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Rock Progressivo Italiano • Italy

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Semiramis biography
Founded in Rome, Italy in 1970 - Disbanded in 1974 - Regrouped between 2014-2017

SEMIRAMIS is one of the many "one-shot" bands of the 70's Italy. Their only album is one of my favorite albums of the 70's Italian art rock. Combining elements of Italian folk, heavy progressive passages (especially in the middle of the album), Baroque church music, jazz, classical, and a good dose of insanity. "Dedicato A Frazz" pounds every sense, challenges every synapse in a flurry of ideas. There are more symphonic, keyboard-led parts as well where SEMIRAMIS may sound closer YES, GENESIS or BANCO. A fantastic album...!

See also: WiKi

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Dedicato a FrazzDedicato a Frazz
Ams 2014
Frazz LiveFrazz Live
Black Widow 2017
$22.15 (used)
Dedicato a FrazzDedicato a Frazz
Disk Union 2004
$17.87 (used)
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SEMIRAMIS discography

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SEMIRAMIS top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.05 | 270 ratings
Dedicato A Frazz

SEMIRAMIS Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

SEMIRAMIS Videos (DVD, Blu-ray, VHS etc)

4.00 | 1 ratings
Frazz Live

SEMIRAMIS Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

SEMIRAMIS Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)


Showing last 10 reviews only
 Frazz Live by SEMIRAMIS album cover DVD/Video, 2017
4.00 | 1 ratings

Frazz Live
Semiramis Rock Progressivo Italiano

Review by Matti
Prog Reviewer

— First review of this album —
4 stars SEMIRAMIS, consisting of very young musicians at the time, were one of the several RPI bands that managed to make just one album in the early/mid seventies, Dedicato a Frazz (1973). I wrote about it roughly like this in my Finnish-language book on international progressive rock:

"Already the cover art gives some ideas about the style and possible influences, and more than to the front cover I refer to the gatefold's inner painting of dark, autumnal atmosphere, which I find in spirit somewhere between In the Court of the Crimson King and Nursery Cryme. But one cannot blame Semiramis for imitating anyone. In the highly dynamic and occasionally very intensive music there's not a single moment that would directly point at a certain band. Well, maybe the clinging percussion on the instrumental 'Uno Zoo di Vetro' resembles the Larks-era King Crimson. For the intensity the album can be compared also to Van der Graaf Generator, even if the sound per se hasn't got a lot in common -- with the possible exception of the occasional aggressive edge on the vocals.

Guitars, drums and bass are being played quite heavily without plainly falling on the heavy rock side. On the more central role are keyboards, varying from harpsichord and church organ flavours to thick synth carpets and jazz-nuanced electric piano. Here and there the intensity of the music is broken by more delicate passages, but perhaps in the end the album suffers from sameyness to a certain degree."

In retrospect, I think I didn't listen to the album as dedicatedly as it would have deserved, when I wrote that last, somewhat reserved sentence. Perhaps I was just a couple of further listening sessions away of naming the album as one of the finest RPI classics, at least on the heavier end of the spectre (as opposed to the pastoral end, which is closer to my heart). I could have re-listened to the studio album also, before writing this review, to find out how my reception might have changed. But even without doing that, I firmly believe that this concert performance from April 2017 simply sounds better. The sound is, how to put it, more open and nuanced, ie. the live factor does really good for this music. The line-up is missing the original vocalist Michele Zarrillo, which may be another reason for slightly more amiable impression. Now, don't start thinking this performance would be less dynamic or 'weaker' than the original 1973 recording. -- Actually I wish someone who's admired the album for ages would review this DVD, just to get another point of view and a closer look on the sonic differences. Anyway, for me, SEEING the band performing the music live often brings the music closer to me. This is exactly what happened now.

This is a DVD+CD set, with identical contents on both, except that the CD contains one bonus studio track, 'Mille Universi'. It's closer to the electric guitar oriented hard rock than the progressive finesse of the concert, which performs the original album Dedicato a Frazz in its entirety plus nearly 9-minute 'Morire per Guarire' not found on the album. Very powerful prog song it is. The DVD extras are a brief picture show and interviews of the band members. This leads us to one remarkable minus on this release: there are no English subtitles (although English language is used on the leaflet), which means non-Italian speaking viewers won't get much out of these interviews. Sad.

