth" which is leaning on some sort a tribal music. Indian chants combined with some complex acoustic guitar parts don't sound really great to my ears ("He- O", "Ritual", "The City").

This scenario is unfortunately also present during the next couple of songs: world music mostly all the way through till the closing number. Since his type of music is not my cup of tea, I can't be charmed by "Earth".

Some tranquil and atmospheric tracks like "Let It Happen" or "My Face In The Rain" are welcome to break the overall mood. Still, the vocal department on this work demonstrates nothing great. The last couple of songs revert back to world music again.

I am not globally impressed by this album. Two stars.

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Send comments to ZowieZiggy (BETA) | Report this review (#305010) | Review Permalink
Posted Sunday, October 17, 2010

Review by octopus-4
SPECIAL COLLABORATOR RIO/Avant/Zeuhl Team
3 stars After the first approach with soundtracks, this album is opened by a rock track based on 12 strings guitar and percussions whose lyrics only say "Come on". I wouldn't be surprised to hear Amon Duul II play a song like this.

We have a trio. Bass and guitars will soon disapeear from Vangelis' albums to be replaced by keyboards, but unlike Hypothesys and The Dragon, there's no jazz.

"We Were All Uprooted" is influenced by Greek traditional music even if the repetitive slow tempo has something of krautrock. "Sunny Earth" is not much different after a first half based on 12-strings guitar it turns into ethnic. A bridge between South Europe and Africa.

"He-O" has lyrics, and a middle-eastern flavour while "Ritual" gives me the idea of ancient Greece. A Ritual for the Olympus Gods.

"Let It Happen" has some jazzy moments, specially in the instrumental part. The repetitive and almost funky singing is unusual for Vangelis. Very 70s stuff.

The minute of percussion and noises of "The City" is very evocative. Years later this concept will become an entire album and "Morning Papers" on that album will be able to transmit the same sensations in a different way.

"My Face In The Rain" is a melodic song on which Robert Fitoussi uses his highest pitch. After Demis and this song there's no surprise if Jon Anderson will become his favourite singer. Specially if you listen to "So Long Ago So Clear" on Heaven and Hell.

The absence of percussions and the soft sounds of this song are suddenly replaced by the darker "Watch Out". As all the tracks of this album on which the 12-strings guitar has an imprtant role I see connections with Krautrock in general and Amon Duul II in particular. Some of the sounds used in this track will become familiar to the listeners of Vangelis in the following albums.

"A Song" is again sung on high pitch and has no rhythm, but there's a tremolo effect on the voice that I find a bit disturbing. The melody based on minor chords reminds to the vocal part of the soprano Vana Veroutis on Heaven and Hell. A speaker says something about Earth and the album ends with soft and evocative keyboards.

I'm undecided about the rating. It's good and probably more accessible than some of his best works but there are other albums that I can consider essential, so even if it's a very good album I think it fits better in the 3 stars definition.

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Send comments to octopus-4 (BETA) | Report this review (#353381) | Review Permalink
Posted Wednesday, December 15, 2010

Review by Mellotron Storm
PROG REVIEWER
3 stars "Earth" is a mixed bag for me as Vangelis plays a variety of styles here. I wish he had stuck with one style really and when I say that I don't mean the "Rock" leanings of the openiing track.

"Come On" is a 2 minute rocker with him singing "Come on !" throughout. Not a fan at all. "We Were All Uprooted" opens with thunder and rain as a beat comes in then flute. Spoken words join in before 1 1/2 minutes then acoustic guitar replaces the spoken words. A definite World Music flavour here and on many of these tracks. "Sunny Earth" has these native-like vocal melodies and the sound is very minamilistic. "He-O" is my favourite song on here.Very intricate sounding with vocals.

"Ritual" sounds like it came from out of India with those vocal sounds.They stop 1 1/2 minutes in then return after 2 minutes. Not a fan of this one. "Let It Happen" is more uptempo with vocals. I really like the instrumental section that start before 2 minutes and lasts over a minute. "The City" has these sampled sounds from a city as what sounds like kettle drums pound away. "My Face In The Rain" does nothing for me. Slow moving with fragile vocals. "Watch Out" builds then settles back before 2 minutes where it's not melodiic at all. "A Song" is very new agey as the vocals echo then spoken words take over. Not a fan of this one.

This album has it's moments, just not enough of them for my tastes.

