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NEW TROLLS

Rock Progressivo Italiano • Italy


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New Trolls picture
New Trolls biography
Unique in the history of Italian progressive music, NEW TROLLS were leaders and were for a time the top band in Italy. In 1973, NEW TROLLS split into two camps, the hard-rocking IBIS and the symphonic-oriented NEW TROLLS ATOMIC SYSTEM. They crossed many different permutations of line-up changes, many musical stylings... and great hits, passing through beat, pop ballads, progressive rock works, hard rock, and melodic pop followed groups like GENESIS and PFM.

In 1971, the TROLLS released their greatest album "Concerto Grosso No. 1" that's still recognized as one of the most important Italian rock releases ever made. This album was to take them in a new direction. It was the first effort in Italy to fuse rock music with classical treatments. 1972 was the year in which NEW TROLLS became the producers of a mature music. Two albums were released that year, "Searching For a Land" and "UT". "Searching for a Land" (1972) is full of great songs and amazing musical highlights. "UT" is an amazing amalgam of progressive rock covering a wide variety of styles (references: YES, ELP, GENESIS, KING CRIMSON). The second "Concerto Grosso No. 2" (1976) was far more eclectic with few influences from classical music, and was not quite as good than the first one. From the album "Aldebaran" the sound became more commercial (like BEE GEES) until early 90's, then came to a new split. Now you know to go for true prog insight.

Nonetheless, "Concerto Grosso No. 1", "Searching for a Land", "UT" are highly recommended.

See also:
- New Trolls Atomic System
- Vittorio De Scalzi - La storia dei New Trolls
- Ibis

New Trolls official website

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Concerto GrossoConcerto Grosso
Import
Warner Italy 1999
Audio CD$8.85
$8.86 (used)
Concerto GrossoConcerto Grosso
Import
Imports 2015
Audio CD$21.83
3cd Collection: New Trolls3cd Collection: New Trolls
Import
Warner Italy 2013
Audio CD$8.72
$24.19 (used)
New Trolls 67 - 85New Trolls 67 - 85
Import
Warner Italy 2012
Audio CD$9.11
$35.99 (used)
Searching for a LandSearching for a Land
Ams 2014
Vinyl$38.39
The Seven Seasons (Concerto Grosso 3)The Seven Seasons (Concerto Grosso 3)
Import
Edel Europe 2007
Audio CD$45.12 (used)
Concerto Grosso Trilogy LiveConcerto Grosso Trilogy Live
Import
Imports 2013
Audio CD$32.37
$254.00 (used)
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LP concerto grosso
NEW TROLLS
~ USD $23.76
LP new trolls
NEW TROLLS
~ USD $23.76
CD searching for a land
NEW TROLLS
~ USD $18.44
CD senza orario sneza bandiera
NEW TROLLS
~ USD $18.44
LP senza orario, senza bandiera
NEW TROLLS
~ USD $23.76
LP ut
NEW TROLLS
~ USD $23.76
CD ut
NEW TROLLS
~ USD $18.44
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NEW TROLLS discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

NEW TROLLS top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

2.73 | 48 ratings
Senza Orario, Senza Bandiera
1968
2.60 | 39 ratings
New Trolls '70
1970
3.68 | 180 ratings
Concerto Grosso Per I New Trolls
1971
3.63 | 91 ratings
Searching For A Land
1972
3.82 | 114 ratings
UT
1972
3.69 | 13 ratings
Una notte sul Monte Calvo
1974
3.50 | 13 ratings
Night on the bare mountain
1974
2.98 | 76 ratings
Concerto Grosso N. II
1976
2.29 | 7 ratings
Revival
1977
1.75 | 21 ratings
Aldebaran
1978
2.22 | 13 ratings
New Trolls '79
1979
2.45 | 15 ratings
FS
1981
1.27 | 7 ratings
America OK
1982
1.05 | 3 ratings
Amici
1988
1.39 | 12 ratings
Quelli come noi
1992
1.04 | 4 ratings
Il Sale Dei New Trolls
1996
4.03 | 86 ratings
Concerto Grosso, The Seven Seasons
2007
3.71 | 19 ratings
Do Ut Des
2013
2.80 | 13 ratings
Concerto Grosso N3
2013
4.07 | 14 ratings
e (as UT New Trolls)
2015