Another feature that I'm not quite convinced of, is the way each track is preceded by a near-minute narration, written and spoken by Giampero Artegiani (not listed on the band line-up). The leaflet contains Italian words for both these narrations and song-lyrics. Again, I would have appreciated English subtitles -- or printed translations -- at least for the narrations. On the first viewing of the show these narrations felt quite OK, but most likely they start irritating me on further viewings (on the CD these sections are separate tracks and therefor can be skipped, unlike on the DVD). Sonic level is faultless, and also from the visual point of view the concert film is very good. Several camera angles, a good balance of close-ups and broader scenes, and a fairly good lighting. Close to the ending a human-like, finely dressed doll is hanged up from its neck. Otherwise there are no theatrical aspirations on behalf of the stage settings or the band.

Despite some minor negative remarks I strongly recommend this set if you're interested in the Rock Progressivo Italiano of the classic era, whether you already have the original album or not.

 Dedicato A Frazz by SEMIRAMIS album cover Studio Album, 1973
4.05 | 270 ratings

Dedicato A Frazz
Semiramis Rock Progressivo Italiano

Review by Tarcisio Moura
Prog Reviewer

4 stars I did not know much about this album until recently. It was one of those records you hear a lot about it but don┬┤t actually have the opportunity to listen to. A friend borrowed it to me a few days ago and I was very impressed. Even more so when I heard they were not successful with this album and that it was the only one Semiramis ever released. A real shame, for this is not only a great album but a promise of even better things to come. But, looking back, maybe it was too different from the average Italian music of the time. Surely, it was melodic and progressive, but it was also heavier and darker than most, with some fiery guitar parts (for the time, of course), lots of driving keys and a few strong jazzier parts.

All the musicians are brilliant and I loved the vibraphone parts drummer Paolo Faenza adds on several cuts. The compositions are very strong and although a bit daring for the period, very melodic and although sometimes sounding a bit incoherent, very well built. Like all prog masterpieces, it takes a little time to sink in, but once you get it, you┬┤re hooked. Vocalist/guitarist Michele Zarrillo has a fine voice for the style. Thanks god everything here is sung in italian. The themes here seems to deal with the concept of madness, which may explain the wild mood swings of some tunes. I was also taken by the high quality production of the CD, very well balanced, with a crystal clear sound. All wrapped up with a dazzling cover art by Gordon Faggeter.

I really loved this album: it sounds like a good mix of Genesis, early King Crimson and Van Der Graff Generator put together, and still they had already built am identity of their own. It really makes me wish they had recorded a follow up.

A real lost prog jewel. Highly recommended for any italian prog rock aficionado.

 Dedicato A Frazz by SEMIRAMIS album cover Studio Album, 1973
4.05 | 270 ratings

Dedicato A Frazz
Semiramis Rock Progressivo Italiano

Review by siLLy puPPy
Collaborator PSIKE, JR/F/Canterbury & Eclectic Teams

5 stars SEMIRAMIS took their name from the legendary Queen of Babylon and wife of King Ninus who together are credited for training the first hunting dogs and taming horses as well as ruling regions in Asia Minor and Mesopotamia. This band formed way back in 1970 by keyboardist Maurizio Zarrillo with two cousins: bassist Marcello Raddavide and drummer Memmo Pulvano. All three were exactly the ripe old age of 15 at the time. Fast forward three years and we still have Maurizio Zarrillo on keyboards and Marcello Raddavide on bass, but out was Pulvano replaced by Paolo Faenza on drumming duties and new to the team was Michele Zarrillo (brother of Maurizio) on guitars and Giampiero Artegiani on acoustic guitars and synth. The band got their big break and caught the attention of the short-lived label Trident Records and released their one and only album DEDICATO A FRAZZ. The album was a complete bust at the time but in the 40 plus years since, it has become a progressive rock classic and for very good reason.

This little beauty has become one of MY all time favorite albums! Words can hardly describe the musical genius that is stitched into every little nook and cranny of these beautiful compositions. What we basically have with this album is the purest punk rock energy of youth married with some of the most sophisticated and mature erudite compositions that would seemingly come from a band after many years of seasoning. The mix of these two overall attributes is what makes this album utterly unique in all of music history to my knowledge. The addition of the vibraphone and tympani also sets this apart from their more accomplished contemporaries on the RPI scene.