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Send comments to Mellotron Storm (BETA) | Report this review (#436546) | Review Permalink
Posted Thursday, April 21, 2011

Review by Warthur
PROG REVIEWER
2 stars The first solo album by Vangelis following the disintegration of Aphrodite's Child and the long battle to get "666" released combines the psychedelic rock stylings of his former group - heard most clearly on opener Come On - with hints of the direction his career would eventually take, with early New Age and synthesiser experiments mashed in with various "world music" influences from several continents. The general concept appears to be environmental and political in nature, going by the (somewhat hokey) narration in We Were All Uprooted, but on balance the point of the album is difficult to make up, and I find I'm often left wishing Vangelis would pick a direction here and stick with it rather than meandering all over the musical landscape turning up good ideas but not developing them properly. This is far from an essential Vangelis release.

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Send comments to Warthur (BETA) | Report this review (#503888) | Review Permalink
Posted Tuesday, August 16, 2011

Review by Sean Trane
SPECIAL COLLABORATOR Prog Folk
3 stars 3.5 stars really!!!

Generally seen as Vangelis' best 70's album, Earth might just surprise some that knew him from the Aphrodite's Child group or his 80's collabs with Yes singer Jon Anderson or his other movie musics. Earth is his first solo album after the demise of Aphrodite's Child, whose career abruptly stopped after the stupendous and arresting 666 concept album. Some (many, actually) see Earth being the logical (but debatable) continuation of the concept, especially that another ex-AC member (guitarist Koulouris) is also present on it. Like most of Vangelis or AC album, the concept was born and constructed in France at Europa Sonor Studios and included bassist and singer Fitoussi, but strangely enough Vangelis did not write the lyrics, as he delegated that to Dassin.

Opening on the well-known Come On, a catchy energetic but shallow piece, the album plunges in the atmospheric Uprooted, where a short narrative indicates that the subject is about to get deeper. The album's general mood is slightly mystic or shamanic, may even have an ecology avant-la-lettre slant and many instruments of world music are used in the duration. It's also quite instrumental in nature, since many of the vocals are chants that are reminiscent of shamanic incantations, giving a light psychedelic mood, further enhanced by slightly- haunting lengthy raga passages. The succession of tracks is flowing smoothly, and it would sound almost awkward to extract a single track out of the remainder (well maybe the opening Come On) or even play the album in the shuffle mode. Outside the few striong vocal melodies, the album is fairly even, with no major highlights, but Face In The Rain is relatively weaker with its near new age feel. Shame it ends without a bang and in a minor mode, though. While I certainly wouldn't call the album essential, it is definitely worth an investigation, even if Vangelis would create more fairly similar works in the future.

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Send comments to Sean Trane (BETA) | Report this review (#708011) | Review Permalink
Posted Wednesday, April 04, 2012

Latest members reviews

4 stars Earth is a very fresh, timeless work. It's difficult to believe that it was recorded in 1973. The music here is an early example of "New Age" and ambient music and I believe Vangelis to be an important pioneering composer of the genre. There is also a combination of some "World Music" or ethnic mu ... (read more)

Report this review (#402555) | Posted by Frankie Flowers | Thursday, February 17, 2011 | Review Permanlink

5 stars This album should have been the right 666 follow up for APHRODITE'S CHILD, unfortunately ,DEMIS and LUCAS chose to leave and VANGELIS did it with SILVER .This music is powerfull, and fascinating with strong oriental influences, at the time VANGELIS talked about byzantine roots.It's been record ... (read more)

Report this review (#298002) | Posted by jean-marie | Wednesday, September 08, 2010 | Review Permanlink

4 stars This one still stands as one of his most eclectic albums. It starts with a rousing pounding drum-driven tune called "Come On." It seems to be an invitation to rock out, but the next piece, "We Were All Uprooted," is about a semi-biblical group wandering the desert. The rhythm moves the piec ... (read more)

Report this review (#287318) | Posted by Progosopher | Saturday, June 19, 2010 | Review Permanlink

5 stars My favourite. It has a freshness to it and a diversity of ideas that are rare in later Vangelis output. I like the somewhat behement way in which he refers to religion and ritual, somewhat reminiscent to Khalil Gibran. Hisrhythmic language is always simple but very powerful and self-assured. ... (read more)

Report this review (#34837) | Posted by Paco DelCaos | Tuesday, May 10, 2005 | Review Permanlink

5 stars "Earth" is one of the early albums that sound different than his latter works. It sounds more ethno rock than electronica. This was also one of the most early and original examples of world music genre but at that time it was more progressive than today's comercial works. Something similar was al ... (read more)

Report this review (#34834) | Posted by terramystic | Wednesday, April 27, 2005 | Review Permanlink

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