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STORMS OVER STILL WATER

Mostly Autumn

Prog Folk


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Mostly Autumn Storms Over Still Water album cover
3.52 | 106 ratings | 24 reviews | 19% 5 stars

Excellent addition to any
prog rock music collection


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Studio Album, released in 2005

Songs / Tracks Listing

Disc 1 - CD: Storm Over Still Water
1. Out of the Green Sky
2. Broken Glass
3. Ghost in Dreamland
4. Heart Life
5. The End of the World
6. Black Rain
7. Coming to...
8. Candle to the Sky
9. Carpe Diem
10. Storms over Still Water
11. Tomorrow

Disc 2 - DVD: The Making of Storm Over Still Water
Limted Edition ONLY
1. Ghost in Dreamland promo
2. Broken Glass promo
3. Caught in fold - concert projection
4. Return of the King - concert projection
5. Mother Nature - The lost performance at the York Opera House
6. The Last Climb - from the Meanfidler
7. Shrinking Violet - from the Meanfidler

Lyrics

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Music tabs (tablatures)

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Line-up / Musicians

- Bryan Josh / lead vocals, lead rhythm electric and acoustic guitars
- Heather Findlay / lead and backing vocals, percussion
- Ian Jennings / keyboards and backing vocals
- Angela Gordon Goldthorpe / recorders, flute and backing vocals
- Andy Smith / bass
- Liam Davidson / slide electric guitars
- Andrew Jennings / drums

Guest musicians:
- Troy Donockley / ullian pipes and low whistle on "Carpe Diem"
- Chris Johnson / backing vocal on "Broken Glass"
- Mark Goron & Chris Walkden / additional backing vocals on "Candle to the Sky"

Releases information

CD Classic Rock Legends CRP 1770

Thanks to ProgLucky for the addition
and to ProgLucky for the last updates
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MOSTLY AUTUMN Storms Over Still Water ratings distribution


3.52
(106 ratings)
Essential: a masterpiece of progressive rock music(19%)
19%
Excellent addition to any prog rock music collection(36%)
36%
Good, but non-essential (35%)
35%
Collectors/fans only (8%)
8%
Poor. Only for completionists (1%)
1%

MOSTLY AUTUMN Storms Over Still Water reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by erik neuteboom
PROG REVIEWER
3 stars In 2001 I attended a progrock festival in Holland, Mostly Autumn took my attention because of their pleasant blend of prog and folk. Especially the heavy David Gilmour- influenced guitarist blew me away! Since then this band has released a lot of material, gained a large progrock audience and even reached the television. This is their latest album, my CD version doesn't include a DVD.

1. Out of the Green Sky This operner contain a slow rhythm and a bombastic climate featuring duo-vocals (a bit theatrical female vocals) and great slide-guitar play.

2. Broken Glass A tight rhythm-section with a mid-tempo, male vocals and tasteful keyboards. To me it sounds a bit polished.

3. Ghost in Dreamland The atmosphere changes from mellow to bombastic featuring wonderful piano work and a good synthesizer solo. The duo-vocals do a great job here.

4. Heart Life First twanging acoustic guitar, flute and warm vocals, then halfway it turns into more bombastic delivering emotional female vocals and lush organ waves. The final part features a wonderful, very sensitive electric guitar solo.

5. The End of the World The climates change from dreamy with melancholical vocals and twanging acoustic guitar to bombastic (slow rhythm), this is very pleasant prog.

6. Black Rain A mid-tempo rhythm with duo-vocals and a fine electric guitar solo. Not very intreresting (understatement for a bit boring!).

7. Coming to... After some noisy sounds, this short piece delivers heavy guitar riffs.

8. Candle to the Sky One of the highlights on this album! First a dreamy climate with a slow rhtyhm and melancholical vocals, then a bombastic eruption with organ, followed by a cheerful atmosphere with The Beatles-like vocal harmonies. The end contains a dreamy climate with fragile play on the electric guitar and soaring keyboards, wonderful.

9. Carpe Diem This track features the distinctive sound of the Uillean pipes, along with tender piano, very moving, this folky side of Mostly Autumn pleases me! Halfway there is a splendid build-up, it becomes more and more bombastic, culminating in a mindblowing Floydian guitar solo.

10. Storms over Still Water In this song the climate is a bit melancholical with twanging acoustic guitar, orchestral keyboards, piano and warm vocals. Then a slow and more bombastic atmosphere, again culminating in a mindblowing Floydian guitar solo, GREAT!