DEDICATO A FRAZZ on the surface is well within the camp of Italian prog which takes the romantic mellotron pastoral motifs from early Genesis complete with passionate vocals, swirling eddies of pumped-up melodies and classically induced compositional approach and then takes it all and adds healthy doses of caffeine, cocaine and sugar in the form of fiery bombastic keyboard runs, hyperactive bass lines, lightning fast guitar runs and powerful drum sweeps that can assault the senses and then suddenly like someone turned off the switch completely change into the most serene, pleasant and subdued music that would even please your elderly grandparents!

I simply find this to be one of the most pleasing albums to experience time and time again. It has the most seductive melodic developments with the most extreme progressive time signatures, energetic outbursts and seamlessly fuses classical music with bombastic hard rock which never sounds forced. To my ears it sounds like they recorded different versions of the album in different genres and then simply edited them together in some interesting way! However they did it, it is one of the most brilliant pieces of progressive rock to be found and it amazes me that this album hasn't caught on to the levels of PFM, Banco or Le Orme, for it has elements of all of the above and then some.

It remains unclear to me just exactly who the clown FRAZZ was to inspire this behemoth of a progressive rock masterpiece, but he must've been one crafty chap to deserve something so perfectly executed in his honor. What a shame this band did not go on to produce at least a second album but Michele Zarrillo did find success as a melodic pop artist in the 80s. Of all the teeny bopper groups i can think of who have come and gone over the decades (Arctic Monkeys, Runaways, Strypes, New Kids On The Block, Backstreet Boys etc) absolutely none even come close to the creativity and compositional prowess of the boys of SEMIRAMIS. Listen to this now! You will not regret it ;)






 Dedicato A Frazz by SEMIRAMIS album cover Studio Album, 1973
4.05 | 270 ratings

Dedicato A Frazz
Semiramis Rock Progressivo Italiano

Review by Guldbamsen
Special Collaborator Retired Admin

4 stars Hi Ho Silver Italy and away we go!

After having left the borders of France I am now absolutely thrilled to be located in one of the most diverse and colourful prog scenes: Italy's. Going back and forth through my lps and cds - I find my myself verging on delightfully vexed hysteria and then again somewhat confused - simply not knowing where to start in all of this.... I run through so many listening habits a year, that I'm always listening to some Italian music one way or another. What many people fail to realise - something that the RPI collaborators as well as the more well versed members continuously attempt to highlight, is that the Italian take on progressive music in the 70s was infinitely more than what the 3 biggies Le Orme, Premiata Forneria Marconi and Banco del Mutuo Soccorso were all about. They certainly did not make the blueprint for the Italian way. That's not the case at all - not even remotely true.

Semiramis' sole album Dedicato a Frazz is THE album I always put on, when my body screams for that good old Italian vibe. It's as foreseeable as the first rays of the summer. The weather gets more orange and humid, flowers start emerging on trees, and I immediately start searching maniacally around for this little gem.

With a cast of mere teenagers, this album is chuck full of youthful exuberance - lost masturbation seances channelled through music. The force of this band approaches the carefree proto punk of The Stooges, but then again it's much too shapeshifting and complex to be considered part of that possy. Oh and can you imagine playing prog when you were 17? Back then my friends were either playing hardcore punk or grunge - none of them capable of dreaming up something as huge and tightly woven as this little baby.

First and foremost, Dedicato a Frazz slaps you upside your face with a nonchalant hard hitting prog rock that simply storms out of the pit. Like a great big buffalo it rumbles through the prairie with flashes of Italian colour bursting out the seams by way of joyously played acoustic guitar segments, pacing classical piano runs or a zany twist of exotic vibraphone. Still the overriding principles of this album are about fury and youth - simple unassuming energy.

Vocalist Michele Zarrillo too sports a wild possessed fury. His singing brings to mind fellow countrymen Cervello, Raccomandata Ricevuta Ritorno and Il Balletto di Bronzo - it has that nasal fiery quality to it, coming off like an Italian version of Arthur Brown. I'm not sure many remember how melodic Brown actually was, instead they seem to recollect his crazy ways more than anything, but there was a sense of melody there quite unique, which oddly enough brings me to Michele's guitar..... Yup there's a sip of the ol wine in the fabulous electric guitar codas, licks and solos. You better believe it honey!