NEW TROLLS Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.83 | 6 ratings
Tempi Dispari
1974
2.67 | 6 ratings
L.I.V.E.N.T.
1976
1.50 | 4 ratings
New Trolls Live
1976
2.91 | 3 ratings
Tour
1985
2.00 | 3 ratings
Oxa Live Con I New Trolls
1990
2.67 | 3 ratings
Una Miniera
1998
4.65 | 31 ratings
Concerto Grosso New Trolls - Trilogy Live
2007

NEW TROLLS Videos (DVD, Blu-ray, VHS etc)

NEW TROLLS Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

0.00 | 0 ratings
Antologia
1975
0.00 | 0 ratings
Puzzle ( SP-2LP)
1980
1.00 | 2 ratings
Profili
1982
0.00 | 0 ratings
New Trolls Story
1987
1.50 | 2 ratings
Quella Carezza Della Sera
1989
4.12 | 20 ratings
Concerto Grosso Per I New Trolls (Remastered with Concerto Grosso n1 and Concerto Grosso n2)
1989
0.00 | 0 ratings
Singles A's & B's
1994
2.00 | 1 ratings
Concerto Grosso e Raccolta
1996
3.00 | 2 ratings
I Nostri PI Grandi Successi
1998
2.12 | 5 ratings
'67 - '85
2004
1.91 | 2 ratings
Aldebaran E Molti Altri...
2005
3.00 | 1 ratings
Le Pi Belle Canzoni Dei New Trolls
2005
3.00 | 1 ratings
Antologia
2007
3.00 | 1 ratings
I Grandi Successi: New Trolls
2008
4.05 | 2 ratings
Concerto Grosso 1-2-3 di Luis Bacalov
2013

NEW TROLLS Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

0.00 | 0 ratings
Sensazioni
1967
0.00 | 0 ratings
Cristalli Fragili
1968
0.00 | 0 ratings
Visioni
1968
0.00 | 0 ratings
Una Miniera
1969
0.00 | 0 ratings
Un'Ora
1969
0.00 | 0 ratings
Signore, Io Sono Irish
1969
0.00 | 0 ratings
Io Che Ho Te
1969

NEW TROLLS Reviews


Showing last 10 reviews only
 Concerto Grosso Per I New Trolls by NEW TROLLS album cover Studio Album, 1971
3.68 | 180 ratings

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Concerto Grosso Per I New Trolls
New Trolls Rock Progressivo Italiano

Review by poito

3 stars Excellent musicianship that of New Trolls band members. That's something you can always expect from Italian Prog bands. At the time of this release, we were enjoying what many would deem the climax of music creativity of all times, an explosion of sounds and styles that we would never see again. Amongst the experimenters, this New Trolls were experiencing with classic orchestral instruments and contemporary electronic ones. The compositions have no a predetermined audience, you listen and if you like it, keep it. It is not easy to blend a classic violin and a Hendryx guitar and get out unharmed of the adventure. These guys did it quite well. This album has some interesting short pieces of such blends, and a much more digestible 20 min long improvisation including sounds a la Soft Machine, a band that was a reference for creativity and possibly the pioneer of it all back in 68. That track includes an 8 min long drum solo amongst the best of that period. An interesting album that you'll listen a couple of times just to confirm what you just heard was indeed possible.
 Concerto Grosso Per I New Trolls by NEW TROLLS album cover Studio Album, 1971
3.68 | 180 ratings

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Concerto Grosso Per I New Trolls
New Trolls Rock Progressivo Italiano

Review by Warthur
Prog Reviewer

4 stars Named after a baroque music format in which a group of soloists trade licks with an orchestra, this doesn't actually include a full orchestra to my ear but does have a string section coming in from time to time to back up the New Trolls. Not that they entirely need it - they prove themselves to be a more than capable prog unit here, taking influences ranging from some decidedly Jimi Hendrix-like guitar (one of the songs here being a tribute to Jimi) to early King Crimson to the sort of sound Jethro Tull best captured on the Living In the Past compilation. (Vittorio De Scalzi has Ian Anderson's "toot then yell" motif down to a fine art.)

Where the Trolls excel is in taking all of these distinct influences and mashing them up into a whole which has a personality of its own. It is no surprise, then, that this release ended up being an important foundational document of the Italian prog scene, coming out at around the same time as Le Orme's Collage did and thus, along with that album, prompting the deluge of Italian prog that would later emerge in 1972.