11. Tomorrow

Another typical Mostly Autumn composition: a slow rhythm and a bombastic climate with propulsive drum beats and fiery electric guitar.

Despite some mediocre, polished mid-tempo songs, this album features two strong faces from Mostly Autumn: wonderful, very tasteful folky inspired tracks and compelling bombastic climates featuring a slow rhythm and some excellent guitar work in the vein of DAVID GILMOUR.

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Send comments to erik neuteboom (BETA) | Report this review (#42781) | Review Permalink
Posted Sunday, August 14, 2005

Review by Kotro
PROG REVIEWER
4 stars With this release Mostly Autumn keep walking further apart from that spacey prog-folk sound that first got me into them, like they did with "Passengers". This time the band decided on a short album (it's just under one hour, unlike the others) full of quick paced short heavy rockers, like the first six songs. There is some good material there, like "Broken Glass", "Heartlife" and "The End of the World". The seventh song is a boring instrumental that simply splits the album between the poppier first songs and the long tracks, more reminescent of "old" Mostly Autumn. And the whole situation changes. If you were wondering if the album, judging by the first half, was worth the money paid, you get your answer here. The last four tracks are among MA's best. A certain floydian influece is recaptured, and we get to hear Angie Goldthorpe at last, given that she seemed absent through the entire first half. One thing that comes out of this album is the fact that Bryan Josh can actually sing, for he apears to have worked on his vocals and now sings beutifully in a low range, controling his voice a lot batter and saving himself another embaressment. Heather, on the other hand, gives us more of her lovely voice, although on some songs she just seems to shout instead of singing. Overall, the album is heavier, darker, and with better production than former works, with the bonus that Bryan Josh is no longer singing badly. The album is actually quite good for Hard-Rock standarts, but since we're judging it as a Prog-Rock album, it is far from an amazing work. 3,5 out of 5.

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Send comments to Kotro (BETA) | Report this review (#47350) | Review Permalink
Posted Monday, September 19, 2005

Review by chessman
PROG REVIEWER
3 stars I borrowed both this, and Passengers, from a friend a little while ago. I still have them. Now, I had heard that Passengers wasn't too popular with some fans, but I personally loved it! See my review for that album. I felt it started off great and just got better. However, this one I find, by comparison, a little disappointing. Once again, I feel the second half of the disc is stronger, but none of the material on here is as good, to my ears, as the songs on Passengers. 'Out Of The Green Sky' is not a very auspicious start; the guitar work is fine, and Bryan Josh sounds quite good, but poor Heather doesn't sound anywhere near up to her usual standard. I think they were trying to sound too heavy and hard rockish on this track. 'Broken Glass' is a tad better, it has a decent melody and sounds more like Mostly Autumn. Nevertheless, the track is not in any way outstanding. 'Ghost In Dreamland' suffers from the same problem, a decent song, but nothing mindblowing. 'Heart Life' by contrast, is rather better, with good vocals from Heather, and nice guitar work from Bryan. The band as a whole sound more into their stride on this track. One of the better songs. 'The End Of The World', and 'Black Rain' are both solid, the former in particular having good guitar and keyboard work, but again, they suffer from not standing out in any way. 'Coming To' is an instrumental, but this is very average fare indeed, and not in the same class as 'Distant Train' on Passengers. Now though, things change for the better, and the last four songs are the best on here. 'Candle To The Sky' is beautiful, a mini epic moving through some nice changes, with atmospheric guitar and keyboard work again. Nice vocals too. 'Carpe Diem' is another good 'un, another long ish effort with a strong melody from Heather, and vintage guitar from Bryan towards the end. The title track could be my favourite on here. Like the two previous tracks, it is a slower number, with strong melody and vocals. The final track, 'Tomorrow', is another instrumental, but a rather better one, and it finishes the album nicely. I have played this a few times, and find it better the more I play it. Nevertheless, it is not up to the standard of Passengers, in my eyes. I have heard that their first three albums are the best; if they are better than Passengers, they must be good! This one is still worth three stars however.

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Send comments to chessman (BETA) | Report this review (#79533) | Review Permalink
Posted Saturday, May 27, 2006

Review by ZowieZiggy
PROG REVIEWER
5 stars MA has been rather productive the recent years. A considerable amount of live albums (five) as well as DVD ones (five as well, if I am correct) between this album and their last studio work ("Passengers" released in 2003).