There's not a dud on here, every track seems to burn brightly with furious rock n commotion - mad vibraphone fuga like sections, soaring melodic vocals and some of the most carefully applied synthesizers I've ever had the pleasure of listening to. Around the time this record was made, the synths had jumped on board the prog vessel like a huge tentacled monster lashing out on all fronts of the rock sphere. I mainly blame Emerson, but that's another tale altogether. On here the crunchy loud earth shattering rock blast is only embellished in small parts with these spacey robotic laser beams, and each time they feel like jumping on an elevator heading for the top of Kilimanjaro ZOOOOOOOOM!

With some serious Jon Lord organ flirtations, although infinitely more swirly and Italian at those, you additionally get a powerful thick melody enhancer in the second Zarrillo brother, Maurizio. This cat can really swing, I'll tell you - he jumps on that organ like a real schizophrenic rocker. With Maurizio, as well as the entire band, you can easily picture some headbanging involved during the groovy saucy gulps.

Semiramis should please the heavy prog aficionados - the Atomic Rooster believers, even if these cats pulled off a release that I personally think is completely original. Any progger worth his salt, should have this in his collection. I genuinely mean that. Just look into that beautiful green mug, and tell me you don't want at least a little snuggle?

So come on now and join the Italian troops, where we all are looking forward to show you the pleasures of music, that will have you doing somersaults and power yoga with pure unadulterated joy. 4.5 stars

 Dedicato A Frazz by SEMIRAMIS album cover Studio Album, 1973
4.05 | 270 ratings

Dedicato A Frazz
Semiramis Rock Progressivo Italiano

Review by Negoba
Prog Reviewer

4 stars Delightfully Frantic Guitar-Based Italian Prog

Semiramis was a one album classic-era Italian Prog band led by vocalist and guitarist Michele Zarillo. The outfit was actually started by his older brother and some friends but had their moment in the sun when the younger prodigy joined. Michele not only sings, plays the some of the greatest prog guitar on record, but apparently wrote most of the material as well. All of the band members were still teenagers when this was recorded (Michele 15) and the youthful energy, wonder, and lack of inhibition are all over the sound. In fact, this may be the best record from a point of view of "Wow that just sounds cool" in the entire classic prog era.

Most Italian Prog is romantic and keyboard driven. Semiramis is intense and dominated by guitar. All the other instruments get their full share of the spotlight, but Michele's guitar really steals the stage. The number of complex guitar riffs and licks on this record are unmatched until the metal era quite a bit after this. The key players aren't afraid to rip and experiment either, and we get some really dissonant sections, some open free form wierdness, and traded lines that again look forward 15 years. The beginning of track 4 "Per un strada affolata" is about as pure proggy instrumental goodness as there is. (Think Steve Hackett's "Ace of Wands")

As great as this is, it can get a little ragged. This isn't a musical journey transporting the listener to new emotional planes. This is a record of monsterously talented kids loving every minute of what they're doing and just letting it rip. The sounds here have all been done before, but never with this much raw joy. There is still plenty of humor, plenty of rock n' roll get up and move spirit. The composition and songwriting is extremely solid, with a willingness to get wierd, but still clearly within the norms of the genre.

Of the 15 or so RPI albums I own, this is one of only two that I get random urges to put on. This is a 4.5 star I album I rounding down because it just doesn't hit that masterpiece button.

But again, highly highly recommended.

 Dedicato A Frazz by SEMIRAMIS album cover Studio Album, 1973
4.05 | 270 ratings

Dedicato A Frazz
Semiramis Rock Progressivo Italiano

Review by greetingsfrombergen

2 stars This band sounds like a bunch of teenagers high on sugar! I love it. I hate it. The performance is really good and with a wonderful, young energy. But the album is hopelessly lost in a plethora of fragmented ideas, seldom fullfilled. Many ideas are pure brilliant, but they could have been developed, or let say progressed more:-) If you meet a confused person who tells you every thought in his mind all the time, you will be exhausted after half an hour. This is how this album makes me feel. The vocals are a bit to feminin for my taste as well, even if I normally do like the sound of a tenor. The overall sound is not bad, however On Luna Park there is a disturbing clapping noise through the second half of the tune, not even in beat. Conclusion: This is mediocre and I would have loved the more matured Semiramis!
 Dedicato A Frazz by SEMIRAMIS album cover Studio Album, 1973
4.05 | 270 ratings