 Night on the bare mountain by NEW TROLLS album cover Studio Album, 1974
3.50 | 13 ratings

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Night on the bare mountain
New Trolls Rock Progressivo Italiano

Review by GruvanDahlman
Prog Reviewer

3 stars New Trolls is an interesting band, for sure. They developed from ye olde beat and pop/ rock of the sixties into an ever more progressive and eclectic band. I love the 'Concerto grosso', 'Searching for a new land' and 'UT'. Especially 'UT'. I find that album to be very varied, hard rocking and challenging album that grows on you. At first I didn't get it at all but it revealed itself after some time. Great album by a great band. 'Night on bare mountain' seems to be the following album and is quite interesting aswell.

Musically New Trolls stands in both classical elements and hard rock, creating a wonderful brew of progressive rock that spans across the universe. Quite evident is their love of jazz and folk, which adds to the great flavor of the album. I would say, however, that the music is less challenging on this one, compared to 'UT', but ot the other hand it feels more cohesive and held together. The good thing is that the songs are presented in a sort of uniform state, the problem is that the songs actually are similar to each other, resulting in an album of great material but nothing really stand out.

There is an abundance of marvellous instrumentation on this album. The title track is an electronic sounding, pulsating thing with an overly classical reference which works great. The massive amounts of keyboards, not to mention organ, is a treat and being a fan of keyboards I cannot be anything other than amused. There is a delicate feel to it all that is at times abruptly interrupted by outbursts of heavy rock. That is very enjoyable and one is kept on ones toes, actually.

As far as individual tracks are concerned, every song is great and better. When I listen to the album I really nod my head in recognition. 'This is so great', I find myself saying, and I mean it. The music is really great in all it's jazzy progressive rock. It is wonderful. But I cannot really pick any one track out, apart from the title track. I cannot hum them. That is a shame, because the songs are really good. Maybe it's the similarities they share that is to blame? I don't really know. Or perhaps this album marks a decline in the fortunes of the New Trolls? Whatever the reason, I find that 'Night on bare mountain' is really enjoyable and well performed, simply not outstanding. I wish for it to be released on CD, some day, because then I will buy it. If you haven't listened to New Trolls, start with 'Concerto grosso' or 'UT'. Save this one for later.

 Concerto Grosso 1-2-3 di Luis Bacalov by NEW TROLLS album cover Boxset/Compilation, 2013
4.05 | 2 ratings

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Concerto Grosso 1-2-3 di Luis Bacalov
New Trolls Rock Progressivo Italiano

Review by Matti
Prog Reviewer

4 stars New Trolls, one of the earliest and longest living of the Italian rock groups, did already in 1971 what Osanna and Il Rovescio della Medaglia did soon after: a Baroque-style rock album in collaboration with the Argentinan composer Luis Bacalov (who had done music for spaghetti westerns among others). Concerto Grosso per i New Trolls is a charming classic. The next fruit of that collaboration, Concerto Grosso N. 2, appeared in 1976. (During the years in between the group had been divided in two stylistically different camps, but that's another story.)

The third similar album was released last year, and if I remember right its reception here hasn't been very warm. I haven't heard that album in its entirety, but in the light of this compilation it can't be that bad. In fact more than half of the 51 minutes of this release comes from that recent work. But anyway the happy thing is that this set excludes all the (weaker) material of the source albums, ie. the tracks without Bacalov's orchestrations. Therefor if you enjoy the Baroque excursions of this band more than their conventional rock output, this CD is a very nice one to have.

I understand those opinions that regard this hybrid music as slightly phoney and sentimental kitch, but I guess I'm romantic enough to sincerely enjoy it. Naturally it helps that I like the real Baroque music too, Bach, Vivaldi, etc. Of course this music cannot be compared to these Baroque geniuses, it's certainly more sentimental. Call it kitch or easy-listening if you will. In my opinion this marriage of a pop group singing in English (pleasant voices they have) and the real orchestra is a very harmonic one. Songs are melodically beautiful and the orchestra sounds gorgeous with all the dreamy strings. Warmly recommended to the romantic souls who enjoy Baroque! (I wonder why "La Leggenda" above the band name. The informative album name is perhaps clumsy too, but it hits the nail.)