I have appreciated moderately MA so far. Their albums seemed a bit monotonous at times and definitely too long. Still, I admit that on each of their albums, some fabulous songs were featured (and therefore I have rated their fantastic compilation "Catch The Spirit" with five stars).

Their previous effort showed a bit of a change into their musical direction and it is confirmed with this album. Stronger rocking numbers than previously which is pretty much fine with me.

As we have been used to, the first compositionsof the album are really strong. In this case, you won't be brought into the Floydian mood like before; no : the first three songs are rather energetic, melodious and bloody good rocking songs, believe me. These songs are shorter than what we were used to with MA. Each being shorter than four minutes. But lenghty songs do not mean quality ones. In this case, holding the lenght to a very short standard, keeps the interest of the listener rather high.

The first folkish song is "Heart Of Life". A beautifully song lead by Heather (but, again, I am completely biased by her marvelous voice - but not only, I admit...). The second part of the song is rather hard and powerful though. A great mix of genre I must say. It is the first song of the album to feature a great guitar solo like we have been used to and which turned me into a MA fan to be honest.

The most Floydian song so far (not by the guitar but by the Gilmouresque type of vocals) is "The End Of Ther World". Another very pleasant song like MA has the secret about. Very strong chorus from Bryan and fabulous backing band. A great song again.

So far, this album is truely impressive. Not a single weak moment. And the next song "Black Rain" is absolutely on par : again the format is short (clocking as well at less than four minutes) but developping such a power ! Almost hard-rock but very pleasant (but you know that hard-rock is a genre I like, so...). A great song.

The short intrumental "Coming To..." starts as an Oriental gentle piece of music but turns out to be a wild one at half time. MA doesn't let us breathe. What a fabulous story so far !

Bryan takes the lead vocal on "Candle To The Sky". It starts as a folkish ballad (which is MA's trademark by the way). The chorus is pretty influenced by "The Dark Side Of The Moon". But I guess that there are less impressive inspiration, right ? It is the first long song of the album (over eight minutes). Fantastic rhythm after three minutes, really. We'll revert to a softer climate after five minutes and the song will finish with a spacey finale (would you believe, a bit like Floyd !) . Some three minutes to rest a bit, finally. Another very good MA moment.

The first truely prog / folk song is "Carpe Diem". A violin intro, and then... the sublime Heather. Only backed up with some very simple piano notes. A very intimist moment, really. And then... the sublime guitar break we are all waiting for. If you have read my previous MA reviews, you know how they sound like. These moments are really the ones I am expecting from MA; and frankly this studio album is the one I prefer. MA at his best.

In these Floydianless years, it is really a pleasure to discover such beautiful songs. And don't tell me that they sound too much like....bla, bla, bla... MA is great, full of emotion (and you know how much I am influenced by my emotions) and respectful. Hats off, my friends.

The title track is a bit weaker. Just a normal song I would say. Probably because all the other ones reached the masterpiece status. When Bryan takes up with the lead vocals, something happens again. I can't help. I am found of his warm voice which undoubfully reminds me ... you know whom I am talking about of course. The final guitar break reminds me of the same fabulous guy (hi Dave). So, here again, this song ends up as a superb composition.

Stop, please. I'm going to faint. Physically.

I have been listening to this album quite a lot and always have thought that it was their best studio work. Having listened attentively to each track for the purpose of this review, I cannot find any weakness in this album. Pure happiness (du pur bonheur).

If ever you would buy only one MA album, I STRONGLY recommend this one. I just cannot rate this album with less than five stars.

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Send comments to ZowieZiggy (BETA) | Report this review (#130637) | Review Permalink
Posted Saturday, July 28, 2007

Review by Matti
COLLABORATOR Neo-Prog Team
2 stars Here's my 300th review. No triumphant one on a great album, instead a quick one on an album I felt very disappointed with. I admit I haven't listened to this very many times (would it "grow on me"? I don't think so!), but it's easy to say WHY I don't like this album. In two words: too heavy. I just hate the evolution of rock music nowadays, when heavy has become mainstream and every second band, originally something else than heavy, turns out to sound like heavy, and throws away their personality in order to capture wider audiences. Here are few bands I have come across this phenomen lately: Arena, Pendragon, Coldplay, Overhead (from Finland),... it seems that especially Neo-Prog is generally becoming more heavy. (NB: I'm not talking of Doom Metal which I can't listen to a single second, but melodic and often "Gothic" heavy in which the shifting between frailty and loudness is important. I believe that rock in general is aiming more and more at this kind of edginess, because of the commercial dominance of heavy rock.)