Dedicato A Frazz
Semiramis Rock Progressivo Italiano

Review by Warthur
Prog Reviewer

4 stars I was bowled over to discover that Semiramis were only teenagers when they recorded this album! Musicians decades older than them have tried and failed to produce similarly excellent albums in a similar vein. Granted, it's not the most original of Italian prog albums of 1973 - Trespass-era Genesis is the primary influence yet again - but the passion and the skill with which the band take to this particular musical field and make it their own is a joy to behold. Whilst the vocalist isn't much to write home about, by and large this is very capably performed and interestingly composed pastoral prog that didn't deserve to be overlooked in the Italian prog boom of 72-73, but sadly was.
 Dedicato A Frazz by SEMIRAMIS album cover Studio Album, 1973
4.05 | 270 ratings

Dedicato A Frazz
Semiramis Rock Progressivo Italiano

Review by coasterzombie

5 stars From the moment you lay eyes on the macabre album cover, you realize Dedicato a Frazz is not going to be a typical prog album. Semiramis still manage to haunt and amaze me with this 1973 odyssey every time I hear it. Even more amazing is that mere teenagers wrote and recorded a masterpiece, none more impressive than the 16-year-old Michele Zarillo. Zarillo puts on a veritable guitar clinic and is able to achieve feats those twice his age couldn't. And though his singing is quite capable, his guitar talent is nearly unsurpassed except by the greats - Fripp, Howe, and Hackett - and equal to that of Corrado Rustici in my opinion. In fact, Semiramis evoke the sound of Rustici's group Cervello in their daring and unabashed zeal for pushing the envelope; a sense of one-upsmanship is at play but never to the point of impetuousness. And like Cervello's Melos, Dedicato a Frazz will require many repeated listens to fully appreciate. The album may feel schizophrenic upon first listens, but makes sense with time. I promise.

A perplexing combination of Eminent, vibraphone and 12-string guitar opens "La Bottega del Rigattiere." As Zarillo starts to sing a thunderous drum roll announces the beat, and does the beat ever drop hard. Just when you start to bang your head to Zarillo's heavy riff, the song abruptly shifts to a playful interlude and back. Get used to that. Dedicato a Frazz will transform an inordinate number of times, some transitions more jarring than others. The fabulous "Luna Park," one of my favorite songs in the entire genre, leaves a burnt trail of destruction in its path as Zarillo and company torch through numerous tempos and time signatures. The level of creativity is so high at times I can't picture a group of kids sitting down and brainstorming it. "Luna Park" is truly astounding and something every prog fan should experience.

The madrigal "Uno Zoo Di Vetro" features tympani and a heaping helping of Eminent before Zarillo drops a bomb at the 1:25 mark. His guitar riff is so devastatingly raunchy I can't even describe it but the closest thing I can think of is "Epilogo" from Il Balletto di Bronzo's Ys. A magical break three minutes in sees Semiramis in a symphonic mode, shedding any heavy prog tendencies. A brief vibraphone solo then bridges to "Per Una Strada Affollata." This is another fascinating and exhausting exercise but one that pays dividends for the patient listener. Again Zarillo steals the show, executing a poignant classical guitar solo with experience well beyond his years. The representative "Dietro Una Porta Di Carta" summarizes everything to this point well, and still manages to create an identity all its own. "Frazz" impresses with a sublime chord progression in the middle; this section really personifies to me what RPI is all about, and though it only lasts a minute it leaves a lasting impression. "Clown" offers almost too much of a good thing, but before you know it the album is over. Dedicato a Frazz leaves you wanting more, which is the hallmark of a 5-star album to these ears.

 Dedicato A Frazz by SEMIRAMIS album cover Studio Album, 1973
4.05 | 270 ratings

Dedicato A Frazz
Semiramis Rock Progressivo Italiano

Review by friso
Prog Reviewer

3 stars Semiramis - Dedicato a Frazz (1973)

And you thought the cover-art was good... inside my fold-out vinyl edition of this rare Italian prog record can be seen one of the best surrealistic land-scapes filled with mysterious beings ever drawn for a progressive record. That having said, this packaging of this one- shot RPI wonder is very good.