 Concerto Grosso N3 by NEW TROLLS album cover Studio Album, 2013
2.80 | 13 ratings

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Concerto Grosso N3
New Trolls Rock Progressivo Italiano

Review by Progulator
Prog Reviewer

3 stars Fun? Yes. Musical? Definitely. Cheesey? Well, yeah, it's that too, but there's something captivating about Italian prog legends the New Trolls and its latest incarnation led by Vittorio De Scalzi despite the fact that not much has changed this time around. Once again we get loads of baroque inspired orchestra music blended in with pop and rock. Their latest, Concerto Grosso no. 3, is high energy, bombastic, and showcases, as always, the classic voice and flute work of Mr. De Scalzi. "Oh Venice" made for a powerful baroque/rock ballad while storm in Venice starts of brilliantly mysterious and builds spectacularly with the strings before an explosion of strings and electric guitar trade-offs with strong Vivaldi leanings. "Like Ophelia" returns to ballad form and makes gorgeous use of harp and piano; unfortunately when the guitar and drums kick in it gets a bit sappy. "The Magical City" ends up being a reprise of the opener, "The Mythical City" (both great songs), but this time with a royally epic march, sort of kingly parade music and even more orchestral wanderings in baroque style, augmented by punching rock band and thundering timpani. While there is lots going on in terms of classical baroque rock, there are, of course, the elements that make New Trolls' songs a bit polarizing for me. From my perhaps snobby view, there are a few bad pop numbers on this record, just as is typical of other albums in the New Trolls catalogue; in this case, "Per Nico," "Per Amore," and "Per Chi Combatte Per Noi." On the flip side, however, there are examples of good/tasteful pop, such as "Per Tutti I Bambini Del Mondo," a moving piece, somber but catchy, and "Per Lui" which is pretty straightforward rock with some nice opera vocal surprises. In the end, Concerto Grosso no. 3 offers us about what we expect from New Trolls: high quality and energetic baroque inspired prog rock along with a tendency toward old school style pop rock and ballads. If you're a fan of these Italian boys, this is certainly an album you'll want to run out and buy, and if you ever get an opportunity to see these guys perform live, you'll really be missing out if you don't go.
 Do Ut Des by NEW TROLLS album cover Studio Album, 2013
3.71 | 19 ratings

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Do Ut Des
New Trolls Rock Progressivo Italiano

Review by DrmmarenAdrian

4 stars "New Trolls" is an Italian rock band which released their debut album as early as 1968 and "Do Ut Des" from last year is their eighteenth studio album. Despite it's boring cover(is it Loreen I see?) and the small interest from other's hear I found it a record worth listening to.

The impressions from what I have heard are many. Firstly it's clear that this is a quite hard rock band which heavy guitar lines and singable choruses are easy to get fond of. The influences present on "Do ut des" are rock music, classical music, Emerson, Lake & Palmer and symphonic rock. The record starts with "Paganini" a little classic bit(8/10) and then comes the "mega hit" "Per ogni lacrima" a wonderful song with symphopnic melody and instrumentation, keyboards and guitar are great(8/10). "La Luce di Vermeer" is fast and rocky, and the guitars feel like they're from the eighties. In a piano solo it sounds a lot like Emerson, Lake and Palmer(8/10). "Oltre Il Cielo" is languorous and swinging(7/10) and "Rispettare Puo' Salvare" is a catchy and partially lovely song(7/10). "Do ut des", the title track is very varied with classical music and a lot of instrumental parts with great instruments. The band does this very professional(8/10). "Sara' per Noi" is more mediocre(6/10) but "Siamo Ancora Qui" and "Sporca politica" are better and potential hits(7/10). The albums closes with the English sung "Can't go on" which also is very nice and energetic.(7/10). The last song features Fergie Frederiksen on vocals.

The very competent musicians who are working here are Gianni Belleno(drums and vocals), Maurizio Salvi(keyboards and vocals), Claudio Cinquegrana(guitar, vocals), Anna Portalupi(guitar, bass) and Alessandro del Vecchio(vocals,keyboards). I think their efforts should be acknowledged and I like many of these songs very much so I will give the record four stars! My favourite song from the album are "La Luce Di Vermeer" followed by "Do ut des" and "Per ogni Lacrima".

 Concerto Grosso N3 by NEW TROLLS album cover Studio Album, 2013
2.80 | 13 ratings

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Concerto Grosso N3
New Trolls Rock Progressivo Italiano

Review by ProgShine
Collaborator Errors & Omissions Team

2 stars New Trolls have a story that goes back to mid-60's when the first line-up of the band was put together. They released 5 albums through late 60's and early 70's before they disbanded. In the late 70's they got together again but after that there were several splits and reunions, new projects involving the musicians of the band etc.

The band consists of four historic members of the original New Trolls' line-up together with Luis Bacalov and the Orchestra of Teatro Felice in Genoa. Concerto Grosso N 3 (2013) is the final third chapter of a trilogy that began over 40 years ago with their most successful album Concerto Grosso (1971). The album was released early this year in March Immaginica/Aerostella.