That eased me. Where were we? MOSTLY AUTUMN They used to have a lot of folk incredients but on this album that's very hard to find. Not that this album would be loud'n'heavy all the way, no, but on almost every track calmness may suddenly turn into edgier sounds. Check out yourself on the MP3 streaming of 'The End of The World'. Bryan Josh uses his vocals in a Metallica style in the chorus. This is rather typical of this album. He also plays his electric guitars more aggressively than before. On the positive side, the female vocals (Heather Findlay) are even more used than on their lovely debut, and also Angela Gordon Goldthorpe with her flute is a full band member. So, without the heavier moments this could have been quite an enjoyable album, though not particularily graced with lots of originality what comes to the compositions (nothing very memorable actually). The flute could still be one factor that separates Mostly Autumn from numerous melodic heavy bands of today... I presume.

Of course, if you like edginess, you may like this one more than Mostly Autumn's earlier works which were notably based on the Pink Floyd/ David Gilmour style and added some folk in it.

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Send comments to Matti (BETA) | Report this review (#249893) | Review Permalink
Posted Wednesday, November 11, 2009

Review by Mellotron Storm
PROG REVIEWER
3 stars It's hard not to give this album 4 stars when you hear those three longest songs that play one after another late on the record. "Candle To The Sky" , "Carpe Diem" and "Storms Over Still Waters" are all so good. Unfortunately the other 8 shorter tracks aren't even close to being on the same level. A shame really because this could have been as good as "The Last Bright Light".

"Out Of The Green Sky" sounds excellent when it kicks in. Bryan comes in vocally after a minute followed by Heather. A pretty good opener. "Broken Glass" opens with synths and pounding drums before it settles quickly as Bryan comes in vocally. It's fuller as contrasts continue. "Ghosts In Dreamland" opens with synths and drums as bass then piano joins in. Heather comes in vocally before a minute as it settles. It kicks back in as contrasts continue. Nice guitar 2 1/2 minutes in. "Heart Life" opens with acoustic guitar as flute joins in. Heather (vocals) follows as this song continues to settle and kick in throughout. Some good organ too. Check out the guitar 5 minutes in to end it. "The End Of The World" opens with acoustic guitar and Heather's vocals. Bryan both vocally and with guitar before 1 1/2 minutes as the sound gets fuller (including drums). Contrasts continue here as well.

"Black Rain" opens with some nice raw guitar as organ and drums join in. Heather comes in. Some killer guitar after 2 1/2 minutes. "Coming Too..." opens with percussion and other intricate sounds. Cool intro before it kicks in around a minute and gets even better. "Candle To The Sky" opens with acoustic guitar and reserved male vocals,drums join in. I'm reminded of FLOYD when the backing vocals come in. I like when the organ joins in as it gets fuller. It settles before 5 1/2 minutes with some Gilmour-like guitar. A gorgeous section right to the end. "Carpe Diem" opens with piano as Troy from IONA comes in with uillian pipes. Heather follows with piano only. It turns darker after 3 1/2 minutes then the guitar joins in and it's so impressive with Heather's vocal melodies helping out. Great tune. "Storms Over Still Waters" opens with intricate guitar as the wind blows. Synths come in then Heather before a minute. Bryan comes in vocally after 3 1/2 minutes as the sound changes. Some fantastic guitar follows. It settles after 7 minutes with some PORCUPINE TREE-like synths. "Tomorrow" is the closing instrumental. Drums and heavy guitar here before the synths and a full sound kicks in.

As I said earlier the way this album ends it seems silly to consider anything less than 4 stars, but overall I have to give 3.5 stars.

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Send comments to Mellotron Storm (BETA) | Report this review (#259148) | Review Permalink
Posted Sunday, January 03, 2010

Review by AtomicCrimsonRush
SPECIAL COLLABORATOR Symphonic Team
4 stars Symphonic soundscapes and dreamlike, haunting beauty over still water

Mostly Autumn are a prog folk band that I really adore due to the close relation to the symphonic sound of Pink Floyd and especially the beautiful soaring vocals of Heather Findlay. "Storms Over Still water" is one of their best albums.