Now, the music. Semiramis plays symphonic progressive rock with Italian vocals with influences of Genesis and Van der Graaf Generator. This is a rare combination, since symphonic beauty is often followed by crazed out instrumental passages. The title of the album, dedicated to madness, fits the music very well. The guitars can be quite heavy. Drummer Paolo Faenza also plays vibraphone on the low volume themes, which is another characteristic of this album. Bass-player Marcello Reddovide often plays fast arpeggio's of the chords which gives the music a lot of speed, even during mid-paced moments. The vocals of Michele Zarrillo are honest and intensive, but not too trained.

The compositions often lack cohesiveness, especially on side two, but they are often original. The energy this band must have had was well recorded, and the record sounds fresh and exciting. The recording-quality is however a bit poor, which made it a bit hard for me to get to like the music. The main problem are the many themes with slightly out of pitch instruments. Often the Moog-sounds are false, as well are some of guitar parts. For a musician like me this can be painful on some moments, others might not even notice. I do thing the point made by others about this band sounding a bit amateurish has largely been based on this problems with the pitch of some of the instruments. Perhaps the naive song- writing also played a role. Finally I would like to comment on the poor key-instruments used, especially some the organ-sounds that sound very dated. But I can't blame the band for this.

My brother and his wife just visited me and my brother somehow came to like Semiramis quite much as he asked for it again. I had to think again for my own opinion and I've come to the conclusion that I will give this three stars. The artwork is amazing, no - perfect! The style of the band is likable, but I just can't fit the word excellent in it. So let me put it this way; this is a great addition to your RPI collection, but if you aren't particularly interested in RPI this is just a good/non-essential addition to your collection. A small three and a halve stars.

 Dedicato A Frazz by SEMIRAMIS album cover Studio Album, 1973
4.05 | 270 ratings

Dedicato A Frazz
Semiramis Rock Progressivo Italiano

Review by seventhsojourn
Special Collaborator RPI

4 stars Ok Karl, I'll play!

For me, Prog Archives is a long-term obsession and I probably spend an unhealthy amount of time looking at the ''Last 50 reviews'' on the home page. I particularly enjoy reading other members' reviews of the classic albums, but the front page is also great for sourcing those obscure gems that prog fans like me always seem to be searching for. Now and again it also throws up a review of an album that I'm familiar with but possibly haven't paid enough attention to. Such is the case with Dedicato a Frazz (1973) by Semiramis. This album was actually well down my pecking order of ''RPI albums to review'' before I read a stimulating review of it yesterday.

There are 7 songs in total, and at just over 6-minutes LA BOTTEGA DEL RIGATTIERE is the longest and it's a stunning introduction to the album. Semiramis manages to cram a lot of ideas into short spaces; this opening song features memorable guitar riffs, superb keyboard timbres, and wonderful interplay between vibes and 12-string acoustic guitar. LUNA PARK keeps up the momentum, but after a frenetic opening it manages to catch its breath with some lovely contrasting sections and changes in dynamics. Piercing guitar solos alternate with rousing organ and delicate vibes. This is a truly superb piece of music. 16-year old Michele Zarrillo's guitarwork is excellent, but what is more incredible is that he composed these wonderfully mature songs at such a tender age.

Although there are clear similarities between Semiramis and some of their Italian contemporaries such as Cervello and the mighty Il Balletto di Bronzo, the footprints of some of the giants of UK prog can also be felt on this album. After some Tony Iommi-style guitar and dentist-drill synthesizer, UNO ZOO DI VETRO reveals a bit of a King Crimson influence with an ambient soundscape of bells and vibes a la Moonchild. In addition, the beautiful cover artwork is highly reminiscent of the first couple of KC albums (see the inner gatefold in particular).

PER UNA STRADA AFFOLATA is probably the most aggressive-sounding piece and is played at breakneck speed in places. There are intermittent acoustic moments, but the general vibe is quite dark with Michele Zarrillo singing like a mad man toward the end. While the album is dominated by guitar, Eminent strings and synthesizer, as exemplified on DIETRO UNA PORTA DI CARTA, drummer Paulo Faenza deserves a special mention for his excellent vibraphone playing throughout the album. This is one of the heavier and more challenging RPI albums, although it's really not too challenging as Semiramis also do melody in a big way. FRAZZ and CLOWN are good examples, with their mixtures of cacophony, uber-catchy riffs, and mellow moments.

Overall this is another excellent Italian album from the '70s. However as Karl says, everyone should be listening to this album, not just the RPI fans.

Thanks to ProgLucky for the artist addition. and to Quinino for the last updates

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