The album presents a very solid and completely Symphonic sound. It's a blend of Progressive Rock with the Baroque sounds of the orchestra and a great choir of voices all around. The first half of the album is comprised of six tracks that form a suite. 'The Mythical City' starts it with a kind of Pop sound, that can scare a bit, but soon 'Oh Venice' changes this image and 'Storm In Venice' redoes the game completely. Amazing track!

'Like Ophelia' gives a continuation to their suite with a kind of Christmas music that fits the month I'm reviewing the album (although the album was released 9 months ago). 'The Magical City' closes the suite and starts with a neo-classical kind of guitar solo, sort of weird having this kind of solo for the album in my opinion, not just that, the Pop kind of sound from the first track was revived here and the track also includes classical interludes all along. Very weird and mixed.

In the second half of the album we have the Pop Rock side of the band. The second half starts with 'Per Nico' and honestly, this is not a good direction for a band like New Trolls to go. Then 'Per Chi Combatte Per Noi' hits the speakers and the Italian Pop Rock 90's style continues, and by this time the album lost all its value for me. Not because it's not Prog Rock anymore, but because the compositions are really dull and flat. 'Per Freddie' is a homage to Queen's singer, but I would be ashamed of showing this song to him if he was alive. The album continues with 'Per Tutti I Bambini Del Mondo' that rises the level of the album a bit but then 'Per Lui' follows and pretty much ruins it again. 'Per Amore' and 'Per Chi Non Capisce' are ballads, the first one not even deserves to be reviewed, the second is quite good with acoustic guitars and orchestra.

Honestly speaking I was excited to have this Cd sent to me to be reviewed, but it was a big disappointment in the end. Concerto Grosso N 3 (2013) is a mixed bag where the first half takes us back to the real band's sound and the second just aims to someplace else I just can't understand. If the goal here was playing in the radio and having records sold they should have changed their name. The first half of the album is quite good using the orchestra to implement their sound, the second is just dull and misses life on the tracks with exception of the last one 'Per Chi Non Capisce'.

Concerto Grosso N 3 (2013) is pretty much a let-down for me, I honestly think that this album is for fans only, and even then, I'm not pretty sure that they will truly enjoy it.

(Originally posted on progshine.net)

 Concerto Grosso, The Seven Seasons by NEW TROLLS album cover Studio Album, 2007
4.03 | 86 ratings

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Concerto Grosso, The Seven Seasons
New Trolls Rock Progressivo Italiano

Review by sinslice

4 stars Art Folk Rock Baroque, Classical and Contemporary.

I always take a long time to break down, digest and qualify a work. In the case of New Trolls, none of his works, at least the most recognized, managed to move me. Some premature comments about this 'Seven Seasons' deluded me. With some skepticism I agreed to listen.

Undoubtedly, for me, is the NTs work most consummate and compact. With instrumental sections and other sung in English. Unique features. No exaggerations or ups and downs, as in other of his productions. True, less psychodelic than in 70s.

Emphasize orchestrated sections and piano, and some flute. But the whole band is assembled with precision. It is a collection that should be heard in its entirety, once.

After an extensive discography with few relevant ideas, NT gets a place of recognition, from my perspective, with this fantastic artwork.

Majestic - 4 to 4.5 stars.

 Concerto Grosso Per I New Trolls by NEW TROLLS album cover Studio Album, 1971
3.68 | 180 ratings

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Concerto Grosso Per I New Trolls
New Trolls Rock Progressivo Italiano

Review by coasterzombie

3 stars Concerto Grosso is severely overrated and suffers from an inherent design flaw: The second side bears no relationship to the first and breaks up any continuity that could have made music history. The Beatles, Moody Blues and Pink Floyd had all fused popular and classical music by 1971. New Trolls had an opportunity to be the first rock band to actually play classical music, at least in Italy, for an entire album's length. Instead, the opportunity is squandered with a bloated side-long improv. I don't mean to discredit the live performance capabilities of the band - this is better documented on the excellent Tempi Dispari - I just don't think it suits this particular release and have to rate it correspondingly.

The first three movements, or Tempos, of Concerto Grosso are essential listening for all prog rock fanatics. Unfortunately, this eleven minutes of RPI glory doesn't necessitate its purchase. "1 Tempo: Allegro" establishes the formula, alternating literally between the speakers from Baroque instrumentation to the band. As these ingredients homogenize, New Trolls are able to achieve something really groundbreaking. This becomes more evident during the second minute, with unison playing between the low strings and rhythm section. De Scalzi and Di Paulo double their guitars in octaves and hop on for the ride. This is great, great stuff and a perfect opening statement to an important yet indulgent album.