It begins with a bang with Josh Bryan's riffing heavy guitar on 'Out of the Green Sky'. Findlay's vocals are more aggressive than usual, she really belts this out. Wonderful opener.

'Broken Glass' is catchy and melodic with a killer chorus and very strong drum beat from Andrew Jennings. The keyboard motif on this from Ian Jennings is awesome and one of the best things about the song.

'Ghost in Dreamland' features Findlay's haunting vocal treatment. The harmonies are beautiful when she sings with Bryan. It is a fast tempo once again with passages of slowed down verses. The loud chorus is excellent; "Until we find our way back home, a ghost in dreamland all alone, turn up the radio, spinning and spinning and spinning alone". It ends abruptly. There is no nonsense from the band on this album, straight in, deliver killer melodies and get out.

'Heart Life' is as quiet as the band get, similar to their classic 'Evergreen'. Findlay's dreamlike vocals are sensual and compelling. I could listen to her all day. The chorus is louder and infectious; "it's a heart life when day time lovers fought for lovers of the night, it's a heart life when night time dwellers fall for lovers of the light".

'The End of the World' is Findlay at her best, the high octave range is mesmirising. The acoustic picking is well executed, as the lyrics are sung; "and how he loves this mellow Sunday lunch, oh how he still inspires her teenage blush." Later Bryan sings the chorus like David Gilmour again. I like the tradeoff between them. This is one of the proggiest too with a strange time signature. A highlight of the album.

'Black Rain' is heavy prog with a grinding guitar riff, and very nice Hammond organ sound. Findlay is enticing; "Standing on the edge of a blue green volcano..." This is one of my favourite MA tracks. The heavy organ and guitar continue the riff throughout. There is an awesome lead guitar break to savour, Bryan really takes off on this with hammering and speed picking.

'Coming to...' is a strange atmospheric instrumental with echo effects and off kilter drumming style. A droning synthesizer and creepy piano add to the ethereal tone. At 1 minute in a heavy guitar riff crashes in keeping a driving rhythm. The keyboards sound symphonic on this and it ends abruptly.

'Candle to the Sky' sounds like Gilmour again, more so than usual, even reminiscent of the style of "Dark Side of the Moon". Bryan does a good job on vocals and the guitars are gentle and lulling. The huge chorus is a keyboard crunching pad with a nice little riff. The tempo quickens and takes some detours in the instrumental section which is dominated by organ but the flute by Angela Gordon Goldthorpe solo is great. The ambience at the end of the track is sweet to the ears.

'Carpe Diem' features Troy Donockley on ullian pipes and low whistle. It begins with wind howling noises and the ullian pipes, creating a melancholy lonely sound. Findlay's vocals are quiet and beautifully executed. The lyrics are interesting; "out in the twilight beneath the full moon, far from the snowfall lay tempest gloom, raging the ocean cuttle like steel, caught in the crossfire of mother nature's wheel". It is serene and calming and yet haunting. The lyrics are the feature of this; "Deafening silence fills the room, out of the darkness a candle gloom, reading a prophecy for all to hear, these days are a privilege they must be sealed." The guitars on this enhance the chilling piano chords. A very gloomy dark song but so well sung by Findlay, it's wonderous.

'Storms over Still Water' is another excellent track beginning with wind howls and a hypnotic acoustic guitar riff. The guitars violin as a keyboard pad sounds off. "Take my hand and put your arms around me... " Findlay cries out from the depths. The album's atmosphere has changed and there is a much darker ambient atmosphere. The lead guitar is uplifting though and absolutely brilliant. It finishes bookended with guitar swells and echoes. Excellent track.

'Tomorrow' begins with solo pounding drum rhythms, then a heavy guitar crashes in, the keyboards shimmer loudly over, the melody is similar to the previous track. This instrumental is like a reprise of this in fact. I could not ever discern that much of a difference, so this song is the finale, an extension of the other track, even including pieces of other tracks and melodies.

Overall this is one of Mostly Autumns best studio albums. I don't think there's a weak song on the album and some of these tracks are absolutely brilliant. I would recommend this to Pink Floyd fans and anyone who likes a heavy keyboard sound in their prog with lashings of lead guitar solos and beautiful female vocals. A great place to start to get into this band.

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Send comments to AtomicCrimsonRush (BETA) | Report this review (#280360) | Review Permalink
Posted Monday, May 03, 2010

Review by octopus-4
SPECIAL COLLABORATOR RIO/Avant/Zeuhl Team
3 stars For the first time, excluding Lord of the Rings, a MA album doesn't start exactly with the last notes of the previous one. There's a remind to Passengers but it's slightly different.