"2 Tempo: Adagio" introduces vocals for the first time, sung in English. New Trolls has as many detractors as fans for this decision, and I fall into the former category. That is not to say their Italian language albums are any better...I think this waffling hurt more RPI bands than it helped; not Osanna, RDM, Banco or even PFM were ever able to overcome the language barrier and break through internationally. Lyrics aside, the mushy "Adagio" works on a musical level, again merging orchestral inspiration and rock bombast well. What is probably the best example of this combination, "3 Tempo: Cadenza," demonstrates composer Luis Enriquez Bacalov's involvement. His direction and production in this domain would not be perfected however until 1973's Contaminazione by Rovescio Della Medaglia.

"4 Tempo: Shadows" abandons the orchestra and sets a slippery slope for the duration of the album. An obvious Hendrix homage, "Shadows" will impress psych/art-rock listeners but few others. The dreadful improvisation "Nella Sala Vuota" monopolizes the second side and feels like filler to me. Replete with drum solo, the improv just goes on far too long and serves no real purpose. Luckily the CD issue is a two-fer, backed with the slightly better Concerto Grosso N. 2 from 1976. I recommend making a custom disc or playlist with the offending songs excised, and the remaining selections will work much better as a whole. As it was originally sequenced however, Concerto Grosso N. 1 earns 2.5 stars in my book, but I will round up since the first eleven minutes are so important.

 Searching For A Land by NEW TROLLS album cover Studio Album, 1972
3.63 | 91 ratings

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Searching For A Land
New Trolls Rock Progressivo Italiano

Review by RisingForce

4 stars Searching For a Land.

This is the title of the fourth album of the Trolls, published in 1972 and this album is completely different from their predecessors legendary 'Concerto Grosso'.

A double album, with one part recorded in the studio and another part recorded live,probably in some Festival of new trends from numerous musical events of the genre in those years in Italy.

The first part (the first LP) is an impact of neoclassicism music between Venetian romanticism baroquisms with Italian Renaissance, blended with melancholy melodies, with some lysergic atmospheres and acoustic parts and some jazz moment.

All this reflects the skill of the musicians; the poly instrumentalist 'Vittorio De Scalzi' just alternates with various instruments and with a particular and original way of singing.

The ability of the Maestro 'Maurizio Salvi' making extensive use of Hammond organ, Mellotron, Moog, Piano & Cembalo, makes the arrangement and the atmosphere in a classical way almost like a real orchestra.

Very good taste of guitar solos and guitar arrangements of 'Nico Di Palo' and his high tone voice, he gaves a hard sound to the musical parties and acid moments.

Gianni Belleno full drums giving a solid sound and a full-bodied to the various passages with changes between different musical styles and the new entry in the band of 'Frank Laugelli' on bass instead of (Giorgio D'adamo) giving a good articulate present bass line.

The second part (the second LP) is the live album which is just completely different and the recipe is more hard & heavy, always with references to classical and Baroque music but the soul of hard rock is more visible on that formula.

Raspy powerful voices. Heavy fuzz guitar with great solo parts, strong use of the flute, a powerful Hammond organ always present with solos and technical arrangements and good solid bass and the drums sounding hard with massive parts.

This brings the 'New Trolls' into the heavy progressive sounds, that they have never hidden and underestimated.

All this makes the second part of the album spectacular and unrepeatable to turn everything into a great album.

But does not convincing the criticism of those years and so the album wasn't understood in the right way.

The album sung entirely in English with the parentheses Hard Rock and these two points the Italian music critics of those years compare and classify 'Searching for a land' and the 'New Trolls' stylistically to the British groups and therefore this It was not considered an original album.

Although the style of 'the New Trolls' is that with extensive use of Venetian baroque classical music that are evident in the album, but all this does not convince the music critics put the album unnoticed to the large audience.

'Searching For a Land' is one album that in any case it had the right response and the high consideration over the years as a great album like many other masterpieces that gave the past to the future.

'Searching For a Land' is highly recommended to all lovers of Symphonic Progressive and Heavy Prog, an album to listen and a must-have.

Amazing the vinyl reissue that replicates with fidelity its beautiful gatefold cover with a folding flap top and the replica of the Italian records label company just like the first edition of 1972.

Thanks to ProgLucky for the artist addition. and to NotAProghead for the last updates

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