As on Passengers the first track is quite heavy and doesn't seem to have been written thinking to Heather's voice, and as on Caught on a Fold che is able to make a good jib anyway. The difference is that she sings only on the chorus, the rest is Bryan's stuff. I like this song but it's different from the usual MA, including the sudden end.

Rock also on the second track. Again is Bryan who sings over a base of bass and drums. There have been a change in the lineup as Blackmore is no longer in the band, replaced by Andy Jennings who is possibly Iain's relative. Also Angela Goldthorpe got married so she has changed her surname to Gordon.

"Ghost In Dreamland" looks like something already listened. The bass line is the same of an instrumental from their early albums, I currently don't remember which one. The song is not bad and Heather is excellent as usual, but this is the third consecutive heavy track.

The first track which sounds 100% Mostly Autumn is "Heart Life" and is a very good one. Heather at her best with a very godd performance of the whole band. The acoustic guitar and the keyboards sound a bit like on "Mother Nature".

"The End Of The World" starts similar. The 12 strings guitar backing Heather is strangely similar to that of Rod Stewart's "Sailing". Of course not the vocals,even when Bryan takes over the role of lead singer, luckily on the chorus only. Nice song. The chorus is repeated maybe too many times in the coda. I think a guitar solo wouldn't have been bad.

Hard guitar again on "Black Rain". This is not the best kind of songs for Heather, but again she does her job excellently. It's similar to "The King's Return" but not so bad.

A bit of electronic for the about three minutes of "Coming To...". With some sitar and more distortion it could be Senmuth....well don't take me too seriously, even with distorted guitar this is everything but metal. The keyboard adds a symphonic touch, instead.

"Candle In The Sky" switches on something in my memory. I can't identify what exactly, but it's like I already knew it before buying the CD. Bryan's voice when on bass pitch sounds different and better than usual. One of the best album's songs. It turns deeply into Pink Floyd in the second half of the song.

A touch of Renaissance on "Carpe Diem" ("Catch the moment" in Latin). A Slow piano base for Heather. A sad theme which grows slowly strongly reminding of "Mother Nature" and "Shrinking Violet".

The title track starts Gilmourish with acoustic guitar on minor chords and again Heather. After one minute it's something different. A complex and captivating track with frequent changes of tonality and again very symphonic. Bryan takes over the vocal work at more or less half song then he places a good guitar solo.

"Tomorrow" starts with drums only in a quite hypnotic way then it gradually grows to rock. A good instrumental well placed as album's closer.

It's still a good album, but if you look for something really representative of Mostly Autumn it's too late. Check out the older stuff. This is good but non-essential.

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Send comments to octopus-4 (BETA) | Report this review (#507279) | Review Permalink
Posted Monday, August 22, 2011

Latest members reviews

3 stars Mostly Autumn seemed like a band that would be worth checking out after I read some of the reviews on PA. I listened to samples of their music on iTunes and YouTube, and my conclusion was that their folk music beginnings might not be quite up my alley but also their most recent work might be t ... (read more)

Report this review (#901470) | Posted by FragileKings | Monday, January 28, 2013 | Review Permanlink

3 stars There are many watersheds in life and that is as relevant to a band as an individual human. As a band is an entity and art form made up of human qualities, both for better or worse, it goes through the same trials and tribulations as us mere mortals and is affected by those out comes in the sa ... (read more)

Report this review (#394857) | Posted by greenmanpublications | Saturday, February 05, 2011 | Review Permanlink

5 stars I fell in love with this album the first time I heard it. Every song on the album has something about it that makes it special.Two tracks 'broken glass' and 'black rain' are catchy rock anthem style with thumping beats and blistering guitars, contrasting with long epic prog sounding tunes in t ... (read more)

Report this review (#115380) | Posted by laghtnans | Friday, March 16, 2007 | Review Permanlink

5 stars Rarely have I been so excited on hearing a CD! It just blew me away! It is brilliant!! The problem is, you see, that when I played this album it was the first time that I had heard Mostly Autumn. To my shame, I did not know of their existence until they were recommended by a friend on a BJH-di ... (read more)

Report this review (#95384) | Posted by alextorres | Sunday, October 22, 2006 | Review Permanlink

3 stars Although this CD was released under the band's own label "Autumn Records", it was an album that was originally recorded for "Classic Rock Production", before the split occurred some months ago (and well documented on the band's web site). That being said, my reading between the lines is that ... (read more)

Report this review (#61219) | Posted by SEV1 | Wednesday, December 21, 2005 | Review Permanlink

2 stars I had been looking forward to this album because I was very anxious to learn what direction the band would head for after the disappointing, yet highly succesful Passengers album. And unfortunately SOSW is not at all satisfactory. The first part of the album could have been recorded by any ban ... (read more)

Report this review (#57157) | Posted by Theo Verstrael | Sunday, November 20, 2005 | Review Permanlink

2 stars The odd excellent track from earlier albums implied that Mostly Autumn might have what it takes to evolve into a good (though not great) progressive rock band. "Storms Over Still Water" makes it clear that they won't. Admittedly, some listeners will love it - the instrumental textures are robust ... (read more)

Report this review (#49777) | Posted by Politician | Sunday, October 02, 2005 | Review Permanlink

3 stars What shall I say. It's not bad (hey, it's Mostly Autumn), but I really miss the Celtic-esque flavor in their music. Ok, I can appreciate the fact they try new stuff, but I prefer the old. Heard the storms (or parts of it) live, and I have to say: that sounds great. But this is a review of the ... (read more)

Report this review (#47921) | Posted by | Thursday, September 22, 2005 | Review Permanlink

2 stars I have to agree with MAfan. I was one of the pre-subscribers who dutifully paid my £25 some four months ahead of recording to ensure that MA can prosper and continue to push the boundaries. The problem is, they haven't!!! The principle properties of MA, Bryan Josh's guitar riffs, Heather Findlay ... (read more)

Report this review (#45405) | Posted by | Sunday, September 04, 2005 | Review Permanlink

3 stars Storms Over Still Water is another step in the carreer of Mostly Autumn. However this album is not essential because the band is trying to duplicate themselves and also Pink Floyd. I know they are able to create excellent albums like 'The Last Bright Light' or 'Passengers' but now there seems ... (read more)

Report this review (#45186) | Posted by versnick | Thursday, September 01, 2005 | Review Permanlink

5 stars If someone doesn't like this album, they've got the right to do so, but I don't care, I love it. What does 'progressive' mean if bands are supposed by their fans to do the same thing over and over again. OK, so it's more rock than folk, so what? Mostly Autumn was never meant to be a folk-band, ... (read more)

Report this review (#39599) | Posted by Anthony | Saturday, July 16, 2005 | Review Permanlink

3 stars I can't believe my own eyes seeing that 5 stars reviews here. If that is masterpiece of progressive rock, the genre's quality falls dramatically. Mostly Autumn released album which compared to their earlier stuff (except Passengers) is disappointing. The worst in that all is that band's step ... (read more)

Report this review (#37893) | Posted by | Tuesday, June 28, 2005 | Review Permanlink

4 stars 4 1/2 Stars. An excellent album, though not quite a masterpiece or essential album. MOSTLY AUTUMN continues the turn away from their celtic-folk beginnings to more of that of classic rockers. The CD basically starts out with 6 short rock songs, all are good, but certainly more classic rock ... (read more)

Report this review (#36382) | Posted by rjeffreyr | Monday, June 13, 2005 | Review Permanlink

5 stars Mostly Autumn are the band who introduced me to the wonderful world of progressice rock even though I have always been a huge Marillion fan, both with and without Fish. This album takes MA onto a new plane of performance and songwriting from the initial track 'Out of the Green Sky' to the fina ... (read more)

Report this review (#34963) | Posted by | Friday, May 27, 2005 | Review Permanlink

5 stars finally an other album of by now asserts Mostly Autumn, indeed where endured famous an optimal album that the singer of the Mostly Autumn Heather Findlay mainly takes advantage of its talent with its beautifulst voice in pieces like "Heart Life" and "Storms over Still Water". An album that could ... (read more)

Report this review (#34962) | Posted by | Thursday, May 19, 2005 | Review Permanlink

5 stars An album with two faces; a rockin' Dark Side and an excellent soaring symphonic rock Side with four excellent epics. But nevertheless it all fits well on one album, but it needs more as one spin in your desk. They've left the Celtic edge what was so characteristic for their first two albums. A ... (read more)

Report this review (#34960) | Posted by | Tuesday, May 10, 2005 | Review Permanlink

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